October 15 street date. The scream team is back for the highly anticipated follow up to 2018's "Halloween", "Halloween Kills". John Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 "Halloween" movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. Now with the "Halloween Kills" score, director David Gordon Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level. Like all of Carpenter's legendary soundtracks, "Halloween Kills" features incredible standalone music that like their "Lost Themes" trilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.
October 15 street date. The scream team is back for the highly anticipated follow up to 2018's "Halloween", "Halloween Kills". John Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 "Halloween" movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. Now with the "Halloween Kills" score, director David Gordon Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level. Like all of Carpenter's legendary soundtracks, "Halloween Kills" features incredible standalone music that like their "Lost Themes" trilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.
October 15 street date. The scream team is back for the highly anticipated follow up to 2018's "Halloween", "Halloween Kills". John Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 "Halloween" movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. Now with the "Halloween Kills" score, director David Gordon Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level. Like all of Carpenter's legendary soundtracks, "Halloween Kills" features incredible standalone music that like their "Lost Themes" trilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.
October 15 street date. The scream team is back for the highly anticipated follow up to 2018's "Halloween", "Halloween Kills". John Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 "Halloween" movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. Now with the "Halloween Kills" score, director David Gordon Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level. Like all of Carpenter's legendary soundtracks, "Halloween Kills" features incredible standalone music that like their "Lost Themes" trilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.
October 15 street date. In the most literal sense, globally renowned whistler Molly Lewis makes her gorgeous and curious compositions out of thin air. New entrees into the Exotica canon; sprawling, would-be Spaghetti Western scores; and a dash of Old Hollywood glamour - the whistle-led songs on her debut EP "The Forgotten Edge" are as complex, delicate and indelible as anything performed with viola or piano. "Whistling is like a human theremin", said Lewis, an Australian native who's spent the last several years in LA, and whose performances there and around the world are changing any preconceived notions of whistling by the room-full. That's not to say Lewis is all serious and snooty about the craft. Quite the contrary. Her sense of humour is witty, self-deprecating and zany. The entire collection here is a loving, and albeit rather haunting, salute to one of Lewis's heroes, the Italian composer and musician Alessandro Alessandroni, whose whistle and guitar you hear on the title theme of Ennio Morricone's "A Fistful of Dollars". Lewis and her ensemble create classic cinema for your mind.
October 15 street date. Xenia Rubinos is a New York City based artist who's been revered for her innovative voice and maze-like knack for melody. "Una Rosa" is Rubinos' third album and her second on Anti- Records, following up her critically acclaimed "Black Terry Cat" (2016). Xenia Rubinos dips in and out of genre and structure to create movingly powerful songs. Her powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded the radiant singer as "a unique new pop personality", while The New Yorker described her work as "rhythmically fierce, vocally generous music that slips through the net of any known genre". Having previously collaborated and toured with acts as diverse as Battles, Deerhoof, Man Man and Tune-Yards, Rubinos' energetic live show echoes some of the larger than life icons she admired as a child like Nina Simone and Erykah Badu, while wielding a space in music that is utterly her own.
October 15 street date. Xenia Rubinos is a New York City based artist who's been revered for her innovative voice and maze-like knack for melody. "Una Rosa" is Rubinos' third album and her second on Anti- Records, following up her critically acclaimed "Black Terry Cat" (2016). Xenia Rubinos dips in and out of genre and structure to create movingly powerful songs. Her powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded the radiant singer as "a unique new pop personality", while The New Yorker described her work as "rhythmically fierce, vocally generous music that slips through the net of any known genre". Having previously collaborated and toured with acts as diverse as Battles, Deerhoof, Man Man and Tune-Yards, Rubinos' energetic live show echoes some of the larger than life icons she admired as a child like Nina Simone and Erykah Badu, while wielding a space in music that is utterly her own.
October 15 street date. Xenia Rubinos is a New York City based artist who's been revered for her innovative voice and maze-like knack for melody. "Una Rosa" is Rubinos' third album and her second on Anti- Records, following up her critically acclaimed "Black Terry Cat" (2016). Xenia Rubinos dips in and out of genre and structure to create movingly powerful songs. Her powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded the radiant singer as "a unique new pop personality", while The New Yorker described her work as "rhythmically fierce, vocally generous music that slips through the net of any known genre". Having previously collaborated and toured with acts as diverse as Battles, Deerhoof, Man Man and Tune-Yards, Rubinos' energetic live show echoes some of the larger than life icons she admired as a child like Nina Simone and Erykah Badu, while wielding a space in music that is utterly her own.
