Home|About us|Community|Français I Forgot My Password
 
    Username 
Login
    Password 
  or Register Now
        Exact Word Search

    Search
      RELEASED:

    The Digest

    Sales Sheet

    Tour Info

Avail [Over the James]

July 12 street date. Trailblazing Richmond, Virginia punk band Avail will reunite this summer for a series of sold-out shows, their first in twelve years, to celebrate the twenty-first anniversary of their album, Over the James. Originally released in 1998 on Lookout! Records, this re-issue will include bonus tracks that were added in 2006, when Jade Tree Records first pressed this title on vinyl. Over The James is the fourth album from Avail and this version includes the 14 original songs plus four bonus tracks including “Lombardy Street (Acoustic)” from the Fall of Richmond split with (Young) Pioneers and the band’s covers of Elvis Presley, Billy Joel and Embrace.
Bad Religion [Age Of Unreason]

June 14 LP street date / May 3 for CD. BAD RELIGION began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following. BAD RELIGION are set to release their new album Age of Unreason, which can be described as “a musical manifesto on the current political landscape.” In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.
Bleached [Don't You Think You've Had Enough?]

July 12 street date. "Don't You Think You've Had Enough?" is what Jennifer Clavin asked herself when she hit a turning point in her life. It's also the title of the new record from Bleached, Jessie and Jennifer Clavin's first LP written from a place of sobriety. That newfound perspective serves as the guiding force, yielding a courageous, honest, and sonically ambitious album. It's a record about fighting both literally and figuratively for your life - and the clarity born from that struggle. Producer Shane Stoneback (Vampire Weekend, Sleigh Bells) helped open every door to experimentation, wanting to be exploratory while keeping the sound singularly Bleached. The resulting LP is explosive, grappling with the past; its twelve tracks mark some of the sisters' most visceral, rawest songwriting to date - and some of their best. The work glimmers with inspiration found in touring with the likes of The Damned and Paramore. That arena-ready pop, incisively catchy, was a palpable influence helping to push Bleached's sound in a new direction.
Drab Majesty [Modern Mirror (2LP)]

July 12 street date. Drab Majesty's third album, "Modern Mirror", is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment.
Fruit Bats [Gold Past Life]

June 21 street date. Gold Past Life marks both an end and a beginning for Fruit Bats. It's the end of an unintentional thematic trilogy of records that began with 2014's EDJ (a solo record by name, but a Fruit Bats release in spirit) and hit an emotional peak with 2016's Absolute Loser. They encompassed years of loss, displacement, and the persistent, low-level anxiety of the current political climate. They were written in the wake of friends who left these earthly confines and families that could have been. But these salves, these songs on Gold Past Life, also represent new beginnings-the journeys that await after making it through troubled times. Gold Past Life is about rejecting notions of idealized nostalgia ("Gold Past Life") and the process of grounding oneself in the present, both geographically ("A Lingering Love," "Ocean") and spiritually ("Drawn Away"). With Gold Past Life, Eric Johnson of Fruit B hopes to bring more immediacy to the music and share positivity, hope, and motivation to keep on keepin' on with a wider audience.
Garson, Mort [Mother Earth's Plantasia]

June 21 street date. If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears) in 1976, you also took home "Plantasia", an album recorded especially for plants. Subtitled "warm earth music for plants and the people that love them," it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum.
Gauche [A People's History Of Gauche]

July 12 street date. On July 12, Washington, DC’s Gauche will release A People’s History of Gauche, a collective catharsis of anger, frustration, and trauma through creativity. Jason P Barnett, Adrienne CN Berry, Mary Jane Regalado, Pearie Sol, and Daniele Yandel find their agency and joy through creating and performing music together in 36 minutes of groove-filled power punk. Recorded with Austin Brown (Parquet Courts) and Robert Szmurlo in Brooklyn, NY, and with Jonah Takagi (Ex Hex) in DC, A People’s History of Gauche marks the first time the band worked with people outside of their ranks, resulting in a fuller sound that boasts more intricate instrumentation. From the very first line of album opener “Flash”—“Light’s supposed to show the way, not over-expose it”—Gauche are here to compel us to dance while singing along about society’s universal struggles. Gauche undoubtedly make art, but their guiding tenet is craft. “When I say that, I mean in the sense that Art with a capital A is thought of as something rarefied, something outside the context of everyday life, outside of everyone’s grasp or potential,” expounds Daniele. “That sense of craft, of something you return to every day and is valuable because it is something you share in common with all people, is how I think of music. Well, good music at least.” Gauche bring us music and movement and struggle and light, and now it is our job to dance!
Glitterer [Looking Through the Shades]

