September 1 street date. (Very limited!! Speak now or forver hold your peace!!) 60 Page Hardcover photobook with band photos
and lyrics, exclusive splatter vinyl, download card. - Front man Austin Getz doesn’t blink when asked to sum up Turnover’s third full-length, Good Nature. “Learning,” he replies. “This whole record is about learning. Opening your eyes to new things, going outside of your comfort zone, and learning to grow into something new.” The album’s unique blend of musical and spiritual growth is immediately audible on the opening track, “Super Natural,” a late-summer idyll of intertwined guitar parts and laidback vocals. Listening to how the leisurely “Nightlight Girl” melts into a more propulsive selection like “Breeze,” and the way Good Nature flows together as a seamless whole, it’s also evident that the foursome has been paying closer attention to how artists from earlier eras made full-length albums: the range of textures, tempos, and dynamics on Good Nature are influenced in part by bossa nova, cool jazz, electronic music, and psychedelic grooves. This influx of new influences and inspiration, navigated by Peripheral Vision producer Will Yip, results in the band’s best album to date. Good Nature comes from a place of calm and contentment, nurtured by looking inward.
November 1 street date. There is a closeness at the heart of Turnover's aptly titled new album, ‘Altogether.’ Though it's the first collection the trio has written while living on opposite coasts, the record actually represents the group's most collaborative and connected work to date, showcasing the intuitive, near-telepathic relationship frontman Austin Getz has developed over the years with his bandmates. Turnover first emerged roughly a decade ago in Virginia Beach, VA, but the group's critical and commercial breakthrough didn't arrive until six years later, when they cracked the Top 5 on the Billboard Heatseekers Chart with their acclaimed sophomore album, ‘Peripheral Vision’. The band followed it up in 2017 with ‘Good Nature,’ a streaming smash that racked up roughly 40 million plays on Spotify alone.
November 1 street date. Purple vinyl edition. There is a closeness at the heart of Turnover's aptly titled new album, ‘Altogether.’ Though it's the first collection the trio has written while living on opposite coasts, the record actually represents the group's most collaborative and connected work to date, showcasing the intuitive, near-telepathic relationship frontman Austin Getz has developed over the years with his bandmates. Turnover first emerged roughly a decade ago in Virginia Beach, VA, but the group's critical and commercial breakthrough didn't arrive until six years later, when they cracked the Top 5 on the Billboard Heatseekers Chart with their acclaimed sophomore album, ‘Peripheral Vision’. The band followed it up in 2017 with ‘Good Nature,’ a streaming smash that racked up roughly 40 million plays on Spotify alone.
November 4 street date. "Myself In The Way" is Turnover's fifth full-length album, and it follows their first pause in consistent touring in almost 10 years. While the world was shut down, Turnover's four bandmates spent time meditating, painting, volunteer firefighting, skateboarding, and working in state parks - deepening interests and growing roots in places they hadn't been able to while living life on the road for so long. Over 18 months, these individual experiences acted as the soil in which "Myself In The Way" grew into Turnover’s next album. Returning to Pennsylvania to track with longtime friend and producer Will Yip, vocalist and guitarist Austin Getz cites Quincy Jones, Chic, and "Dark Side of the Moon" as influences in the way that songs like the infectiously-rhythmic "Ain't Love Heavy" and the trippy, disorienting "Tears of Change" feel wider, deeper and more whole than anything in the band's catalog to date. Drummer Casey Getz's new skills behind the drum set that open up songs on "Myself In The Way" to more improvisation and fluidity, pairing well with bassist Dan Dempsey's infectious bass-lines and Nick Rayfield's sharpened guitar and piano playing.
November 4 street date. "Myself In The Way" is Turnover's fifth full-length album, and it follows their first pause in consistent touring in almost 10 years. While the world was shut down, Turnover's four bandmates spent time meditating, painting, volunteer firefighting, skateboarding, and working in state parks - deepening interests and growing roots in places they hadn't been able to while living life on the road for so long. Over 18 months, these individual experiences acted as the soil in which "Myself In The Way" grew into Turnover’s next album. Returning to Pennsylvania to track with longtime friend and producer Will Yip, vocalist and guitarist Austin Getz cites Quincy Jones, Chic, and "Dark Side of the Moon" as influences in the way that songs like the infectiously-rhythmic "Ain't Love Heavy" and the trippy, disorienting "Tears of Change" feel wider, deeper and more whole than anything in the band's catalog to date. Drummer Casey Getz's new skills behind the drum set that open up songs on "Myself In The Way" to more improvisation and fluidity, pairing well with bassist Dan Dempsey's infectious bass-lines and Nick Rayfield's sharpened guitar and piano playing.
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