October 22 street date. "Overcast!" marked the start of a storied career that still shows no signs of slowing. While Slug and original co-member Spawn's rhyme patterns and wordplay may have hinted at some of their influences, their creative songwriting and inventive concepts, paired with Ant's brooding and melodic production, made the album stand apart from its predecessors. Although widely considered an underground classic, the full-length "Overcast!" album was never pressed on vinyl until a limited edition pressing celebrating the album's 20th anniversary in 2017. Now re-packaged and produced for wider distribution, fans everywhere can add this re-mastered masterpiece to their collection. Celebrate Atmosphere's legacy of creative expression with the album that started it all!
October 22 street date. After being out of print for years, Atmosphere's fifth studio album, "You Can't Imagine How Much Fun We're Having", returns on vinyl. Following the breakthrough success of their fourth album, "Seven's Travels", the group returned in 2005, showing impressive growth and inventiveness in their new compositions. Citing inspirations from a list of less-than-expected sources, including Tom Waits, Mark Lanegan, Shawn Phillips, Spoon, The Mars Volta, alopecia, Public Enemy, Boogie Down Productions, The Beauty Pill, infected wisdom teeth, Craig Finn, TV On The Radio, Australia, and I-94 East, among others, the album pushed boundaries without overreaching.
October 22 street date. Atmosphere have distinguished themselves from their peers by creating albums encompassing the entire spectrum of human emotion while tethering each piece to a central aural aesthetic. 2011's "The Family Sign" took this philosophy to new realms of solidarity with Slug metaphorically touching on themes of fatherhood, loss, love, disappointment and jubilation, and tailoring them to an instrumental framework that draws emotion out of the listener, skillfully composed by producer Ant. "The Family Sign" was evidence that hip-hop wields the ultimate potential to address and convey life's virtues and shortcomings. Finally, repackaged and repressed on 2xLP vinyl, just in time for its 10th anniversary, the album features two bonus tracks, "Millenium Dodo 2" and "Cut You Down", not available on the original version, plus an exclusive 7-inch vinyl inside, featuring two additional tracks from the same recording sessions, "By Your Side" and "Bar Food".
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. On "Fast Idol", Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
October 22 street date. New album from Dean Blunt. "The songs here are among the most beautiful and hypnotic in Blunt’s vast catalog - "Black Metal 2" is a hushed and disarmingly gorgeous record" - Bandcamp. "Serene, orchestral, folk-pop jangle", "One of our most anticipated releases of 2021" - FADER. "A brief but thrilling project from the mercurial artist". "It is the clearest Dean Blunt has ever sounded and one of his most thrilling releases to date" - Pitchfork 8.1/10.
October 22 street date. New album from Dean Blunt. "The songs here are among the most beautiful and hypnotic in Blunt’s vast catalog - "Black Metal 2" is a hushed and disarmingly gorgeous record" - Bandcamp. "Serene, orchestral, folk-pop jangle", "One of our most anticipated releases of 2021" - FADER. "A brief but thrilling project from the mercurial artist". "It is the clearest Dean Blunt has ever sounded and one of his most thrilling releases to date" - Pitchfork 8.1/10.
Please note new street date for vinyl: October 22 / October 1 for CD. On "Wayfinder", the follow-up to the acclaimed 2019 album "Free Company", Oakland-based songwriter Taylor Vick, under her songwriting moniker Boy Scouts, chases down life's queries to the very edge of the horizon. This is an album that's not afraid to track down what it all means - how life unspools around the monoliths of love and death, the heavy knots of even quotidian conflict, the task of carrying your own suffering with you day after day, the challenge of meeting other people out here in the tangled expanse of living. In a warm, expansive style that recalls the raw punctures of Lucinda Williams and Alex G, Vick once again shows herself to be a fearless seeker shedding light on the unanswerable. Vick's true superpower is her voice. Strands of slide guitar, organ, and strings ring under her affable, expressive voice, bolstering layers and layers of harmony. There is something so honest about her songs, they feel like a late-night therapy session with your best friend.