July 12 street date. Looking Through The Shades, is Glitterer’s debut full-length album, featuring Ned Russin, bassist/vocalist of Title Fight. This is Glitterer all glown up. Now there are live drums (twin-brother Ben did the honours) and dopamine-releasing fuzzy guitars to go with the synths, the bass, and the voice. Now there’s a full 14-song tracklist to luxuriate in. Produced by Alex Giannascoli and Arthur Rizk (Code Orange, Power Trip, Sumerlands) the album delivers Glitterer’s best-yet sonics and songs. The lyrics are still insouciantly tortured, in a reluctant-college-boy kind of way, the choruses are still obscenely catchy, and the arrangements still carry not so much as an ounce of excess fat. From the saturated distortion of the opener, “The Race” (“I wish I could look at your life and know it’s mine”), through the road-weary “1001” (“I sang 1,000 songs / didn’t want to sing again”) and the vox-and-bass-only Side B outlier “The News” (“I used to be original”), the listener is simultaneously satiated and left wanting more. For Fans of Title Fight, Touche’ Amore’ & Balance and Composure
Imperial Teen [Now We Are Timeless]

July 12 street date. Imperial Teen’s releases over the past 20+ years have been pointed and specific diaries of musical celebration, windows into the hypersensitive personal drama of relationships within the band, individual conquests and failures, and collective, aspirational hopes, dreams, and perspectives. The band wrote and recorded the new album in the cities the individual members have geographically gravitated to: New York City, the Bay Area, Denver, and Los Angeles. Themes of time and movement, averting and succumbing to crisis, dealing with loss and pain are all represented on the record, but what rings triumphant is the undeniable joy and catharsis that come from the band’s spontaneous and improvisational approach to making music together. In strict keeping with the band’s roots of creating seemingly clean, pop presentations as a springboard for dramatic themes of loneliness, triumph, suicide, success, and failure, Now We Are Timeless moves us into a realm of inevitability for the band. While Seasick, the band’s first release, thematically touched on the queasiness of pop and beach and sun and glare and the optimism that lies beneath, the new release serves as a bookend of sorts in its portrayal of a world in crisis, a frostbitten but melting iceberg, monolithic and stationary yet impermanent and resonant. What has remained constant over the years is Imperial Teen’s indisputable knack for writing profound hooks as a framework for their musical memories. Their songs exhibit the realness, joy, and energy that only good friends can conjure.
Inspectah Deck [Chamber No. 9]

July 12 street date. Inspectah Deck is one of the founding members of the legendary Wu-Tang Clan. The veteran wordsmith has enjoyed a successful solo career as well. Going back to his groundbreaking debut, "Uncontrolled Substance", to "The Movement" and "Manifesto", Deck isn't afraid of stepping outside the box. He has achieved underground success and critical acclaim from his Czarface albums with 7L and Esoteric, including recent albums with DOOM and Ghostface, respectively. Now, the Shaolin MC is back with a banging new solo album titled "Chamber No. 9", featuring Deck shining on the mic over some classic gritty production. Album guests include Cappadonna, Streetlife, and Hellfire. Production is handled by up and coming Danny Caiazzo and Boo Bundy. "Chamber No. 9" is certainly another brick in the wall for Deck and the Wu legacy.
Jackson, Jade [Wilderness (2LP)]

