June 2 street date. Brooklyn bedroom-pop trailblazers Beach Fossils new album "Bunny" is a triumphant return for one of the 2010s most influential NYC bands. "Bunny" is a precise blend of the luscious dream-pop atmospheres they notoriously honed on their earliest projects, the post-punk vigor expressed on "The Truth", and the warm, sophisticated songwriting of "Somersault". Composer Dustin Payseur peppers the album equally with descriptions of the joy of fatherhood and the existential pleasure of smoking cigarettes out of a car window with friends - "Bunny" features Beach Fossils' most personal lyrics to-date. This is a collection of new favourite tracks for fans of every era of Beach Fossils. Releasing on Payseur and his partner Katie Garcia's own label, Bayonet Records, "Bunny" will prove to be the culmination of a decade's worth of growth and experience.
June 2 street date. Brooklyn bedroom-pop trailblazers Beach Fossils new album "Bunny" is a triumphant return for one of the 2010s most influential NYC bands. "Bunny" is a precise blend of the luscious dream-pop atmospheres they notoriously honed on their earliest projects, the post-punk vigor expressed on "The Truth", and the warm, sophisticated songwriting of "Somersault". Composer Dustin Payseur peppers the album equally with descriptions of the joy of fatherhood and the existential pleasure of smoking cigarettes out of a car window with friends - "Bunny" features Beach Fossils' most personal lyrics to-date. This is a collection of new favourite tracks for fans of every era of Beach Fossils. Releasing on Payseur and his partner Katie Garcia's own label, Bayonet Records, "Bunny" will prove to be the culmination of a decade's worth of growth and experience.
June 2 street date. Brooklyn bedroom-pop trailblazers Beach Fossils new album "Bunny" is a triumphant return for one of the 2010s most influential NYC bands. "Bunny" is a precise blend of the luscious dream-pop atmospheres they notoriously honed on their earliest projects, the post-punk vigor expressed on "The Truth", and the warm, sophisticated songwriting of "Somersault". Composer Dustin Payseur peppers the album equally with descriptions of the joy of fatherhood and the existential pleasure of smoking cigarettes out of a car window with friends - "Bunny" features Beach Fossils' most personal lyrics to-date. This is a collection of new favourite tracks for fans of every era of Beach Fossils. Releasing on Payseur and his partner Katie Garcia's own label, Bayonet Records, "Bunny" will prove to be the culmination of a decade's worth of growth and experience.
June 2 street date. "Lucky For You" is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by its creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on - and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. "Lucky For You" is largely inspired by Bognanno's dog and best friend Mezzi passing away, at a time when her life already felt as if in metamorphosis. It is a kaleidoscopic rock record spanning punk's grit, the crunchy bliss of shoegaze, explosive Britpop, and the type of classic anthems Bully has been known for. These ten songs are simply the most irresistible Bognanno's put to tape yet, making "Lucky For You" her greatest triumph to date in a career already packed with them.
June 2 street date. "Lucky For You" is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by its creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on - and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. "Lucky For You" is largely inspired by Bognanno's dog and best friend Mezzi passing away, at a time when her life already felt as if in metamorphosis. It is a kaleidoscopic rock record spanning punk's grit, the crunchy bliss of shoegaze, explosive Britpop, and the type of classic anthems Bully has been known for. These ten songs are simply the most irresistible Bognanno's put to tape yet, making "Lucky For You" her greatest triumph to date in a career already packed with them.
June 2 street date. "Lucky For You" is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by its creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on - and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. "Lucky For You" is largely inspired by Bognanno's dog and best friend Mezzi passing away, at a time when her life already felt as if in metamorphosis. It is a kaleidoscopic rock record spanning punk's grit, the crunchy bliss of shoegaze, explosive Britpop, and the type of classic anthems Bully has been known for. These ten songs are simply the most irresistible Bognanno's put to tape yet, making "Lucky For You" her greatest triumph to date in a career already packed with them.
June 2 street date. "Lucky For You" is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by its creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on - and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. "Lucky For You" is largely inspired by Bognanno's dog and best friend Mezzi passing away, at a time when her life already felt as if in metamorphosis. It is a kaleidoscopic rock record spanning punk's grit, the crunchy bliss of shoegaze, explosive Britpop, and the type of classic anthems Bully has been known for. These ten songs are simply the most irresistible Bognanno's put to tape yet, making "Lucky For You" her greatest triumph to date in a career already packed with them.
June 2 street date. The debut full-length from Fat Mike's Bottles To The Ground label. Get Dead vocalist Sam King's graffiti crew were giving tattoos and making flash art to raise money to help rapper Ceschi Ramos when he was in prison. Months later they met at the Gilman Street Project in Berkeley, California. They bonded, talking about their love of hip-hop and punk rock, over a bottle of Jameson. They didn't know it yet, but they had just started Codefendants. Impossible to define by traditional standards, Codefendants were forged out of a desire to make an album that sounded like nothing else, so they enlisted Fat Mike and Baz the Frenchman to make a completely genre-fluid album; a cross between hip hop, new-wave, flamenco, and The Beatles. They call the sound "Crime Wave". "This Is Crime Wave" boasts production by Fat Mike and features by The DOC of NWA along with Stacey Dee of Bad Cop Bad Cop.
June 2 street date. The debut full-length from Fat Mike's Bottles To The Ground label. Get Dead vocalist Sam King's graffiti crew were giving tattoos and making flash art to raise money to help rapper Ceschi Ramos when he was in prison. Months later they met at the Gilman Street Project in Berkeley, California. They bonded, talking about their love of hip-hop and punk rock, over a bottle of Jameson. They didn't know it yet, but they had just started Codefendants. Impossible to define by traditional standards, Codefendants were forged out of a desire to make an album that sounded like nothing else, so they enlisted Fat Mike and Baz the Frenchman to make a completely genre-fluid album; a cross between hip hop, new-wave, flamenco, and The Beatles. They call the sound "Crime Wave". "This Is Crime Wave" boasts production by Fat Mike and features by The DOC of NWA along with Stacey Dee of Bad Cop Bad Cop.
June 2 street date. "Stakes Is High" is the 4th studio album by de la Soul, released on July 2, 1996. The album was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rappers and actors Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".
June 2 street date. "Stakes Is High" is the 4th studio album by de la Soul, released on July 2, 1996. The album was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rappers and actors Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".
June 2 street date. "Stakes Is High" is the 4th studio album by de la Soul, released on July 2, 1996. The album was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rappers and actors Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".
June 2 street date. Limited edition vinyl reissue of Death From Above 1979's debut album, "You're A Woman, I'm A Machine", which capitalized on the rock revivalism dominating the early '00s music press, while anticipating the reign of bass-bin-rattling dance music over the rest of the decade. In the red assaults like "Turn It Out" and "Pull Out" highlighted bassist Jesse Keeler and drummer/vocalist Sebastien Grainger's post-hardcore pedigree, but with the synth-sweetened groove of "Romantic Rights" and the cowbell-clanking "Sexy Results", the duo sculpted their marble-slab heaviness into deviously dissonant disco.
June 2 street date. How Ben Harper describes his new album: "Wide Open Light" is a family of songs I've written. I've selected them with the care one might put into a personal photo album. To that effect, I'd call it a sonic family photo album, each track a close relative to the next. The story behind this record is simple. I have been writing songs now for over 30 years. It's what I long to do, love to do, and at times feel I need to do, and hope to continue doing until the ink runs dry and the notes fade. But for now, "Wide Open Light". Deliberately minimalist, the songs themselves do as much of the heavy lifting as the production (produced by myself, and my longtime collaborators Danny Kalb and Jason Mozersky)". Featured guests on the album include Jack Johnson, Shelby Lynne, and Piers Faccini.
June 2 street date. How Ben Harper describes his new album: "Wide Open Light" is a family of songs I've written. I've selected them with the care one might put into a personal photo album. To that effect, I'd call it a sonic family photo album, each track a close relative to the next. The story behind this record is simple. I have been writing songs now for over 30 years. It's what I long to do, love to do, and at times feel I need to do, and hope to continue doing until the ink runs dry and the notes fade. But for now, "Wide Open Light". Deliberately minimalist, the songs themselves do as much of the heavy lifting as the production (produced by myself, and my longtime collaborators Danny Kalb and Jason Mozersky)". Featured guests on the album include Jack Johnson, Shelby Lynne, and Piers Faccini.
June 16 street date. Layo & Bushwacka!'s "Love Story (vs Finally)", released 20 years ago, was one of those tracks you couldn't get away from. Whether you were in the club or just listening to the radio, it was everywhere. Infiltrating the UK Top 10 Chart and going Gold, this mashup of the duo's original "Love Story" and Kings Of Tomorrow's "Finally" was the duo's crowning jewel. XL are celebrating "Love Story" and its anniversary by commissioning Paul Woolford to make a version that would hit the dancefloor just as hard 20 years later. This floor ready remix proves that classics never die; breathing new life into a track that "changed the course of dance music history" (DJ Mag). Layo & Bushwacka! & Paul Woolford's "Love Story (vs Finally)" (Paul Woolford 2023 Remixes) arrives on a black vinyl 12".
June 2 street date. "Unknown Road" is reissued on limited edition orange & blue galaxy vinyl to celebrate the album's 30th anniversary! On "Unknown Road", Pennywise steps up their songwriting, maintains all their fury and intensity, and lays out their philosophy of independence and the importance of daring to live every moment to its fullest. This album featured a number of songs that played on tons of skate, surf and snowboarding videos, making this, and other PW records to come, the soundtrack to the exploding extreme sports board scene. Featuring such Pennywise classics as "Homesick", "Unknown Road", "It's Up To Me", and "You Can Demand", "Unknown Road" is arguably the quintessential SoCal hardcore record of the 90s.
June 2 street date. Purr introduced themselves to the world with a 2018 single that showed off their talents as both writers and vocalists, and they further refined their style on their first full-length album, 2020's "Like New" and continue that on forthcoming album "Who Is Afraid Of Blue?". An indie pop duo whose music has a cool retro vibe buoyed by smooth melodies, a naturalistic sound, and warm harmonies, Purr is a collaboration between songwriters, musicians, and longtime friends Eliza Barry Callahan and Jack Staffen. The two previously worked together as Jack + Eliza, but while that project emphasized spare and stripped-down accompaniment, Purr's recordings feature a fuller sound with a larger palette of instrumental flavors that often references 1960s pop. Sonically, "Who Is Afraid Of Blue?" isn't beholden by genre. It is an omnivorous record - you can hear glimmers of Aimee Mann, Radiohead, and The Cocteau Twins which is fitting because it is in some ways a record of their process of falling in love with music all over again.
June 2 street date. Purr introduced themselves to the world with a 2018 single that showed off their talents as both writers and vocalists, and they further refined their style on their first full-length album, 2020's "Like New" and continue that on forthcoming album "Who Is Afraid Of Blue?". An indie pop duo whose music has a cool retro vibe buoyed by smooth melodies, a naturalistic sound, and warm harmonies, Purr is a collaboration between songwriters, musicians, and longtime friends Eliza Barry Callahan and Jack Staffen. The two previously worked together as Jack + Eliza, but while that project emphasized spare and stripped-down accompaniment, Purr's recordings feature a fuller sound with a larger palette of instrumental flavors that often references 1960s pop. Sonically, "Who Is Afraid Of Blue?" isn't beholden by genre. It is an omnivorous record - you can hear glimmers of Aimee Mann, Radiohead, and The Cocteau Twins which is fitting because it is in some ways a record of their process of falling in love with music all over again.
June 2 street date. Rancid - the legendary Bay Area punk rockers - are back with their 10th studio album, "Tomorrow Never Comes". Emerging from the blue-collar swamps of Berkeley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Back in 1991, after the demise of their much beloved and still influential first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible - start an even better band. Signing with Epitaph Records, the band released their first album in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band and they went on to release incredible records including their classic - the platinum selling "And Out Come The Wolves" (1995). Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend and inspiration to punk bands that have come after. They are the living embodiment of East Bay punk.
June 2 street date. Rancid - the legendary Bay Area punk rockers - are back with their 10th studio album, "Tomorrow Never Comes". Emerging from the blue-collar swamps of Berkeley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Back in 1991, after the demise of their much beloved and still influential first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible - start an even better band. Signing with Epitaph Records, the band released their first album in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band and they went on to release incredible records including their classic - the platinum selling "And Out Come The Wolves" (1995). Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend and inspiration to punk bands that have come after. They are the living embodiment of East Bay punk.
June 2 street date. Rancid - the legendary Bay Area punk rockers - are back with their 10th studio album, "Tomorrow Never Comes". Emerging from the blue-collar swamps of Berkeley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Back in 1991, after the demise of their much beloved and still influential first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible - start an even better band. Signing with Epitaph Records, the band released their first album in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band and they went on to release incredible records including their classic - the platinum selling "And Out Come The Wolves" (1995). Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend and inspiration to punk bands that have come after. They are the living embodiment of East Bay punk.
June 2 street date. "Closing Time" foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Tom Waits. It is on this debut album that Waits performs enduring classics of his career such as "Ol' 55" (famously covered by Eagles), the heartbreaking "Martha", and the gentle acoustic folk of "I Hope That I Don't Fall In Love With You". Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.
June 2 street date. "Closing Time" foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Tom Waits. It is on this debut album that Waits performs enduring classics of his career such as "Ol' 55" (famously covered by Eagles), the heartbreaking "Martha", and the gentle acoustic folk of "I Hope That I Don't Fall In Love With You". Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.
June 9 street date. “Future’s Shadow Part 1: The Clandestine Gate”, the most anticipated death/funeral doom metal release of 2023, is the long-awaited BELL WITCH follow-up to 2017’s landmark “Mirror Reaper” LP. With “Mirror Reaper”, BELL WITCH set a landmark within doom metal (within the death/funeral doom corner of the genre) and with “The Clandestine Gate”, BELL WITCH have gone even more into the beyond with their new LP with another new milestone that will set new standards once again within the genre, their most triumphant achievement yet. “The Clandestine Gate” is the first in a three part movement called “Future’s Shadow” and presents itself in the same format as “Mirror Reaper”; a single 86-minute all encompassing, masterful overpowering track making BELL WITCH the most singular artist within the genre of doom metal. With “The Clandestine Gate” being BELL WITCH’s most towering album to date, this will also align itself for fans of similar artists within death/funeral doom metal such as Evoken, Mournful Congregation, Skepticism, Shape Of Despair, Thergothon and Esoteric.
June 9 street date. “Future’s Shadow Part 1: The Clandestine Gate”, the most anticipated death/funeral doom metal release of 2023, is the long-awaited BELL WITCH follow-up to 2017’s landmark “Mirror Reaper” LP. With “Mirror Reaper”, BELL WITCH set a landmark within doom metal (within the death/funeral doom corner of the genre) and with “The Clandestine Gate”, BELL WITCH have gone even more into the beyond with their new LP with another new milestone that will set new standards once again within the genre, their most triumphant achievement yet. “The Clandestine Gate” is the first in a three part movement called “Future’s Shadow” and presents itself in the same format as “Mirror Reaper”; a single 86-minute all encompassing, masterful overpowering track making BELL WITCH the most singular artist within the genre of doom metal. With “The Clandestine Gate” being BELL WITCH’s most towering album to date, this will also align itself for fans of similar artists within death/funeral doom metal such as Evoken, Mournful Congregation, Skepticism, Shape Of Despair, Thergothon and Esoteric.
June 9 street date. "Rising blues star Selwyn Birchwood is the real deal. He puts his own fresh spin on the blues, taking the tradition and making it into something new" - Guitar World. Gifted songwriter, blistering guitarist and rugged vocalist Selwyn Birchwood is one of the blues' brightest young stars, playing exhilarating, visionary new roots music. A charismatic, relentless touring artist, Selwyn plays over 150 live performances a year at clubs, theatres, and festivals. Selwyn has been featured on NPR's World Café and XM/Sirius Satellite radio, and in Rolling Stone, The Wall Street Journal, The Washington Post, The Chicago Tribune, DownBeat, American Songwriter, Goldmine, Vintage Guitar, and No Depression. Produced by Grammy winner Tom Hambridge (Buddy Guy, Christone "Kingfish" Ingram, Susan Tedeschi), "Exorcist" features 13 vividly detailed new Birchwood originals. It's an intoxicating mix of deep blues, heady, psychedelic-tinged rock, booty-shaking funk, and sweet Southern soul, performed with the fire-and-brimstone fervor of a revival tent preacher.
June 9 street date. "Rising blues star Selwyn Birchwood is the real deal. He puts his own fresh spin on the blues, taking the tradition and making it into something new" - Guitar World. Gifted songwriter, blistering guitarist and rugged vocalist Selwyn Birchwood is one of the blues' brightest young stars, playing exhilarating, visionary new roots music. A charismatic, relentless touring artist, Selwyn plays over 150 live performances a year at clubs, theatres, and festivals. Selwyn has been featured on NPR's World Café and XM/Sirius Satellite radio, and in Rolling Stone, The Wall Street Journal, The Washington Post, The Chicago Tribune, DownBeat, American Songwriter, Goldmine, Vintage Guitar, and No Depression. Produced by Grammy winner Tom Hambridge (Buddy Guy, Christone "Kingfish" Ingram, Susan Tedeschi), "Exorcist" features 13 vividly detailed new Birchwood originals. It's an intoxicating mix of deep blues, heady, psychedelic-tinged rock, booty-shaking funk, and sweet Southern soul, performed with the fire-and-brimstone fervor of a revival tent preacher.
Please note new street date: June 9. In 1982, D.O.A. was ready to record a new album on the heels of their first two albums: "Something Better Change" and "Hardcore 81", which are still both musical landmarks to this day. But their legendary line up had changed, as Randy Rampage was ousted from the band. Chuck Biscuits' older brother Dimwit Biscuits stepped in on bass with Chuck still on drums, Joey Shithead on vocals and guitar and Dave Gregg on guitar. While this line up only lasted for three months, the band traveled to L.A. and recorded demos at Mystic Studios. Eventually Chuck quit, Dimwit took over on drums and Wimpy Roy became the bassist. So, as a grand way of celebrating the 40th anniversary of "War On 45", which many a critic and fan hailed as one of the most innovative albums of its time and on a par, quality wise with their first two albums. Sudden Death decided to add some bonus material. First off, now included is a 12-page booklet of unique photos, posters and an extensive history of D.O.A. at that time, written by Canada’s godfather of punk Joey Shithead. Also, All eight tracks from the "War On 45" 1982 release are on side A and seven tracks from the pre-War On 45 demos that were recorded at Mystic onto Side B. So one has the Montgomery brothers: Biscuits and Dimwit, two of the greatest drummers of all time on the same LP!
Please note new street date: June 9. In 1982, D.O.A. was ready to record a new album on the heels of their first two albums: "Something Better Change" and "Hardcore 81", which are still both musical landmarks to this day. But their legendary line up had changed, as Randy Rampage was ousted from the band. Chuck Biscuits' older brother Dimwit Biscuits stepped in on bass with Chuck still on drums, Joey Shithead on vocals and guitar and Dave Gregg on guitar. While this line up only lasted for three months, the band traveled to L.A. and recorded demos at Mystic Studios. Eventually Chuck quit, Dimwit took over on drums and Wimpy Roy became the bassist. So, as a grand way of celebrating the 40th anniversary of "War On 45", which many a critic and fan hailed as one of the most innovative albums of its time and on a par, quality wise with their first two albums. Sudden Death decided to add some bonus material. First off, now included is a 12-page booklet of unique photos, posters and an extensive history of D.O.A. at that time, written by Canada’s godfather of punk Joey Shithead. Also, All eight tracks from the "War On 45" 1982 release are on side A and seven tracks from the pre-War On 45 demos that were recorded at Mystic onto Side B. So one has the Montgomery brothers: Biscuits and Dimwit, two of the greatest drummers of all time on the same LP! Red vinyl edition, limited to 500 copies.
Please note new street date: April 14 (LP) / June 9 (CD). From beloved composer Emahoy Tsege Mariam Gebru, a revelatory new album of piano pieces, unreleased or virtually inaccessible until now. Emahoy Tsege Mariam Gebru is a true original - an Ethiopian nun whose recordings have funded orphanages back home since the early 1960s. Her compositions and unique playing style live somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear. This is the first archival release of the great composer's recordings since the "Éthiopiques" series reintroduced her music to the world in 2006. Drawn from original master tapes and a nearly impossible-to-find vinyl release, "Jerusalem" unveils profound new facets of Emahoy Gebru's performance and compositions. Newly remastered recordings pressed on 160g black vinyl, heavy jacket with reproduction of 1972 artwork, song notes by the artist.
June 9 street date. UK songwriter/producer Archy Marshall, aka King Krule, presents his fourth studio record, "Space Heavy". Written from 2020 to 2022, the pensive 15 track album took shape over the course of commutes between London and Liverpool, where Archy was splitting his time. He found himself fascinated by the notion of "the space between" - the space haunted by dreams of love, touching a narrative of lost connection, losing people and situations to the guillotine of the universe. 10 years on from his debut album, "Space Heavy" presents King Krule at his most articulate; using his years of experience to create a dynamic body of work that reveals something new with every listen.
June 9 street date. UK songwriter/producer Archy Marshall, aka King Krule, presents his fourth studio record, "Space Heavy". Written from 2020 to 2022, the pensive 15 track album took shape over the course of commutes between London and Liverpool, where Archy was splitting his time. He found himself fascinated by the notion of "the space between" - the space haunted by dreams of love, touching a narrative of lost connection, losing people and situations to the guillotine of the universe. 10 years on from his debut album, "Space Heavy" presents King Krule at his most articulate; using his years of experience to create a dynamic body of work that reveals something new with every listen.
June 9 street date. UK songwriter/producer Archy Marshall, aka King Krule, presents his fourth studio record, "Space Heavy". Written from 2020 to 2022, the pensive 15 track album took shape over the course of commutes between London and Liverpool, where Archy was splitting his time. He found himself fascinated by the notion of "the space between" - the space haunted by dreams of love, touching a narrative of lost connection, losing people and situations to the guillotine of the universe. 10 years on from his debut album, "Space Heavy" presents King Krule at his most articulate; using his years of experience to create a dynamic body of work that reveals something new with every listen.
June 9 street date. Limited 180g metallic silver vinyl reissue of the debut album from London, Ontario's Kittie. Originally released in 1999, "Spit" has been reassessed as one of the best works within the nu metal genre, and its success has been considered important regarding the representation of women in heavy metal. It remains Kittie's best-selling album, having sold almost 1,000,000 copies in the United States alone. Limited to 500 copies.
June 9 street date. "Nostalgia Killer" is the new album from Vancouver's Lightning Dust, led by Amber Webber and Josh Wells, both founding members of Black Mountain. Across "Nostalgia Killer", Lightning Dust introduces a sound that feels vaguely familiar while forming a mythology all of their own. Although this exact work may not have been created if it wasn’t for the duo's separation, it would be wrong to simply call it a break-up album. The album title couldn't set a more perfect expectation for what the album holds. Hearing those words together, one might anticipate something harder, more chilly and severe. But what happens is quite the opposite: listeners find themselves wandering into someplace warm, guided by familiar sounds and voices. Little do they know they'll soon be flung into a climate unknown. Sticky with unresolved, living feelings, walls of synths and bass lines rise to chill-inducing heights, while maintaining space around Webber's singular voice as she sings of romantic warfare like some kind of cosmic Stevie Nicks. An album that sounds arena-ready and devastatingly intimate all at once.
June 9 street date. "Nostalgia Killer" is the new album from Vancouver's Lightning Dust, led by Amber Webber and Josh Wells, both founding members of Black Mountain. Across "Nostalgia Killer", Lightning Dust introduces a sound that feels vaguely familiar while forming a mythology all of their own. Although this exact work may not have been created if it wasn’t for the duo's separation, it would be wrong to simply call it a break-up album. The album title couldn't set a more perfect expectation for what the album holds. Hearing those words together, one might anticipate something harder, more chilly and severe. But what happens is quite the opposite: listeners find themselves wandering into someplace warm, guided by familiar sounds and voices. Little do they know they'll soon be flung into a climate unknown. Sticky with unresolved, living feelings, walls of synths and bass lines rise to chill-inducing heights, while maintaining space around Webber's singular voice as she sings of romantic warfare like some kind of cosmic Stevie Nicks. An album that sounds arena-ready and devastatingly intimate all at once.
June 9 street date. Love And Rockets is the seminal, groundbreaking trio of Daniel Ash (vocals and guitar), David J (vocals and bass), and Kevin Haskins (drums). They formed in 1985 after the first split of their band Bauhaus. Beggars Arkive continue the L&R reissue series with the Rick Rubin produced sixth album, "Sweet F.A.". After a fire at Rubin's mansion, where the band were living and working, they lost all of their gear (including the burnt guitar on the cover), some of the demo recordings, and nearly their lives as well. The resulting album was inspired by some of their earliest influences - The Velvet Underground, The Stooges, The Doors, Can. "Sweet F.A." spins tales of passion and loss, carried on a fluid, moody throb. Undulating, hypnotic rhythms twine around melancholy lyrics which examine life at a primal level, as ethereal electronic effects play counterpoint to earthquake reverberating guitars. This is a double LP with gatefold sleeve, expanded to include 4 tracks previously unheard outside of the Love And Rockets box set.
June 9 street date. Love And Rockets is the seminal, groundbreaking trio of Daniel Ash (vocals and guitar), David J (vocals and bass), and Kevin Haskins (drums). They formed in 1985 after the first split of their band Bauhaus. Beggars Arkive continue the L&R reissue series with the expanded vinyl edition of the band's fifth album, and ambient masterpiece, "Hot Trip To Heaven". The record was strikingly different from anything previous and has a diverse range of influences, from twisted lounge jazz to ambient trance. This is a black vinyl double LP with gatefold sleeve - out of print for 25+ years, and expanded with three extra tracks: "Firewater" (an early version of "This Heaven"), "This Heaven (Experience Remix: Flying Vocal Mix)", and an unreleased mix of "Coyote".
June 9 street date. Love And Rockets is the seminal, groundbreaking trio of Daniel Ash (vocals and guitar), David J (vocals and bass), and Kevin Haskins (drums). They formed in 1985 after the first split of their band Bauhaus. Beggars Arkive continue the L&R reissue series with "My Dark Twin", a double-cd compilation tracing the band's journey to their sixth album, "Sweet F.A.". This import package contains eight previously unreleased alternate versions, six unreleased songs, an unreleased cover, a booklet with new comments from the band about the recordings, and notes from historian Andrew Brooksbank.
June 9 street date. As Milky Chance prepare to share the idiosyncratic and inventive alt-pop songs that populate their new album "Living In A Haze", they proudly boast over 10 million monthly Spotify listeners, an enviable touring resume (including stops at Coachella and Lollapalooza), and an upcoming schedule of world-trotting 2023 dates (including many Canadian shows) featuring the biggest shows of their career. Over the past decade, they've proven themselves to be, in their own low-key way, one of the biggest bands in the world. Their runaway hit debut "Stolen Dance" - which recently surpassed over 1 billion streams on Spotify - gifted Rehbein and Dausch with a platform far beyond what the duo could have imagined. On their independent debut "Living In A Haze", Milky Chance thrive on writing the tightest, most groove-forward alt-pop songs imaginable - and then going back and distorting each sound into its wildest iteration. "Living In A Haze" applies the band's endless musical curiosity to the propulsive logic of the best club music while delivering masterful songcraft.
June 9 street date. As Milky Chance prepare to share the idiosyncratic and inventive alt-pop songs that populate their new album "Living In A Haze", they proudly boast over 10 million monthly Spotify listeners, an enviable touring resume (including stops at Coachella and Lollapalooza), and an upcoming schedule of world-trotting 2023 dates (including many Canadian shows) featuring the biggest shows of their career. Over the past decade, they've proven themselves to be, in their own low-key way, one of the biggest bands in the world. Their runaway hit debut "Stolen Dance" - which recently surpassed over 1 billion streams on Spotify - gifted Rehbein and Dausch with a platform far beyond what the duo could have imagined. On their independent debut "Living In A Haze", Milky Chance thrive on writing the tightest, most groove-forward alt-pop songs imaginable - and then going back and distorting each sound into its wildest iteration. "Living In A Haze" applies the band's endless musical curiosity to the propulsive logic of the best club music while delivering masterful songcraft. Canadian spring tour dates: May 27, 28 - Quebec City / May 29 - Ottawa / May 30 - Montreal / May 31 - Toronto
June 9 street date. As Milky Chance prepare to share the idiosyncratic and inventive alt-pop songs that populate their new album "Living In A Haze", they proudly boast over 10 million monthly Spotify listeners, an enviable touring resume (including stops at Coachella and Lollapalooza), and an upcoming schedule of world-trotting 2023 dates (including many Canadian shows) featuring the biggest shows of their career. Over the past decade, they've proven themselves to be, in their own low-key way, one of the biggest bands in the world. Their runaway hit debut "Stolen Dance" - which recently surpassed over 1 billion streams on Spotify - gifted Rehbein and Dausch with a platform far beyond what the duo could have imagined. On their independent debut "Living In A Haze", Milky Chance thrive on writing the tightest, most groove-forward alt-pop songs imaginable - and then going back and distorting each sound into its wildest iteration. "Living In A Haze" applies the band's endless musical curiosity to the propulsive logic of the best club music while delivering masterful songcraft.
June 9 street date. Double vinyl LP pressing housed in gatefold jacket. Includes insert and digital download. Jeff Mangum creates a world of his own on this amazing 1996 debut from Neutral Milk Hotel. "On Avery Island" is full of trombone, keyboards, overdriven acoustics, and beautiful songs. On this anniversary reissue, the complete version of "Pree-Sisters Swallowing a Donkey's Eye" as originally intended completes the album.
