July 12 street date. Globetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist. The band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia.
July 12 street date. Globetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist. The band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia.
June 26 street date. Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night.
June 26 street date. Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night.
October 29 street date. Khruangbin are no slouches when it comes to the remix. This time, they're taking it a step further with an album dedicated to the art. The choice of remixers for this album is neither arbitrary nor accidental. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled ‘White Gloves’ on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, and Quantic is a mutual friend of Bonobo. Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. But all were made with love and respect for Khruangbin.
December 1 street date. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording's home turf, just a little something extra for the fans that bring a little something extra. Across five releases, this series ignites both sides of Khruangbin's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. Closing out this collection, "Live At Sydney Opera House" is a double LP of front-to-back Khruangbin. Here, career-spanning songs like "A Calf Born in Winter", "Maria También", "So We Won't Forget", "Shida" and "Friday Morning" arrive in their full interplanetary glory, recorded at one of the most celebrated venues on earth, the Sydney Opera House.
April 5 street date. Khruangbin's fourth studio album, "A LA SALA", is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald "DJ" Johnson, Jr., and guitarist Mark "Marko" Speer approach music. If 2020's "Mordechai", the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then "A LA SALA" is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. "A LA SALA" invites you to gaze through a window upon a landscape of daydreams, impossible skies and surreal glances, reflecting what we experience inward when looking outward. Each physical edition of "A LA SALA" incorporates unique travelogue photos captured by Marko. The black LP includes a bespoke jacket and handwritten elements from bassist Laura Lee, while the limited vinyl colorway edition feature a die-cut jacket revealing its own living room and window.
April 5 street date. Khruangbin's fourth studio album, "A LA SALA", is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald "DJ" Johnson, Jr., and guitarist Mark "Marko" Speer approach music. If 2020's "Mordechai", the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then "A LA SALA" is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. "A LA SALA" invites you to gaze through a window upon a landscape of daydreams, impossible skies and surreal glances, reflecting what we experience inward when looking outward. Each physical edition of "A LA SALA" incorporates unique travelogue photos captured by Marko. The black LP includes a bespoke jacket and handwritten elements from bassist Laura Lee, while the limited vinyl colorway edition feature a die-cut jacket revealing its own living room and window.
April 5 street date. Khruangbin's fourth studio album, "A LA SALA", is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald "DJ" Johnson, Jr., and guitarist Mark "Marko" Speer approach music. If 2020's "Mordechai", the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then "A LA SALA" is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. "A LA SALA" invites you to gaze through a window upon a landscape of daydreams, impossible skies and surreal glances, reflecting what we experience inward when looking outward. Each physical edition of "A LA SALA" incorporates unique travelogue photos captured by Marko. The black LP includes a bespoke jacket and handwritten elements from bassist Laura Lee, while the limited vinyl colorway edition feature a die-cut jacket revealing its own living room and window.
December 11 street date. Hot on the heels of ‘Mordechai’, the third album from US psych-rockers Khruangbin, the Texas trio are set to become the latest act to present their own LateNightTales in the popular, long-running musician-curated album series. With a mind-blowing selection of tracks that cross borders and cultures, Khruangbin's deep love of global grooves - from Asian pop to Nigerian reggae - Japanese mellow groove to Latina flavas - are steeped in eclecticism; Nazia Hassan's Hindi-disco ‘Khushi’, produced by British-Indian legend Biddu, South Korean rock band Sanullim who contribute ‘Don’t Go’, a pair of African bangers from Nigerian Maxwell Udoh and Roha Band, from Ethiopia; a diversion to Belarus for and thence to Madrid for the strident vocal performance of Paloma San Basilio with ‘Contigo’ before hightailing back to Texas. Elsewhere, the Lone Star state reps proudly, with David Marez and Kelly Doyle plus, in the LateNightTales tradition, the band deliver an exclusive, horizontally brilliant version of Kool & The Gang's ‘Summer Madness’, while the mix concludes with a spoken word piece by Tierney Malone, accompanied by fellow Houstonian Geoffrey Muller’s atmospheric banjo rendering of Erik Satie's ‘Gnossienne’.