Please note new street date for vinyl: October 22 / October 1 for CD. On "Wayfinder", the follow-up to the acclaimed 2019 album "Free Company", Oakland-based songwriter Taylor Vick, under her songwriting moniker Boy Scouts, chases down life's queries to the very edge of the horizon. This is an album that's not afraid to track down what it all means - how life unspools around the monoliths of love and death, the heavy knots of even quotidian conflict, the task of carrying your own suffering with you day after day, the challenge of meeting other people out here in the tangled expanse of living. In a warm, expansive style that recalls the raw punctures of Lucinda Williams and Alex G, Vick once again shows herself to be a fearless seeker shedding light on the unanswerable. Vick's true superpower is her voice. Strands of slide guitar, organ, and strings ring under her affable, expressive voice, bolstering layers and layers of harmony. There is something so honest about her songs, they feel like a late-night therapy session with your best friend.
Please note new street date for LP: October 22 / CD available now. Originally released in 1992, Brutal Truth's "Extreme Conditions Demand Extreme Responses" was produced by the legendary Colin Richardson and is widely regarded as one of the most important and influential grindcore records of all time. Reissued for the first time ever with "Full Dynamic Audio", this release is a must have for any fan of Grindcore.
October 22 street date. Tommy Boy reissues a limited edition pressing of Capone-N-Noreaga's "The War Report" as part of their 40th anniversary reissue series. Hailing from Queens, New York, Capone and Noreaga first met while both serving time in prison. Upon their release, the duo hit the studio, concocting their debut album, "The War Report, " and launching Capone-N-Noreaga in 1997. The now cult-classic featured strong underground overtones and served as a turning point in Hip Hop, bringing a more hardcore sound and is credited for reviving East Coast Hip Hop and signaling a return to realistic, gritty, street aesthetics.
October 22 street date. Matador Records is thrilled to announce the release of "-io", the sixth album by vocalist and composer Haley Fohr, best known as Circuit des Yeux. A celebrated figure in Chicago's music community, Circuit des Yeux has released acclaimed albums via De Stijl, Thrill Jockey, and Drag City and toured throughout the world. "-io" is her most ornate and elaborate work to date - a set of compositions that nest Fohr’s otherworldly four-octave voice amid a 24-piece string, brass, and wind ensemble. The album was put to tape last fall by Cooper Crain at Chicago's Electrical Audio studio and mixed by Marta Salogni (Bjork, Holly Herndon) with Fohr acting as arranger and producer. Written in the wake of personal loss and recorded in the midst of the pandemic, "-io" maps a geography of grief - a place where "everything is ending all the time". While Fohr's music has never been short on ambition, these songs are striking in their brilliance and strangeness. On "-io", Circuit des Yeux has delivered a work that is vivid, immense, and fully illuminated.
October 22 street date. Matador Records is thrilled to announce the release of "-io", the sixth album by vocalist and composer Haley Fohr, best known as Circuit des Yeux. A celebrated figure in Chicago's music community, Circuit des Yeux has released acclaimed albums via De Stijl, Thrill Jockey, and Drag City and toured throughout the world. "-io" is her most ornate and elaborate work to date - a set of compositions that nest Fohr’s otherworldly four-octave voice amid a 24-piece string, brass, and wind ensemble. The album was put to tape last fall by Cooper Crain at Chicago's Electrical Audio studio and mixed by Marta Salogni (Bjork, Holly Herndon) with Fohr acting as arranger and producer. Written in the wake of personal loss and recorded in the midst of the pandemic, "-io" maps a geography of grief - a place where "everything is ending all the time". While Fohr's music has never been short on ambition, these songs are striking in their brilliance and strangeness. On "-io", Circuit des Yeux has delivered a work that is vivid, immense, and fully illuminated.
October 22 street date. Vinyl edition to be released at a later date. It's been seven years since The Copyrights released their last album "Report", but the wait is finally over. Ahead of the Carbondale, IL punks' 20th anniversary in 2022, the foursome have returned with their seventh full-length album, "Alone in A Dome". Not that you'd know it was the band's seventh record - across the course of these 12 songs, the band sounds just as vibrant and vigorous, energetic and youthful, as it ever has. "Alone in A Dome" can be seen as a celebration of coming good, of breaking through the barriers of small-town life and into the (punk rock) bigtime. It's about cherishing the things that last, even though nothing ever actually stays the same. And it's about paying homage to the places and people that defined and shaped you and holding onto the values that those things instilled in you in a world that's constantly trying to obliterate them.