June 9 street date. This Is The Kit, the group led by Paris-based bandleader Kate Stables, return with their wondrous new album, "Careful Of Your Keepers", produced by Gruff Rhys (Super Furry Animals). The album is daring and soft, cutting and warm, and a wild feat of complexity and combined dispositions. There's a shared language of the band's family experience that is as audible as ever in these recordings, which boast beautiful instrumental performances that still leave the nuanced space required for Stables' vocals to live at the forefront. "Careful Of Your Keepers", according to Stables, is rooted in "the fragility of things. Of situations. Of relationships. Of humans. What we do to look after each other and ourselves. The passing of time and what that does to us, and how we live our lives going forward".
June 9 street date. This Is The Kit, the group led by Paris-based bandleader Kate Stables, return with their wondrous new album, "Careful Of Your Keepers", produced by Gruff Rhys (Super Furry Animals). The album is daring and soft, cutting and warm, and a wild feat of complexity and combined dispositions. There's a shared language of the band's family experience that is as audible as ever in these recordings, which boast beautiful instrumental performances that still leave the nuanced space required for Stables' vocals to live at the forefront. "Careful Of Your Keepers", according to Stables, is rooted in "the fragility of things. Of situations. Of relationships. Of humans. What we do to look after each other and ourselves. The passing of time and what that does to us, and how we live our lives going forward".
June 9 street date. This Is The Kit, the group led by Paris-based bandleader Kate Stables, return with their wondrous new album, "Careful Of Your Keepers", produced by Gruff Rhys (Super Furry Animals). The album is daring and soft, cutting and warm, and a wild feat of complexity and combined dispositions. There's a shared language of the band's family experience that is as audible as ever in these recordings, which boast beautiful instrumental performances that still leave the nuanced space required for Stables' vocals to live at the forefront. "Careful Of Your Keepers", according to Stables, is rooted in "the fragility of things. Of situations. Of relationships. Of humans. What we do to look after each other and ourselves. The passing of time and what that does to us, and how we live our lives going forward".
June 16 street date. Throughout the ten tracks in their new album "Let There Be Music", you can hear the spaciousness Bonny Doon allowed themselves since their 2018 sleeper cult-classic "Longwave". Their latest musical journey is one that has big payoffs for devoted followers and undeniable rewards for anyone just stumbling across the band for the first time. After extensively touring "Longwave" by supporting Band Of Horses, Snail Mail, and Waxahatchee, Bill Lennox and Bobby Colombo were invited by Katie Crutchfield to collaborate on Waxahatchee's critically acclaimed album "Saint Cloud". On their long-awaited third album, we get a glimpse into the pure joy of Bonny Doon. The album serves as less of one conceptual story, and each song as their own individual offerings of putting words to the ordinary experience of being alive. The band is at their most dynamic and the songwriting deftly explores new terrain. "Let There Be Music" is brimming with small truths - both profound and mundane, comforting and difficult - and we are invited to revel in them all.
June 16 street date. Throughout the ten tracks in their new album "Let There Be Music", you can hear the spaciousness Bonny Doon allowed themselves since their 2018 sleeper cult-classic "Longwave". Their latest musical journey is one that has big payoffs for devoted followers and undeniable rewards for anyone just stumbling across the band for the first time. After extensively touring "Longwave" by supporting Band Of Horses, Snail Mail, and Waxahatchee, Bill Lennox and Bobby Colombo were invited by Katie Crutchfield to collaborate on Waxahatchee's critically acclaimed album "Saint Cloud". On their long-awaited third album, we get a glimpse into the pure joy of Bonny Doon. The album serves as less of one conceptual story, and each song as their own individual offerings of putting words to the ordinary experience of being alive. The band is at their most dynamic and the songwriting deftly explores new terrain. "Let There Be Music" is brimming with small truths - both profound and mundane, comforting and difficult - and we are invited to revel in them all.
June 16 street date. Sacred Bones Records is proud to present the Boris & Uniform collaborative album "Bright New Disease". Boris and Uniform might have seemed like a strange pairing when they teamed up for a US tour back in 2019. Sure, both bands harness the power of big, blown-out riffs, but Boris's rock heroics, lysergic sprawl, and monolithic sludge summon a different energy than Uniform's mechanized bombardments and frenzied assaults. However, when Boris invited Uniform to team up on a reimagined version of their classic "Akuma no Uta" as a part of their encore, there was an obvious chemistry between the artists. The idea of a collaborative album came up, and the bands spent the next year swapping song ideas and recordings from their homebase studios until Boris and Uniform had an album that captured the fearless exploration and unbridled power of their live performances.
June 16 street date. Sacred Bones Records is proud to present the Boris & Uniform collaborative album "Bright New Disease". Boris and Uniform might have seemed like a strange pairing when they teamed up for a US tour back in 2019. Sure, both bands harness the power of big, blown-out riffs, but Boris's rock heroics, lysergic sprawl, and monolithic sludge summon a different energy than Uniform's mechanized bombardments and frenzied assaults. However, when Boris invited Uniform to team up on a reimagined version of their classic "Akuma no Uta" as a part of their encore, there was an obvious chemistry between the artists. The idea of a collaborative album came up, and the bands spent the next year swapping song ideas and recordings from their homebase studios until Boris and Uniform had an album that captured the fearless exploration and unbridled power of their live performances.
June 16 street date. This last wave of Bright Eyes reissues contains "Cassadaga" and "The People's Key", the band's most polished and sophisticated albums. One of the things that struck Conor Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. When Bright Eyes toured 2007's "Cassadaga", they performed an epic 7 sold-out nights at NYC's Town Hall. What's more grown-up rock-star than that? And yet ..."thematically those early songs are not that different than the songs I make now," Oberst says, shaking his head. "There's something affirming and disheartening about it. It's like, have I really changed or grown? But maybe it's just that I knew what I wanted to write about from the beginning".
June 16 street date. This last wave of Bright Eyes reissues contains "Cassadaga" and "The People's Key", the band's most polished and sophisticated albums. One of the things that struck Conor Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. When Bright Eyes toured 2007's "Cassadaga", they performed an epic 7 sold-out nights at NYC's Town Hall. What's more grown-up rock-star than that? And yet ..."thematically those early songs are not that different than the songs I make now," Oberst says, shaking his head. "There's something affirming and disheartening about it. It's like, have I really changed or grown? But maybe it's just that I knew what I wanted to write about from the beginning".
June 16 street date. 7 track companion EP to the reissue of "Cassadaga" features tracks not on the album as well as alternate versions of other tracks that did make the album.
June 16 street date. One of the things that struck Conor Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. "Thematically those early songs are not that different than the songs I make now," Oberst says, shaking his head. "There's something affirming and disheartening about it. It's like, have I really changed or grown? But maybe it's just that I knew what I wanted to write about from the beginning". This last wave of Bright Eyes reissues contains, in "Noise Floor", early songs so raw Oberst never even released them back in the day.
June 16 street date. One of the things that struck Conor Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. "Thematically those early songs are not that different than the songs I make now," Oberst says, shaking his head. "There's something affirming and disheartening about it. It's like, have I really changed or grown? But maybe it's just that I knew what I wanted to write about from the beginning". This last wave of Bright Eyes reissues contains, in "Noise Floor", early songs so raw Oberst never even released them back in the day.
June 16 street date. 6 track companion EP to "Noise Floor" features tracks not on the album as well as alternate versions of other tracks that did make the album.
June 16 street date. This last wave of Bright Eyes reissues contains 2011's "The People's Key", one of the band's most polished and sophisticated albums. One of the things that struck Conor Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. "Thematically those early songs are not that different than the songs I make now," Oberst says, shaking his head. "There's something affirming and disheartening about it. It's like, have I really changed or grown? But maybe it's just that I knew what I wanted to write about from the beginning".
June 16 street date. This last wave of Bright Eyes reissues contains 2011's "The People's Key", one of the band's most polished and sophisticated albums. One of the things that struck Conor Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. "Thematically those early songs are not that different than the songs I make now," Oberst says, shaking his head. "There's something affirming and disheartening about it. It's like, have I really changed or grown? But maybe it's just that I knew what I wanted to write about from the beginning".
June 16 street date. 6 track companion EP to the reissue of "The People's Key" features tracks not on the album as well as alternate versions of other tracks that did make the album.
June 16 street date. "Enigmatic Society" is the new offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, "Enigmatic Society" is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. "Enigmatic Society" serves as a follow up to the group's 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album's artwork designed by Kamasi Washington's sister, artist Amani Washington.
June 16 street date. Eric's Trip was a band from Moncton, and the first Canadian group signed to Sub Pop in late 1992. Two years earlier they recorded this, their first demo cassette. Now available for the first time on vinyl, lovingly remastered and pressed on a 45rpm coke bottle clear 12 inch. The music is noisy and melodic, a trademark sound that defined the band. It's been one of the top sellers in the digital realm on bandleader Rick White's Bandcamp page, so this small pressing may go quick. Download included.
June 16 street date. "Secret Life" was produced by Brian Eno and Fred Gibson (aka Fred again..) between April 4, 2020 - December 23, 2022. According to Four Tet, who is releasing the album on his label Text Records, "it is the most beautiful album of 2023". The son of members of the British peerage and descendant of English aristocrats, Fred again.. first met Eno at age 16 upon being invited by a family friend to join an a capella group rehearsal hosted by the ambient music legend. A profile in The Guardian notes that if the young artist wasn't making tea or tidying up song sheets for the group, he was talking synths and bringing song sketches to Eno. After mentoring Fred again.. for two years, Eno enlisted him to co-produce his pair of albums with Underworld's Karl Hyde, 2014's "Someday World" and "High Life".
June 16 street date. "Secret Life" was produced by Brian Eno and Fred Gibson (aka Fred again..) between April 4, 2020 - December 23, 2022. According to Four Tet, who is releasing the album on his label Text Records, "it is the most beautiful album of 2023". The son of members of the British peerage and descendant of English aristocrats, Fred again.. first met Eno at age 16 upon being invited by a family friend to join an a capella group rehearsal hosted by the ambient music legend. A profile in The Guardian notes that if the young artist wasn't making tea or tidying up song sheets for the group, he was talking synths and bringing song sketches to Eno. After mentoring Fred again.. for two years, Eno enlisted him to co-produce his pair of albums with Underworld's Karl Hyde, 2014's "Someday World" and "High Life".
June 16 street date. REAL HARDCORE LIKE YOUR OLD HARDCORE. Brian Taylor (Youth Youth Youth) and Rick White (Eric's Trip/Elevator To Hell) are OLD! The full length follow up to the sold out OLD cassette is now available as an 18 minute hardcore barrage. 18 new tracks recorded over the winter of 2022 are featured here. Crank it! Pressed as a 45rpm 12", includes download code.
June 16 street date. "In Times New Roman…", the 8th studio album from Queens Of The Stone Age, is raw, brutal, and rough around the edges, but with a refinement that reveals itself further with each successive listen - and QOTSA founder Joshua Homme's lyrics are as witty and withering as ever. The results are instantly identifiable; QOTSA's sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers. "In Times New Roman…" is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is BACK, and it's no exaggeration to call this album a devastating rebirth.
June 16 street date. Red vinyl 2LP. "In Times New Roman…", the 8th studio album from Queens Of The Stone Age, is raw, brutal, and rough around the edges, but with a refinement that reveals itself further with each successive listen - and QOTSA founder Joshua Homme's lyrics are as witty and withering as ever. The results are instantly identifiable; QOTSA's sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers. "In Times New Roman…" is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is BACK, and it's no exaggeration to call this album a devastating rebirth. The 11-track Double-LP is available on 4 Limited Edition Colour Variants (Green, Red, Clear Blue or Metallic Silver) as well as on Black Vinyl or CD.
June 16 street date. Black vinyl 2LP. "In Times New Roman…", the 8th studio album from Queens Of The Stone Age, is raw, brutal, and rough around the edges, but with a refinement that reveals itself further with each successive listen - and QOTSA founder Joshua Homme's lyrics are as witty and withering as ever. The results are instantly identifiable; QOTSA's sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers. "In Times New Roman…" is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is BACK, and it's no exaggeration to call this album a devastating rebirth. The 11-track Double-LP is available on 4 Limited Edition Colour Variants (Green, Red, Clear Blue or Metallic Silver) as well as on Black vinyl or CD.
June 16 street date. Clear blue vinyl 2LP. "In Times New Roman…", the 8th studio album from Queens Of The Stone Age, is raw, brutal, and rough around the edges, but with a refinement that reveals itself further with each successive listen - and QOTSA founder Joshua Homme's lyrics are as witty and withering as ever. The results are instantly identifiable; QOTSA's sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers. "In Times New Roman…" is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is BACK, and it's no exaggeration to call this album a devastating rebirth. The 11-track Double-LP is available on 4 Limited Edition Colour Variants (Green, Red, Clear Blue or Metallic Silver) as well as on Black vinyl or CD.
June 16 street date. Green vinyl 2LP. "In Times New Roman…", the 8th studio album from Queens Of The Stone Age, is raw, brutal, and rough around the edges, but with a refinement that reveals itself further with each successive listen - and QOTSA founder Joshua Homme's lyrics are as witty and withering as ever. The results are instantly identifiable; QOTSA's sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers. "In Times New Roman…" is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is BACK, and it's no exaggeration to call this album a devastating rebirth. The 11-track Double-LP is available on 4 Limited Edition Colour Variants (Green, Red, Clear Blue or Metallic Silver) as well as on Black vinyl or CD.
June 16 street date. Metallic Silver 2LP. "In Times New Roman…", the 8th studio album from Queens Of The Stone Age, is raw, brutal, and rough around the edges, but with a refinement that reveals itself further with each successive listen - and QOTSA founder Joshua Homme's lyrics are as witty and withering as ever. The results are instantly identifiable; QOTSA's sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers. "In Times New Roman…" is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is BACK, and it's no exaggeration to call this album a devastating rebirth. The 11-track Double-LP is available on 4 Limited Edition Colour Variants (Green, Red, Clear Blue or Metallic Silver) as well as on Black Vinyl or CD.
June 16 street date. The Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass), and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed 2017 album "WICK", "Rebuilding The Mountain" is a welcome return for the band.
June 16 street date. The Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass), and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed 2017 album "WICK", "Rebuilding The Mountain" is a welcome return for the band.
June 16 street date. The Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass), and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed 2017 album "WICK", "Rebuilding The Mountain" is a welcome return for the band.
June 16 street date. The Atlanta-based rock trio of Mlny Parsonz (vocals, guitar), Josh Weaver (bass), and Evan Diprima (drums) deliver a powerful build of darting, bluesy riffs and booming, soulful vocals that encapsulate the visceral and spirited sound of Royal Thunder. Their first release since the critically acclaimed 2017 album "WICK", "Rebuilding The Mountain" is a welcome return for the band.
June 16 street date. Originally released in 2005, "Snake's Got A Leg" is the first full-length by Sunset Rubdown - a solo project of Spencer Krug at that time. The album was curated from a series of bedroom recordings that Krug had made sporadically throughout the early aughts, and the variety of mood and style found across this set of low-fi and near-genreless songs sets the stage for the project's full-band releases to come. Fans of later Sunset Rubdown who have an affinity for wild experimentation will likely find something to love here.
June 16 street date. Texas are a Scottish rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 and released their debut album, "Southside", in 1989. Though not hugely successful in North America, they have had 13 UK top ten singles and 8 UK top ten albums. "The Very Best Of 1989-2023" is a career spanning collection of their work. It features 24 tracks, including two brand new singles, "After All" and "Keep On Talking".
June 16 street date. Texas are a Scottish rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 and released their debut album, "Southside", in 1989. Though not hugely successful in North America, they have had 13 UK top ten singles and 8 UK top ten albums. "The Very Best Of 1989-2023" is a career spanning collection of their work. It features 24 tracks, including two brand new singles, "After All" and "Keep On Talking".
June 16 street date. To celebrate the music and cultural movement that 2 Tone helped inspire, this compilation brings together the best tracks from their historic catalogue. "The Best Of 2 Tone" features 18 tracks, including the first single from Madness ("The Prince"), the (English) Beat's classic cover of Smokey Robinson & The Miracles' "Tears Of A Clown", three songs by The Selecter, several tracks by The Specials and their offshoots, and more. This exclusive version is pressed on clear vinyl in a 5mm spined sleeve.
June 16 street date. Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. The album features XXXTentaction, Ski Mask The Slump Godd, Kid Trunks, Robb Bank$, Craig Xen, Bass Santana, Flyboy Tarantino, Kin$oul, Killstation, Coolie Cut, Tank Head.
June 16 street date. Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. Group members have included Ski Mask the Slump God, Kid Trunks, Craig Xen, Killstation, Coolie Cut, Bass Santana, Flyboy Tarantino, Tankhead, and Kin$oul. Following the release of their fourth project, "Members Only Vol. 4", the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away.
June 16 street date. Youth Youth Youth were one of Toronto's original hardcore bands. Their "Sin" EP, originally released in 1983, is now available again as a full length LP, with the original EP and a stack of additional tracks. Long out of print and selling for Discogs prices, this release covers tracks from early demos, compilation tracks and the full 1983 EP. Download code as always.
June 23 street date. Kicking off Matador's Revisionist History Series for 2023, we're celebrating the 30th anniversary of Bettie Serveert's debut album, "Palomine". Heralded in the four-star review by Rolling Stone as "untamed and free as pop gets", this 1993 classic is seeing its first pressing since its original Matador release. "Looking back on recording the "Palomie" album, we were as green as grass", say the band's Carol van Dyk and Peter Visser, "but we loved music and most of all, we loved playing our own songs". "Palomine" arrives on limited edition orange vinyl, accompanied by an orange "brain-tag" 7", which was also included with the original pressing.
June 23 street date. "All Her Plans", the third album from Melbourne, Australia's Cable Ties, finds the trio of Jenny McKechnie, Shauna Boyle, and Nick Brown at their punchiest and most assured. The ferocious, kraut-influenced blend of post-punk and garage rock of their Merge debut "Far Enough" remains, but McKechnie's lyrics invite the listener closer than ever before. The urgency and fury that have marked Cable Ties' output thus far is more nuanced on "All Her Plans". The unfettered rage of their calls to action endures - tackling subjects like broken mental healthcare systems and the burden of familial care that is largely placed on women - while holding space for gratitude, love, and acceptance. "All Her Plans" is a breakthrough moment for Cable Ties. It is the sound of a group that is exhilarated to be making music together again, both a celebration of their resilience and a massive step forward into a future they can finally claim as their own.
June 23 street date. "All Her Plans", the third album from Melbourne, Australia's Cable Ties, finds the trio of Jenny McKechnie, Shauna Boyle, and Nick Brown at their punchiest and most assured. The ferocious, kraut-influenced blend of post-punk and garage rock of their Merge debut "Far Enough" remains, but McKechnie's lyrics invite the listener closer than ever before. The urgency and fury that have marked Cable Ties' output thus far is more nuanced on "All Her Plans". The unfettered rage of their calls to action endures - tackling subjects like broken mental healthcare systems and the burden of familial care that is largely placed on women - while holding space for gratitude, love, and acceptance. "All Her Plans" is a breakthrough moment for Cable Ties. It is the sound of a group that is exhilarated to be making music together again, both a celebration of their resilience and a massive step forward into a future they can finally claim as their own.
June 23 street date. "All Her Plans", the third album from Melbourne, Australia's Cable Ties, finds the trio of Jenny McKechnie, Shauna Boyle, and Nick Brown at their punchiest and most assured. The ferocious, kraut-influenced blend of post-punk and garage rock of their Merge debut "Far Enough" remains, but McKechnie's lyrics invite the listener closer than ever before. The urgency and fury that have marked Cable Ties' output thus far is more nuanced on "All Her Plans". The unfettered rage of their calls to action endures - tackling subjects like broken mental healthcare systems and the burden of familial care that is largely placed on women - while holding space for gratitude, love, and acceptance. "All Her Plans" is a breakthrough moment for Cable Ties. It is the sound of a group that is exhilarated to be making music together again, both a celebration of their resilience and a massive step forward into a future they can finally claim as their own.
June 30 street date. 2LP deluxe edition of the classic debut album from the hugely inspirational Dream Syndicate. An exceptional early 1980s guitar-powered gem, remastered in full and including the band's debut indie EP and both tracks from main protagonist Steve Wynn's earlier combo 15 Minutes. "The Days Of Wine And Roses" was central to the hugely influential Paisley Underground scene of the early 1980s that spawned Green On Red, The Bangles, Long Ryders, and Rain Parade. With a nod to the Velvet Underground, Quicksilver Messenger Service, and Bob Dylan, packed into an incendiary slow-burn punk fuse, "The Days Of Wine And Roses" is a glorious, upbeat sprawl, everything that rock 'n' roll should be.
June 30 street date. 4CD expanded edition of the classic debut album from The Dream Syndicate, with 54 songs from the original line-up, including 10 hard-to-find rarities and 31 never released recordings. An exceptional early 1980s guitar-powered gem, remastered in full and including a wealth of unreleased material. This edition of "The Days Of Wine And Roses" includes tracks from main protagonist Steve Wynn's earlier combo 15 Minutes, The Dream Syndicate's debut EP, astounding cover renditions (Johnny Cash, Janis Joplin, The Who), recordings of the band's first ever rehearsal, and several visceral live concerts from the pre-album era. Celebrating the album's 40th anniversary, this beautifully house bookback edition also includes 30 pages of liner notes by band historian Pat Thomas, new interviews with Kendra Smith, engineer Paul Cutler and producer Chris D, rare photos, gig posters, and more.
June 23 street date. While Duster went into hibernation in the year 2000, Clay Parton's four-track never stopped rolling. Recorded alone at home over several years, "Birds In The Ground" is an album of 30-something, post-9/11 malaise. Under his Eiafuawn (Everything Is All Fucked Up And What Not) acronym, Parton hides beneath layers of fuzzy and clean guitars, his hesitant, cottony vocal disappear into noise. This deluxe pressing is packaged in a gorgeous tip on sleeve and includes the complete lyrics for this cryptic entry of the Dusterverse.
June 23 street date. While Duster went into hibernation in the year 2000, Clay Parton's four-track never stopped rolling. Recorded alone at home over several years, "Birds In The Ground" is an album of 30-something, post-9/11 malaise. Under his Eiafuawn (Everything Is All Fucked Up And What Not) acronym, Parton hides beneath layers of fuzzy and clean guitars, his hesitant, cottony vocal disappear into noise. This deluxe pressing is packaged in a gorgeous tip on sleeve and includes the complete lyrics for this cryptic entry of the Dusterverse.
June 23 street date. The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue. Whether taken as warning or promise, "No Highs" delivers - this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined. Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions "negation" as a muse of sorts - the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.
June 23 street date. Since forming a decade ago in Toronto, Keys N Krates have carved their own path via a bass-centric, sample-driven sound, melding the realms of electronic, hip-hop, and beyond. The group - composed of drummer Adam Tune, keyboardist David Matisse and turntablist Jr. Flo - has built a venerable reputation as one of the leading live electronic acts today on the strength of their onstage instrumentation and energetic sets. Dubbed as one of Billboard's "Dance Albums of the Year" and A2iM Libera nominated "Best Dance Record", the trio's sophomore album "Original Classic" has been pressed for the first time on exclusive classic blue vinyl as a double LP, paired with a series of remixes from Soul Clap, Justin Martin, TEK. LUN, Byron The Aquarius, etc.
June 23 street date. "The Beggar" was written and produced by Michael Gira and features contributions from recent and former Swans, members of Angels Of Light, as well as guest Swan Ben Frost. "After numerous pandemic-induced cancellations of tours for the previous Swans album "leaving meaning", and an apparent bottomless pit of waiting, waiting, waiting, and the strange disorientation that came with this sudden but interminable forced isolation I decided it was time to write songs for a new Swans album and forget about everything else. They came relatively easily, always informed by the suspicion that these could be my last. When I finally was able to travel, songs in hand, to Berlin to work with my friends recording this record, the feeling was akin to the moment in "The Wizard of Oz" when the film changes from black and white to colour. Now I'm feeling quite optimistic. My favourite color is pink. I hope you enjoy the album" - Michael Gira.
June 23 street date. "The Beggar" was written and produced by Michael Gira and features contributions from recent and former Swans, members of Angels Of Light, as well as guest Swan Ben Frost. "After numerous pandemic-induced cancellations of tours for the previous Swans album "leaving meaning", and an apparent bottomless pit of waiting, waiting, waiting, and the strange disorientation that came with this sudden but interminable forced isolation I decided it was time to write songs for a new Swans album and forget about everything else. They came relatively easily, always informed by the suspicion that these could be my last. When I finally was able to travel, songs in hand, to Berlin to work with my friends recording this record, the feeling was akin to the moment in "The Wizard of Oz" when the film changes from black and white to colour. Now I'm feeling quite optimistic. My favourite color is pink. I hope you enjoy the album" - Michael Gira.
June 16 street date. M. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith's artists and Neil Young is a context of musical and human values: authenticity and intimacy. "Supernatural Thing"'s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward's lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. "Supernatural Thing" is an open-hearted, inviting album. The album's guest stars - First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others - enliven the album with surprises. Eight of the album's ten songs are Ward originals. There's an unusual Bowie choice, "I Can't Give Everything Away" from "Blackstar", and a live rendition of Daniel Johnston's "Story Of An Artist".
June 16 street date. M. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith's artists and Neil Young is a context of musical and human values: authenticity and intimacy. "Supernatural Thing"'s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward's lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. "Supernatural Thing" is an open-hearted, inviting album. The album's guest stars - First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others - enliven the album with surprises. Eight of the album's ten songs are Ward originals. There's an unusual Bowie choice, "I Can't Give Everything Away" from "Blackstar", and a live rendition of Daniel Johnston's "Story Of An Artist".
June 16 street date. M. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith's artists and Neil Young is a context of musical and human values: authenticity and intimacy. "Supernatural Thing"'s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward's lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. "Supernatural Thing" is an open-hearted, inviting album. The album's guest stars - First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others - enliven the album with surprises. Eight of the album's ten songs are Ward originals. There's an unusual Bowie choice, "I Can't Give Everything Away" from "Blackstar", and a live rendition of Daniel Johnston's "Story Of An Artist".
June 23 street date. The nine songs on "Every Day Like the Last", which were recorded in Jenn Wasner and Andy Stack's current home state of North Carolina and Virginia at venues that include Stack's backyard studio, compiles the singles Wye Oak has released since 2019's glowing "Fortune" and includes three new songs. While it wasn't conceived the way an album traditionally is, these songs coalesce because of the way they examine and grapple with ambiguities, which is reflected by the dual meaning of the title and its attendant track, a pensive, suspended-in-mid-air track that contemplates the importance of human connection.
June 23 street date. The nine songs on "Every Day Like the Last", which were recorded in Jenn Wasner and Andy Stack's current home state of North Carolina and Virginia at venues that include Stack's backyard studio, compiles the singles Wye Oak has released since 2019's glowing "Fortune" and includes three new songs. While it wasn't conceived the way an album traditionally is, these songs coalesce because of the way they examine and grapple with ambiguities, which is reflected by the dual meaning of the title and its attendant track, a pensive, suspended-in-mid-air track that contemplates the importance of human connection.
June 23 street date. The nine songs on "Every Day Like the Last", which were recorded in Jenn Wasner and Andy Stack's current home state of North Carolina and Virginia at venues that include Stack's backyard studio, compiles the singles Wye Oak has released since 2019's glowing "Fortune" and includes three new songs. While it wasn't conceived the way an album traditionally is, these songs coalesce because of the way they examine and grapple with ambiguities, which is reflected by the dual meaning of the title and its attendant track, a pensive, suspended-in-mid-air track that contemplates the importance of human connection.
June 30 street date. "Wild Creatures" is a career retrospective album containing 23 of Neko Case's most impactful tracks from her discography. With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’, and most recently 2018's ‘Hell-On’. Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it's almost visible, like sparks at night. The vinyl editions include 2 LPs with printed inner sleeves in a gatefold jacket.
June 30 street date. "Wild Creatures" is a career retrospective album containing 23 of Neko Case's most impactful tracks from her discography. With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’, and most recently 2018's ‘Hell-On’. Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it's almost visible, like sparks at night. The vinyl editions include 2 LPs with printed inner sleeves in a gatefold jacket.
June 30 street date. "Wild Creatures" is a career retrospective album containing 23 of Neko Case's most impactful tracks from her discography. With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’, and most recently 2018's ‘Hell-On’. Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it's almost visible, like sparks at night. The vinyl editions include 2 LPs with printed inner sleeves in a gatefold jacket.
June 30 street date. Following the success of the initial standard iteration of "Rumble Of Thunder", which connects the world to Mongolian culture and its unique core values of natural preservation and spiritual connection with the earth, The Hu return with a deluxe version anchored by features from William DuVall of Alice in Chains, DL of Bad Wolves, and Serj Tankian of System of A Down and LP. Hailing from Mongolia, The Hu are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". The band has been #1 on the Billboard World Albums Chart and Top New Artist Albums. This new vinyl edition also includes vinyl exclusive acoustic audio tracks.
June 30 street date. Following the success of the initial standard iteration of "Rumble Of Thunder", which connects the world to Mongolian culture and its unique core values of natural preservation and spiritual connection with the earth, The Hu return with a deluxe version anchored by features from William DuVall of Alice in Chains, DL of Bad Wolves, and Serj Tankian of System of A Down and LP. Hailing from Mongolia, The Hu are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". The band has been #1 on the Billboard World Albums Chart and Top New Artist Albums. This new CD edition includes poster insert and exclusive trading cards for all eight band members.