June 28 street date. Wilderness is a powerhouse of a record by Jade Jackson, a follow-up to her 2017 debut, Gilded. Her new work deals heavily with the in-betweens and stepping stones we dwell in and leap across while coming to terms with our sense of self, and how melancholy can be a powerful weapon to wield, especially in the form of a roots-rock or country song. Wilderness, like Gilded, was produced by Mike Ness, the SoCal punk rock legend who essentially plucked Jackson from obscurity several years ago and helped hone her craft and sound. Jackson calls Ness “a master of feel and rhythm” and credits him with showing her how to invoke more of those calling cards in her new work, in addition to those countless tools now in her arsenal that they developed together over time. As the pair’s master-pupil relationship continues to evolve, Jackson recognizes that Ness has become more open to her input while she herself has gotten more hands-on in the studio, a process that ultimately resulted in delivering the sound for which both parties were striving. “The message of ‘Wilderness’ is in how to get through tough situations—if you visualize yourself somewhere, all that good energy and intention can get you where you want to go.” – Jade Jackson. Produced by Mike Ness ( Social Distortion). For Fans of Margo Price, Lucinda Williams and Sturgill Simpson
Khruangbin [Hasta El Cielo (LP+7-inch)]

July 12 street date. Globetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist. The band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia.
Love Language [The Love Language (re-issue)]

July 12 street date. From frontman Stuart McLamb: "On The Love Language’s most recent tour opening for Teenage Fanclub, we played for lots of fresh ears, many of whom came to the merch table after the show and asked, “If you had to pick one, which of your albums is your favorite?” That’s a very tough question, like trying to pick a favorite child. While it’s hard to call it “best,” it’s impossible to deny that our self-titled record is and will always be the most sentimental to me. It’s where it all started. A collection of “demos” posted every couple months on Myspace between 2007 and 2008 until we were signed to our first label, Portland, Oregon’s Bladen County Records, who compiled them all as a full LP in 2009. The songs came effortlessly, and each one was recorded by a mobile multitrack recorder in various rooms (storage spaces, the back office of a record store, living rooms) throughout North Carolina literal hours after it was conceived. There’s a freshness and vitality to these songs that I hope, but don’t expect, to recapture again. It’s the sound of a songwriter discovering their voice in real time. The record has been out of print on vinyl for a few years now, and I’m excited to reissue it with some slight updates to the original packaging with my friends at Merge Records!"
Mannequin Pussy [Patience]

June 21 street date. The third full-length from Mannequin Pussy, Patience is an album fascinated with the physical experience of the body, its songs tracking the movements of mouths and hands and racing hearts, skin and spit and teeth and blood. Deeply attuned to the power of their own physicality, the Philadelphia-based band channels complex emotion in blistering riffs, thrashing rhythms, vocals that feel as immediate and untamed as a gut reaction. But throughout Patience, the Philadelphia-based band contrasts that raw vitality with intricate melodies and finely detailed arrangements, building a strange and potent tension that makes the album all the more cathartic. The follow-up to Romantic—a 2016 release praised by Pitchfork for “combin[ing] punk, shoegaze, death metal, and more, with the ferocious push-pull energy of a mosh pit”—Patience came to life at Studio 4 in Conshohocken, Pennsylvania. In creating the album, Mannequin Pussy worked with producer/engineer Will Yip (Quicksand, The Menzingers), shaping an explosive sound that never overshadows the subtlety of their songwriting. “In the past there’s been a chaotic feeling to the recording process, but working with Will put us in a different headspace,” says Dabice. “It helped us show our progression over the past few years and make a very crisp-sounding record, without losing the dirtiness of what Mannequin Pussy really is.” For fans of Downtown Boys, Joyce Manor and Cherry Glazer.
Mega Bog [Dolphine]

June 28 street date. Mega Bog is the fluid musical moniker of songwriter Erin Elizabeth Birgy, who has spent the last ten years channeling, capturing, and releasing her unique bouquet of fragrant, sci-fi pop experiments with a handful of bicoastal collaborators. She is joined on her fifth and finest album (and first for Paradise of Bachelors) by members of Big Thief, Hand Habits, and iji, who help her spin a manic web of emotions into beautiful, abstract future poems and thrilling genre perversions.
Pere Ubu [The Long Goodbye]