December 11 street date. Hot on the heels of ‘Mordechai’, the third album from US psych-rockers Khruangbin, the Texas trio are set to become the latest act to present their own LateNightTales in the popular, long-running musician-curated album series. With a mind-blowing selection of tracks that cross borders and cultures, Khruangbin's deep love of global grooves - from Asian pop to Nigerian reggae - Japanese mellow groove to Latina flavas - are steeped in eclecticism; Nazia Hassan's Hindi-disco ‘Khushi’, produced by British-Indian legend Biddu, South Korean rock band Sanullim who contribute ‘Don’t Go’, a pair of African bangers from Nigerian Maxwell Udoh and Roha Band, from Ethiopia; a diversion to Belarus and thence to Madrid for the strident vocal performance of Paloma San Basilio with ‘Contigo’ before hightailing back to Texas. Elsewhere, the Lone Star state reps proudly, with David Marez and Kelly Doyle plus, in the LateNightTales tradition, the band deliver an exclusive, horizontally brilliant version of Kool & The Gang's ‘Summer Madness’, while the mix concludes with a spoken word piece by Tierney Malone, accompanied by fellow Houstonian Geoffrey Muller’s atmospheric banjo rendering of Erik Satie's ‘Gnossienne’.
May 19 street date. It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Most of all, this series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. "Live At Stubb's" features performances by Kelly Doyle, Ruben Moreno, The Suffers, Robert Ellis, and Khruangbin.
Please note new street date: February 18. Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region's sonic possibilities. Singer/songwriter Leon Bridges, from Fort Worth, and trailblazing Houston trio Khruangbin have joined forces for the "Texas Moon" EP, a follow-up to 2020's acclaimed "Texas Sun" project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own. Bridges calls it "more introspective", while Khruangbin bassist Laura Lee says it "feels more night time". "Texas Moon" is a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. The release represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new.
Please note new street date: February 18. Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region's sonic possibilities. Singer/songwriter Leon Bridges, from Fort Worth, and trailblazing Houston trio Khruangbin have joined forces for the "Texas Moon" EP, a follow-up to 2020's acclaimed "Texas Sun" project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own. Bridges calls it "more introspective", while Khruangbin bassist Laura Lee says it "feels more night time". "Texas Moon" is a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. The release represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new.
Please note new street date: February 18. Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region's sonic possibilities. Singer/songwriter Leon Bridges, from Fort Worth, and trailblazing Houston trio Khruangbin have joined forces for the "Texas Moon" EP, a follow-up to 2020's acclaimed "Texas Sun" project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own. Bridges calls it "more introspective", while Khruangbin bassist Laura Lee says it "feels more night time". "Texas Moon" is a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. The release represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new.
February 7 street date. It'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends its name to Bridges and Khruangbin's new collaborative EP. On "Texas Sun", these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future - a dreamy badlands where genres blur as seamlessly as the terrain. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you.
February 7 street date. It'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends its name to Bridges and Khruangbin's new collaborative EP. On "Texas Sun", these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future - a dreamy badlands where genres blur as seamlessly as the terrain. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you.
August 11 street date. It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording's home turf, just a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. ‘Live at RBC Echo Beach’ features performances by Men I Trust and Khruangbin.
August 11 street date. Alternative cover, exclusively available to Canadian shops! It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording's home turf, just a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. ‘Live at RBC Echo Beach’ features performances by Men I Trust and Khruangbin.
June 30 street date. It's only fitting that Khruangbin's first ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. This series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. "Live At Radio City Music Hall" features performances by Nubya Garcia and Khruangbin.
September 22 street date. It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who’ve become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Most of all, this series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. "Live At The Fillmore Miami" features performances by Toro Y Moi and Khruangbin.
September 23 street date. Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed "the African John Lee Hooker", one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of "desert blues" that garnered Grammy awards and widespread reverence. Though he transcended in 2006, Ali's musical legacy lives on through his son, Vieux aka "the Hendrix of the Sahara", an accomplished guitarist and champion of Malian music in his own right. On "Ali", his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original's integrity. The result is a rightful ode to a legend."Ali" is a testament to what happens when creativity is approached through open arms and open hearts.
September 23 street date. Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed "the African John Lee Hooker", one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of "desert blues" that garnered Grammy awards and widespread reverence. Though he transcended in 2006, Ali's musical legacy lives on through his son, Vieux aka "the Hendrix of the Sahara", an accomplished guitarist and champion of Malian music in his own right. On "Ali", his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original's integrity. The result is a rightful ode to a legend."Ali" is a testament to what happens when creativity is approached through open arms and open hearts.
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2019/05/01
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