June 30 street date. Following the success of the initial standard iteration of "Rumble Of Thunder", which connects the world to Mongolian culture and its unique core values of natural preservation and spiritual connection with the earth, The Hu return with a deluxe version anchored by features from William DuVall of Alice in Chains, DL of Bad Wolves, and Serj Tankian of System of A Down and LP. Hailing from Mongolia, The Hu are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". The band has been #1 on the Billboard World Albums Chart and Top New Artist Albums.
June 30 street date. The highly influential avant-garde supergroup Khanate (Stephen O'Malley (Sunn O))), Burning Witch, Thorr's Hammer), James Plotkin and Alan Dubin (OLD), and Tim Wyskida (Blind Idiot God, Manbyrd)) return with their first new album in 14 years, taking their signature improvisational doom to new levels of sadistic extreme. Unflinching and brutal, the seeds for "To Be Cruel" were planted in October 2017 when Tim and Stephen spent a week in the English countryside at Orgone Studio with Jamie Gomez Arrellano. James began working these sessions into overall suites of music, a process the band has classically used on all of their prior albums. By spring 2018 initial song arrangements were proposed and over the latter half of the year bass, synth and vocal tracks were added. 2019 saw the completion of writing and recording at which point it was passed to Randall Dunn to mix, alongside the band, in 2020. The three songs that comprise "To Be Cruel" are complex, powerful and multi-dimensional. The music is all-enveloping; dry, alive, rich, and blistering.
June 30 street date. The highly influential avant-garde supergroup Khanate (Stephen O'Malley (Sunn O))), Burning Witch, Thorr's Hammer), James Plotkin and Alan Dubin (OLD), and Tim Wyskida (Blind Idiot God, Manbyrd)) return with their first new album in 14 years, taking their signature improvisational doom to new levels of sadistic extreme. Unflinching and brutal, the seeds for "To Be Cruel" were planted in October 2017 when Tim and Stephen spent a week in the English countryside at Orgone Studio with Jamie Gomez Arrellano. James began working these sessions into overall suites of music, a process the band has classically used on all of their prior albums. By spring 2018 initial song arrangements were proposed and over the latter half of the year bass, synth and vocal tracks were added. 2019 saw the completion of writing and recording at which point it was passed to Randall Dunn to mix, alongside the band, in 2020. The three songs that comprise "To Be Cruel" are complex, powerful and multi-dimensional. The music is all-enveloping; dry, alive, rich, and blistering.
June 30 street date. The highly influential avant-garde supergroup Khanate (Stephen O'Malley (Sunn O))), Burning Witch, Thorr's Hammer), James Plotkin and Alan Dubin (OLD), and Tim Wyskida (Blind Idiot God, Manbyrd)) return with their first new album in 14 years, taking their signature improvisational doom to new levels of sadistic extreme. Unflinching and brutal, the seeds for "To Be Cruel" were planted in October 2017 when Tim and Stephen spent a week in the English countryside at Orgone Studio with Jamie Gomez Arrellano. James began working these sessions into overall suites of music, a process the band has classically used on all of their prior albums. By spring 2018 initial song arrangements were proposed and over the latter half of the year bass, synth and vocal tracks were added. 2019 saw the completion of writing and recording at which point it was passed to Randall Dunn to mix, alongside the band, in 2020. The three songs that comprise "To Be Cruel" are complex, powerful and multi-dimensional. The music is all-enveloping; dry, alive, rich, and blistering.
June 30 street date. It's only fitting that Khruangbin's first ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. This series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. "Live At Radio City Music Hall" features performances by Nubya Garcia and Khruangbin.
June 30 street date. Sub Pop is thrilled to celebrate the 30th anniversary of Six Finger Satellite's debut album, "The Pigeon Is the Most Popular Bird", with a brand new, fully remastered reissue. Formed in 1990 in Providence, Rhode Island, Six Finger Satellite quickly signed to Sub Pop for the "Weapon" EP and quickly jumped into making their debut full-length with Bob Weston. Released in 1993, "The Pigeon Is The Most Popular Bird" was the first release to truly capture the adventurous, biting spirit and sound of Six Finger Satellite. The album is a landmark of noisy, distressing post-punk, drawing influence from Gang Of Four, The Birthday Party, and Wire while adding a healthy dose of the band's own, unique sonic antagonism. Amongst the brittle rock tracks, "The Pigeon Is The Most Popular Bird" has dashes of ahead-of-their-time keyboard and studio experiments that became more prominent on the band's later albums, presaging LCD Soundsystem, DFA Records, and much of the early-2000s post-punk revival.
June 30 street date. Sub Pop is thrilled to celebrate the 30th anniversary of Six Finger Satellite's debut album, "The Pigeon Is the Most Popular Bird", with a brand new, fully remastered reissue. Formed in 1990 in Providence, Rhode Island, Six Finger Satellite quickly signed to Sub Pop for the "Weapon" EP and quickly jumped into making their debut full-length with Bob Weston. Released in 1993, "The Pigeon Is The Most Popular Bird" was the first release to truly capture the adventurous, biting spirit and sound of Six Finger Satellite. The album is a landmark of noisy, distressing post-punk, drawing influence from Gang Of Four, The Birthday Party, and Wire while adding a healthy dose of the band's own, unique sonic antagonism. Amongst the brittle rock tracks, "The Pigeon Is The Most Popular Bird" has dashes of ahead-of-their-time keyboard and studio experiments that became more prominent on the band's later albums, presaging LCD Soundsystem, DFA Records, and much of the early-2000s post-punk revival.
June 30 street date. Originally released on February 19, 2013, STRFKR's third full-length album, "Miracle Mile", propelled the Portland, OR dance-pop band into new sonic territory with its infectious energy and innovative blend of electronic and rock elements. Recorded collaboratively in early 2012 in Astoria, Oregon, "Miracle Mile" marked a defining moment for the band, as primary songwriter Josh Hodges invited the other members to contribute to the creative process. The resulting tracks showcased the band's dynamic range and elevated their status as one of the most exciting and innovative indie rock bands of the early 2010s. 10 years later, "Miracle Mile" remains a fan favourite and a standout in STRFKR's acclaimed discography. The album is being re-released on orange and pink spokes with red splatter coloured vinyl with a download card in a gatefold jacket. As well, the package includes a bonus flexi with the previously unreleased b-side "Gay Days", a testament to the enduring impact of this seminal work.
July 7 street date. "My Back Was A Bridge For You To Cross", ANOHNI's 6th studio album, shape shifts through its subject matter: the loss of loved ones, inequality, alienation, privilege, denial, ecocide and the tidal power of Earth, isolation, Future Feminism, and the intention that we might yet transform our ways of thinking, our religious ideas, our societal structures, and our relationships with the rest of nature. On her first full album since 2016's "HOPELESSNESS", she explains the creative process was painstaking, yet also inspired, joyful, and intimate, a renewal and a renaming of her response to the world as she sees it. "A couple of these songs are almost a response to the call of (Marvin Gaye's) "What's Going On", from 2023. They are a kind of an echo from the future to that album from 50 years ago". A record its creator acknowledges is inextricably both personal and political, and one that is full of heartfelt music that also questions its own right to be heard, "My Back Was A Bridge For You To Cross" demonstrates music's unique capacity to bring harmony to competing, sometimes contradictory, elements.
July 7 street date. "My Back Was A Bridge For You To Cross", ANOHNI's 6th studio album, shape shifts through its subject matter: the loss of loved ones, inequality, alienation, privilege, denial, ecocide and the tidal power of Earth, isolation, Future Feminism, and the intention that we might yet transform our ways of thinking, our religious ideas, our societal structures, and our relationships with the rest of nature. On her first full album since 2016's "HOPELESSNESS", she explains the creative process was painstaking, yet also inspired, joyful, and intimate, a renewal and a renaming of her response to the world as she sees it. "A couple of these songs are almost a response to the call of (Marvin Gaye's) "What's Going On", from 2023. They are a kind of an echo from the future to that album from 50 years ago". A record its creator acknowledges is inextricably both personal and political, and one that is full of heartfelt music that also questions its own right to be heard, "My Back Was A Bridge For You To Cross" demonstrates music's unique capacity to bring harmony to competing, sometimes contradictory, elements.
July 7 street date. "My Back Was A Bridge For You To Cross", ANOHNI's 6th studio album, shape shifts through its subject matter: the loss of loved ones, inequality, alienation, privilege, denial, ecocide and the tidal power of Earth, isolation, Future Feminism, and the intention that we might yet transform our ways of thinking, our religious ideas, our societal structures, and our relationships with the rest of nature. On her first full album since 2016's "HOPELESSNESS", she explains the creative process was painstaking, yet also inspired, joyful, and intimate, a renewal and a renaming of her response to the world as she sees it. "A couple of these songs are almost a response to the call of (Marvin Gaye's) "What's Going On", from 2023. They are a kind of an echo from the future to that album from 50 years ago". A record its creator acknowledges is inextricably both personal and political, and one that is full of heartfelt music that also questions its own right to be heard, "My Back Was A Bridge For You To Cross" demonstrates music's unique capacity to bring harmony to competing, sometimes contradictory, elements.
July 7 street date. Toronto band Birds Of Bellwoods' long-awaited sophomore album, "Everything You Want", is a triumph of harmony-drenched alt-rock anthems and deft lyrical empathy. The raucous yet radio-ready sophomore collection is a fearless ode to self-acceptance. Produced by multi-Grammy winner Dave Schiffman (Vampire Weekend, Haim, PUP), the album captures both the effervescence of the band's famously riotous live shows. It's one of those rare records that manages to be simultaneously epic and intimate, both for the masses and for your ears only. Named one of the 27 most anticipated albums by a Canadian artist for 2023 by Exclaim! magazine.
July 7 street date. Toronto band Birds Of Bellwoods' long-awaited sophomore album, "Everything You Want", is a triumph of harmony-drenched alt-rock anthems and deft lyrical empathy. The raucous yet radio-ready sophomore collection is a fearless ode to self-acceptance. Produced by multi-Grammy winner Dave Schiffman (Vampire Weekend, Haim, PUP), the album captures both the effervescence of the band's famously riotous live shows. It's one of those rare records that manages to be simultaneously epic and intimate, both for the masses and for your ears only. Named one of the 27 most anticipated albums by a Canadian artist for 2023 by Exclaim! magazine.
July 7 street date. The first album in over six years from American songwriter Julie Byrne is a testament to patience and determination, the willingness to transform through the desolation of loss, the vitality of renewal, and the courage to rise, forever changed. For nearly a decade, Byrne has moved through the world as a characteristically private artist largely outside the public eye. A self-taught musician that has committed her life to her work, she now emerges from a deeply trying and generative period with the most powerful, lustrous, and life-affirming music of her career, "The Greater Wings". While they hold the plasticity of grief and trauma, the songs are universally resonant, unbridled in their devotion and joy, held up by the love and alliance of a chosen family. Byrne leans further into atmospheres both expansive and intimate; the lush, evocative songcraft flows between her signature fingerpicked guitar, synthesizer, and a newly adopted piano, made wider by flourishes of harp and strings. It is the transcendent sound of resource, of friendship that was never without romance, of loyalty that burns from within like a heart on fire, and the life force summoned in unrepeatable moments - raw, gorgeous, and wild.
July 7 street date. "Art Official Intelligence: Mosaic Thump" is the fifth studio album by de la Soul, originally released on August 8, 2000. Among the guests on the album are, Redman, Tash and J-Ro of Tha Liks, Xzibit, Busta Rhymes, Mike D and Ad Rock of The Beastie Boys, Busy Bee, Freddie Foxxx, and Chaka Khan. "Mosaic Thump" returned de la Soul to chart territory again thanks to the hit singles "Oooh." and "All Good?". "Oooh" was nominated for a Source Award and the album was nominated for a Grammy for Best Rap Performance By A Duo or Group.
July 7 street date. "Art Official Intelligence: Mosaic Thump" is the fifth studio album by de la Soul, originally released on August 8, 2000. Among the guests on the album are, Redman, Tash and J-Ro of Tha Liks, Xzibit, Busta Rhymes, Mike D and Ad Rock of The Beastie Boys, Busy Bee, Freddie Foxxx, and Chaka Khan. "Mosaic Thump" returned de la Soul to chart territory again thanks to the hit singles "Oooh." and "All Good?". "Oooh" was nominated for a Source Award and the album was nominated for a Grammy for Best Rap Performance By A Duo or Group.
July 7 street date. "Art Official Intelligence: Mosaic Thump" is the fifth studio album by de la Soul, originally released on August 8, 2000. Among the guests on the album are, Redman, Tash and J-Ro of Tha Liks, Xzibit, Busta Rhymes, Mike D and Ad Rock of The Beastie Boys, Busy Bee, Freddie Foxxx, and Chaka Khan. "Mosaic Thump" returned de la Soul to chart territory again thanks to the hit singles "Oooh." and "All Good?". "Oooh" was nominated for a Source Award and the album was nominated for a Grammy for Best Rap Performance By A Duo or Group.
July 7 street date. Matador Records present "Crowd Can Talk"/"Dressed in Trenches", a composite of two EPs by Lifeguard. Formed in 2019, Lifeguard are Asher Case (bass, vocals), Isaac Lowenstein (drums, percussion), and Kai Slater (guitar, vocals). At its core, they're a punk band. Their music is loud and energetic. It's also visceral and hypnotic, and for the Chicago-based trio that can include repetition and blasts of speaker cone-shredding feedback. Their songs adeptly balance melody and chaos, rhythm and drone. "Crowd Can Talk" was originally released in the summer of 2022 by Chicago label Born Yesterday, while "Dressed in Trenches" features five brand new unreleased songs.
July 7 street date. Matador Records present "Crowd Can Talk"/"Dressed in Trenches", a composite of two EPs by Lifeguard. Formed in 2019, Lifeguard are Asher Case (bass, vocals), Isaac Lowenstein (drums, percussion), and Kai Slater (guitar, vocals). At its core, they're a punk band. Their music is loud and energetic. It's also visceral and hypnotic, and for the Chicago-based trio that can include repetition and blasts of speaker cone-shredding feedback. Their songs adeptly balance melody and chaos, rhythm and drone. "Crowd Can Talk" was originally released in the summer of 2022 by Chicago label Born Yesterday, while "Dressed in Trenches" features five brand new unreleased songs.
July 7 street date. "The Endless Coloured Ways" is a collection of songs by legendary singer/songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic. "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or "personality". We are honoured and so grateful to all our friends, old and new, who took part in the making of this set" - Cally Calloman, Bryter Music.
July 7 street date. "The Endless Coloured Ways" is a collection of songs by legendary singer/songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic. "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or "personality". We are honoured and so grateful to all our friends, old and new, who took part in the making of this set" - Cally Calloman, Bryter Music.
July 7 street date. "The Endless Coloured Ways" is a collection of songs by legendary singer/songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic. "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or "personality". We are honoured and so grateful to all our friends, old and new, who took part in the making of this set" - Cally Calloman, Bryter Music.
July 14 street date. No matter your age or station, "Supermodels" is the sort of record you can hear yourself in. Claud's engrossing and poignant second album is a confident diary of the mercury of life and love in one's early 20s, whether it's the self-doubt that creeps through its tunes or the place of compromise they try to find. Fissures in romances and friendships, pressures of recording careers, the casualties of growing up: each of these 13 songs is another articulated diary entry, threaded together with scant regard for genre and with the rollercoaster of feeling that gives each tune such specific gravity. These are familiar topics for Claud, covering some of the same terrain as 2021's "Super Monster". But there is a newfound confidence to the ideas here, rendered in structures and hooks that do not equivocate as they move from frowning folk to boisterous pop to twisted piano curios.
July 14 street date. No matter your age or station, "Supermodels" is the sort of record you can hear yourself in. Claud's engrossing and poignant second album is a confident diary of the mercury of life and love in one's early 20s, whether it's the self-doubt that creeps through its tunes or the place of compromise they try to find. Fissures in romances and friendships, pressures of recording careers, the casualties of growing up: each of these 13 songs is another articulated diary entry, threaded together with scant regard for genre and with the rollercoaster of feeling that gives each tune such specific gravity. These are familiar topics for Claud, covering some of the same terrain as 2021's "Super Monster". But there is a newfound confidence to the ideas here, rendered in structures and hooks that do not equivocate as they move from frowning folk to boisterous pop to twisted piano curios.
July 14 street date. No matter your age or station, "Supermodels" is the sort of record you can hear yourself in. Claud's engrossing and poignant second album is a confident diary of the mercury of life and love in one's early 20s, whether it's the self-doubt that creeps through its tunes or the place of compromise they try to find. Fissures in romances and friendships, pressures of recording careers, the casualties of growing up: each of these 13 songs is another articulated diary entry, threaded together with scant regard for genre and with the rollercoaster of feeling that gives each tune such specific gravity. These are familiar topics for Claud, covering some of the same terrain as 2021's "Super Monster". But there is a newfound confidence to the ideas here, rendered in structures and hooks that do not equivocate as they move from frowning folk to boisterous pop to twisted piano curios.
July 14 street date. No matter your age or station, "Supermodels" is the sort of record you can hear yourself in. Claud's engrossing and poignant second album is a confident diary of the mercury of life and love in one's early 20s, whether it's the self-doubt that creeps through its tunes or the place of compromise they try to find. Fissures in romances and friendships, pressures of recording careers, the casualties of growing up: each of these 13 songs is another articulated diary entry, threaded together with scant regard for genre and with the rollercoaster of feeling that gives each tune such specific gravity. These are familiar topics for Claud, covering some of the same terrain as 2021's "Super Monster". But there is a newfound confidence to the ideas here, rendered in structures and hooks that do not equivocate as they move from frowning folk to boisterous pop to twisted piano curios.
July 14 street date. Without question, Gal Gosta is one of the all-time greats. An inspirational, iconic figurehead in Brazilian music, her outstanding career ran from 1967 up until 2022 when we sadly lost her. Making her mark initially as one of the principal figures in the Tropicália movement of the 1960s, she remained a trailblazing beacon that lit the way for decades to come. ‘India’ is a post-Tropicália masterpiece that was originally released in 1973 on the Philips record label. It features a stellar line-up of musicians including Gilberto Gil, Arthur Verocai, Dominguinhos, Rogério Duprat, and Tenorio Jr. amongst others. The album's iconic, controversial cover art was banned by the Brazilian military dictatorship upon its release, which resulted in it being covered up and wrapped in a blue plastic bag when sold in record shops. It is one of Gal's strongest albums, consistently exceptional throughout and the perfect starting point for those unfamiliar with her rich catalogue. For its 50th anniversary, Mr Bongo enlisted the sensational mastering and lacquer-cutting engineer Miles Showell from Abbey Road to cut a half-speed master for a beautiful spacious sound. The album is housed in its original replica gatefold cover with an OBI. There is also an insert with an interview, and an A2 poster exclusive to this release.
Please note new street date: July 21. "Spark Of Light" is the first album of original music co-written by Michael Bolton in almost 15 years. Michael worked with contemporary writers, producers, artists and DJs including Walk The Moon ("Shut Up And Dance") frontman Nicholas Petricca, Zac Barnett (American Authors), Justin Jesso (songwriter and featured singer on "Stargazing" with Kygo), producer Tushar Apte (Demi Lovato, ZAYN, Nicki Minaj, Adam Levine, Noah Cyrus), and many more. The first single "Beautiful World" debuted during NBC's American Song Contest and was also performed during the CBS primetime airing of the DayTime Emmys Awards. The most recent single "Spark Of Light" released alongside Bolton's performance on Fox's hit TV show "The Masked Singer". Bolton is a multiple Grammy Award-winning singer, songwriter and humanitarian, who has sold more than 65 million records globally and continues to tour the world. To date, Michael has seen 9 studio albums rank in the Billboard Top Ten, with 9 #1 singles.
Please note new street date: July 21. "Spark Of Light" is the first album of original music co-written by Michael Bolton in almost 15 years. Michael worked with contemporary writers, producers, artists and DJs including Walk The Moon ("Shut Up And Dance") frontman Nicholas Petricca, Zac Barnett (American Authors), Justin Jesso (songwriter and featured singer on "Stargazing" with Kygo), producer Tushar Apte (Demi Lovato, ZAYN, Nicki Minaj, Adam Levine, Noah Cyrus), and many more. The first single "Beautiful World" debuted during NBC's American Song Contest and was also performed during the CBS primetime airing of the DayTime Emmys Awards. The most recent single "Spark Of Light" released alongside Bolton's performance on Fox's hit TV show "The Masked Singer". Bolton is a multiple Grammy Award-winning singer, songwriter and humanitarian, who has sold more than 65 million records globally and continues to tour the world. To date, Michael has seen 9 studio albums rank in the Billboard Top Ten, with 9 #1 singles.
Please note new street date: July 21. "Spark Of Light" is the first album of original music co-written by Michael Bolton in almost 15 years. Michael worked with contemporary writers, producers, artists and DJs including Walk The Moon ("Shut Up And Dance") frontman Nicholas Petricca, Zac Barnett (American Authors), Justin Jesso (songwriter and featured singer on "Stargazing" with Kygo), producer Tushar Apte (Demi Lovato, ZAYN, Nicki Minaj, Adam Levine, Noah Cyrus), and many more. The first single "Beautiful World" debuted during NBC's American Song Contest and was also performed during the CBS primetime airing of the DayTime Emmys Awards. The most recent single "Spark Of Light" released alongside Bolton's performance on Fox's hit TV show "The Masked Singer". Bolton is a multiple Grammy Award-winning singer, songwriter and humanitarian, who has sold more than 65 million records globally and continues to tour the world. To date, Michael has seen 9 studio albums rank in the Billboard Top Ten, with 9 #1 singles. Deluxe edition contains two bonus tracks.
July 21 street date. As Cut Worms, songwriter Max Clarke's contemporary vision of American heritage rock 'n' roll is both pristine and askew. He's been called a modern Buddy Holly and Everly Brothers while also being tagged as "Lynchian". Since 2016, this vision has made Cut Worms fans of Nick Lowe, Norah Jones, Wilco, and other notable powerhouse artists. And on his self-titled third album, we find Clarke refining his craft down to its most crucial elements. Produced and performed almost entirely by Clarke, it's both a return to Cut Worms home-recorded debut EP "Alien Sunset" and imbued with all the hi-fi lessons learned during the Memphis sessions of his epic, 2020 2xLP "Nobody Lives Hear Anymore". Declarations of love, vitriol for our crazy-making culture wars, a love letter to the late Bobby Fuller - all with a reverb spring, brass swing and pureness of heart that seem to reject our post-modern hall of LED mirrors. It's all executed so very well it almost feels otherworldly. Clarke's voice is truly singular in the year 2023 - disarming and timeless.
July 21 street date. As Cut Worms, songwriter Max Clarke's contemporary vision of American heritage rock 'n' roll is both pristine and askew. He's been called a modern Buddy Holly and Everly Brothers while also being tagged as "Lynchian". Since 2016, this vision has made Cut Worms fans of Nick Lowe, Norah Jones, Wilco, and other notable powerhouse artists. And on his self-titled third album, we find Clarke refining his craft down to its most crucial elements. Produced and performed almost entirely by Clarke, it's both a return to Cut Worms home-recorded debut EP "Alien Sunset" and imbued with all the hi-fi lessons learned during the Memphis sessions of his epic, 2020 2xLP "Nobody Lives Hear Anymore". Declarations of love, vitriol for our crazy-making culture wars, a love letter to the late Bobby Fuller - all with a reverb spring, brass swing and pureness of heart that seem to reject our post-modern hall of LED mirrors. It's all executed so very well it almost feels otherworldly. Clarke's voice is truly singular in the year 2023 - disarming and timeless.
July 21 street date. As Cut Worms, songwriter Max Clarke's contemporary vision of American heritage rock 'n' roll is both pristine and askew. He's been called a modern Buddy Holly and Everly Brothers while also being tagged as "Lynchian". Since 2016, this vision has made Cut Worms fans of Nick Lowe, Norah Jones, Wilco, and other notable powerhouse artists. And on his self-titled third album, we find Clarke refining his craft down to its most crucial elements. Produced and performed almost entirely by Clarke, it's both a return to Cut Worms home-recorded debut EP "Alien Sunset" and imbued with all the hi-fi lessons learned during the Memphis sessions of his epic, 2020 2xLP "Nobody Lives Hear Anymore". Declarations of love, vitriol for our crazy-making culture wars, a love letter to the late Bobby Fuller - all with a reverb spring, brass swing and pureness of heart that seem to reject our post-modern hall of LED mirrors. It's all executed so very well it almost feels otherworldly. Clarke's voice is truly singular in the year 2023 - disarming and timeless.
July 21 street date. As Cut Worms, songwriter Max Clarke's contemporary vision of American heritage rock 'n' roll is both pristine and askew. He's been called a modern Buddy Holly and Everly Brothers while also being tagged as "Lynchian". Since 2016, this vision has made Cut Worms fans of Nick Lowe, Norah Jones, Wilco, and other notable powerhouse artists. And on his self-titled third album, we find Clarke refining his craft down to its most crucial elements. Produced and performed almost entirely by Clarke, it's both a return to Cut Worms home-recorded debut EP "Alien Sunset" and imbued with all the hi-fi lessons learned during the Memphis sessions of his epic, 2020 2xLP "Nobody Lives Hear Anymore". Declarations of love, vitriol for our crazy-making culture wars, a love letter to the late Bobby Fuller - all with a reverb spring, brass swing and pureness of heart that seem to reject our post-modern hall of LED mirrors. It's all executed so very well it almost feels otherworldly. Clarke's voice is truly singular in the year 2023 - disarming and timeless.
July 21 street date. Robert Pollard has a very strong work ethic. With most of their touring canceled due to the pandemic and then a fractured kneecap, Guided By Voices ran up an extremely prolific streak in the studio, recording and releasing eight albums in the past three years and garnering piles of rave four star and five star reviews in the process. The pandemic records were particularly notable and unique that the band members recorded most of their instruments individually in separate cities. "Welshpool Frillies" finds the gang back together, in a Brooklyn basement with producer Travis Harrison. Much of it was recorded live to tape. The catchy ear worms in these new songs are undeniable, as the kinetic energy of the band is captured in its most raw and pure form. The album is brash, no-frills, and punky, inspired by the wiliness of 90s-era GBV, specifically the "Scalping The Guru" compilation that Pollard put together in 2022.
July 28 street date. "4AM Friday" is the sound of Avail hitting their stride - plain and simple. The collection of sing-a-long anthems for the everyman solidified their place as the kings of the Southern punk underground. This reissue of the 1996 classic is now completed by the addition of the 15 songs from "Live at the Bottom of the Hill in San Francisco". Recorded in 1997, this smoldering live set showcases the band at their absolute peak and is testament to the unforgettable, high-octane shows that are Avail's hallmark. Remastering, newly written liner notes, freshly unearthed photos and new artwork complete the package.
July 28 street date. "Frontier's Edge" is the new 6 track EP by the fiery, energetic, genre-defying group The Budos Band. Their first release after departing their two-decade-long home of Daptone Records and joining Diamond West Records (founded by the Budos' own Thomas Brenneck and Jared Tankel), "Frontier's Edge" finds the group hungry, passionate, and primed to charge into their next epoch.
July 28 street date. "Frontier's Edge" is the new 6 track EP by the fiery, energetic, genre-defying group The Budos Band. Their first release after departing their two-decade-long home of Daptone Records and joining Diamond West Records (founded by the Budos' own Thomas Brenneck and Jared Tankel), "Frontier's Edge" finds the group hungry, passionate, and primed to charge into their next epoch.
July 28 street date. "Frontier's Edge" is the new 6 track EP by the fiery, energetic, genre-defying group The Budos Band. Their first release after departing their two-decade-long home of Daptone Records and joining Diamond West Records (founded by the Budos' own Thomas Brenneck and Jared Tankel), "Frontier's Edge" finds the group hungry, passionate, and primed to charge into their next epoch.
July 28 street date. Beverly Glenn-Copeland began his musical career in the 1960s, when he studied classical singing at Montreal's McGill University and performed at Expo 67. A pair of self-titled, multi-genre albums released in the early 1970s showcased his powerful voice and songwriting talent. In 1986, while living in rural Ontario, Glenn-Copeland taught himself to use digital synthesis and recorded the album that would ultimately alter the entire course of his career. At the time, he self-released "Keyboard Fantasies" via a 200-copy cassette run, selling just a handful while the rest waited in storage. In 2015, a Japanese record collector emailed Glenn-Copeland about selling the remainder; and a new generation had unearthed his art. His multifaceted body of work surrenders to the beauty, pain, and great capacity for healing that courses through life; in its unguarded sincerity, it invites you to share in its courage. Glenn-Copeland's new album, "The Ones Ahead" - his first collection of new music in nearly two decades - deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next.
July 28 street date. Beverly Glenn-Copeland began his musical career in the 1960s, when he studied classical singing at Montreal's McGill University and performed at Expo 67. A pair of self-titled, multi-genre albums released in the early 1970s showcased his powerful voice and songwriting talent. In 1986, while living in rural Ontario, Glenn-Copeland taught himself to use digital synthesis and recorded the album that would ultimately alter the entire course of his career. At the time, he self-released "Keyboard Fantasies" via a 200-copy cassette run, selling just a handful while the rest waited in storage. In 2015, a Japanese record collector emailed Glenn-Copeland about selling the remainder; and a new generation had unearthed his art. His multifaceted body of work surrenders to the beauty, pain, and great capacity for healing that courses through life; in its unguarded sincerity, it invites you to share in its courage. Glenn-Copeland's new album, "The Ones Ahead" - his first collection of new music in nearly two decades - deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next.
