June 28 street date. "How the fuck are we going to turn this into a song?". That's the question Lou Barlow and John Davis have asked themselves since co-founding The Folk Implosion in the early 1990s. Beginning with improvised jams featuring Barlow on bass and Davis on drums, the duo develop their beat-driven pop collages from the ground up. It's the process they used on their debut cassette, "Walk Through This World With The Folk Implosion", and one they’ve returned to 30 years later on their spellbinding, self-referencing reunion, "Walk Thru Me". Contrasts and comparisons are the keys to unlocking "Walk Thru Me", and The Folk Implosion as a whole. Beyond the audible differences between Barlow's soft voice and Davis's urgent, reedy proclamations, their approaches to songwriting are strikingly distinct. Finally, Davis's Persian music studies in weekly Zoom lessons inspired him to integrate traditional Middle Eastern instruments such as the setar, oud, saz, and tombak.
June 28 street date. "How the fuck are we going to turn this into a song?". That's the question Lou Barlow and John Davis have asked themselves since co-founding The Folk Implosion in the early 1990s. Beginning with improvised jams featuring Barlow on bass and Davis on drums, the duo develop their beat-driven pop collages from the ground up. It's the process they used on their debut cassette, "Walk Through This World With The Folk Implosion", and one they’ve returned to 30 years later on their spellbinding, self-referencing reunion, "Walk Thru Me". Contrasts and comparisons are the keys to unlocking "Walk Thru Me", and The Folk Implosion as a whole. Beyond the audible differences between Barlow's soft voice and Davis's urgent, reedy proclamations, their approaches to songwriting are strikingly distinct. Finally, Davis's Persian music studies in weekly Zoom lessons inspired him to integrate traditional Middle Eastern instruments such as the setar, oud, saz, and tombak.
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