July 12 street date. Limited vinyl edition of Pere Ubu's new album. Named after Raymond Chandler's novel, "The Long Goodbye" is the end of a road. Front man David Thomas has long talked of their journey to Satisfied City: "this wraps up every song and story that Pere Ubu has been telling in different ways for the past forty plus years". This Pere Ubu album sounds like no other. It boasts a large expanse of synths due to Thomas writing and arranging the songs alone with his collection of drum machines, synthesizers and a melodeon before sending to the other musicians to complete this unique fusion of techno meets trad rock meets the avant garage. Limited to just 1000 copies, this beautiful vinyl edition is housed in a splendid gatefold sleeve reflecting the film noir-ish artwork, the perfect packaging for the inspiration behind the album's title.
Purple Mountains [Purple Mountains]

July 12 street date. Ten years have come and gone since David Berman's Silver Jews ended their classic run and Berman announced his retirement from music. Now Berman returns with Purple Mountains, his new nom-de-rock. "Purple Mountains" is also the name of what will be known as one of his greatest albums - full of double-jointed wit and wisdom, up to the neck in his special recipe of handcrafted country-rock joys and sorrows that sing legendary in cracked and broken hearts. The songs of "Purple Mountains" are a potent brew, stitched together from lifetimes, knitting the drift of the years with the tightest lyric construction Berman's ever attempted. Honesty is archly in the air, but lines of incredible bleakness somehow give way to playful distraction and the hiding of surprises for close listeners.
Six Organs Of Admittance [For Octavio Paz (Remastered)]

July 5 street date. Hermit Hut is pleased to announce their first Six Organs Of Admittance release with remastered For Octavio Paz, on vinyl for the first time since it’s original pressing of 500 on Time-Lag records in 2003 (which sold out in 24 hours). This new edition has been re-mixed and remastered from the original four-track cassettes to bring out the resonant tones of the acoustic guitars that were lost in the original transfer (2019 analog-to-digital technology has come a long way since early 2000 16-bit DAT machines, remember those?). For Octavio Paz is considered by many to be a high point in the early Six Organs of Admittance catalog. Almost wholly instrumental, it is the only Six Organs record that sounds fully dedicated to touching the edges of an acoustic finger-style world that was still quite underground back in the first few years of the new century. The songs here utilize a variety of approaches to the acoustic guitar, both steel string and nylon, solo and overdubbed, but always in the service of atmosphere. The record ends with a side long solo steel string piece that sounds equally at home next to modern guitar players like Tashi Dorji (who released his first LP on Hermit Hut) as classic American Primitive players such as Robbie Basho. When released on CD in 2004, For Octavio Paz earned an 8.0 from Pitchfork who said, “Though they vary from melancholy to warm memory in between notes, the emotions that Chasny creates on For Octavio Paz are always stark and imagistic.”
Superchunk [Acoustic Foolish (indie shop only)]

June 21 street date. NOTE: Limited copies available, indie shops only !! (New acoustic version of Foolish, featuring Allison Crutchfield, Matt Douglas, Peter Holsapple, Owen Pallett, and Jenn Wasner) From Mac McCaughan: Our original idea for an all-acoustic album was for it to be a selection of songs from all our albums, played in the style of an acoustic performance in a record store or a radio station, which we have done quite a bit of over the years (and documented on the first of our “Clambake” series in 2001). But with 2019 being the 25th anniversary of the Foolish album, it seemed weirder and more interesting to record an acoustic version of one whole album. I didn’t want this to sound like “acoustic demos recorded 25 years after the fact” or a band trying to “rock out” except on acoustic guitars, though to be fair we do some rocking out. Once we got into the process of learning how to play the songs on acoustic guitars—some of which we had never performed at all—it made sense to make this record its own thing altogether." (...) "We are lucky to have Allison Crutchfield, Matt Douglas, Peter Holsapple, Owen Pallett, and Jenn Wasner lend their great talents to the record and also lucky that Jon has an arsenal of small bells and a vibraslap."
Titus Andronicus [An Obelisk]

June 21 street date. An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini's world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it's most irreducible, as monolithic as the album's titular monument.
Tomb Mold [Planetary Clairvoyance]