October 22 street date. Over eighteen boundless albums as experimental as they are pop, Deerhoof has continuously quested for radical sounds and daring storytelling. 2020's "Future Teenage Cave Artists" explored fairytale visions of post-apocalypse, welding intrinsic melodies with absurdist digital recording methods. Its sequel "Love-Lore", a live covers medley, channeled futurist mid-century artists - Parliament, Sun Ra and Stockhausen, to name a handful - into a patchwork love letter to the anti-authoritarian expressions that inspire the band. Galvanized by the challenge of unifying many styles of music, Deerhoof landed on their next record's concept: baroque gone DIY. "Actually, You Can" is a genre-abundant record that uses technicolor vibrancy and arpeggiated muscularity to offer a vital shock from capitalism's purgatorial hold. For new listeners and decades-long devotees, Deerhoof's electrifying, generous approach to collaborative worldbuilding on "Actually, You Can" is an emboldening call to support our communities with renewed strength, infinite love, and the resilience to keep exploring.
October 22 street date. Over eighteen boundless albums as experimental as they are pop, Deerhoof has continuously quested for radical sounds and daring storytelling. 2020's "Future Teenage Cave Artists" explored fairytale visions of post-apocalypse, welding intrinsic melodies with absurdist digital recording methods. Its sequel "Love-Lore", a live covers medley, channeled futurist mid-century artists - Parliament, Sun Ra and Stockhausen, to name a handful - into a patchwork love letter to the anti-authoritarian expressions that inspire the band. Galvanized by the challenge of unifying many styles of music, Deerhoof landed on their next record's concept: baroque gone DIY. "Actually, You Can" is a genre-abundant record that uses technicolor vibrancy and arpeggiated muscularity to offer a vital shock from capitalism's purgatorial hold. For new listeners and decades-long devotees, Deerhoof's electrifying, generous approach to collaborative worldbuilding on "Actually, You Can" is an emboldening call to support our communities with renewed strength, infinite love, and the resilience to keep exploring.
Please note new street date: October 22. Every Time I Die is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for colouring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, "Radical", is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. "Radical" proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.
Please note new street date: October 22. Every Time I Die is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for colouring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, "Radical", is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. "Radical" proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.
October 22 street date. The 12th full-length by Pacific Northwest artist Liz Harris aka Grouper is a collection of songs spanning fifteen years. She characterizes "Shade" as an album about respite, and the coast, poetically and literally. How one frames themselves in a landscape, how in turn it frames themselves; memories and experiences carried forward mapping a connection to place. Songs touch on loss, flaws, hiding places, love. Deep connections to the Bay Area, and the North Coast, with its unique moods of solitude, beauty, and isolation - a place described and transformed by the chaos and power of rivermouth, wild maritime storms, columns of mist that rise up unexpectedly on the road at night. Throughout, Harris threads a hidden radiant language of voice, disquiet, and guitar, framed by open space and the sense of being far away.
October 22 street date. The 12th full-length by Pacific Northwest artist Liz Harris aka Grouper is a collection of songs spanning fifteen years. She characterizes "Shade" as an album about respite, and the coast, poetically and literally. How one frames themselves in a landscape, how in turn it frames themselves; memories and experiences carried forward mapping a connection to place. Songs touch on loss, flaws, hiding places, love. Deep connections to the Bay Area, and the North Coast, with its unique moods of solitude, beauty, and isolation - a place described and transformed by the chaos and power of rivermouth, wild maritime storms, columns of mist that rise up unexpectedly on the road at night. Throughout, Harris threads a hidden radiant language of voice, disquiet, and guitar, framed by open space and the sense of being far away.
October 22 street date. It's been just a few months since Guided By Voices' faux rock opera "Earth Man Blues" garnered four-star and five-star reviews, with Rolling Stone proclaiming that it "squarely hits all the marks that make Guided By Voices great - again and again and again". "Again and again and again" is perhaps GBV's credo, with Robert Pollard's never-ending supply of fascinating and supremely catchy rock. Just when one thinks one's got them pinned down, album number thirty-four opens with bizarre percussion, mariachi trumpets, strings and acoustic guitar. The adventurous spirit pervades yet another killer album from the greatest and most versatile GBV line-up. The golden boys (Doug Gillard, Bobby Bare Jr., Mark Shue, Kevin March) can do no wrong. "It's Not Them. It Couldn't Be Them. It Is Them!" is a creative tourde-force full of surprises from the most prolific and captivating band on the planet.