July 28 street date. Beverly Glenn-Copeland began his musical career in the 1960s, when he studied classical singing at Montreal's McGill University and performed at Expo 67. A pair of self-titled, multi-genre albums released in the early 1970s showcased his powerful voice and songwriting talent. In 1986, while living in rural Ontario, Glenn-Copeland taught himself to use digital synthesis and recorded the album that would ultimately alter the entire course of his career. At the time, he self-released "Keyboard Fantasies" via a 200-copy cassette run, selling just a handful while the rest waited in storage. In 2015, a Japanese record collector emailed Glenn-Copeland about selling the remainder; and a new generation had unearthed his art. His multifaceted body of work surrenders to the beauty, pain, and great capacity for healing that courses through life; in its unguarded sincerity, it invites you to share in its courage. Glenn-Copeland's new album, "The Ones Ahead" - his first collection of new music in nearly two decades - deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next.
July 28 street date. Los Angeles-based experimental jazz collective High Pulp will release their new album "Days In The Desert" in peak sweltering summer heat. The titular desert is both literal and metaphorical: it's the Mojave Desert that the band powers through on their many DIY tours around the country, and the band's founder/drummer Bobby Granfelt perceives the desert as "a spiritual quest" as well. "Days In The Desert" finds the West Coast band fully emerging into their own sound. Rooted in the jazz tradition while also smitten by indie-rock and electronic music, High Pulp was willing to grab from all these sounds at once to pursue something truly their own. Their third full-length album (following 2022's promising Anti- debut "Pursuit Of Ends"), "Days In The Desert" reveals the band realizing their strengths, deepening their own bonds, and pushing all these skills into a thrilling new sonic vista all but unimaginable just a few years before.
July 28 street date. Los Angeles-based experimental jazz collective High Pulp will release their new album "Days In The Desert" in peak sweltering summer heat. The titular desert is both literal and metaphorical: it's the Mojave Desert that the band powers through on their many DIY tours around the country, and the band's founder/drummer Bobby Granfelt perceives the desert as "a spiritual quest" as well. "Days In The Desert" finds the West Coast band fully emerging into their own sound. Rooted in the jazz tradition while also smitten by indie-rock and electronic music, High Pulp was willing to grab from all these sounds at once to pursue something truly their own. Their third full-length album (following 2022's promising Anti- debut "Pursuit Of Ends"), "Days In The Desert" reveals the band realizing their strengths, deepening their own bonds, and pushing all these skills into a thrilling new sonic vista all but unimaginable just a few years before.
July 28 street date. On ‘Love Hallucination’, Jessy Lanza is in control as a songwriter and producer, flexing her skills in the studio and rebuilding her sound, taking chances with production and energy in all directions, from club-ready, to downbeat and sultry, with the theme of trusting yourself in the moment and using intuition as a compass driving the record forward. ‘Love Hallucination’ is the sound of an artist in bloom, an album of big emotions and big songs, with direct, personal lyrics, such as the upbeat but panicked opener 'Don't Leave Me Now' and the 2-step drama of 'Midnight Ontario', or 'Limbo', an ear worm disco stomper about produced with Marco 'Tensnake' Niermeski. Also featured as co-producers are David Kennedy (Pearson Sound), adding slick arrangements for the club, long-time collaborator Jeremy Greenspan (Junior Boys), and Paul White. ‘Love Hallucination’ is a bold and immediate record from Jessy Lanza, her most clear, authentic and best to date.
July 28 street date. On ‘Love Hallucination’, Jessy Lanza is in control as a songwriter and producer, flexing her skills in the studio and rebuilding her sound, taking chances with production and energy in all directions, from club-ready, to downbeat and sultry, with the theme of trusting yourself in the moment and using intuition as a compass driving the record forward. ‘Love Hallucination’ is the sound of an artist in bloom, an album of big emotions and big songs, with direct, personal lyrics, such as the upbeat but panicked opener 'Don't Leave Me Now' and the 2-step drama of 'Midnight Ontario', or 'Limbo', an ear worm disco stomper about produced with Marco 'Tensnake' Niermeski. Also featured as co-producers are David Kennedy (Pearson Sound), adding slick arrangements for the club, long-time collaborator Jeremy Greenspan (Junior Boys), and Paul White. ‘Love Hallucination’ is a bold and immediate record from Jessy Lanza, her most clear, authentic and best to date.
August 4 street date. "Enigmatic Society" is the new offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, "Enigmatic Society" is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. "Enigmatic Society" serves as a follow up to the group's 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album's artwork designed by Kamasi Washington's sister, artist Amani Washington.
August 4 street date. "Enigmatic Society" is the new offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, "Enigmatic Society" is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. "Enigmatic Society" serves as a follow up to the group's 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album's artwork designed by Kamasi Washington's sister, artist Amani Washington.
August 4 street date. The official soundtrack for "Everything Everywhere All At Once". The album is an explosion of hear-it-to-believe-it collaborations. The most ambitious project to date for experimental trio Son Lux, the 49 track album is fit not only for the screen - scoring the action packed, and deeply moving film - but as an independent album. It's a feat of musical prowess, combining the signature electronic feel of Son Lux with ornaments of brilliant instrumentation. The features, all anchored by Son Lux's compositions, include a Mitski & David Byrne duet, vocals from Moses Sumney and Randy Newman, and flute from the legendary André Benjamin.
August 11 street date. "Keeping Secrets Will Destroy You" presents simply - an album made as it was meant to be heard, in a room. The sound of people together - a sound we'd so recently feared that we'd lost - playing, communing, strings and wood and keys and voices singing. In the starkness of space, the complexities of life and time are unfurled, then refurled again. As strings ebb and flow with voices and their words, careful hands unwrap the gift of paradox in its many forms - and rewrap, for regifting. For giving to everyone. You might could call it a bastard child of "Master And Everyone" and "The Letting Go". But you can't say this ain't a record that sings and dances, repeatedly, through moments of joy and terror and together. "Keeping Secrets Will Destroy You" enables Bonnie to let it all out, to let go again, and suggest to us all that we get while the getting is good.
August 11 street date. "Keeping Secrets Will Destroy You" presents simply - an album made as it was meant to be heard, in a room. The sound of people together - a sound we'd so recently feared that we'd lost - playing, communing, strings and wood and keys and voices singing. In the starkness of space, the complexities of life and time are unfurled, then refurled again. As strings ebb and flow with voices and their words, careful hands unwrap the gift of paradox in its many forms - and rewrap, for regifting. For giving to everyone. You might could call it a bastard child of "Master And Everyone" and "The Letting Go". But you can't say this ain't a record that sings and dances, repeatedly, through moments of joy and terror and together. "Keeping Secrets Will Destroy You" enables Bonnie to let it all out, to let go again, and suggest to us all that we get while the getting is good.
August 11 street date. "Keeping Secrets Will Destroy You" presents simply - an album made as it was meant to be heard, in a room. The sound of people together - a sound we'd so recently feared that we'd lost - playing, communing, strings and wood and keys and voices singing. In the starkness of space, the complexities of life and time are unfurled, then refurled again. As strings ebb and flow with voices and their words, careful hands unwrap the gift of paradox in its many forms - and rewrap, for regifting. For giving to everyone. You might could call it a bastard child of "Master And Everyone" and "The Letting Go". But you can't say this ain't a record that sings and dances, repeatedly, through moments of joy and terror and together. "Keeping Secrets Will Destroy You" enables Bonnie to let it all out, to let go again, and suggest to us all that we get while the getting is good.
August 11 street date. Beggars Arkive present the vinyl reissue of The Cult's fifth album "Ceremony". Originally released in 1991, the follow up to the massive "Sonic Temple" marked a turning point in the band's sound and style, and it was their first without longtime bassist Jamie Stewart. The album was a commercial success (Platinum in Canada), reached No. 25 on the Billboard chart, and became an important piece of their discography. The Cult continued to develop their sound on "Ceremony", and the result is a testament to their ability to evolve and adapt while staying true to their roots. It includes the singles "Wild Hearted Son" and "Heart Of Soul".
August 11 street date. Beggars Arkive present the vinyl reissue of The Cult's fifth album "Ceremony". Originally released in 1991, the follow up to the massive "Sonic Temple" marked a turning point in the band's sound and style, and it was their first without longtime bassist Jamie Stewart. The album was a commercial success (Platinum in Canada), reached No. 25 on the Billboard chart, and became an important piece of their discography. The Cult continued to develop their sound on "Ceremony", and the result is a testament to their ability to evolve and adapt while staying true to their roots. It includes the singles "Wild Hearted Son" and "Heart Of Soul".
August 11 street date. Beggars Arkive present the special limited edition vinyl reissue of The Cult's fourth album, "Sonic Temple", as an indie exclusive translucent green double LP. Released in 1989, the album catapulted The Cult into superstar status and remains their most commercially successful release, earning Double Platinum status in Canada within the year. "Sonic Temple" was also a critical success, cementing their place in the pantheon of hard rock and heavy metal bands and earning them a devoted following that endures to this day. "Sonic Temple" had four massive hits; "Fire Woman", "Edie (Ciao Baby)", "Sun King", and "Sweet Soul Sister".
August 11 street date. Alternative cover, exclusively available to Canadian shops! It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording's home turf, just a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. ‘Live at RBC Echo Beach’ features performances by Men I Trust and Khruangbin.
August 11 street date. It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording's home turf, just a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. ‘Live at RBC Echo Beach’ features performances by Men I Trust and Khruangbin.
August 18 street date. ‘Epoch’ is the definitive collection of DeYarmond Edison, the band preceding Bon Iver and Megafaun. The collection includes five LPs, four CDs, a 55,000 word biography/book, rare and unseen photos, and additional digital content. In the summer of 2005, four friends left Wisconsin for North Carolina with a singular goal: to outrun their folk-rock doldrums. During a year of intense focus, study, and vulnerability, they did exactly that, reaching toward the ecstatic edge of New Weird America by trying out a little of everything--grindcore and gospel, free jazz and phase pieces, bluegrass and blues - and packing it into DeYarmond Edison. Maybe you know the rest? One member went home to begin what would become Bon Iver, while three stayed put to start Megafaun. ‘Epoch’ is the story of DeYarmond Edison: Brad Cook, Phil Cook, Justin Vernon, and Joe Westerlund, told as never before.
August 18 street date. Bored of AI-generated pop slop? Then this one is for you. A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse/chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets proto-synth punk suicide-repellant. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. All are welcome from the get go to the finale - a distant crackling transmission of 80s synth last-dance-of-the-night tune for your lost loves. For fans of Teutonic synth punk and Thee Oh Sees.
August 18 street date. Bored of AI-generated pop slop? Then this one is for you. A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse/chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets proto-synth punk suicide-repellant. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. All are welcome from the get go to the finale - a distant crackling transmission of 80s synth last-dance-of-the-night tune for your lost loves. For fans of Teutonic synth punk and Thee Oh Sees.
August 18 street date. Public Image Ltd. (PiL) announce their 11th studio album and first album in 8 years, "End Of World". The band began writing and recording the album in 2018, during their 40th anniversary tour. The band is widely regarded as one of the most innovative and influential bands of all time. With a shifting line-up and unique sound - fusing rock, dance, folk, pop and dub - John Lydon guided the band from their debut album "First Issue" in 1978 through to 1992's "That What Is Not", before a 17 year hiatus. Lydon reactivated PiL in 2009, touring extensively worldwide and releasing two critically acclaimed albums. After "the great pause", the band regrouped in the studio and "there was just this massive explosion of ideas", Lydon says. The result finds PiL set to release 13 of the best tracks they have ever written. Earlier this year, PiL released "Hawaii", the most personal piece of songwriting and accompanying artwork that Lydon has ever shared. The song is a love letter to John's wife Nora, who sadly passed away from Alzheimer's on April 5.
August 18 street date. Public Image Ltd. (PiL) announce their 11th studio album and first album in 8 years, "End Of World". The band began writing and recording the album in 2018, during their 40th anniversary tour. The band is widely regarded as one of the most innovative and influential bands of all time. With a shifting line-up and unique sound - fusing rock, dance, folk, pop and dub - John Lydon guided the band from their debut album "First Issue" in 1978 through to 1992's "That What Is Not", before a 17 year hiatus. Lydon reactivated PiL in 2009, touring extensively worldwide and releasing two critically acclaimed albums. After "the great pause", the band regrouped in the studio and "there was just this massive explosion of ideas", Lydon says. The result finds PiL set to release 13 of the best tracks they have ever written. Earlier this year, PiL released "Hawaii", the most personal piece of songwriting and accompanying artwork that Lydon has ever shared. The song is a love letter to John's wife Nora, who sadly passed away from Alzheimer's on April 5.
September 8 street date. bar italia, the London trio of Nina Cristante, Jezmi Tarik Fehmi, and Sam Fenton, present their new album, "Tracey Denim". Its 15 tracks were self-recorded and produced, with mixing from Marta Salogni (Bjork, Sampha), and features the single "Nurse!" which was released in March to acclaim, described as "a hypnotic post-punk ballad" (The Guardian) and "narcotically arresting" (Pitchfork). Over the last two years bar italia have released two albums, an EP, and several singles on Dean Blunt's World Music label, leading to much word-of-mouth, sold out headline shows, and festival performances. "Tracey Denim" is their Matador Records debut.
April 7 street date. Vinyl street date is TBA. Back in the mire of the early 90s, from somewhere beneath a pile of wallet chains and cut-off army pants, Frenzal Rhomb emerged, their white suburban fingers clutching onto goon casks and bucket bongs and other appropriate paraphernalia. Before too long those fingers wrote riffs and those riffs became songs and their voices sung rhyming swear words in perfect three-part harmony. It's amazing that Frenzal Rhomb are here at all, but they are, and are back with their 10th studio album! "The Cup of Pestilence" is 19 songs full of the characters and slightly discomforting ideas that you've come to love from Frenzal Rhomb. The stories of good times, beloved friends and slightly less-friendly types, the tales of enlightenment through recreational substances, and some great budgetary ideas for a cash-strapped household, all under a serious number of hot riffs and licks, brilliant bass lines, and devastating drum bits sure to satiate each and every Frenzal Rhomb fan across the globe.
Please note street date is now TBA. In July 2022, with the release show for "Hello, Hi" coming up, Ty Segall & The Freedom Band were working and playing to get it together. There'd be a little acoustic set to open things up, which was something different, so a last minute show was drummed up, for Ty and Emmett Kelly to work it out in front of some people. And that kind of became the REAL record release show. This show clearly ruled, just hearing the five songs included here. With the incredible feelings of the crowd and the spontaneous play in the songs we now know from the album almost miraculously captured to tape at FULL WARMTH, none of us can say we missed it at all anymore - drop the needle and you're there, at the launching of sounds that added to the evolution of the world we've been living in ever since!
Please note new street date: tba. Aaliyah is the self-titled third and final studio album by the "queen of urban pop," Aaliyah. Originally released in 2001 by Blackground Records, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of its time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution", "More Than A Woman", and "Rock The Boat".
Please note new street date: October 28 street date. "Common Courtesy" is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear coloured vinyl with diecut album packaging. Since its initial release in 2013, "Common Courtesy" has gone on to amass over 500k in total consumption and includes some of the band's biggest hits including "Right Back At It Again" and "Sometimes You're The Hammer, Sometimes You're The Nail". Over the course of the past several years, each of A Day To Remember's releases have hit No. 1 on Billboard's Rock, Indie and/or Alternative charts, they've sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fan-base whose members number in the millions.
Please note new street date: October 28 street date. "Common Courtesy" is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear coloured vinyl with diecut album packaging. Since its initial release in 2013, "Common Courtesy" has gone on to amass over 500k in total consumption and includes some of the band's biggest hits including "Right Back At It Again" and "Sometimes You're The Hammer, Sometimes You're The Nail". Over the course of the past several years, each of A Day To Remember's releases have hit No. 1 on Billboard's Rock, Indie and/or Alternative charts, they've sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fan-base whose members number in the millions.
July 29 street date. This summer, Merge will reissue A Giant Dog's first two full-lengths - 2012's "Fight" and 2013's "Bone" on limited edition coloured vinyl, reintroducing the world to the quintet Spoon's Britt Daniel calls "the greatest American rock and roll/punk band since I don't know when". Recording for the first time with a proper producer (Mike McCarthy) in a proper environment (a studio lol), "Bone", on pink vinyl for this reissue, still manages to kool-aid man its way through the speakers with the immediacy of the band's live shows, a hit parade for the party people. Sabrina Ellis and Andrew Cashen add another baker’s dozen tunes to the band's repertoire just a year following their debut, with songs like "All I Wanted", "Dammit Pomegranate", and "Another World" cementing them as a conspicuous songwriting duo.
July 29 street date. This summer, Merge will reissue A Giant Dog's first two full-lengths - 2012's "Fight" and 2013's "Bone" on limited edition coloured vinyl, reintroducing the world to the quintet Spoon's Britt Daniel calls "the greatest American rock and roll/punk band since I don't know when". Celebrating its tenth birthday in 2022 is A "Fight", the Texas group's hard-to-find debut album, remixed, remastered, and pressed on green vinyl just for the occasion. All the trademark tenets of AGD lore are on display at the jump: monstrously adorable album art and punny title, whip-smart songwriting dolled up in denim and leather, boiled down to the sweetest moments and blown out to the masses with bravado to spare. Upon the original release of "Fight", the local Austin Chronicle raved: "the raucous, low-rent squall quakes with affirmative abandon, while a just-right dose of pop girds the buzz and yowl".
September 24 street date. Less than two years after its predecessor's release, A Pale Horse Named Death are poised to unveil their fourth full-length album, "Infernum In Terra". Sal Abruscato's latest collection of crestfallen anthems showcases a bold and adventurous new upgrade for APHND's trademark sound, with greater subtleties and depths but also some of the heaviest, gnarliest riffs the band have ever unleashed. Combined with a production that fills the room with sparkling clarity and choking gloom, "Infernum In Terra" will satisfy every last one of the New Yorkers' fans, while expanding Abruscato's singular vision beyond all expectation. New songs like "Cast Out From The Sky" and visceral and epic first single "Reflections Of The Dead" are, of course, sodden with misery and emotional turmoil, but previous albums' myopic approach has been rejected here. Instead, "Infernum In Terra" makes intermittent concessions to a more outward-looking perspective, enabling A Pale Horse Named Death to pass through fresh thematic territory.
September 24 street date. Less than two years after its predecessor's release, A Pale Horse Named Death are poised to unveil their fourth full-length album, "Infernum In Terra". Sal Abruscato's latest collection of crestfallen anthems showcases a bold and adventurous new upgrade for APHND's trademark sound, with greater subtleties and depths but also some of the heaviest, gnarliest riffs the band have ever unleashed. Combined with a production that fills the room with sparkling clarity and choking gloom, "Infernum In Terra" will satisfy every last one of the New Yorkers' fans, while expanding Abruscato's singular vision beyond all expectation. New songs like "Cast Out From The Sky" and visceral and epic first single "Reflections Of The Dead" are, of course, sodden with misery and emotional turmoil, but previous albums' myopic approach has been rejected here. Instead, "Infernum In Terra" makes intermittent concessions to a more outward-looking perspective, enabling A Pale Horse Named Death to pass through fresh thematic territory.
September 16 street date. "I Care 4 U" is the first posthumous compilation album by the "princess of R&B", Aaliyah. Following her tragic and untimely passing, Blackground Records released a posthumous record including songs from her studio albums and previously unreleased tracks and demos, as well as hit singles and recordings that ultimately did not land on any previous albums. The compilation album was a commercial success and debuted at number three on the Billboard 200 and was certified platinum.
September 16 street date. "Ultimate Aaliyah" is the second and final compilation album by legendary R&B singer Aaliyah. Originally released by Blackground Records and only available on CD, the 2005 compilation features three discs of Aaliyah's greatest hits and material from soundtracks and featured work with labelmate Timbaland. This is the first time the compilation is available on vinyl.
November 26 street date. For her Christmas album, Lee Aaron and her band have put together a collection of tracks that showcase Aaron's unique vocal range of rockers, blues and jazz-oriented material. Thus, the album features established favorites like Darlene Love's "Baby Please Come Home," Slade's "'Merry Christmas Everybody'" and a raucous cover of Chuck Berry's "Run Run Rudolph." But also obscure tracks like The Eels' "Everything Is Gonna Be Cool This Christmas" and The Sonics' punky "Don't Believe In Christmas," Over The Rhine's blues-tinged "All I Ever Get For Christmas Is Blue," an accapella version of Joni Mitchell's "The Fiddle and the Drum," and a jazzy arrangement of Louis Armstrong's "Zat You Santa Claus." And to top it off, a rockin' cover of "It Doesn't Often Snow At Christmas" by the Pet Shop Boys. "Making a Christmas album became a passion project, not only to keep my band family together this year, but we also wanted to make something as a gift for our fans to lift their spirits during these difficult times," explains Lee Aaron.
Please note new street date: December 9. Lee Aaron is on a roll. The award winning, songwriter, producer, and vocalist blazed back onto the rock scene in 2016 (after a ten year hiatus to raise her family) with a wealth of original material and more firecracker energy than artists half her age. She's since produced 6 new releases, with "Elevate" being the latest and possibly coolest addition to this renewed chapter in her illustrious career. "Elevate" contains ten original tracks steeped in what has become Aaron's signature sound: big guitar hooks, powerful, bluesy vocals, rich melodies and harmonies and just enough sassy attitude to tip the scales. After forging a strong friendship and working relationship with Mike Fraser (AC/DC, Aerosmith, Bon Jovi, Bryan Adams) on the last album, he once again teams up with Lee and the band for "Elevate" as recording and mix engineer.
Please note new street date: December 9. Lee Aaron is on a roll. The award winning, songwriter, producer, and vocalist blazed back onto the rock scene in 2016 (after a ten year hiatus to raise her family) with a wealth of original material and more firecracker energy than artists half her age. She's since produced 6 new releases, with "Elevate" being the latest and possibly coolest addition to this renewed chapter in her illustrious career. "Elevate" contains ten original tracks steeped in what has become Aaron's signature sound: big guitar hooks, powerful, bluesy vocals, rich melodies and harmonies and just enough sassy attitude to tip the scales. After forging a strong friendship and working relationship with Mike Fraser (AC/DC, Aerosmith, Bon Jovi, Bryan Adams) on the last album, he once again teams up with Lee and the band for "Elevate" as recording and mix engineer.
July 23 street date. Lee Aaron, the metal queen herself, is back with her new album "Radio On!". On 12 brand new songs, the exceptional singer shows herself from her strongest side and fulfils all expectations that one can have of a great rock album. Just like the numerous FM stations that once ruled the airwaves, "Radio On!" is an album packed with classic, melodic rock hooks, nasty guitar riffs, big harmonies and inspired songwriting. Lee Aaron combines these qualities through catchy, soaring melodies carried by her unique, versatile voice. "Radio On!" is an album of non-stop versatile melodic rock at its best.
June 11 street date. "Big Colors is the soundtrack to a movie from 1984 that exists only in my soul. It's a cliché inside a watercolor painting of neon blue smoke rising up off summer streets in the night. It's the most New York California album I could cut loose from my musical soul, and for me as both a guitar player and songwriter, this is the zenith point dream time. While I won't be able to match this album for its depth and broad color forms in the future, this is the sound of my soul and a door to a place I'll be returning to again. The treasures in our past are the shamanic visions of the future when the destination is dream zone 3000. This is that. I'm only dreaming in Big Colors now" - Ryan Adams. Vinyl edition coming later this year.
March 19 street date (CD) / May 14 (LP). Ryan Adams' first album in three years, "Wednesdays", is purely raw, vulnerable, and honest. The music takes you on a deep dive exploring the complex heart of Ryan Adams, through a journey of love, pain, and heartbreak. The album so effortlessly creates an immediate connection with anyone who has ever experienced love lost - the type of love that haunts you in quiet places of your mind. While the lyrics walk you through the vast emotional layers of grief, they also remind you of the rich memories of a love that will forever remain a part of you.
Please note new street date for LP: May 14. Ryan Adams' first album in three years, "Wednesdays", is purely raw, vulnerable, and honest. The music takes you on a deep dive exploring the complex heart of Ryan Adams, through a journey of love, pain, and heartbreak. The album so effortlessly creates an immediate connection with anyone who has ever experienced love lost - the type of love that haunts you in quiet places of your mind. While the lyrics walk you through the vast emotional layers of grief, they also remind you of the rich memories of a love that will forever remain a part of you.
Please note new street date: May 15. "Perception is/as/of Deception" is an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. The album was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach.
Please note new street date: May 15. "Perception is/as/of Deception" is an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. The album was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach.
December 10 street date. Aeon Station's "Observatory" is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Longtime Wrens member Kevin Whelan's first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you're familiar with Whelan's past work, these ten tracks bear a certain and unmistakable familiarity - but they also mark an exciting new chapter in Whelan's musical career, as he steps out with more vulnerability than ever before. Whelan's scope of musical vision on "Observatory" is wide open and free with possibilities - at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene's huge anthemic burn, and the Wrens' own pulsing-with-life take on rock music. First vinyl pressing on cloudy blue vinyl.
December 10 street date. Aeon Station's "Observatory" is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Longtime Wrens member Kevin Whelan's first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you're familiar with Whelan's past work, these ten tracks bear a certain and unmistakable familiarity - but they also mark an exciting new chapter in Whelan's musical career, as he steps out with more vulnerability than ever before. Whelan's scope of musical vision on "Observatory" is wide open and free with possibilities - at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene's huge anthemic burn, and the Wrens' own pulsing-with-life take on rock music. First vinyl pressing on cloudy blue vinyl.
July 16 street date. The explosion of indie Hip Hop labels in the early 1990s resulted in an ongoing snowball effect that started to shift the narrative around an artist's need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home. "Appleseed" was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Finally, 21 years after its debut, "Appleseed" officially returns, now available on all digital platforms, as well as on vinyl for the first time!
July 16 street date. The explosion of indie Hip Hop labels in the early 1990s resulted in an ongoing snowball effect that started to shift the narrative around an artist's need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home. "Appleseed" was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Finally, 21 years after its debut, "Appleseed" officially returns, now available on all digital platforms, as well as on vinyl for the first time!
October 14 street date. Both Aesop Rock and Homeboy Sandman are regarded as top tier lyricists known for pushing the envelope of creativity in their writing, while covering a wide range of topics and moods. However, sometimes things are inherently simple. Take for example, the origin of their collaboration, born from a mutual appreciation for each other as artists which became fully realized when Aesop Rock invited Homeboy Sandman to join him on tour in 2015. Traveling the country together, they built a connection beyond the music, resulting in a friendship that led to recording a few songs together, and before they knew it, there was an infestation. "Lice". Initially released in 2015 as a free direct download, followed by an extremely limited vinyl pressing sold exclusively on tour, Aesop Rock and Homeboy Sandman's "Lice" is finally available to fans everywhere. The first in a series of EP releases, "Lice" featured production from DJ Spinna, Optiks, Blockhead, Alex "Apex" Gale. and Mike Shinoda. The original cover art was designed by renowned illustrator Jeremy Fish.
November 12 street date. When Aesop Rock debuted in the late 1990s with "Music For Earthworms" and "Appleseed", Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to many of Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block have never done a full album together, until now! "Garbology" came together over the course of the pandemic, as well as in the midst of Aesop processing the loss of a close friend in January of 2020, resulting in a period of time of feeling uncreative. "Garbology" encapsulates the soundtrack of current times, capturing a snapshot of Aes and Block expressing a means of entertaining themselves in the midst of less social interactions than usual.
October 14 street date. Initially released in 2016 as a free direct download, followed by an extremely limited vinyl pressing sold exclusively on tour, Aesop Rock and Homeboy Sandman's "Lice Two: Still Buggin'" is finally available to fans everywhere. The second in a series of EP releases, "Lice Two: Still Buggin'" featured production from Dan Hayden, Mondee, Aesop Rock, SoberMindedMusiC, and Mono En Stereo. The original cover art was designed by renowned illustrator Jeremy Fish.
October 14 street date. Initially released in 2017 as a free direct download, followed by an extremely limited vinyl pressing sold exclusively on tour, Aesop Rock and Homeboy Sandman's "Triple Fat Lice" is finally available to fans everywhere. The third in a series of EP releases, "Triple Fat Lice" featured production from Cohen Beats, Oh No, Ben Boogz (of 2 Hungry Brothers), Quelle Chris, and M Slago. The original cover art was designed by renowned illustrator Jeremy Fish.
August 13 street date. Lydia Ainsworth's latest album "Sparkles & Debris" reflects her usual composer's mindset and instinct for idiosyncratic melodies and structures. It also marks a departure from the more solitary creative process that her previous releases were born from. The record blends live drums, guitars and bass with her signature vast electronic landscapes, samples, programming, and voice to create the record's sonic tapestry. "Longing seems to be a major theme running through my songs on this album", says Ainsworth. "Whether that is longing in love, longing to be free from oppression, or longing for the muse of inspiration to make an appearance. I have included some spells and charms in there as well that have proven effective, if any ofmy listeners want to use them for help with their own desires".
August 13 street date. Lydia Ainsworth's latest album "Sparkles & Debris" reflects her usual composer's mindset and instinct for idiosyncratic melodies and structures. It also marks a departure from the more solitary creative process that her previous releases were born from. The record blends live drums, guitars and bass with her signature vast electronic landscapes, samples, programming, and voice to create the record's sonic tapestry. "Longing seems to be a major theme running through my songs on this album", says Ainsworth. "Whether that is longing in love, longing to be free from oppression, or longing for the muse of inspiration to make an appearance. I have included some spells and charms in there as well that have proven effective, if any ofmy listeners want to use them for help with their own desires".
