January 22 street date. Vinyl companion to the blockbuster Blu-ray/DVD concert album by iconic 90s rap/rock hybrid band, 311. Includes all of the band's biggest chart topping hits including "Down," "All Mixed Up," "Beautiful Disaster," "Come Original" and lots more. Special double LP coloured vinyl set packaged in a gatefold jacket with photos from the concert. View all titles by this artist

January 22 street date. Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of the impression. In a peculiar way, the present album is a result of that success. For it is something that Adderley might well not have dared attempt in the past, and that he might not have been able to convince his record company to do. The nature of this album should be immediately apparent from Adderley's choice of associates. Cannonball feels, and many agree, that pianist Bill Evans is unexcelled when moody delicacy is called for. View all titles by this artist

January 22 street date. Drift Up To Space is AMBIANCE’s second album released in 1980 on Da Mon Records, Los Angeles. Sublime from the beginning to the end, it has become a sought-after collector’s item. View all titles by this artist

January 22 street date. Been Down This Road Before is a thought provoking musical message, delivered at a time when racism, greed, injustice and a deadly pandemic are jeopardizing our ability to harmoniously exist with one another and with our planet. View all titles by this artist

January 22 street date. View all titles by this artist

Please note new street date: January 22/21. William Basinski's reputation as the foremost producer of profound meditations on death and decay has long been established, but on his new album, "Lamentations", he transforms operatic tragedy into abyssal beauty. More than any other work since "The Disintegration Loops", there is an ominous grief throughout the album, and that sense of loss lingers like an emotional vapor. Captured and constructed from tape loops and studies from Basinski's archives - dating back to 1979 - "Lamentations" is over forty years of mournful sighs meticulously crafted into songs. They are shaped by the inevitable passage of time and the indisputable collapsing of space - and their collective resonance is infinite and eternal. View all titles by this artist

January 22 street date. View all titles by this artist

January 22 street date. Vinyl reissue, originally released 1977. Recorded at a cross roads in Arthur Brown 's career, Chisholm In My Bosom saw him experiment with the lengthy side-long title track, collaborating once more with former Crazy World bandmate Vincent Crane and Kingdom Come guitarist, Andy Dalby . The result was one of the most fascinating and creative albums recorded by Arthur in the 1970s. Crystal clear vinyl; edition of 500. View all titles by this artist

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January 22 street date. "When I first started thinking about my album, I wasn’t sure what musical direction that I wanted to go in because I like so many different styles of music, so I decided to just write what I felt that day, if it was jazzy, I wrote a jazzy song. If it was soulful, I wrote a soulful song, if it was funky, I wrote a funky song. BUT it was all made with Love and that’s what I want people to feel when they hear my music. I want them to feel the love." (Gorden Campbell) View all titles by this artist

January 22 street date. Influenced by a life split between Lima, London, and Twentynine Palms, Peru-born M. Caye Castagnetto's "Leap Second" is an intriguingly personal and hard to classify debut album. The album is a thick collage of samples Caye recorded with different artists and musicians, including Beatrice Dillon and the late Aileen Bryant, that spans five years in the making. There is something in "Leap Second" that tracks the speed of bodies, how they approach and retreat. The ten tracks are speedy and languid, thick ruffles, and dirges. In parts it feels like one's stumbled upon a forgotten incredible 70s folk record but that feeling gets broken quickly by clever sleights of hand. Caye's balladry is angular, time is elastic. Each song is a fresh cape. How dandies really mean it, so masc- that it's fay, how the only moment is this one and it's just passed, etcetera. View all titles by this artist