March 24 street date. Is there a Crass-shaped hole in your life that's been empty since you wore out your copy of ‘Penis Envy’? An itch that only the purest of peace punk can scratch? Time for another prime dose of potent, chorus-drenched anarcho-punk from one of its finest modern exponents: A Culture Of Killing return with their third album, bigger and bolder than before with a foreboding sense of deathrock gloom dialled all the way up beyond 11. Their usual array of nods are all present and correct (The Mob, Zounds, The Cure), but this time everything feels - grander? More fully realised? Impressive, given their first two albums have been hoovered up and hailed by those in the know, but maybe we should banish any lingering doubts that the mysterious Italian band might be moving beyond merely echoing the classics and closer to creating a new benchmark for the genre. From new wave-styled Burundi beats and furious call-and-response vocals to dubbed-out grooves, there are new influences that are more than welcome in the band's sound, but the songs themselves are their finest thus far.