November 12 street date. "The Nearer The Fountain, More Pure The Stream Flows" was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Damon Albarn return to music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem "Love and Memory". Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist". In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, "The Nearer The Fountain, More Pure The Stream Flows" vividly documents the emotional ebb and flow of the human condition, in all its extremes, serving as a soul enriching document for our times.
November 12 street date. "The Nearer The Fountain, More Pure The Stream Flows" was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Damon Albarn return to music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem "Love and Memory". Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist". In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, "The Nearer The Fountain, More Pure The Stream Flows" vividly documents the emotional ebb and flow of the human condition, in all its extremes, serving as a soul enriching document for our times.
November 12 street date. "The Nearer The Fountain, More Pure The Stream Flows" was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Damon Albarn return to music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem "Love and Memory". Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist". In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, "The Nearer The Fountain, More Pure The Stream Flows" vividly documents the emotional ebb and flow of the human condition, in all its extremes, serving as a soul enriching document for our times.
April 14 street date. Singer-songwriter Abraham Alexander's highly anticipated debut album. Born in Greece to parents of Nigerian descent, Alexander moved to Texas with his family at the age of 11, determined to escape the racial tensions they faced in Athens. And while his lyrics speak to pain and trauma and life-changing loss, he instills his music with a joyful passion and irrepressible spirit, ultimately giving way to songs that radiate undeniable hope. From open mics in Fort Worth, Texas to recent stints on the road opening for Leon Bridges, Ani DiFranco, and Mavis Staples - an instinctive trinity for his sound - Alexander is ready for the spotlight and to articulate what many of us are feeling with "SEA/SONS". Features guest appearances from Mavis Staples and Gary Clark, Jr.
April 14 street date. Singer-songwriter Abraham Alexander's highly anticipated debut album. Born in Greece to parents of Nigerian descent, Alexander moved to Texas with his family at the age of 11, determined to escape the racial tensions they faced in Athens. And while his lyrics speak to pain and trauma and life-changing loss, he instills his music with a joyful passion and irrepressible spirit, ultimately giving way to songs that radiate undeniable hope. From open mics in Fort Worth, Texas to recent stints on the road opening for Leon Bridges, Ani DiFranco, and Mavis Staples - an instinctive trinity for his sound - Alexander is ready for the spotlight and to articulate what many of us are feeling with "SEA/SONS". Features guest appearances from Mavis Staples and Gary Clark, Jr.
April 23 street date. Alfa Mist is one of the driving forces behind a young and vibrant scene of UK musicians who've taken on jazz as their musical narrative. On his new album "Bring Backs" the producer, self-taught pianist and rapper takes us on a sonic trip back to his beat-making past on the streets of East London, through the depth and musicality he discovered composing and playing jazz. 2017 saw the release of Alfa's breakthrough record, "Antiphon" and the 2019 album "Structuralism" were both self-released on his Sekito label. His latest endeavour, 2021's "Bring Backs", sees Alfa taking on new challenges. The record marks his first release for the label Anti and is also the most detailed exploration of his upbringing in musical form.
April 23 street date. Alfa Mist is one of the driving forces behind a young and vibrant scene of UK musicians who've taken on jazz as their musical narrative. On his new album "Bring Backs" the producer, self-taught pianist and rapper takes us on a sonic trip back to his beat-making past on the streets of East London, through the depth and musicality he discovered composing and playing jazz. 2017 saw the release of Alfa's breakthrough record, "Antiphon" and the 2019 album "Structuralism" were both self-released on his Sekito label. His latest endeavour, 2021's "Bring Backs", sees Alfa taking on new challenges. The record marks his first release for the label Anti and is also the most detailed exploration of his upbringing in musical form.
April 21 street date. "I've been focused on who I am in my music, but now I'm exploring where I am," Alfa Mist says. "I'm asking: how did I get here?". This is the journeying question that underpins Alfa's fifth album, "Variables". Traversing luscious, big band swing, head-nodding boom-bap rhythms, and yearning vocal melodies, the record is expansive, soulful and moving, in both body and spirit. On "Variables", his second release for ANTI-, Alfa achieves his most fully-realised, expressive musical work to date, coupling his keen ear for looping, memorably emotive piano melodies with intuitive grooves and a free-flowing jazz improvisation. Since the release of his first full-length project "Nocturne" in 2015, Alfa has established himself as one of the UK's most focused, in-demand and distinct musical voices. He has worked with the likes of Jordan Rakei and Tom Misch. His music spans everything from hip-hop beat-making to producing for artists such as rapper Loyle Carner, composing neo-classical works for the London Contemporary Orchestra, and reworking tracks from composer Ólafur Arnalds and pioneering jazz label Blue Note.
April 21 street date. "I've been focused on who I am in my music, but now I'm exploring where I am," Alfa Mist says. "I'm asking: how did I get here?". This is the journeying question that underpins Alfa's fifth album, "Variables". Traversing luscious, big band swing, head-nodding boom-bap rhythms, and yearning vocal melodies, the record is expansive, soulful and moving, in both body and spirit. On "Variables", his second release for ANTI-, Alfa achieves his most fully-realised, expressive musical work to date, coupling his keen ear for looping, memorably emotive piano melodies with intuitive grooves and a free-flowing jazz improvisation. Since the release of his first full-length project "Nocturne" in 2015, Alfa has established himself as one of the UK's most focused, in-demand and distinct musical voices. He has worked with the likes of Jordan Rakei and Tom Misch. His music spans everything from hip-hop beat-making to producing for artists such as rapper Loyle Carner, composing neo-classical works for the London Contemporary Orchestra, and reworking tracks from composer Ólafur Arnalds and pioneering jazz label Blue Note.
February 24 street date. Atlanta based post-punk group Algiers present their 4th album, "Shook". At the same time notably joyous and celebratory, the record was born when bandmates Franklin James Fisher and Ryan Mahan found themselves at home for several months, reeling from growing pressures and burnout as touring musicians. This triggered an intense period of beatmaking, reconnecting as friends over hours immersed in episodes of "Rhythm Roulette", and descending deep into alt-rap YouTube rabbit holes. A revisit of DJ Grand Wizard Theodore's 1970s punk-infused New York City rap masterpiece ‘Subway Theme’ then emerged as a spiritual moodboard for what was to be the cross-pollination of urban and counter-culture styles on "Shook". The sprawling 17-track double LP is Algiers' first new music since 2020's "There Is No Year" and features an array of guests spanning icons like Rage Against The Machine's Zack De La Rocha to 2021 Polaris prize winner Backxwash and Future Islands' frontman Samuel T. Herring. Each contribution deftly reshapes and recontextualized the notion of being shook from a variety of perspectives, occupying shifting roles as oracles and narrators.
February 24 street date. Atlanta based post-punk group Algiers present their 4th album, "Shook". At the same time notably joyous and celebratory, the record was born when bandmates Franklin James Fisher and Ryan Mahan found themselves at home for several months, reeling from growing pressures and burnout as touring musicians. This triggered an intense period of beatmaking, reconnecting as friends over hours immersed in episodes of "Rhythm Roulette", and descending deep into alt-rap YouTube rabbit holes. A revisit of DJ Grand Wizard Theodore's 1970s punk-infused New York City rap masterpiece ‘Subway Theme’ then emerged as a spiritual moodboard for what was to be the cross-pollination of urban and counter-culture styles on "Shook". The sprawling 17-track double LP is Algiers' first new music since 2020's "There Is No Year" and features an array of guests spanning icons like Rage Against The Machine's Zack De La Rocha to 2021 Polaris prize winner Backxwash and Future Islands' frontman Samuel T. Herring. Each contribution deftly reshapes and recontextualized the notion of being shook from a variety of perspectives, occupying shifting roles as oracles and narrators.
February 24 street date. Atlanta based post-punk group Algiers present their 4th album, "Shook". At the same time notably joyous and celebratory, the record was born when bandmates Franklin James Fisher and Ryan Mahan found themselves at home for several months, reeling from growing pressures and burnout as touring musicians. This triggered an intense period of beatmaking, reconnecting as friends over hours immersed in episodes of "Rhythm Roulette", and descending deep into alt-rap YouTube rabbit holes. A revisit of DJ Grand Wizard Theodore's 1970s punk-infused New York City rap masterpiece ‘Subway Theme’ then emerged as a spiritual moodboard for what was to be the cross-pollination of urban and counter-culture styles on "Shook". The sprawling 17-track double LP is Algiers' first new music since 2020's "There Is No Year" and features an array of guests spanning icons like Rage Against The Machine's Zack De La Rocha to 2021 Polaris prize winner Backxwash and Future Islands' frontman Samuel T. Herring. Each contribution deftly reshapes and recontextualized the notion of being shook from a variety of perspectives, occupying shifting roles as oracles and narrators.
July 29 street date. After touring together and courting similar fans, Alkaline Trio and Hot Water Music decided to band together for a split featuring original material and covers of each other's most popular tracks. The release finds Alkaline Trio covering Hot Water Music's "Rooftops" and Hot Water Music contributing covers of Alkaline Trio's "Radio" and "Bleeder". This 20th anniversary pressing is the first time the split has been released with the full album packaging and on standard vinyl.
April 21 street date. Reissued on vinyl for the first time since 2015 to celebrate the 25th anniversary of the release of "Mass Nerder"! The overly-caffeinated nerd quartet we know as ALL first caught the pop-punk genre in a stranglehold in 1988, after years of empathizing with their fellow geeks as The Descendents. Years later, "Mass Nerder" brings you sixteen searing cuts that never dip below 210 beats per minute. Produced by Bill and Stephen at their very own Blasting Room studio in Fort Collins, CO, and featuring Milo on backing vocals, "Mass Nerder" is the house blend for dweebs and cool guys alike and is not available in decaf.
Apriil 21 street date. Corrected price - all orders placed at $14.99 have been cancelled. ALL HANDS_MAKE LIGHT is the newly minted duo of Ariel Engle (La Force, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). ALL HANDS_MAKE LIGHT weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular synth work of recent years, imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. The result is a wholly compelling and spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires, thrumming with alternately tender and serrated beauty. With guests Jessica Moss (Thee Silver Mt. Zion, Big|Brave) on violins and Liam O'Neil (Suuns) on drums.
April 21 street date. ALL HANDS_MAKE LIGHT is the newly minted duo of Ariel Engle (La Force, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). ALL HANDS_MAKE LIGHT weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular synth work of recent years, imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. The result is a wholly compelling and spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires, thrumming with alternately tender and serrated beauty. With guests Jessica Moss (Thee Silver Mt. Zion, Big|Brave) on violins and Liam O'Neil (Suuns) on drums.
May 6 street date. On his manifold fourth album, acclaimed songwriter and visual artist Terry Allen contemplates kinship - the ways sex and violence stitch and sever the ties of family, faith, and society - with skewering satire and affection alike. 1983's "Bloodlines" compiles thematically related but disparate recordings from miscellaneous sources both theatrical and historical: two songs written for plays; two full-band reprises of selections from "Juarez"; the irreverent hellfire-hitchhiker-on-highway ballad "Gimme a Ride to Heaven Boy" (featuring Joe Ely); and the poignant eponymous ode to the arteries of ancestry and landscape (the debut recording of eight-year-old Natalie Maines, later covered by Lucinda Williams). This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate artwork and photos by Allen and friends; an insert with lyrics and original notes; and a high-res download code.
May 6 street date. On his manifold fourth album, acclaimed songwriter and visual artist Terry Allen contemplates kinship - the ways sex and violence stitch and sever the ties of family, faith, and society - with skewering satire and affection alike. 1983's "Bloodlines" compiles thematically related but disparate recordings from miscellaneous sources both theatrical and historical: two songs written for plays; two full-band reprises of selections from "Juarez"; the irreverent hellfire-hitchhiker-on-highway ballad "Gimme a Ride to Heaven Boy" (featuring Joe Ely); and the poignant eponymous ode to the arteries of ancestry and landscape (the debut recording of eight-year-old Natalie Maines, later covered by Lucinda Williams). This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate artwork and photos by Allen and friends; an insert with lyrics and original notes; and a high-res download code.
May 6 street date. Recorded exactly two years after acclaimed visual artist and songwriter Terry Allen's masterpiece "Lubbock (on everything)", the feral follow-up "Smokin The Dummy" is less conceptually focused but more sonically and stylistically unified than its predecessor - it's also rougher and rowdier, wilder and more wired, and altogether more menacingly rock and roll. The first album by Allen to share top billing with the Panhandle Mystery Band, here featuring Jesse Taylor on blistering lead guitar alongside the Maines brothers and Richard Bowden, "Smokin The Dummy" documents a ferocious new band in fully telepathic, tornado-fueled flight, refining its caliber, increasing its range, and never looking down. This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate art and photos by Terry and Jo Harvey Allen; an insert with lyrics, original notes, Terry's letter to H.C. Westermann about the songs, and a high-res download code.
May 6 street date. Recorded exactly two years after acclaimed visual artist and songwriter Terry Allen's masterpiece "Lubbock (on everything)", the feral follow-up "Smokin The Dummy" is less conceptually focused but more sonically and stylistically unified than its predecessor - it's also rougher and rowdier, wilder and more wired, and altogether more menacingly rock and roll. The first album by Allen to share top billing with the Panhandle Mystery Band, here featuring Jesse Taylor on blistering lead guitar alongside the Maines brothers and Richard Bowden, "Smokin The Dummy" documents a ferocious new band in fully telepathic, tornado-fueled flight, refining its caliber, increasing its range, and never looking down. This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate art and photos by Terry and Jo Harvey Allen; an insert with lyrics, original notes, Terry's letter to H.C. Westermann about the songs, and a high-res download code.
January 24 street date. "A true legend and a hero. I love Terry's music so much" - Kurt Vile. Iconic and iconoclastic Texan songwriter and visual artist Terry Allen's heartbreaking, hilarious new album, his first set of new songs since 2013's "Bottom Of The World", features the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin. The connections to Melville's masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to "Lubbock (on everything)", "Just Like Moby Dick" casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis, the death of the last stripper in town, bloodthirsty pirates, the wars in Iraq and Afghanistan, a vampire-infested circus, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. The deluxe tip-on gatefold 2xLP package features lyrics, color labels, high-res Bandcamp download code, three sides of music, and a fourth-side vinyl etching artwork by Allen.
January 24 street date. "A true legend and a hero. I love Terry's music so much" - Kurt Vile. Iconic and iconoclastic Texan songwriter and visual artist Terry Allen's heartbreaking, hilarious new album, his first set of new songs since 2013's "Bottom Of The World", features the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin. The connections to Melville's masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to "Lubbock (on everything)", "Just Like Moby Dick" casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis, the death of the last stripper in town, bloodthirsty pirates, the wars in Iraq and Afghanistan, a vampire-infested circus, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. The deluxe tip-on gatefold 2xLP package features lyrics, color labels, high-res Bandcamp download code, three sides of music, and a fourth-side vinyl etching artwork by Allen.
Street date: June 10 (LP) / CD available now (lower price). There's nothing like the sound of a world-class bluesman getting back to business. Last October, when Bernard Allison returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and career-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album, "Highs & Lows", everything felt right with the world. For 56 years, music has been Bernard Allison's essence. As the youngest son of the much-missed Chicago bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King and Hound Dog Taylor.
CD available now (lower price)/LP street date June 10. There's nothing like the sound of a world-class bluesman getting back to business. Last October, when Bernard Allison returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and career-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album, "Highs & Lows", everything felt right with the world. For 56 years, music has been Bernard Allison's essence. As the youngest son of the much-missed Chicago bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King and Hound Dog Taylor.
February 11 street date. Looking at Dan Andriano's catalog, one might assume that making new music is old hat for the veteran vocalist, songwriter, bassist and primary member of the beloved Chicago punk outfit Alkaline Trio. Decades into his prolific career, though, Andriano is just as in love with the process as he was in those early days of sweaty clubs and cramped vans. On his new Epitaph Records album, "Dear Darkness", that unceasing passion is evident on this solo, self-produced project (which follows his 2015 release "Party Adjacent"), finding Andriano venturing into deeply personal lyrical territory while also pushing the limits of just what his unclassifiable sound can be.
February 11 street date. Looking at Dan Andriano's catalog, one might assume that making new music is old hat for the veteran vocalist, songwriter, bassist and primary member of the beloved Chicago punk outfit Alkaline Trio. Decades into his prolific career, though, Andriano is just as in love with the process as he was in those early days of sweaty clubs and cramped vans. On his new Epitaph Records album, "Dear Darkness", that unceasing passion is evident on this solo, self-produced project (which follows his 2015 release "Party Adjacent"), finding Andriano venturing into deeply personal lyrical territory while also pushing the limits of just what his unclassifiable sound can be.
April 7 street date. Newly remastered edition. Angels Of Light were formed by Michael Gira immediately after the 1997 termination of Swans. With an ever evolving and changing cast of musicians, the albums felt like a huge departure sonically to what had gone before; yet listening back now, they sound like an essential part of Gira's journey to Swans' current iteration. Gira on "Sing Other People" (2005); "this album is different in many ways than what I've done in the past. There's no general band "sound" here. The instrumentation is arranged in each song to fit the subject. Each song is its own world, a place for the people in the songs to live. I intentionally eschewed long instrumental passages, crescendos, that sort of thing. The songs say what they have to say, then end".
April 7 street date. Newly remastered edition. Angels Of Light were formed by Michael Gira immediately after the 1997 termination of Swans. With an ever evolving and changing cast of musicians, the albums felt like a huge departure sonically to what had gone before; yet listening back now, they sound like an essential part of Gira's journey to Swans' current iteration. Gira on "Sing Other People" (2005); "this album is different in many ways than what I've done in the past. There's no general band "sound" here. The instrumentation is arranged in each song to fit the subject. Each song is its own world, a place for the people in the songs to live. I intentionally eschewed long instrumental passages, crescendos, that sort of thing. The songs say what they have to say, then end".
April 7 street date. Newly remastered edition. Angels Of Light were formed by Michael Gira immediately after the 1997 termination of Swans. With an ever evolving and changing cast of musicians, the albums felt like a huge departure sonically to what had gone before; yet listening back now, they sound like an essential part of Gira's journey to Swans' current iteration. "We Are Him" (2007) features Kristof Hahn, Phil Puleo, and Bill Rieflin who all went on to be part of the latest iterations of Swans. This edition of "We Are Him" includes bonus tracks from the Akron/Family & Angels of Light release that followed.
April 7 street date. Newly remastered edition. Angels Of Light were formed by Michael Gira immediately after the 1997 termination of Swans. With an ever evolving and changing cast of musicians, the albums felt like a huge departure sonically to what had gone before; yet listening back now, they sound like an essential part of Gira's journey to Swans' current iteration. "We Are Him" (2007) features Kristof Hahn, Phil Puleo, and Bill Rieflin who all went on to be part of the latest iterations of Swans. This edition of "We Are Him" includes bonus tracks from the Akron/Family & Angels of Light release that followed.
Available now. Toronto-based French/American Jazz singer Laura Anglade is making a name for herself in the jazz world. Continuing the tradition of the great ladies of jazz - Laura's singing is reminiscent of many of the great vocal stylists of the 20th century including Anita O'Day, Shirley Horn, and Blossom Dearie, but her voice is uniquely her own. Accompanied by guitarist Sam Kirmayer (and accordionist Benjamin Rosenblum on two tracks), their new recording "Venez donc chez moi" is an homage of sorts, and a nod to Laura's beloved France. It features jazz versions of French classics made famous by Maurice Chevalier, Boris Vian, Edith Piaf, and Jacques Brel to name a few. She digs emotionally and eloquently into a standard, her story-telling abilities portray a soul beyond her years.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
October 14 street date. Limited 10 year anniversary red vinyl edition of Anti-Flag's 2012 album "The General Strike". Packaged in a gatefold sleeve with a commemorative 10"x10" anniversary poster. Also includes 2 previously unreleased tracks.
March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change".
March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change".
March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change".
June 24 street date. THE Canadian heavy metal cult band is back! Anvil proudly present their brand new (the 19th in total!) studio album, "Impact Is Imminent". Charismatic singer/guitarist Lips, drummer Robb Reiner and bass player Chris Robertson definitely deliver the goods here: both sonically and when it comes to songwriting, the new album (consisting of 14 merciless metal tracks) directly advances to a highlight in the over 40-year band history - an eventful career (also well depicted in 2009's award-winning documentary film "Anvil! The Story Of Anvil") which proves Anvil to be among the most consistent acts of the genre. Their sound and intensity was inspiration for generations of subsequent musicians and Anvil's unparalleled tenacity and unwillingness to compromise are already legendary. The fact that they are now releasing such a strong and fresh album in 2022 once again underlines the quality of the band.
May 20 street date. THE Canadian heavy metal cult band is back! Anvil proudly present their brand new (the 19th in total!) studio album, "Impact Is Imminent". Charismatic singer/guitarist Lips, drummer Robb Reiner and bass player Chris Robertson definitely deliver the goods here: both sonically and when it comes to songwriting, the new album (consisting of 14 merciless metal tracks) directly advances to a highlight in the over 40-year band history - an eventful career (also well depicted in 2009's award-winning documentary film "Anvil! The Story Of Anvil") which proves Anvil to be among the most consistent acts of the genre. Their sound and intensity was inspiration for generations of subsequent musicians and Anvil's unparalleled tenacity and unwillingness to compromise are already legendary. The fact that they are now releasing such a strong and fresh album in 2022 once again underlines the quality of the band.
June 24 street date. THE Canadian heavy metal cult band is back! Anvil proudly present their brand new (the 19th in total!) studio album, "Impact Is Imminent". Charismatic singer/guitarist Lips, drummer Robb Reiner and bass player Chris Robertson definitely deliver the goods here: both sonically and when it comes to songwriting, the new album (consisting of 14 merciless metal tracks) directly advances to a highlight in the over 40-year band history - an eventful career (also well depicted in 2009's award-winning documentary film "Anvil! The Story Of Anvil") which proves Anvil to be among the most consistent acts of the genre. Their sound and intensity was inspiration for generations of subsequent musicians and Anvil's unparalleled tenacity and unwillingness to compromise are already legendary. The fact that they are now releasing such a strong and fresh album in 2022 once again underlines the quality of the band.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. If "KiCk I" is a multidimensional self-portrait that held all of Arca's many mutations, "KiCk ii" sees her deconstruct reggaeton rhythms she grew up listening to in Caracas, balancing structure and chaos to create her most accessible work yet without sacrificing any of her uncompromising experimentation; the rising cycle.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. "KiCk iii" sees her returning to the club nights that shaped her early adulthood where Arca was born: the surrealist DJ, warping dance music structures to fit her singular vision - relentless rhythms to drive listeners into uncharted states of euphoria, dark queer clubs of our cyberpunk near-future; the climax of the cycle.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. "KiCk iii" sees her returning to the club nights that shaped her early adulthood where Arca was born: the surrealist DJ, warping dance music structures to fit her singular vision - relentless rhythms to drive listeners into uncharted states of euphoria, dark queer clubs of our cyberpunk near-future; the climax of the cycle.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. With "KiCk iiii", the cycle resolves, and a new species of xenopop emerges, sensual and serene. Arca's talents as a composer and sound designer take the lead on closing track "Paw", setting melodies to drift on deep, gentle waves of orchestral ambience, an oceanic bliss.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. With "KiCk iiii", the cycle resolves, and a new species of xenopop emerges, sensual and serene. Arca's talents as a composer and sound designer take the lead on closing track "Paw", setting melodies to drift on deep, gentle waves of orchestral ambience, an oceanic bliss.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. On "KiCk iiiii" the ambient ecstasy transitions swiftly into lullaby-like compositions as we come to the conclusion of the "KiCk" series; the renewal stage.
May 20 street date. Produced and recorded by Arca, the "KiCk" series is an ambitious act of music world-building that has captivated fans and critics around the world. On "KiCk iiiii" the ambient ecstasy transitions swiftly into lullaby-like compositions as we come to the conclusion of the "KiCk" series; the renewal stage.
October 21 street date. As sculpted shards of guitar - tumbling, tolling, squalling - shower the jittery bounce of a piano on opener "Human", it's obvious that "Reason In Decline", Archers of Loaf's first album in 24 years, will be more than a nostalgic, low-impact reboot. When they emerged from North Carolina's 90s indie-punk incubator, the Archers' hurtling, sly, gloriously dissonant roar was a mythologized touchstone of slacker-era refusal. Eric Bachmann and Eric Johnson, once headstrong smartasses inciting a series of artful pileups on the band's four studio albums and EP, are now a fluidly complementary, sonically advanced unit. Notably, Johnson's signature trebly lines peal clearly above the din instead of struggling to be heard. Second, singer-songwriter Bachmann, after throat surgery, relearned how to sing (this time from his diaphragm); as a result, he no longer howls like the angriest head cold on the Eastern Seaboard. And now, his lyrics balance righteous wrath with a complex tangle of adult perspective. In short, this is not your father's Archers of Loaf, even if you're a father now who was a fan then.
October 21 street date. As sculpted shards of guitar - tumbling, tolling, squalling - shower the jittery bounce of a piano on opener "Human", it's obvious that "Reason In Decline", Archers of Loaf's first album in 24 years, will be more than a nostalgic, low-impact reboot. When they emerged from North Carolina's 90s indie-punk incubator, the Archers' hurtling, sly, gloriously dissonant roar was a mythologized touchstone of slacker-era refusal. Eric Bachmann and Eric Johnson, once headstrong smartasses inciting a series of artful pileups on the band's four studio albums and EP, are now a fluidly complementary, sonically advanced unit. Notably, Johnson's signature trebly lines peal clearly above the din instead of struggling to be heard. Second, singer-songwriter Bachmann, after throat surgery, relearned how to sing (this time from his diaphragm); as a result, he no longer howls like the angriest head cold on the Eastern Seaboard. And now, his lyrics balance righteous wrath with a complex tangle of adult perspective. In short, this is not your father's Archers of Loaf, even if you're a father now who was a fan then.
October 21 street date. As sculpted shards of guitar - tumbling, tolling, squalling - shower the jittery bounce of a piano on opener "Human", it's obvious that "Reason In Decline", Archers of Loaf's first album in 24 years, will be more than a nostalgic, low-impact reboot. When they emerged from North Carolina's 90s indie-punk incubator, the Archers' hurtling, sly, gloriously dissonant roar was a mythologized touchstone of slacker-era refusal. Eric Bachmann and Eric Johnson, once headstrong smartasses inciting a series of artful pileups on the band's four studio albums and EP, are now a fluidly complementary, sonically advanced unit. Notably, Johnson's signature trebly lines peal clearly above the din instead of struggling to be heard. Second, singer-songwriter Bachmann, after throat surgery, relearned how to sing (this time from his diaphragm); as a result, he no longer howls like the angriest head cold on the Eastern Seaboard. And now, his lyrics balance righteous wrath with a complex tangle of adult perspective. In short, this is not your father's Archers of Loaf, even if you're a father now who was a fan then.
February 26 street date. Architects are back with their ninth studio album "For Those That Wish To Exist". The band have confirmed their ascent to the very upper echelons of British heavy music. Few bands, of this modern era or any other, can match the quintet's ability to blend uncompromising heaviness with razor-sharp melodic musicianship. A versatile metal group based out of Brighton, England, Architects employ a lethal combination of breakdown-heavy guitars, melodic vocals and symphonic-ambient post-metal. That sonic delivery is conducted from a platform built on veganism and environmental activism.
February 26 street date. Architects are back with their ninth studio album "For Those That Wish To Exist". The band have confirmed their ascent to the very upper echelons of British heavy music. Few bands, of this modern era or any other, can match the quintet's ability to blend uncompromising heaviness with razor-sharp melodic musicianship. A versatile metal group based out of Brighton, England, Architects employ a lethal combination of breakdown-heavy guitars, melodic vocals and symphonic-ambient post-metal. That sonic delivery is conducted from a platform built on veganism and environmental activism.
March 25 street date. Architects' new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed "For Those That Wish To Exist at Abbey Road", the album features a reimagined orchestral version of their masterpiece album "For Those That Wish To Exist", backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England's best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra's conductor and a three times British Composer award (BASCA) winner for his compositions. Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios: "It's such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It's such a joy to even be allowed into the building, let alone to record there. It's a very special place; I still can't quite believe we were able to create there".
March 25 street date. Architects' new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed "For Those That Wish To Exist at Abbey Road", the album features a reimagined orchestral version of their masterpiece album "For Those That Wish To Exist", backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England's best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra's conductor and a three times British Composer award (BASCA) winner for his compositions. Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios: "It's such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It's such a joy to even be allowed into the building, let alone to record there. It's a very special place; I still can't quite believe we were able to create there".
March 25 street date. Architects' new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed "For Those That Wish To Exist at Abbey Road", the album features a reimagined orchestral version of their masterpiece album "For Those That Wish To Exist", backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England's best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra's conductor and a three times British Composer award (BASCA) winner for his compositions. Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios: "It's such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It's such a joy to even be allowed into the building, let alone to record there. It's a very special place; I still can't quite believe we were able to create there".