July 19 street date. (Hugely anticipated third album from Toronto death metal band follows widely praised album from last year. First vinyl press comes w/ bonus gatefold insert with additional artwork) Recklessly devouring the world into a vortex of alternate dimensional planes with Manor Of Infinite Forms, Tomb Mold has crashed through boundaries with the impact of an ocean-sized asteroid. Somewhere between outer space, inner space and the unseen dark matter in between all space, they’ve devised an alchemical formula both crushingly oppressive and rapidly expanding outward in every direction. Waking from stasis for the third time in three years, their new record Planetary Clairvoyance is the sum total of knowledge gained and aeons absorbed, concentrated into a single massive tome of arcane wisdom and implausible physics. Like the album’s cover art, it exists in a domain of alien anatomical abnormality, malign flora and cold void desolation, warping and deforming the familiar into unknown obscurity. Tracked in Canada and then mixed and mastered by Arthur Rizk once again, the amalgamation of the huge sound of Manor Of Infinite Forms and the gritty particle chaos of Primordial Malignity come into boundless unity on this latest. With the explosive weight of a collapsing black hole, Tomb Mold accelerate unhinged toward infinite resurrection.
Uzeda [Quocumque jeceris stabit]

July 12 street date. Uzeda, one of the longest-running punk bands on the planet, returns with their first new album in 13 years, "Quocumque jeceris stabit". Recorded, as always, by longtime friend and collaborator, Steve Albini, "Quocumque jeceris stabit" sees Uzeda picking up where they left off, albeit with the sands and scars of time cutting new creative paths within the reputable map through which Uzeda have traveled for the past four decades. Vocalist Giovanna Cacciola's fragile, dynamic rasp still cuts through the jagged guitar of husband and fellow Bellini member, Agostino Tilotta, while the rhythm section of bassist Raffaele Gulisano and drummer Davide Oliveri provide the sturdy foundation on which all Uzeda songs are built. But there's something noticeably different now, a kind of melodic tension that was always hinted at but perhaps never fully displayed until now. It is a sound and a feel that Uzeda was made for, and one that unquestionably defines them.
V/A [1977: The Year Punk Broke (3CD)]

June 28 street date. Punk's Year Zero was 1976. But very few Punk records were actually released that year. The most significant musical developments happened in 1977, with a burgeoning, self-supporting network of clubs, performers, fanzines, indie labels and distributors creating an unstoppable groundswell that would revolutionise UK music and have an enduring impact on pop culture. "1977: The Year Punk Broke" reflects how a thrilling, controversial scene developed over those tumultuous twelve months. Many of the year's major breakthrough acts and cult favourites are included, including The Jam, The Damned, The Boomtown Rats, Buzzcocks, The Stranglers, Generation X, Sham 69, The Only Ones, The Rezillos, Ultravox!, 999, X-Ray Spex, ATV, The Boys and The Vibrators. The older guard - variously labelled Pub Rock, New Wave or Art Rock - are represented by Doctors Of Madness, Eddie & The Hot Rods, Deaf School, The Tyla Gang, Graham Parker & The Rumour, The Gorillas, The Count Bishops, Radio Stars, Spider and Alberto Y Lost Trios Paranoias. Other key names include Motorhead and The Heartbreakers, Johnny Thunders' band who recorded in London. Also present are a host of obscure indie Punk 45s and other rarities.

Latest News

 

F.A.B. WELCOMES RECORD CENTRE RECORDS

Now available for order, the unique vinyl releases from Record Centre Records; an Ottawa based vinyl-only record label founded in 2015 by John Thompson, owner of The Record Centre record shop in the heart of the Hintonburg neighbourhood. Committed to releasing independent music and Ottawa bands, John expanded into creating records truly from his love of vinyl audio.

Record Centre Records has become more than a label in the Ottawa Community – It has become a voice for artists and will continue to grow with vinyl releases that speak to the ears of audiophiles and music fans alike.

Record Centre Records boasts many award-winning artists of different genres including Bonnie Doon, Cindy Doire, Dany Laj & The Looks, The LYNNeS (Lynne Hanson and Lynn Miles) and many more.


©2010 F.A.B. Distribution|powered by SimboliQ  Terms and conditions|Privacy Statement