October 21 street date. Architects have delivered their 10th studio album, the follow up to their 2021 breakout album "For Those That Wish To Exist", which hit #1 on the UK sales chart. Finding yourself with a UK Number One album and selling out arenas is enough for some to repeat a winning formula. Architects however, are forever moving forward. "It was definitely validating and felt really cool for like a day", recalls drummer, producer and song-writer Dan Searle of hitting the top spot. "For a lot of the bucket list things you reach in any career, there’s a momentary gratification then you're like, "what next"? You just move on. By the time the album came out, my head was already in the mindset of "Broken Spirit". That was where I was at". Searle notes how it was their albums "Lost Forever/Lost Together", "All Our Gods Have Abandoned Us", and "Holy Hell" that really "cemented what the band was about" and "took them to a new level" as a rock powerhouse and leaders of the UK's metalcore scene.
October 21 street date. Architects have delivered their 10th studio album, the follow up to their 2021 breakout album "For Those That Wish To Exist", which hit #1 on the UK sales chart. Finding yourself with a UK Number One album and selling out arenas is enough for some to repeat a winning formula. Architects however, are forever moving forward. "It was definitely validating and felt really cool for like a day", recalls drummer, producer and song-writer Dan Searle of hitting the top spot. "For a lot of the bucket list things you reach in any career, there’s a momentary gratification then you're like, "what next"? You just move on. By the time the album came out, my head was already in the mindset of "Broken Spirit". That was where I was at". Searle notes how it was their albums "Lost Forever/Lost Together", "All Our Gods Have Abandoned Us", and "Holy Hell" that really "cemented what the band was about" and "took them to a new level" as a rock powerhouse and leaders of the UK's metalcore scene.
October 21 street date. Architects have delivered their 10th studio album, the follow up to their 2021 breakout album "For Those That Wish To Exist", which hit #1 on the UK sales chart. Finding yourself with a UK Number One album and selling out arenas is enough for some to repeat a winning formula. Architects however, are forever moving forward. "It was definitely validating and felt really cool for like a day", recalls drummer, producer and song-writer Dan Searle of hitting the top spot. "For a lot of the bucket list things you reach in any career, there’s a momentary gratification then you're like, "what next"? You just move on. By the time the album came out, my head was already in the mindset of "Broken Spirit". That was where I was at". Searle notes how it was their albums "Lost Forever/Lost Together", "All Our Gods Have Abandoned Us", and "Holy Hell" that really "cemented what the band was about" and "took them to a new level" as a rock powerhouse and leaders of the UK's metalcore scene.
August 5 street date. Art Moore make vivid, heartbreaking short stories. Each song on the newly formed band's self-titled debut album is its own individual universe of bittersweet feeling: a brief snapshot of a moment in time that captures the fragility and occasional impossibility of human connection. These songs are deft character studies, zeroing in on shy beginners, jilted friends and friendly exes, chronicling minute moments - road trips, casual dates, games of truth or dare - with rich detail and subtle wit. Featuring the inimitable songwriting of beloved Oakland luminary Taylor Vick of Boy Scouts set in sharp relief against lush production from Ezra Furman collaborators Sam Durkes and Trevor Brooks, it's a quietly wondrous record - a set of songs that sketch out the struggle and beauty of coping with everyday life. These are songs about tiny, unspoken feelings rendered on a grand scale, moments that often get brushed aside given the weight that they should be.
August 5 street date. Art Moore make vivid, heartbreaking short stories. Each song on the newly formed band's self-titled debut album is its own individual universe of bittersweet feeling: a brief snapshot of a moment in time that captures the fragility and occasional impossibility of human connection. These songs are deft character studies, zeroing in on shy beginners, jilted friends and friendly exes, chronicling minute moments - road trips, casual dates, games of truth or dare - with rich detail and subtle wit. Featuring the inimitable songwriting of beloved Oakland luminary Taylor Vick of Boy Scouts set in sharp relief against lush production from Ezra Furman collaborators Sam Durkes and Trevor Brooks, it's a quietly wondrous record - a set of songs that sketch out the struggle and beauty of coping with everyday life. These are songs about tiny, unspoken feelings rendered on a grand scale, moments that often get brushed aside given the weight that they should be.
November 6 street date. The pioneering electronic composer Mort Garson ("Mother Earth's Plantasia") takes on supernatural phenomena with lush synth grooves on "The Unexplained", his only release under the name Ataraxia. Subtitled "Electronic Musical Impressions of the Occult", the album explores tarot, astral projection, seances, and more with Garson's signature Moog synthesizer serving as the listener's tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but it also takes its subject matter seriously, making it essential for anyone interested in musical conjurations of the occult. This remastered edition marks the first official reissue of the album since its initial 1975 release, and it includes all the original liner notes.
November 6 street date. The pioneering electronic composer Mort Garson ("Mother Earth's Plantasia") takes on supernatural phenomena with lush synth grooves on "The Unexplained", his only release under the name Ataraxia. Subtitled "Electronic Musical Impressions of the Occult", the album explores tarot, astral projection, seances, and more with Garson's signature Moog synthesizer serving as the listener's tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but it also takes its subject matter seriously, making it essential for anyone interested in musical conjurations of the occult. This remastered edition marks the first official reissue of the album since its initial 1975 release, and it includes all the original liner notes.
May 27 street date. Following the release of their debut album, "Overcast!", Atmosphere was already making waves in the underground Hip-Hop scene, attracting attention for their unique combination of content, styles and sounds. Although the group was suddenly smaller due to the departure of one member, Spawn, the buzz continued to grow, as did the creative output of remaining members Slug and Ant. Over the next 3 years, the duo recorded and released a flurry of unofficial Atmosphere CD's, tapes, songs and side projects, along with pressing and distributing a string of vinyl EP's, titled "Ford One", "Ford Two", and "The Lucy EP". These vinyl EP's were ultimately consolidated onto one CD as well, for the purpose of selling on tour and distributing to retail, becoming what most considered to be Atmosphere's official sophomore album, "Lucy Ford: The Atmosphere EP's", more commonly referred to as simply "Lucy Ford". Now, in celebration of its 20th anniversary, the entire "Lucy Ford" album is finally available on 2xLP vinyl, for the first time in history.
October 22 street date. "Overcast!" marked the start of a storied career that still shows no signs of slowing. While Slug and original co-member Spawn's rhyme patterns and wordplay may have hinted at some of their influences, their creative songwriting and inventive concepts, paired with Ant's brooding and melodic production, made the album stand apart from its predecessors. Although widely considered an underground classic, the full-length "Overcast!" album was never pressed on vinyl until a limited edition pressing celebrating the album's 20th anniversary in 2017. Now re-packaged and produced for wider distribution, fans everywhere can add this re-mastered masterpiece to their collection. Celebrate Atmosphere's legacy of creative expression with the album that started it all!
May 5 street date. Atmosphere's new album, "So Many Other Realities Exist Simultaneously", opens with a gentler approach. A departure from the brute intros of earlier works, "Okay" seems to comfort and reassure the listener, with Slug rapping over one of Ant's most twinkling productions to date. Yet, there's still an unmistakable sense of uneasiness that sets in, evolving throughout the album, as Slug and Ant weave the listener through indistinct themes of insomnia and woe. Where previous albums in Atmosphere's catalogue emphasized the parts of life that carry the most meaning - family, brotherhood, purpose - "Realities" is an unnerving excavation of paranoia, perspective and positivism. The tension in these songs is palpable, but their presence is a testament to the hope that underpins them. Whenever the curtains might close, the music goes on.
May 5 street date. Atmosphere's new album, "So Many Other Realities Exist Simultaneously", opens with a gentler approach. A departure from the brute intros of earlier works, "Okay" seems to comfort and reassure the listener, with Slug rapping over one of Ant's most twinkling productions to date. Yet, there's still an unmistakable sense of uneasiness that sets in, evolving throughout the album, as Slug and Ant weave the listener through indistinct themes of insomnia and woe. Where previous albums in Atmosphere's catalogue emphasized the parts of life that carry the most meaning - family, brotherhood, purpose - "Realities" is an unnerving excavation of paranoia, perspective and positivism. The tension in these songs is palpable, but their presence is a testament to the hope that underpins them. Whenever the curtains might close, the music goes on.
October 22 street date. Atmosphere have distinguished themselves from their peers by creating albums encompassing the entire spectrum of human emotion while tethering each piece to a central aural aesthetic. 2011's "The Family Sign" took this philosophy to new realms of solidarity with Slug metaphorically touching on themes of fatherhood, loss, love, disappointment and jubilation, and tailoring them to an instrumental framework that draws emotion out of the listener, skillfully composed by producer Ant. "The Family Sign" was evidence that hip-hop wields the ultimate potential to address and convey life's virtues and shortcomings. Finally, repackaged and repressed on 2xLP vinyl, just in time for its 10th anniversary, the album features two bonus tracks, "Millenium Dodo 2" and "Cut You Down", not available on the original version, plus an exclusive 7-inch vinyl inside, featuring two additional tracks from the same recording sessions, "By Your Side" and "Bar Food".
May 15 street date. For over 20 years, Atmosphere have pursued the underbelly of what it means to be human with a rabid curiosity. Ant's dusky production has provided the pulse for Slug's evolving and matter-of-fact pen. As Slug transitioned from throwing-up-in-the-backseat-raps to holding-hands-when-you-cross-the-street-raps, Ant has grown to be a master of crate digging and unearthing the humanity of a drum loop. Thriving at the intersection of guttural and self-effacing, Atmosphere will go down as some of America's best archivists. On "Whenever", the duo continue to move in lockstep. Within the minutiae lie clues they're still struggling with mortality and the need to protect emotional energy, as on previous releases, but there's a quiet romanticism now, with Slug sounding - reluctantly - in love with life. And no other producer can pull truths out of a rapper like Ant fishes the blues out of Slug. The album breathes in the way only Slug and Ant could summon a collective breath. On "Whenever", the duo inhale panic and exhale greatness.
May 15 street date. For over 20 years, Atmosphere have pursued the underbelly of what it means to be human with a rabid curiosity. Ant's dusky production has provided the pulse for Slug's evolving and matter-of-fact pen. As Slug transitioned from throwing-up-in-the-backseat-raps to holding-hands-when-you-cross-the-street-raps, Ant has grown to be a master of crate digging and unearthing the humanity of a drum loop. Thriving at the intersection of guttural and self-effacing, Atmosphere will go down as some of America's best archivists. On "Whenever", the duo continue to move in lockstep. Within the minutiae lie clues they're still struggling with mortality and the need to protect emotional energy, as on previous releases, but there's a quiet romanticism now, with Slug sounding - reluctantly - in love with life. And no other producer can pull truths out of a rapper like Ant fishes the blues out of Slug. The album breathes in the way only Slug and Ant could summon a collective breath. On "Whenever", the duo inhale panic and exhale greatness.
October 8 street date. Following their last release, "The Day Before Halloween" - an imaginative, distorted-synth-driven concept album - Atmosphere returns with a refreshing new project, simply titled "WORD?". Steering back toward their signature sound, the album further highlights producer Ant's undeniable talents as the project leans into the classic boom-bap aesthetic, bringing a unique energy out of Slug's wisdom, wit and delivery. From onset, "WORD?" proves to be every bit an exercise in refining and advancing their craft as it is a harkening to earlier work. That is, while their releases have grown more broodingly cinematic, and increasingly concerned with the human condition and mortality, "WORD?" manages to reintroduce moments of levity and lightheartedness throughout, an approach seldom heard on their albums of late. Ultimately, "WORD?" pairs the breadth of Atmosphere's talents with the beauty of their growth, all while showing they still have a lot of fun in the process and don't mind letting the listener in on the fun as well.
October 8 street date. Following their last release, "The Day Before Halloween" - an imaginative, distorted-synth-driven concept album - Atmosphere returns with a refreshing new project, simply titled "WORD?". Steering back toward their signature sound, the album further highlights producer Ant's undeniable talents as the project leans into the classic boom-bap aesthetic, bringing a unique energy out of Slug's wisdom, wit and delivery. From onset, "WORD?" proves to be every bit an exercise in refining and advancing their craft as it is a harkening to earlier work. That is, while their releases have grown more broodingly cinematic, and increasingly concerned with the human condition and mortality, "WORD?" manages to reintroduce moments of levity and lightheartedness throughout, an approach seldom heard on their albums of late. Ultimately, "WORD?" pairs the breadth of Atmosphere's talents with the beauty of their growth, all while showing they still have a lot of fun in the process and don't mind letting the listener in on the fun as well.
October 22 street date. After being out of print for years, Atmosphere's fifth studio album, "You Can't Imagine How Much Fun We're Having", returns on vinyl. Following the breakthrough success of their fourth album, "Seven's Travels", the group returned in 2005, showing impressive growth and inventiveness in their new compositions. Citing inspirations from a list of less-than-expected sources, including Tom Waits, Mark Lanegan, Shawn Phillips, Spoon, The Mars Volta, alopecia, Public Enemy, Boogie Down Productions, The Beauty Pill, infected wisdom teeth, Craig Finn, TV On The Radio, Australia, and I-94 East, among others, the album pushed boundaries without overreaching.
June 3 street date. AWOLNATION's upcoming album "My Echo, My Shadow, My Covers And Me" is a fiercely collaborative and celebratory project. It's an eclectic collection of masterfully crafted and carefully curated covers, with each track featuring at least one acclaimed musical artist. It includes epic re-imaginings of classics like "Wind of Change" by the Scorpions, "Take a Chance on Me" by Abba, and "Beds are Burning" by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck, Taylor Hanson, and more.
June 3 street date. AWOLNATION's upcoming album "My Echo, My Shadow, My Covers And Me" is a fiercely collaborative and celebratory project. It's an eclectic collection of masterfully crafted and carefully curated covers, with each track featuring at least one acclaimed musical artist. It includes epic re-imaginings of classics like "Wind of Change" by the Scorpions, "Take a Chance on Me" by Abba, and "Beds are Burning" by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck, Taylor Hanson, and more.
November 18 street date. Reissue of Ayreon's "Universal Migrator Part I & II", originally released in 2020. These two albums continued the plot from Ayreon's ‘The Final Experiment’, and feature an extravaganza of stunning musicians and vocalists such as Bruce Dickinson (Iron Maiden), Floor Jason (Nightwish), Damian Wilson (Headspace/Threshold), Neal Morse (Spock's Beard/Flying Colors), Michael Romeo (Symphony X), and many more. Arjen Lucassen continues his crusade of remixing and remastering his finest work to absolute perfection, and "Universal Migrator Part I & II" is a stunning addition to his spectacular cannon. With the modern updates, both new and old fans now get the chance to hear these albums through the ears of Lucassen as he intended. The 2CD configuration includes the remixed and remastered version, plus a bonus disc that includes an interview with Arjen Lucassen, a music video, and previously unreleased audio (5.1 surround mix, plus 2 binaural headphone mixes and more).
November 18 street date. Reissue of Ayreon's "Universal Migrator Part I", originally released in 2020. This and Part II continued the plot from Ayreon's ‘The Final Experiment’, and feature an extravaganza of stunning musicians and vocalists such as Bruce Dickinson (Iron Maiden), Floor Jason (Nightwish), Damian Wilson (Headspace/Threshold), Neal Morse (Spock's Beard/Flying Colors), Michael Romeo (Symphony X), and many more. Arjen Lucassen continues his crusade of remixing and remastering his finest work to absolute perfection, and "Universal Migrator Part I & II" is a stunning addition to his spectacular cannon. With the modern updates, both new and old fans now get the chance to hear these albums through the ears of Lucassen as he intended. Limited to 500 copies.
November 18 street date. Reissue of Ayreon's "Universal Migrator Part I", originally released in 2020. This and Part I continued the plot from Ayreon's ‘The Final Experiment’, and feature an extravaganza of stunning musicians and vocalists such as Bruce Dickinson (Iron Maiden), Floor Jason (Nightwish), Damian Wilson (Headspace/Threshold), Neal Morse (Spock's Beard/Flying Colors), Michael Romeo (Symphony X), and many more. Arjen Lucassen continues his crusade of remixing and remastering his finest work to absolute perfection, and "Universal Migrator Part I & II" is a stunning addition to his spectacular cannon. With the modern updates, both new and old fans now get the chance to hear these albums through the ears of Lucassen as he intended. Limited to 500 copies.
May 26 street date. Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer's uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. The piercing honesty and vulnerability she brings to her lyrics in turn helps others process their feelings and find a place of healing. You can hear the impact of this approach in Baby Rose's upcoming second album, "Through And Through". Baby Rose's strength is a determination to live, love, and create on her own terms. In the years since releasing her last album, "To Myself", Rose has been painstakingly piecing together its sequel. "Through And Through" is a subtle merging of new sounds - stirring rock, upbeat R&B, psychedelic funk, pop, and soulful ballads, all mastered through analog tape to make the music feel warmer and all-encompassing. It's also a journey inward as she battles past fear and self-doubt to finally discover - and love - who she is, where she is.
May 26 street date. Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer's uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. The piercing honesty and vulnerability she brings to her lyrics in turn helps others process their feelings and find a place of healing. You can hear the impact of this approach in Baby Rose's upcoming second album, "Through And Through". Baby Rose's strength is a determination to live, love, and create on her own terms. In the years since releasing her last album, "To Myself", Rose has been painstakingly piecing together its sequel. "Through And Through" is a subtle merging of new sounds - stirring rock, upbeat R&B, psychedelic funk, pop, and soulful ballads, all mastered through analog tape to make the music feel warmer and all-encompassing. It's also a journey inward as she battles past fear and self-doubt to finally discover - and love - who she is, where she is.
May 26 street date. Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer's uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. The piercing honesty and vulnerability she brings to her lyrics in turn helps others process their feelings and find a place of healing. You can hear the impact of this approach in Baby Rose's upcoming second album, "Through And Through". Baby Rose's strength is a determination to live, love, and create on her own terms. In the years since releasing her last album, "To Myself", Rose has been painstakingly piecing together its sequel. "Through And Through" is a subtle merging of new sounds - stirring rock, upbeat R&B, psychedelic funk, pop, and soulful ballads, all mastered through analog tape to make the music feel warmer and all-encompassing. It's also a journey inward as she battles past fear and self-doubt to finally discover - and love - who she is, where she is.
July 16 street date. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, have amassed a cult following around the globe. With a slew of classic 7" singles and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled "Expansions", BRSB are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella.
July 16 street date. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, have amassed a cult following around the globe. With a slew of classic 7" singles and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled "Expansions", BRSB are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella.
July 16 street date. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, have amassed a cult following around the globe. With a slew of classic 7" singles and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled "Expansions", BRSB are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella.
Please note new street date: June 11. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: June 11. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: June 11. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
July 30 street date. "I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. The four tracks come from the "Rock for Light" sessions, and were produced by Ric Ocasek. The release was previously out of print for nearly four decades. This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
February 18 street date. "Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of its release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft". This reissue marks the fifth release in the Bad Brains remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Available on LP, CD, and cassette.
February 18 street date. "Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of its release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft". This reissue marks the fifth release in the Bad Brains remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Available on LP, CD, and cassette.
February 18 street date. "Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of its release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft". This reissue marks the fifth release in the Bad Brains remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Available on LP, CD, and cassette.
November 4 street date. The first ever vinyl reissue of Bad Brains' 1993 album "Rise". Originally released by Epic Records, "Rise" was Bad Brains' major label debut, and their follow-up to 1989's "Quickness".
Please note new street date: October 8. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: October 8. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: October 8. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: November 5. Yellow vinyl edition exclusively available to independent shops. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Limited to 1000 copies.
January 20 street date. "The Youth Are Getting Restless" is a live album from Bad Brains, recorded at the Paradiso Theater in Amsterdam in 1987 by the VPRO. The show was part of the band's "I Against I" tour. This reissue marks the sixth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
January 20 street date. "The Youth Are Getting Restless" is a live album from Bad Brains, recorded at the Paradiso Theater in Amsterdam in 1987 by the VPRO. The show was part of the band's "I Against I" tour. This reissue marks the sixth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
January 20 street date. "The Youth Are Getting Restless" is a live album from Bad Brains, recorded at the Paradiso Theater in Amsterdam in 1987 by the VPRO. The show was part of the band's "I Against I" tour. This reissue marks the sixth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
June 19 street date. Bad Cop/Bad Cop has done angry. The band's 2017 full-length, "Warriors", was recorded in the aftermath of the 2016 presidential election. The message the band is sending this time around on their third full-length album "The Ride" is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. That positivity fuels many of the album's tracks. This self-love is tasking the listener with putting a fix on the problems at hand and finding it in themselves to create the life that they want. Singer Stacey Dee speaks from experience. In 2018 she was hospitalized twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on "Breastless", whose bright melodies belie the struggle described in the lyrics. The perspective behind "The Ride" lends it an undeniable maturity, without losing its power. The album boasts all of the elements of Bad Cop/Bad Cop's sound: big guitars, lock-step bass and drums, intricate vocal harmonies, and plenty of attitude. The only difference this time is the attitude is encouraging, not raging.
June 19 street date. Bad Cop/Bad Cop has done angry. The band's 2017 full-length, "Warriors", was recorded in the aftermath of the 2016 presidential election. The message the band is sending this time around on their third full-length album "The Ride" is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. That positivity fuels many of the album's tracks. This self-love is tasking the listener with putting a fix on the problems at hand and finding it in themselves to create the life that they want. Singer Stacey Dee speaks from experience. In 2018 she was hospitalized twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on "Breastless", whose bright melodies belie the struggle described in the lyrics. The perspective behind "The Ride" lends it an undeniable maturity, without losing its power. The album boasts all of the elements of Bad Cop/Bad Cop's sound: big guitars, lock-step bass and drums, intricate vocal harmonies, and plenty of attitude. The only difference this time is the attitude is encouraging, not raging.
November 11 street date. With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin’s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like “Fuck Armageddon... This Is Hell,” “American Dream,” and “The Voice Of God Is Government” are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!
January 28 street date. Bad Suns sound - dreamy 1980s pastiche flanked by Stratocasters through cranked Vox amps, pulsing synths, and palpable rhythmic energy - that endeared listeners to the band in the first place, and their fourth LP, "Apocalypse Whenever", uses that musical foundation as the jumping-off point for their next evolution. Conceived as "the soundtrack to a movie that doesn't yet exist", the 13-track album, helmed by longtime producer Eric Palmquist (MUTEMATH, Thrice) at his Palmquist Studios and the band's North Hollywood rehearsal spot, is more conceptually rigorous than anything they've ever attempted - but no less compelling or accessible. Their disparate influences don't just offer "Apocalypse Whenever" an expanded palette of sonic choices to color Bad Suns' airtight hooks - they help give the songs an emotional complexity that works on a multitude of levels depending on how listeners choose to receive them.
January 28 street date. Bad Suns sound - dreamy 1980s pastiche flanked by Stratocasters through cranked Vox amps, pulsing synths, and palpable rhythmic energy - that endeared listeners to the band in the first place, and their fourth LP, "Apocalypse Whenever", uses that musical foundation as the jumping-off point for their next evolution. Conceived as "the soundtrack to a movie that doesn't yet exist", the 13-track album, helmed by longtime producer Eric Palmquist (MUTEMATH, Thrice) at his Palmquist Studios and the band's North Hollywood rehearsal spot, is more conceptually rigorous than anything they've ever attempted - but no less compelling or accessible. Their disparate influences don't just offer "Apocalypse Whenever" an expanded palette of sonic choices to color Bad Suns' airtight hooks - they help give the songs an emotional complexity that works on a multitude of levels depending on how listeners choose to receive them.
January 28 street date. Bad Suns sound - dreamy 1980s pastiche flanked by Stratocasters through cranked Vox amps, pulsing synths, and palpable rhythmic energy - that endeared listeners to the band in the first place, and their fourth LP, "Apocalypse Whenever", uses that musical foundation as the jumping-off point for their next evolution. Conceived as "the soundtrack to a movie that doesn't yet exist", the 13-track album, helmed by longtime producer Eric Palmquist (MUTEMATH, Thrice) at his Palmquist Studios and the band's North Hollywood rehearsal spot, is more conceptually rigorous than anything they've ever attempted - but no less compelling or accessible. Their disparate influences don't just offer "Apocalypse Whenever" an expanded palette of sonic choices to color Bad Suns' airtight hooks - they help give the songs an emotional complexity that works on a multitude of levels depending on how listeners choose to receive them.
November 25 street date. The debut mixtape from Pro Era crew member and Brooklyn MC, Joey Bada$$. Leaning into the golden era sound of hip-hop, Joey Bada$$ garnered widespread acclaim from some of Hip-Hop's most vaunted tastemakers by crafting a project that paid homage to the 1990s, despite only being 17 years old at the time. With the standout tracks "Waves", "Survival Tactics", and "Snakes", the 15 track album features production from Chuck Strangers, Lord Finesse, MF Doom, and J Dilla, as well as guest appearances from Pro Era members Kirk Knight, CJ Fly, NYCk Caution, Rokamouth, Dessy Hinds, Dyemond Lewis, T'nah Apex, and the late Capital STEEZ. Pro Era Forever.
May 19 street date. Double vinyl LP. The hip-hop jazz trio BadBadNotGood goes all original on this album "III". While past albums have focused on covering top rap hits in a jazz style, "III" is all about original songwriting and the band's true musicality. There is a reason they went all the way up to #2 on Billboard's Jazz Chart. These Canadian jazz men do it all from all new traditional-sounding jazz to their mindblowing hip-hop beats. This album's songs "Can't Leave the Night," "Kaleidescope" and "Triangle" are real crowd pleasers that showcase this album's incredible range. This is their original 2014 release on vinyl.
May 19 street date. Double vinyl LP pressing includes digital download. BadBadNotGood is the talented young quartet of Matthew Tavares on keys, Chester Hansen on bass, Alex Sowinski on drums and Leland Whitty on saxophone. BBNG took the music world by storm with their 2014 LP, "III", a brash yet refined record of angular jazz improvisations, lush ballads, kraut rock, and futuristic hip-hop tinged rhythms which led to a couple years of touring the world and collaborating with some of the best and brightest artists around the globe. 2016's "IV" continued their forward thinking progression, sounding something like a jam session in space between Can, John Coltrane, Herbie Hancock's Headhunters, Weather Report, Arthur Russell, and MF Doom.
October 8 street date. Canadian ensemble BADBADNOTGOOD made their name by crossing genres. Instead of working within traditional jazz standards, the classically-trained group sidestepped them and drew from hip hop and other contemporary genres to create a unique sound rooted in Black American music. Yet, their latest album and first for XL Recordings, "Talk Memory", sees the band take a different tact: paying homage to the musicians, composers, innovators and influences that first informed their work. With "Talk Memory", the trio of Alexander Sowinski (drums), Chester Hansen (bass) and Leland Whitty (guitar/ woodwinds), return to their beginnings. Following years of touring, the band paused to refresh and look at their history and experiences. Rather than improvising and developing tracks on the road, this time around that gestation process happened in the studio with a bevy of musicians walking through the doors on equal footing. As a result, the album is an aural odyssey about collective balance and harmony, with all the sense of psychedelic narrative that entails.
February 12 street date. Bailter Space's "Wammo" is back in print for the first time since the album's release 25 years ago. The LP is pressed onto limited transparent orange vinyl and features newly remastered audio from the original session reels. Formed in Christchurch, New Zealand in 1987 as Nelsh Bailter Space, the band's musical family tree touches on some of the nation's most revered weirdo luminaries - including Flying Nun mainstays like the Skeptics, the Clean, and the Gordons. Bailter Space embraced chaos, but celebrated precision, finding melody amid networks of brooding noise and feedback. After relocating to New York City, the band - who by then included Alister Parker, John Halvorsen, and Brent McLachlan - arrived on Matador in time for the US release of "Robot World" (1993). "Wammo" was the trio's third and final full-length with the label (their fifth album overall) and was among its most tuneful efforts (relatively speaking!). At the time, music scribes were a bit puzzled by the record's "accessibility". In the rear view, though, we can recognize "Wammo" for the perfectly melancholy and drone-laced brain-zap that it is.
February 26 street date. Julien Baker will release her third studio album, "Little Oblivions", on February 26 via Matador Records. Her first full length since 2017's "Turn Out The Lights", "Little Oblivions" was recorded in Memphis, TN between December 2019 and January 2020. The record weaves together unflinching autobiography with assimilated experience and hard won observations from the past few years, taking Baker's capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.
February 26 street date. Julien Baker will release her third studio album, "Little Oblivions", on February 26 via Matador Records. Her first full length since 2017's "Turn Out The Lights", "Little Oblivions" was recorded in Memphis, TN between December 2019 and January 2020. The record weaves together unflinching autobiography with assimilated experience and hard won observations from the past few years, taking Baker's capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker. Please note: limited edition yellow vinyl is now sold out.
August 13 street date. "Refuge" is a meditation collaboration from Devendra Banhart and Noah Georgeson. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album "Cripple Crow" and they have been working together ever since. As Devendra and Noah got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. "Refuge" is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal.
August 13 street date. "Refuge" is a meditation collaboration from Devendra Banhart and Noah Georgeson. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album "Cripple Crow" and they have been working together ever since. As Devendra and Noah got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. "Refuge" is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal.
August 13 street date. "Refuge" is a meditation collaboration from Devendra Banhart and Noah Georgeson. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album "Cripple Crow" and they have been working together ever since. As Devendra and Noah got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. "Refuge" is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal.
May 19 street date. bar italia, the London trio of Nina Cristante, Jezmi Tarik Fehmi, and Sam Fenton, present their new album, "Tracey Denim". Its 15 tracks were self-recorded and produced, with mixing from Marta Salogni (Bjork, Sampha), and features the single "Nurse!" which was released in March to acclaim, described as "a hypnotic post-punk ballad" (The Guardian) and "narcotically arresting" (Pitchfork). Over the last two years bar italia have released two albums, an EP, and several singles on Dean Blunt's World Music label, leading to much word-of-mouth, sold out headline shows, and festival performances. "Tracey Denim" is their Matador Records debut.
Please note new street date: December 10. 25th anniversary edition of Bardo Pond's long out-of-print second album and label debut, "Amanita" - newly remastered 2xLP reissue limited to 100 copies for Canada on purple vinyl. Formed in 1991, the Philadelphia-based quintet have spent some thirty years mapping guitar music's outer limits dialing into extremes of noise, chaos, and harmony in free-form compositions that now unfurl across 12 full-length records and a near-limitless body of EPs, cassettes, and CD-Rs. Recorded by the lineup of John Gibbons (guitar), Michael Gibbons (guitar), Isobel Sollenberger (voice, flute), Clint Takeda (bass), and Joe Culver (drums), "Amanita" is the place where the band's spontaneous collective creativity blazed into maturity. Even within the heady subcultural micro-verse of 90s underground zoner-music, the Fishtown-basement-dwelling quintet's vision of "psychedelia" was singular in its heaviness.
May 28 street date. After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. On his new solo album, "Reason To Live", he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. "Reason To Live" is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. By folding the many facets of his life into one package, "Reason To Live" radiates with a renewed balance and calm.
May 28 street date. After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. On his new solo album, "Reason To Live", he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. "Reason To Live" is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. By folding the many facets of his life into one package, "Reason To Live" radiates with a renewed balance and calm.
May 28 street date. After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. On his new solo album, "Reason To Live", he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. "Reason To Live" is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. By folding the many facets of his life into one package, "Reason To Live" radiates with a renewed balance and calm.
Please note new street date: March 18. "Don't Go Throwing Roses In My Grave" is the first solo record by beloved frontman of The Menzingers, Gregor Barnett. Devoted Menzingers fans will love its electrified Americana riffs, yearning melodies, driving beats and indelible lyrical imagery. The Philadelphia based singer/songwriter is telling his stories with a folkier style then he does in The Menzingers, but his stories are just as moving and compelling.
Please note new street date: March 18. "Don't Go Throwing Roses In My Grave" is the first solo record by beloved frontman of The Menzingers, Gregor Barnett. Devoted Menzingers fans will love its electrified Americana riffs, yearning melodies, driving beats and indelible lyrical imagery. The Philadelphia based singer/songwriter is telling his stories with a folkier style then he does in The Menzingers, but his stories are just as moving and compelling.
Please note new street date: March 18. "Don't Go Throwing Roses In My Grave" is the first solo record by beloved frontman of The Menzingers, Gregor Barnett. Devoted Menzingers fans will love its electrified Americana riffs, yearning melodies, driving beats and indelible lyrical imagery. The Philadelphia based singer/songwriter is telling his stories with a folkier style then he does in The Menzingers, but his stories are just as moving and compelling.
January 21 street date. For more than 20 years, Brad Barr has been counting the number 216. It's a magical, mystical number that has appeared everywhere for him - from clocks and license plates to Ouija boards and receipts - and now it's also sewn the fabric of a new album, like the 216 stitches on an officially-certified Major League baseball. The front man for the Barr Brothers has set aside his band and his microphone and even his sheets of lyrics - picking up his instrument for a solo guitar album that ripples with immediacy, vulnerability, and the spell of six-cubed. The album had its origins in a commission, landing just before the arrival of the Pandemic: an invitation to compose for New York City's acclaimed off-Broadway All For One Theater. The theatre's founder, Michael Wolk, knew "The Fall Apartment" and sought a set of similar instrumental tracks for on- and off-stage use. "It felt like a gift," Barr recalls - as the world shut down and touring stopped, as Barr sought a sound he could explore all by himself, in this strange intermission.
LP and CD in stock now. Jennah Barry's long-awaited sophomore release!! (new single hiit #5 on CBC Top 20. Confirmed coverage from Mojo, Popmatters, Exclaim! & many more!!) - Hailing from the coastal haven of Mahone Bay, Nova Scotia, Jennah Barry is one of Atlantic Canada’s surest sirens. Her undeniable, rosewater voice sets a mood wherein even the hardest truths seem palatable. Moving effortlessly between folk, country and soft rock motifs, Barry’s music, last heard on her instantly classic debut Young Men, sets her at the forefront of a tradition of women making music as strong as it is sentimental. "Hazy and calm and entirely entrancing" - The Line of Best Fit // "Barry has an unsettling ability to capture the warmth of an evening (possibly seaside) while slowly cracking into that cozy façade with the tap-tap of insistent heartbreak." - CBC Music
Please note new street date: January 13. "Remedy" is Basement Jaxx's joyous debut album from 1999. It was one of the most assured, propulsive full-lengths the dance world had seen since Daft Punk's "Homework". A set of incredibly diverse tracks, "Remedy" is indebted to the raw American house of Todd Terry and Masters at Work, and even shares a penchant for Latin vibes (especially on the horn-driven "Bingo Bango" and the opener, "Rendez-Vu", which trades a bit of salsa wiggle with infectious vocoderized disco). The double LP "Remedy" reissue arrives on golden vinyl.
Please note new street date: January 13. Named after their infamous Brixton club night, Basement Jaxx's second album "Rooty" saw the duo continue to push the boundaries of pop and club music. The album mixes classic house with generous lashings of punk, funk, R&B, jazz, hip hop, 2-step and pop songcraft in a mad genre crash that works like a charm. It features the massive tracks "Where's Your Head At", "Romeo" and "Do Your Thing". The "Rooty" double LP reissue arrives with 2 uniquely coloured LP's, 1 disc pressed on pink vinyl and the other on bright blue.
November 13 street date. William Basinski's reputation as the foremost producer of profound meditations on death and decay has long been established, but on his new album, "Lamentations", he transforms operatic tragedy into abyssal beauty. More than any other work since "The Disintegration Loops", there is an ominous grief throughout the album, and that sense of loss lingers like an emotional vapor. Captured and constructed from tape loops and studies from Basinski's archives - dating back to 1979 - "Lamentations" is over forty years of mournful sighs meticulously crafted into songs. They are shaped by the inevitable passage of time and the indisputable collapsing of space - and their collective resonance is infinite and eternal.
December 9 street date. Reissued on standard black vinyl (the first US Beggars Banquet pressing), 1982's "The Sky's Gone Out" marked a stylistic midpoint in Bauhaus' brief but spectacular career. In comparison with their earlier almost impenetrably convoluted literary references and effectively murky production, this album is lyrically more direct, musically more straightforward, and features vastly cleaner production. The first of these changes is exemplified in the album's second track, "Silent Hedges", with its "going to hell again" chorus and in the bitter "all we ever wanted was everything, all we ever got was cold". The music of "The Sky's Gone Out" is less harsh - almost inviting the listener in before the slicing lyrics drop like poised blades. More fragmented in origin that it might appear on first glance, these songs show Bauhaus in excelsis. Mastered from HD audio files transferred from the original tapes.
August 29 RECORD STORE DAY DROP. BAYSIDE has always focused on creating songs that are relevant to people who want substance, rather than being relegated to one genre. With Interrobang, the band has put together an eclectic, inspiring, and bold collection of songs. Raneri shares, “Love it or hate it, we wanted the record to invoke something in people. We said with this record we either wanted to create something great or fall on our faces. Negative or positive, we just didn’t want the record to be ‘fine.’” While many bands would coast on their past success, BAYSIDE rejects the premise and proves with Interrobang, that the best is yet to come. This 7” is a record store day exclusive with Bayside’s song “Heaven,” off of their latest album “Interrobang,” b/w an unreleased acoustic version. For Fans Of: Alkaline Trio, The Menzingers, Taking Back Sunday
November 19 street date. Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.
November 19 street date. Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.
Please note new street date: January 14. Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.
April 22 street date. RECORD STORE DAY 2023 release. The "Become" EP is a collection of 5 songs from the "Once Twice Melody" sessions. Beach House didn't think they fit in the world of "OTM", but later realized they all fit in a little world of their own. To the band, they are all kind of scuzzy and spacious, and live in the spirit realm. It's not really where they are currently going, but it's definitely somewhere they have been. Clear vinyl edition, only available at participating Record Store Day 2023 stores.
May 19 street date. Previously available as a clear vinyl edition for Record Store Day 2023 (copies still available). The "Become" EP is a collection of 5 songs from the "Once Twice Melody" sessions. Beach House didn't think they fit in the world of "OTM", but later realized they all fit in a little world of their own. To the band, they are all kind of scuzzy and spacious, and live in the spirit realm. It's not really where they are currently going, but it's definitely somewhere they have been.
May 19 street date. Previously available as a clear vinyl edition for Record Store Day 2023 (copies still available). The "Become" EP is a collection of 5 songs from the "Once Twice Melody" sessions. Beach House didn't think they fit in the world of "OTM", but later realized they all fit in a little world of their own. To the band, they are all kind of scuzzy and spacious, and live in the spirit realm. It's not really where they are currently going, but it's definitely somewhere they have been.
May 19 street date. Previously available as a clear vinyl edition for Record Store Day 2023 (copies still available). The "Become" EP is a collection of 5 songs from the "Once Twice Melody" sessions. Beach House didn't think they fit in the world of "OTM", but later realized they all fit in a little world of their own. To the band, they are all kind of scuzzy and spacious, and live in the spirit realm. It's not really where they are currently going, but it's definitely somewhere they have been.
February 18 street date. Black vinyl "silver edition" packaged in wide-spine jacket with poster and custom dust sleeves. First new album since 2018 from the standard-bearers of modern atmospheric indie-pop. "Once Twice Melody" is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions. Beach House's audience has tripled recently due to massive online exposure: "Space Song" (from 2015's "Depression Cherry") was in two separate TikTok memes, while "Silver Soul" (from 2010's "Teen Dream") was sampled by Kendrick Lamar and subsequently got tons of exposure on TikTok.
February 18 street date. Black vinyl "silver edition" packaged in wide-spine jacket with poster and custom dust sleeves. First new album since 2018 from the standard-bearers of modern atmospheric indie-pop. "Once Twice Melody" is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions. Beach House's audience has tripled recently due to massive online exposure: "Space Song" (from 2015's "Depression Cherry") was in two separate TikTok memes, while "Silver Soul" (from 2010's "Teen Dream") was sampled by Kendrick Lamar and subsequently got tons of exposure on TikTok.
February 18 street date. "Gold edition". Gold and clear vinyl LPs in separate jackets with custom dust sleeves, two posters, and book, all enclosed in a hinged box. First new album since 2018 from the standard-bearers of modern atmospheric indie-pop. "Once Twice Melody" is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions. Beach House's audience has tripled recently due to massive online exposure: "Space Song" (from 2015's "Depression Cherry") was in two separate TikTok memes, while "Silver Soul" (from 2010's "Teen Dream") was sampled by Kendrick Lamar and subsequently got tons of exposure on TikTok.
February 18 street date. Black vinyl "silver edition" packaged in wide-spine jacket with poster and custom dust sleeves. First new album since 2018 from the standard-bearers of modern atmospheric indie-pop. "Once Twice Melody" is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions. Beach House's audience has tripled recently due to massive online exposure: "Space Song" (from 2015's "Depression Cherry") was in two separate TikTok memes, while "Silver Soul" (from 2010's "Teen Dream") was sampled by Kendrick Lamar and subsequently got tons of exposure on TikTok.
July 29 street date. Against the backdrop of Asbury Park, NJ rock and punk history comes Beach Rats. With a membership that includes four impossible-to-avoid New Jersey punk stalwarts including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), Bryan Kienlen and Pete Steinkopf (The Bouncing Souls) and rounded out by Danny Windas, akd "Dubs" on drums. Beach Rats play a brand of hardcore/punk that stays true to their members' roots while creating something completely fresh and urgent. "It's a mix of the Jersey Shore thing and a bunch of guys that can endlessly create 80s hardcore riffs because we were there", states Bryan Kienlan. "You're gonna get authentic punk and hardcore from Beach Rats because we are all from the 80s. It's literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat".
July 29 street date. Against the backdrop of Asbury Park, NJ rock and punk history comes Beach Rats. With a membership that includes four impossible-to-avoid New Jersey punk stalwarts including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), Bryan Kienlen and Pete Steinkopf (The Bouncing Souls) and rounded out by Danny Windas, akd "Dubs" on drums. Beach Rats play a brand of hardcore/punk that stays true to their members' roots while creating something completely fresh and urgent. "It's a mix of the Jersey Shore thing and a bunch of guys that can endlessly create 80s hardcore riffs because we were there", states Bryan Kienlan. "You're gonna get authentic punk and hardcore from Beach Rats because we are all from the 80s. It's literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat".
July 29 street date. Against the backdrop of Asbury Park, NJ rock and punk history comes Beach Rats. With a membership that includes four impossible-to-avoid New Jersey punk stalwarts including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), Bryan Kienlen and Pete Steinkopf (The Bouncing Souls) and rounded out by Danny Windas, akd "Dubs" on drums. Beach Rats play a brand of hardcore/punk that stays true to their members' roots while creating something completely fresh and urgent. "It's a mix of the Jersey Shore thing and a bunch of guys that can endlessly create 80s hardcore riffs because we were there", states Bryan Kienlan. "You're gonna get authentic punk and hardcore from Beach Rats because we are all from the 80s. It's literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat".
Please note new street date: April 1. "Artifacts" began humbly as a means of compiling a few early Beirut EPs for a proper physical release. However, as Zach Condon explains in the album's excellent liner notes, reconnecting with old recordings through fresh ears turned a simple reissue project into something much more expansive. "When the decision came to re-release this collection, I found myself digging through hard drives looking for something extra to add to the compilation. What started as a few extra unreleased tracks from my formative recording years quickly grew into an entire extra records-worth of music from my past, and a larger project of remixing and remastering everything I found for good measure". "Artifacts" is a phylogenetic tree. A double LP's worth of music that traces the evolution of Beirut from a 14-year old Condon's first attempts at bringing the music he heard in his mind to life, to the fully formed Beirut we know today.
Please note new street date: April 1. "Artifacts" began humbly as a means of compiling a few early Beirut EPs for a proper physical release. However, as Zach Condon explains in the album's excellent liner notes, reconnecting with old recordings through fresh ears turned a simple reissue project into something much more expansive. "When the decision came to re-release this collection, I found myself digging through hard drives looking for something extra to add to the compilation. What started as a few extra unreleased tracks from my formative recording years quickly grew into an entire extra records-worth of music from my past, and a larger project of remixing and remastering everything I found for good measure". "Artifacts" is a phylogenetic tree. A double LP's worth of music that traces the evolution of Beirut from a 14-year old Condon's first attempts at bringing the music he heard in his mind to life, to the fully formed Beirut we know today.
October 14 street date. Daniel Bélanger signe "Mercure en mai", un album qui célèbre la complicité humaine et les joies inattendues. Par une froide matinée de février 2021, au coeur de la énième vague pandémique, Daniel Bélanger déambulait sur une rue du quartier Mile-Ex. Les mains au fond des poches, la tête dans les épaules, il était perplexe devant les mille et une conséquences de l'urgence sanitaire et en particulier devant l'impossibilité de s'asseoir au chaud dans un café, comme il aime tant le faire. Après un arrêt à un comptoir où il a ses habitudes, où il venait de commander un latte pour emporter, il a reconnu quelqu'un parmi un petit groupe de badauds agglutinés autour d'un banc public. Salutations, présentation aux uns et aux autres, début de discussion: Daniel Bélanger ne le savait pas encore, mais il venait de se faire de véritables amis, avec qui, à coup d'échanges autour d'un gobelet fumant, il a traversé les semaines de confinement qui s'amorçaient. On pourrait dire que chacun des dix titres de "Mercure en mai" provient d'un tel hasard, comme un fruit de l'inattendu. Des mots attentifs aux étonnements, au soudain, à ces «petites Californies» qui dorment au fond de nous; des musiques naviguant entre le minimal et le luxuriant, avec motifs en boomerangs et passages secrets: tout ici raconte l’impromptu, ce qui échappe aux agendas et à la raison.
October 14 street date. Daniel Bélanger signe "Mercure en mai", un album qui célèbre la complicité humaine et les joies inattendues. Par une froide matinée de février 2021, au coeur de la énième vague pandémique, Daniel Bélanger déambulait sur une rue du quartier Mile-Ex. Les mains au fond des poches, la tête dans les épaules, il était perplexe devant les mille et une conséquences de l'urgence sanitaire et en particulier devant l'impossibilité de s'asseoir au chaud dans un café, comme il aime tant le faire. Après un arrêt à un comptoir où il a ses habitudes, où il venait de commander un latte pour emporter, il a reconnu quelqu'un parmi un petit groupe de badauds agglutinés autour d'un banc public. Salutations, présentation aux uns et aux autres, début de discussion: Daniel Bélanger ne le savait pas encore, mais il venait de se faire de véritables amis, avec qui, à coup d'échanges autour d'un gobelet fumant, il a traversé les semaines de confinement qui s'amorçaient. On pourrait dire que chacun des dix titres de "Mercure en mai" provient d'un tel hasard, comme un fruit de l'inattendu. Des mots attentifs aux étonnements, au soudain, à ces «petites Californies» qui dorment au fond de nous; des musiques naviguant entre le minimal et le luxuriant, avec motifs en boomerangs et passages secrets: tout ici raconte l’impromptu, ce qui échappe aux agendas et à la raison.
July 10 street date. The debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer/songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch release, one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This release, produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal "Mirror Reaper" opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass/vocals) and Jesse Shreibman (drums/synthesizers/vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes its own singular, unparalleled doom metal entity.
July 10 street date. The debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer/songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch release, one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This release, produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal "Mirror Reaper" opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass/vocals) and Jesse Shreibman (drums/synthesizers/vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes its own singular, unparalleled doom metal entity.
May 6 street date. "A Bit of Previous" is the ninth studio album by Belle and Sebastian and their first full-length in seven years. So what is a "A Bit of Previous"? It's a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. It's a band with humour, irreverence, lyrical exactitude and musical bravado tackling the insight, experience and responsibility that comes with getting older. It's a classic Belle and Sebastian album full of melodies that won’t leave your head, and lyrics will that make you smile, ponder and reflect. "A Bit of Previous" was self-produced and recorded by Belle and Sebastian (with contributions from Brian McNeill, Matt Wiggins, Kevin Burleigh and Shawn Everett) in their native Glasgow, and their most hands-on effort since "The Boy With The Arab Strap". The result is one the most diverse and thrilling entries in the band's catalogue. "A Bit of Previous" is Belle and Sebastian once again asserting themselves as an infallible source of energy and fun.
May 6 street date. "A Bit of Previous" is the ninth studio album by Belle and Sebastian and their first full-length in seven years. So what is a "A Bit of Previous"? It's a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. It's a band with humour, irreverence, lyrical exactitude and musical bravado tackling the insight, experience and responsibility that comes with getting older. It's a classic Belle and Sebastian album full of melodies that won’t leave your head, and lyrics will that make you smile, ponder and reflect. "A Bit of Previous" was self-produced and recorded by Belle and Sebastian (with contributions from Brian McNeill, Matt Wiggins, Kevin Burleigh and Shawn Everett) in their native Glasgow, and their most hands-on effort since "The Boy With The Arab Strap". The result is one the most diverse and thrilling entries in the band's catalogue. "A Bit of Previous" is Belle and Sebastian once again asserting themselves as an infallible source of energy and fun.
May 6 street date. "A Bit of Previous" is the ninth studio album by Belle and Sebastian and their first full-length in seven years. So what is a "A Bit of Previous"? It's a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. It's a band with humour, irreverence, lyrical exactitude and musical bravado tackling the insight, experience and responsibility that comes with getting older. It's a classic Belle and Sebastian album full of melodies that won’t leave your head, and lyrics will that make you smile, ponder and reflect. "A Bit of Previous" was self-produced and recorded by Belle and Sebastian (with contributions from Brian McNeill, Matt Wiggins, Kevin Burleigh and Shawn Everett) in their native Glasgow, and their most hands-on effort since "The Boy With The Arab Strap". The result is one the most diverse and thrilling entries in the band's catalogue. "A Bit of Previous" is Belle and Sebastian once again asserting themselves as an infallible source of energy and fun.
May 6 street date. "A Bit of Previous" is the ninth studio album by Belle and Sebastian and their first full-length in seven years. So what is a "A Bit of Previous"? It's a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. It's a band with humour, irreverence, lyrical exactitude and musical bravado tackling the insight, experience and responsibility that comes with getting older. It's a classic Belle and Sebastian album full of melodies that won’t leave your head, and lyrics will that make you smile, ponder and reflect. "A Bit of Previous" was self-produced and recorded by Belle and Sebastian (with contributions from Brian McNeill, Matt Wiggins, Kevin Burleigh and Shawn Everett) in their native Glasgow, and their most hands-on effort since "The Boy With The Arab Strap". The result is one the most diverse and thrilling entries in the band's catalogue. "A Bit of Previous" is Belle and Sebastian once again asserting themselves as an infallible source of energy and fun.
January 13 street date. Celebrated Glasgow collective Belle and Sebastian present their surprise album, "Late Developers", just announced January 9th. Recorded in tandem with the acclaimed "A Bit of Previous", the album features 12 new songs that carry on the reflective and celebratory spirit of its predecessor, while also pushing the band into the world of contemporary pop unlike ever before. It is beyond remarkable and inspiring that Belle and Sebastian, 26 years into their career, can make music that is not only immediate and effective, but two back-to-back albums that feel like they're at the top of their game. "Late Developers" arrives on standard black and limited edition orange gatefold vinyl, as well as on CD. All in stock and available to ship.
January 13 street date. Celebrated Glasgow collective Belle and Sebastian present their surprise album, "Late Developers", just announced January 9th. Recorded in tandem with the acclaimed "A Bit of Previous", the album features 12 new songs that carry on the reflective and celebratory spirit of its predecessor, while also pushing the band into the world of contemporary pop unlike ever before. It is beyond remarkable and inspiring that Belle and Sebastian, 26 years into their career, can make music that is not only immediate and effective, but two back-to-back albums that feel like they're at the top of their game. "Late Developers" arrives on standard black and limited edition orange gatefold vinyl, as well as on CD. All in stock and available to ship.
January 13 street date. Celebrated Glasgow collective Belle and Sebastian present their surprise album, "Late Developers", just announced January 9th. Recorded in tandem with the acclaimed "A Bit of Previous", the album features 12 new songs that carry on the reflective and celebratory spirit of its predecessor, while also pushing the band into the world of contemporary pop unlike ever before. It is beyond remarkable and inspiring that Belle and Sebastian, 26 years into their career, can make music that is not only immediate and effective, but two back-to-back albums that feel like they're at the top of their game. "Late Developers" arrives on standard black and limited edition orange gatefold vinyl, as well as on CD. All in stock and available to ship.
December 11 street date. "What To Look For In Summer" is a live double album gathering choice selections from Belle And Sebastian's 2019 world tour. Neither a retrospective nor a back-door greatest-hits, "What To Look For In Summer" is the sound of a band that's always moving forward, a picture of Belle and Sebastian in 2019 that gives equal weight to early days ("My Wandering Days Are Over", "Seeing Other People") and recent years.
December 11 street date. "What To Look For In Summer" is a live double album gathering choice selections from Belle And Sebastian's 2019 world tour. Neither a retrospective nor a back-door greatest-hits, "What To Look For In Summer" is the sound of a band that's always moving forward, a picture of Belle and Sebastian in 2019 that gives equal weight to early days ("My Wandering Days Are Over", "Seeing Other People") and recent years.
January 14 street date. Vinyl reissue of Belvedere's "The Revenge Of The Fifth", originally released in 2016 via Bird Attack Records. "The Revenge Of The Fifth" picked up where the Calgary band's previous release "Fast Forward Eats The Tape" left off. Twelve tracks of melodic punk - fast and furious. The album featured a notable progression in its songwriting. The balancing act between raising families and holding steady jobs, and touring the world for 20 years can be heard in many of the lyrics. An expression of hope is found in "The Revenge Of The Fifth" which hinges on the idea that we’re all ultimately responsible for taking care of the human race and the planet; and to stop looking to a higher power for forgiveness or answers.
December 17 street date (CD)/April 15 street date (LP). Chuck Berry, the songwriter and guitarist now known worldwide as the Father of Rock & Roll, came from humble beginnings. After an evening in 1996 spent reminiscing about his storied career with his longtime friend Joe Edwards, owner of St. Louis restaurant and venue Blueberry Hill, Berry fulfilled the dream of music lovers everywhere; he started a live residency that spanned 209 shows at the 340-person capacity club. The club became a modern-day Mecca for rock fans, and a once-in-a-lifetime opportunity to see the legend perform up close and personal. "Live From Blueberry Hill" compiles some of Berry's greatest hits from this epic run of shows played alongside his fantastic band - including his son Charles Berry Jr. and daughter Ingrid Berry.
April 15 street date (LP) / CD available now. Chuck Berry, the songwriter and guitarist now known worldwide as the Father of Rock & Roll, came from humble beginnings. After an evening in 1996 spent reminiscing about his storied career with his longtime friend Joe Edwards, owner of St. Louis restaurant and venue Blueberry Hill, Berry fulfilled the dream of music lovers everywhere; he started a live residency that spanned 209 shows at the 340-person capacity club. The club became a modern-day Mecca for rock fans, and a once-in-a-lifetime opportunity to see the legend perform up close and personal. "Live From Blueberry Hill" compiles some of Berry's greatest hits from this epic run of shows played alongside his fantastic band - including his son Charles Berry Jr. and daughter Ingrid Berry.
January 29 street date. "The Besnard Lakes Are The Last of the Great Thunderstorm Warnings" is the group's sixth album and the first on Flemish Eye. After 2016's "A Coliseum Complex Museum" - which saw Jace Lasek and Olga Goreas attempting shorter, less sprawling songs - the Besnards and their label decided it was time to go their separate ways; with that decision came a question of whether to even continue the project at all. What use is a band with an instinct for long, tectonic tunes - rock songs with chthonic heft and ethereal grace, 5 or 10 or 18 minutes long? How do you sell that in an age of bite-sized streaming? How do you make it relevant? Despite all its grandeur, "...The Last of the Great Thunderstorm Warnings" honours the very essence of punk rock: the notion that a band need only be relevant to itself. At last the Besnard Lakes have crafted a continuous long-form suite: nine tracks that could be listened together as one, overflowing with melody and harmony, drone and dazzle, the group's own unique weather. In late 2020, as the world burns, there might be nothing less trendy than an hour-long psych-rock epic by a band of Canadian grandmasters. Then again, there might be nothing we need more.
January 29 street date. "The Besnard Lakes Are The Last of the Great Thunderstorm Warnings" is the group's sixth album and the first on Flemish Eye. After 2016's "A Coliseum Complex Museum" - which saw Jace Lasek and Olga Goreas attempting shorter, less sprawling songs - the Besnards and their label decided it was time to go their separate ways; with that decision came a question of whether to even continue the project at all. What use is a band with an instinct for long, tectonic tunes - rock songs with chthonic heft and ethereal grace, 5 or 10 or 18 minutes long? How do you sell that in an age of bite-sized streaming? How do you make it relevant? Despite all its grandeur, "...The Last of the Great Thunderstorm Warnings" honours the very essence of punk rock: the notion that a band need only be relevant to itself. At last the Besnard Lakes have crafted a continuous long-form suite: nine tracks that could be listened together as one, overflowing with melody and harmony, drone and dazzle, the group's own unique weather. In late 2020, as the world burns, there might be nothing less trendy than an hour-long psych-rock epic by a band of Canadian grandmasters. Then again, there might be nothing we need more.
October 21 street date. After teasing out two psychedelic transmissions, The Besnard Lakes have announced a new limited edition 12" EP - "The Besnard Lakes are the Prayers for the Death of Fame". With some of the material composed during the songwriting for the band's epic 2021 double LP, this companion EP acts as a spiritual sister to that masterwork. For some, the EP format implies a shorter, perhaps less-developed idea. The Besnard Lakes embrace the medium with a triptych that sprawls languorously across 28 minutes of cosmic majesty, culminating with the empyrean ‘Silver Shadows’.
Please note new street date: April 16 (LP) / April 30 (CD). Hot on the heels of five viral video singles, "Tea Party Revenge Porn", the first full album since 2014 by Jello Biafra And The Guantanamo School Of Medicine, is finally here! This is very strong stuff. Hear the inimitable Mr. B skewer the place the country has put itself in like no one else would - or could - as he and The Guantanamo School Of Medicine capture the full power of their live shows on disc as never before. Only so many artists have a track record of lyrics this good, and back it up with music as good or better. So as germs and police riots rage, there's no better primal scream therapy than a long-awaited new Jello Biafra album.
Please note new street date: April 16 (LP) / April 30 (CD). Hot on the heels of five viral video singles, "Tea Party Revenge Porn", the first full album since 2014 by Jello Biafra And The Guantanamo School Of Medicine, is finally here! This is very strong stuff. Hear the inimitable Mr. B skewer the place the country has put itself in like no one else would - or could - as he and The Guantanamo School Of Medicine capture the full power of their live shows on disc as never before. Only so many artists have a track record of lyrics this good, and back it up with music as good or better. So as germs and police riots rage, there's no better primal scream therapy than a long-awaited new Jello Biafra album.
August 26 street date. Like a song through an open window, it feels like we've been waiting a long time for "Le soleil et la mer". The debut release by Bibi Club, aka real-life lovers Adèle Trottier-Rivard and Nicolas Basque, is sun-kissed and wave-washed, shimmering and chic, a party overdue after two years that have felt (to everyone!) like winter. Adèle has been singing for others for years, notably with Nico's band, Plants and Animals, but "Le soleil et la mer" stunningly and confidently reveals the extent of her skills. Bibi Club effortlessly moved from home to the stage, with infectiously easygoing, fun-loving charm. You can immediately feel this euphoria on the album, which quickly makes you forget about the worries of the daily grind. It's summertime, come out and dance! Throughout "Le soleil et la mer", Adèle and Nico set out to create music that is intimate, honest, sparkling with an energy that animates even its quiet moments - and inspired by artists as diverse as Stereolab, Suicide, Alice Coltrane, and Tirzah. It's a sound as ready for revels as it is for rainy days. Bibi Club will remind you: if it's not sunny here, it's sunny somewhere.
August 26 street date. Like a song through an open window, it feels like we've been waiting a long time for "Le soleil et la mer". The debut release by Bibi Club, aka real-life lovers Adèle Trottier-Rivard and Nicolas Basque, is sun-kissed and wave-washed, shimmering and chic, a party overdue after two years that have felt (to everyone!) like winter. Adèle has been singing for others for years, notably with Nico's band, Plants and Animals, but "Le soleil et la mer" stunningly and confidently reveals the extent of her skills. Bibi Club effortlessly moved from home to the stage, with infectiously easygoing, fun-loving charm. You can immediately feel this euphoria on the album, which quickly makes you forget about the worries of the daily grind. It's summertime, come out and dance! Throughout "Le soleil et la mer", Adèle and Nico set out to create music that is intimate, honest, sparkling with an energy that animates even its quiet moments - and inspired by artists as diverse as Stereolab, Suicide, Alice Coltrane, and Tirzah. It's a sound as ready for revels as it is for rainy days. Bibi Club will remind you: if it's not sunny here, it's sunny somewhere.
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
February 11 street date. "Dragon New Warm Mountain I Believe in You" is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. They spent 5 months in creation, coming out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up "DNWMIBIY", a fluid and adventurous listen. All 4 of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. The attempt to capture something deeper, wider, and full of mystery, points to the inherent spirit of Big Thief. To support the new release Big Thief will be attempting to steer the dragon in Montreal (Olympia - April 18th) and Toronto (Massey Hall - April 19th).
February 11 street date. "Dragon New Warm Mountain I Believe in You" is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. They spent 5 months in creation, coming out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up "DNWMIBIY", a fluid and adventurous listen. All 4 of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. The attempt to capture something deeper, wider, and full of mystery, points to the inherent spirit of Big Thief. To support the new release Big Thief will be attempting to steer the dragon in Montreal (Olympia - April 18th) and Toronto (Massey Hall - April 19th).
July 17 street date. Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, has announced the release of "Species", which will be released on 17 July. "Species" is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass. "I suppose what interested me the most in putting this together was the concept of trance and what can happen to the listener by submitting to the wave of the thing," Moore explains. "Species", and the transcendental state it embodies, was inspired by two recent loves of Moore's: the desert and long-distance running. Bing & Ruth have had to postpone their previously scheduled Spring/Summer tour. Canadian dates will now take place on September 1st (Toronto - Brothers Dressler) and September 2nd (Montreal - La Sala Rossa).
July 17 street date. Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, has announced the release of "Species", which will be released on 17 July. "Species" is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass. "I suppose what interested me the most in putting this together was the concept of trance and what can happen to the listener by submitting to the wave of the thing," Moore explains. "Species", and the transcendental state it embodies, was inspired by two recent loves of Moore's: the desert and long-distance running. Bing & Ruth have had to postpone their previously scheduled Spring/Summer tour. Canadian dates will now take place on September 1st (Toronto - Brothers Dressler) and September 2nd (Montreal - La Sala Rossa).
Available now. Nominated for 2022 Grammy for Best Traditional Blues Album. Winner of Blues Music Awards for Album Of The Year and Traditional Blues Album Of The Year. Rock and Roll Hall of Famer Elvin Bishop and Grammy-winning harmonica great Charlie Musselwhite join forces for a fun and historic collaboration of front porch blues. Among the most famous bluesmen in the world, with over five decades each of recording and performing, Elvin and Charlie have scanned over 600,000 units combined, despite over two dozen of their releases coming before the advent of Soundscan.
May 20 street date. If the pandemic made you realize that you missed one thing about your connection with punk, there's a decent chance that Bishops Green had something to do with that. This band hits hard and reaches people on a very deep level. Making new fans daily, they continue to connect with scores of people very deeply, even not being able to tour. Yet the true magic in this band is really seeing them live. As the world returns to normal and gigs materialize, more and more people are gonna realize how important this band is to the social fabric of punk rock. The passion they’ve instilled in fans, and the fervor from within are both equally strong and together are the reason why this band has so much impact to deliver! This album and these songs absolutely set the tone, brilliantly, but there is so much more to come as well. Absolutely no lack of excitement in this maple-leaf-adorned corner of the punk rock world - in fact, quite the opposite! There are seemingly black skies adrift right now, but somehow these songs make you feel like there's a golden future on the horizon! We can all at least sing loud, and hope…
April 23 street date. RECORD STORE DAY release. First time on vinyl in North America for this 2001 release. 180g 2LP clear with black, smoke and emerald marble coloured vinyl. Includes download card.
November 26 street date. Everything about Black Label Society begins with the riff. A dedicated disciple of Zeppelin, Sabbath, and Deep Purple, Zakk Wylde looks to the massive guitar hooks in classics like "Whole Lotta Love," "Into the Void," and "Smoke On the Water" as guiding lights. "The main ingredient in any Black Label soup is the riff," says the larger-than-life frontman. Black Label Society builds their music on this simple truth, truth as self-evident on "Back In Black" as on the dozen songs comprising "Doom Crew Inc.", the eleventh album from the dependable stalwarts. "Doom Crew Inc." is both a tribute to the band's "first to bleed, last to leave" road crew and a salute to the legion whose support, stretching back to 1998, rivals that of the KISS Army. The Black Label Society biker-style battle vest "kutte" is as ubiquitous at hard rock and metal shows as a black t-shirt.
November 26 street date. Everything about Black Label Society begins with the riff. A dedicated disciple of Zeppelin, Sabbath, and Deep Purple, Zakk Wylde looks to the massive guitar hooks in classics like "Whole Lotta Love," "Into the Void," and "Smoke On the Water" as guiding lights. "The main ingredient in any Black Label soup is the riff," says the larger-than-life frontman. Black Label Society builds their music on this simple truth, truth as self-evident on "Back In Black" as on the dozen songs comprising "Doom Crew Inc.", the eleventh album from the dependable stalwarts. "Doom Crew Inc." is both a tribute to the band's "first to bleed, last to leave" road crew and a salute to the legion whose support, stretching back to 1998, rivals that of the KISS Army. The Black Label Society biker-style battle vest "kutte" is as ubiquitous at hard rock and metal shows as a black t-shirt. Indie retail exclusive color vinyl variant: clear & black ice with grey and white splatter.
October 21 street date. The Black Lips return with their 10th studio effort ‘Apocalypse Love’. Scorched with their trademark menace, it cryogenically mutates all recognised musical bases; it spins yarns about vintage Soviet synths, Benzedrine stupors, coup d'etats, stolen valor and certified destruction, all set against a black setting sun. Since the turn of the decade the band have transformed from austere country pioneers into a set of Lynchian surrealists, hellbent on recalibrating the history of rock 'n' roll. ‘Apocalypse Love’ is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom-glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies. As the band venture into their third decade, ‘Apocalypse Love’ is proof that The Black Lips show no sign of slowing down.
October 21 street date. The Black Lips return with their 10th studio effort ‘Apocalypse Love’. Scorched with their trademark menace, it cryogenically mutates all recognised musical bases; it spins yarns about vintage Soviet synths, Benzedrine stupors, coup d'etats, stolen valor and certified destruction, all set against a black setting sun. Since the turn of the decade the band have transformed from austere country pioneers into a set of Lynchian surrealists, hellbent on recalibrating the history of rock 'n' roll. ‘Apocalypse Love’ is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom-glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies. As the band venture into their third decade, ‘Apocalypse Love’ is proof that The Black Lips show no sign of slowing down. Classic black vinyl with lyric insert and download card.
October 21 street date. The Black Lips return with their 10th studio effort ‘Apocalypse Love’. Scorched with their trademark menace, it cryogenically mutates all recognised musical bases; it spins yarns about vintage Soviet synths, Benzedrine stupors, coup d'etats, stolen valor and certified destruction, all set against a black setting sun. Since the turn of the decade the band have transformed from austere country pioneers into a set of Lynchian surrealists, hellbent on recalibrating the history of rock 'n' roll. ‘Apocalypse Love’ is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom-glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies. As the band venture into their third decade, ‘Apocalypse Love’ is proof that The Black Lips show no sign of slowing down. Limited deluxe edition on violet vinyl with silver foiled sleeve, lyric insert, and download card.
December 2 street date. Bending scuzzy boundaries, "Good Bad Not Evil" is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches its 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. "Good Bad Not Evil" perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics. Referencing The Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘VeniVidi Vici’, ‘Cold Hands’, ‘Bad Kids’, and ‘O Katrina!’ immediately became Black Lips staples. Packaged in a gatefold sleeve with spot gloss, liner notes, and download card.
December 2 street date. Bending scuzzy boundaries, "Good Bad Not Evil" is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches its 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. "Good Bad Not Evil" perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics. Referencing The Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘VeniVidi Vici’, ‘Cold Hands’, ‘Bad Kids’, and ‘O Katrina!’ immediately became Black Lips staples. Packaged in a gatefold sleeve with spot gloss, liner notes, and download card.
December 2 street date. Bending scuzzy boundaries, "Good Bad Not Evil" is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches its 15 year anniversary. This deluxe edition includes B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. "Good Bad Not Evil" perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics. Referencing The Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘VeniVidi Vici’, ‘Cold Hands’, ‘Bad Kids’, and ‘O Katrina!’ immediately became Black Lips staples.
January 24 street date. It's country music but not as we know it which begs the question: have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio album? ‘Sing In A World That’s Falling Apart’ continues to flick the middle finger to one and all. This ain't another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clichés about drinking, honky tonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre. They also dug contemporary hip-hop and punk and actualized themselves. Like so many dramatic moments in the Black Lips career, ‘Sing In A World That’s Falling Apart’ was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. They roll on with an unapologetic southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips!
January 24 street date. Limited deluxe red vinyl edition, with a die cut spot gloss sleeve and poster - available exclusively to indie shops. It's country music but not as we know it which begs the question: have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio album? ‘Sing In A World That’s Falling Apart’ continues to flick the middle finger to one and all. This ain't another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clichés about drinking, honky tonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre. They also dug contemporary hip-hop and punk and actualized themselves. Like so many dramatic moments in the Black Lips career, ‘Sing In A World That’s Falling Apart’ was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. They roll on with an unapologetic southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips!
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
February 28 street date. Black Market Brass' sophomore record, "Undying Thirst", is a noxious brew of diesel and bleach; a special long-player full of wasteoid rippers for skullduggerous hover-bike gangs peddling fugazi relics and snake oil tinctures. Hellacious guitars, nitrous-charged percussion, a brass section harsher than paint-thinner, and a special batch of short-circuited electronics and synthesizers will leave your head buzzing into the 31st century. Blasting "Undying Thirst" from your home speaker system is like going over a waterfall in a rusted out oil barrel, long after the sun has boiled the falls dry. RIYL Antibalas or The Budos Band.
February 28 street date. Black Market Brass' sophomore record, "Undying Thirst", is a noxious brew of diesel and bleach; a special long-player full of wasteoid rippers for skullduggerous hover-bike gangs peddling fugazi relics and snake oil tinctures. Hellacious guitars, nitrous-charged percussion, a brass section harsher than paint-thinner, and a special batch of short-circuited electronics and synthesizers will leave your head buzzing into the 31st century. Blasting "Undying Thirst" from your home speaker system is like going over a waterfall in a rusted out oil barrel, long after the sun has boiled the falls dry. RIYL Antibalas or The Budos Band.
May 28 street date. "Cavalcade" is a dynamic, hellacious, and inventive follow-up to 2019's widely-praised "Schlagenheim". It scales beautiful new heights, pulling widely from a plethora of genres and influences, reaching ever upwards from an already lofty base of early achievements. black midi - Geordie Greep (guitar, primary vocals), Cameron Picton (bass, vocals), and Morgan Simpson (drums) - picture "Cavalcade" as a line of larger than life figures, from a cult leader fallen on hard times and an ancient corpse found in a diamond mine to legendary cabaret singer Marlene Dietrich, strolling seductively past them. "When you're listening, you can imagine all the characters form a sort of cavalcade. Each tells their story one by one and as each track ends they overtake you, replaced by the next in line," comments Picton. With original band member guitarist/vocalist Matt Kwasniewski-Kelvin taking time away from the group to focus on his mental health, black midi chose to augment their sound on "Cavalcade", rather than replicate it, with saxophonist Kaidi Akinnibi and keyboard player Seth Evans.
May 28 street date. "Cavalcade" is a dynamic, hellacious, and inventive follow-up to 2019's widely-praised "Schlagenheim". It scales beautiful new heights, pulling widely from a plethora of genres and influences, reaching ever upwards from an already lofty base of early achievements. black midi - Geordie Greep (guitar, primary vocals), Cameron Picton (bass, vocals), and Morgan Simpson (drums) - picture "Cavalcade" as a line of larger than life figures, from a cult leader fallen on hard times and an ancient corpse found in a diamond mine to legendary cabaret singer Marlene Dietrich, strolling seductively past them. "When you're listening, you can imagine all the characters form a sort of cavalcade. Each tells their story one by one and as each track ends they overtake you, replaced by the next in line," comments Picton. With original band member guitarist/vocalist Matt Kwasniewski-Kelvin taking time away from the group to focus on his mental health, black midi chose to augment their sound on "Cavalcade", rather than replicate it, with saxophonist Kaidi Akinnibi and keyboard player Seth Evans.
July 15 street date. London three piece black midi present their third album, "Hellfire". Written in isolation in 2021 almost immediately after its predecessor, black midi pick up right where they left off. Building on the melodic and harmonic elements of "Cavalcade", and expanding on the brutality and intensity of their debut ("Schlagenheim"), "Hellfire" is their most thematically cohesive and intentional album yet. As lead-singer Geordie describes it: "if "Cavalcade" was a drama, "Hellfire" is like an epic action film" that delves into overlapping themes of pain, loss and anguish. But as always, the type of music black midi play isn't as important as its quality, and whatever you think about their music isn't as important as how you feel about it.
July 15 street date. London three piece black midi present their third album, "Hellfire". Written in isolation in 2021 almost immediately after its predecessor, black midi pick up right where they left off. Building on the melodic and harmonic elements of "Cavalcade", and expanding on the brutality and intensity of their debut ("Schlagenheim"), "Hellfire" is their most thematically cohesive and intentional album yet. As lead-singer Geordie describes it: "if "Cavalcade" was a drama, "Hellfire" is like an epic action film" that delves into overlapping themes of pain, loss and anguish. But as always, the type of music black midi play isn't as important as its quality, and whatever you think about their music isn't as important as how you feel about it.
July 15 street date. London three piece black midi present their third album, "Hellfire". Written in isolation in 2021 almost immediately after its predecessor, black midi pick up right where they left off. Building on the melodic and harmonic elements of "Cavalcade", and expanding on the brutality and intensity of their debut ("Schlagenheim"), "Hellfire" is their most thematically cohesive and intentional album yet. As lead-singer Geordie describes it: "if "Cavalcade" was a drama, "Hellfire" is like an epic action film" that delves into overlapping themes of pain, loss and anguish. But as always, the type of music black midi play isn't as important as its quality, and whatever you think about their music isn't as important as how you feel about it.
December 2 street date. "Everything Returns" reconvenes the original Black Ox Orkestar lineup after a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss, and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), "Everything Returns" picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish. "Everything Returns" is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band’s simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave, and Leonard Cohen.
December 2 street date. "Everything Returns" reconvenes the original Black Ox Orkestar lineup after a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss, and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), "Everything Returns" picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish. "Everything Returns" is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band’s simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave, and Leonard Cohen.
June 24 street date. On September 29, 2021 - the year of the band's 20th anniversary - Kentucky's favorite sons, Black Stone Cherry realized their childhood dream of playing at the legendary Royal Albert Hall, London. And they don't disappoint as they open with the explosive "Me and Mary Jane". From clubs to arenas and Festival headline performances, no one puts on the kind of show that these boys do. They tear through an impressive back catalog, playing songs from their most recent studio album "The Human Condition" through to their biggest hits and fan favorites. The band have always belonged to the fans and vice versa, which is why when you hear those songs emanate from the stage and then sung back, every fan in the world can close their eyes and remember either being there or imagine being there and the sheer joy and pride in the boys for realizing a dream. On the Blu-ray, the live footage is dotted with behind-the-scenes interviews, fly on the wall footage and archival insights into the band as kids first starting out, snippets of their first ever UK tour and heartfelt moments of reflection.
June 24 street date. On September 29, 2021 - the year of the band's 20th anniversary - Kentucky's favorite sons, Black Stone Cherry realized their childhood dream of playing at the legendary Royal Albert Hall, London. And they don't disappoint as they open with the explosive "Me and Mary Jane". From clubs to arenas and Festival headline performances, no one puts on the kind of show that these boys do. They tear through an impressive back catalog, playing songs from their most recent studio album "The Human Condition" through to their biggest hits and fan favorites. The band have always belonged to the fans and vice versa, which is why when you hear those songs emanate from the stage and then sung back, every fan in the world can close their eyes and remember either being there or imagine being there and the sheer joy and pride in the boys for realizing a dream.
February 26 street date. "In Ferneaux" explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment. With "In Ferneaux", Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.
February 26 street date. "In Ferneaux" explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment. With "In Ferneaux", Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.
June 10 street date. In 2021 the story of the infamous Unabomber Ted Kaczynski received its theatrical debut in a Tony Stone directed film, "Ted K". Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut "Calm With Horses". This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for best original film score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score of Ted K moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.
June 10 street date. In 2021 the story of the infamous Unabomber Ted Kaczynski received its theatrical debut in a Tony Stone directed film, "Ted K". Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut "Calm With Horses". This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for best original film score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score of Ted K moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.
October 28 street date. Blessed's sophomore full-length, "Circuitous", cements and expands on their status as a band's band: a patient, eclectic career outfit guided by the intense pursuit of an internally-dictated creative agenda. The group has sharpened their strengths, bringing an ever-growing depth of songwriting and artistic evolution to their craft. Composed from hours of jam material and hundreds of demos, "Circuitous" comprises eight tracks that sprawl and thrash and burst and fall. The record finds the band digging deeper into their vast collective catalog of influences, taking notes from groups as diverse as Mount Kimbie, Shabazz Palaces, Liquid Liquid, and Unwound. The result is a sweeping, hyperreal, industrial art-rock tragedy, rendered in walls of noise, controlled drums, meandering ambience, and staccato syncopation, while touching on topics like agoraphobia, isolation, grief, the hyper-control of capital and the numbness it breeds. Circuitous was mixed by John Congleton (Swans, St. Vincent, Wye Oak) and mastered by Greg Obis (Alabaster Deplume, Cloud Nothings, Stuck).
October 28 street date. Blessed's sophomore full-length, "Circuitous", cements and expands on their status as a band's band: a patient, eclectic career outfit guided by the intense pursuit of an internally-dictated creative agenda. The group has sharpened their strengths, bringing an ever-growing depth of songwriting and artistic evolution to their craft. Composed from hours of jam material and hundreds of demos, "Circuitous" comprises eight tracks that sprawl and thrash and burst and fall. The record finds the band digging deeper into their vast collective catalog of influences, taking notes from groups as diverse as Mount Kimbie, Shabazz Palaces, Liquid Liquid, and Unwound. The result is a sweeping, hyperreal, industrial art-rock tragedy, rendered in walls of noise, controlled drums, meandering ambience, and staccato syncopation, while touching on topics like agoraphobia, isolation, grief, the hyper-control of capital and the numbness it breeds. Circuitous was mixed by John Congleton (Swans, St. Vincent, Wye Oak) and mastered by Greg Obis (Alabaster Deplume, Cloud Nothings, Stuck).
July 9 street date. Feral art rock from the gritty depths of 1990s Manhattan. Japanese-Italian guitar symphonies for 120 Minutes refugees and Keith Haring enthusiasts alike. Blonde Redhead's self-titled 1995 debut, in print as a definitive single LP for the first time since - ever. "These songs combine a raw need, a ready access to neediness, with seemingly incongruous cinematic changes reminiscent of 1960s Italian pop music and movie scores. They switch between emotional grandeur and eye scratching immediacy" - Arto Lindsay.
July 9 street date. Art-house kosmische from the battered basements of pre-9/11 New York. Polyrhythmic screamo for underemployed Gen-Xers and trust fund weed dealers alike. "La Mia Vita Violenta", Blonde Redhead's 1995 sophomore effort, in print as a definitive single LP for the first time since - ever. "These songs combine a raw need, a ready access to neediness, with seemingly incongruous cinematic changes reminiscent of 1960s Italian pop music and movie scores. They switch between emotional grandeur and eye scratching immediacy" - Arto Lindsay.
Please note street date is July 31. (Legendary Montreal-based wildman of rock and roll and R & B has worked with Jon Spencer, King Khan, the 5678’s and Deke Dickerson!!) For nearly twenty years, Bloodshot Bill has shouted, snorted, cooed and crooned his way through the wild shadowland of primitive rock and roll, touring the world and collaborated with heavyweights like Jon Spencer, King Khan, the 5678’s and Deke Dickerson. Seventeen albums and over two dozen singles later, this unstoppable Montrealeño has not slowed his manic touring and recording schedule one whit. He’s a seminal punk, a true wildman who blazes his own path to honky tonk hell with a bottomless repertoire of desperate rock and roll and insatiable R&B. That means he knows a lotta songs—not that he doesn’t wear pants. But on the right night, who knows! This spring, Bloodshot Bill will release his eighteenth album, Get Loose Or Get Lost, his second for Memphis’ Goner Records. He will be touring everywhere, continuing his twenty-year rampage with a new record and a new slew of shows—do not miss it!
Please note street date is July 31. (Legendary Montreal-based wildman of rock and roll and R & B has worked with Jon Spencer, King Khan, the 5678’s and Deke Dickerson!!) For nearly twenty years, Bloodshot Bill has shouted, snorted, cooed and crooned his way through the wild shadowland of primitive rock and roll, touring the world and collaborated with heavyweights like Jon Spencer, King Khan, the 5678’s and Deke Dickerson. Seventeen albums and over two dozen singles later, this unstoppable Montrealeño has not slowed his manic touring and recording schedule one whit. He’s a seminal punk, a true wildman who blazes his own path to honky tonk hell with a bottomless repertoire of desperate rock and roll and insatiable R&B. That means he knows a lotta songs—not that he doesn’t wear pants. But on the right night, who knows! This spring, Bloodshot Bill will release his eighteenth album, Get Loose Or Get Lost, his second for Memphis’ Goner Records. He will be touring everywhere, continuing his twenty-year rampage with a new record and a new slew of shows—do not miss it!
September 24 street date. Long out of print on vinyl since its 1997 release. The Blue Stingrays' story starts in '59...the band formed that summer and created a new sound. that sound was surf music. Like those who roamed the globe for the perfect wave, The Blue Stingrays nailed the perfect sound when their twang rang 'round the world. A singular devotion to surf guitar music became a way of life for them and they considered it to be the only artform profound enough to truly express the passion in man's soul. THE FACTS in 2021: Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).
September 24 street date. Long out of print on vinyl since its 1997 release - first time on coloured vinyl. The Blue Stingrays' story starts in '59...the band formed that summer and created a new sound. that sound was surf music. Like those who roamed the globe for the perfect wave, The Blue Stingrays nailed the perfect sound when their twang rang 'round the world. A singular devotion to surf guitar music became a way of life for them and they considered it to be the only artform profound enough to truly express the passion in man's soul. THE FACTS in 2021: Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).
March 19 street date. Sophomore album from the Windsor duo who were nominated for a 2020 Juno for Breakthrough Group Of The Year. When Tarek Jafar and Justin Tessier formed The Blue Stones, they were facing uncertainty about who they were and where they were going. But they did know they wanted to make music together, and so they did, writing songs over time and eventually releasing their debut album "Black Holes" in 2018. As confident and self-assured as they are, that record was very much about the pair finding themselves, both musically and existentially, and deciding to pursue the rock 'n' roll dream by jumping into a black hole of the unknown instead of choosing a more ordinary life-path. The band drew the attention of producer, Paul Meany - the creative force behind alternative rock band Mutemath, and who recently worked with Twenty One Pilots, producing their fifth album, "Trench". Working with Meany didn't just lead to The Blue Stones exploring - and creating - music in a different way than they had before, but it also led Jafar to approach and tackle lyrics in an entirely new light. Combined with the band's nuanced and layered approach to their sound, it makes these songs resonate with a powerful emotional intensity.
November 4 street date. Since bursting onto the scene with their acclaimed debut album "Black Holes", Windsor, Ontario's The Blue Stones have delivered a crowd-thrilling live show that defies the laws of physics, generating an impossibly massive sound from its two members alone. On their third album "Pretty Monster", the duo fully capture the controlled chaos and combustible energy of their live set for the very first time - all while expanding on the potent songwriting and sonic ingenuity shown on their first two albums. Despite the colossal growth they've experienced since getting their start playing dive bars in their small hometown, The Blue Stones instill every track with equal parts unchecked passion and a joyfully adventurous spirit. Mainly produced by multi-GRAMMY Award-winner Joe Chiccarelli (The White Stripes, The Strokes, Spoon), "Pretty Monster" came to life over 35 consecutive days of recording at an off-the-grid studio in Kingston, Ontario. During that time, lead vocalist/guitarist Tarek Jafar and drummer/backing vocalist Justin Tessier worked tirelessly in preserving the raw vitality of the album's demos while embedding each song with so many unexpected details (gritty beats, restless grooves, elegantly frenetic textures). A striking departure from the more atmospheric sound of "Hidden Gems", the result is a triumphant body of work that merges the hard-hitting dynamics of rock-and-roll with the indelibly catchy hooks of pop.
November 4 street date. Since bursting onto the scene with their acclaimed debut album "Black Holes", Windsor, Ontario's The Blue Stones have delivered a crowd-thrilling live show that defies the laws of physics, generating an impossibly massive sound from its two members alone. On their third album "Pretty Monster", the duo fully capture the controlled chaos and combustible energy of their live set for the very first time - all while expanding on the potent songwriting and sonic ingenuity shown on their first two albums. Despite the colossal growth they've experienced since getting their start playing dive bars in their small hometown, The Blue Stones instill every track with equal parts unchecked passion and a joyfully adventurous spirit. Mainly produced by multi-GRAMMY Award-winner Joe Chiccarelli (The White Stripes, The Strokes, Spoon), "Pretty Monster" came to life over 35 consecutive days of recording at an off-the-grid studio in Kingston, Ontario. During that time, lead vocalist/guitarist Tarek Jafar and drummer/backing vocalist Justin Tessier worked tirelessly in preserving the raw vitality of the album's demos while embedding each song with so many unexpected details (gritty beats, restless grooves, elegantly frenetic textures). A striking departure from the more atmospheric sound of "Hidden Gems", the result is a triumphant body of work that merges the hard-hitting dynamics of rock-and-roll with the indelibly catchy hooks of pop.
November 5 street date. 10 year anniversary edition of "Adventures In Counter Culture", which has been out of print on vinyl since 2013. First trained in his church choir, Print played in R&B bands in high school and later developed a reputation as a standout rapper. On "Adventures in Counter Culture", he experiments with the synths, keyboards, and drum machines that connected the musical dots of those early days. When he sat down to work on this sophomore effort, Print began with the dark, soulful and sample heavy hip hop of the early 90s, but soon found himself hitting a creative wall. What shook him loose was a new mission: to create an album that encompassed every facet of music he knew, blurring genre lines and bringing it back home as one cohesive listening experience. The more he worked to pair new found interest in rock and electronic music with his love of hip hop, the more he was able to break down that creative barrier. This edition comes packaged in a 12" gatefold jacket with matte UV and spot-gloss finish, housing custom blue and purple coloured vinyl, and includes a 24-page zine and a digital download card.
October 22 street date. New album from Dean Blunt. "The songs here are among the most beautiful and hypnotic in Blunt’s vast catalog - "Black Metal 2" is a hushed and disarmingly gorgeous record" - Bandcamp. "Serene, orchestral, folk-pop jangle", "One of our most anticipated releases of 2021" - FADER. "A brief but thrilling project from the mercurial artist". "It is the clearest Dean Blunt has ever sounded and one of his most thrilling releases to date" - Pitchfork 8.1/10.
October 22 street date. New album from Dean Blunt. "The songs here are among the most beautiful and hypnotic in Blunt’s vast catalog - "Black Metal 2" is a hushed and disarmingly gorgeous record" - Bandcamp. "Serene, orchestral, folk-pop jangle", "One of our most anticipated releases of 2021" - FADER. "A brief but thrilling project from the mercurial artist". "It is the clearest Dean Blunt has ever sounded and one of his most thrilling releases to date" - Pitchfork 8.1/10.
Please note new street date: September 24. "The Bob's Burgers Music Album Vol. 2" includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone", or do whatever you're gonna do to "Sexy Little Tiger", but don't miss "The Bob's Burgers Music Album Vol. 2".
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Digest 
Pennywise
Aeon Station