October 22 street date. It's been just a few months since Guided By Voices' faux rock opera "Earth Man Blues" garnered four-star and five-star reviews, with Rolling Stone proclaiming that it "squarely hits all the marks that make Guided By Voices great - again and again and again". "Again and again and again" is perhaps GBV's credo, with Robert Pollard's never-ending supply of fascinating and supremely catchy rock. Just when one thinks one's got them pinned down, album number thirty-four opens with bizarre percussion, mariachi trumpets, strings and acoustic guitar. The adventurous spirit pervades yet another killer album from the greatest and most versatile GBV line-up. The golden boys (Doug Gillard, Bobby Bare Jr., Mark Shue, Kevin March) can do no wrong. "It's Not Them. It Couldn't Be Them. It Is Them!" is a creative tourde-force full of surprises from the most prolific and captivating band on the planet.
October 22 street date. When Roberto Carlos Lange, the musician known as Helado Negro, began writing 'Far In' immediately following the release of 'This is How You Smile' (spotlighted as Pitchfork's #7 "Best Album of 2019"), he could not have predicted that we would soon need to learn how to stay at home and be the stars of our domestic dance floors with intimates and online communities. Roberto and his partner, the visual artist Kristi Sword, had planned to visit Marfa, Texas for an early 2020 residency to work on their collaborative project 'Kite Symphony'. Once the pandemic hit, they decided to stay in Marfa through the summer, inspiring Roberto to write a significant amount of songs on the upcoming album. Driving back to Brooklyn in the fall inspired by his work in the desert, Roberto auspiciously purchased a Rhodes from a friend who 20 years earlier gave him his first synthesizer, an Arp Odyssey 2800. The electric piano was a catalyst that guided much of the remaining songwriting for the album.
October 22 street date. When Roberto Carlos Lange, the musician known as Helado Negro, began writing 'Far In' immediately following the release of 'This is How You Smile' (spotlighted as Pitchfork's #7 "Best Album of 2019"), he could not have predicted that we would soon need to learn how to stay at home and be the stars of our domestic dance floors with intimates and online communities. Roberto and his partner, the visual artist Kristi Sword, had planned to visit Marfa, Texas for an early 2020 residency to work on their collaborative project 'Kite Symphony'. Once the pandemic hit, they decided to stay in Marfa through the summer, inspiring Roberto to write a significant amount of songs on the upcoming album. Driving back to Brooklyn in the fall inspired by his work in the desert, Roberto auspiciously purchased a Rhodes from a friend who 20 years earlier gave him his first synthesizer, an Arp Odyssey 2800. The electric piano was a catalyst that guided much of the remaining songwriting for the album.
October 22 street date. Conceptualized and written during the chaotic fall months of 2020, Hiss Golden Messenger's "O Come All Ye Faithful" - recorded shortly after the widely hailed "Quietly Blowing It" - is a meditation on grace, loss, hope, and community. Explains songwriter M.C. Taylor, "big, brash holiday music - the type that we hear in bigbox stores in the middle of December - has never resonated with me, and this past year it felt absolutely dissonant. I wanted to make a seasonal record that felt more in step with the way that I, and so many others, experience this time of year: quiet, contemplative, searching, and bittersweet". Contributors to "O Come All Ye Faithful" include many members of Hiss Golden Messenger's extended family, as well as special guests like GRAMMY Award winner Aoife O'Donovan, Nathaniel Rateliff, Erin Rae, and Buddy Miller. The tracklist includes new tunes written by Taylor, classic hymns, and renditions of songs by Spiritualized, Creedence Clearwater
Revival, and Woody Guthrie, all arranged in the inimitable Hiss Golden Messenger style.
October 22 street date. Conceptualized and written during the chaotic fall months of 2020, Hiss Golden Messenger's "O Come All Ye Faithful" - recorded shortly after the widely hailed "Quietly Blowing It" - is a meditation on grace, loss, hope, and community. Explains songwriter M.C. Taylor, "big, brash holiday music - the type that we hear in bigbox stores in the middle of December - has never resonated with me, and this past year it felt absolutely dissonant. I wanted to make a seasonal record that felt more in step with the way that I, and so many others, experience this time of year: quiet, contemplative, searching, and bittersweet". Contributors to "O Come All Ye Faithful" include many members of Hiss Golden Messenger's extended family, as well as special guests like GRAMMY Award winner Aoife O'Donovan, Nathaniel Rateliff, Erin Rae, and Buddy Miller. The tracklist includes new tunes written by Taylor, classic hymns, and renditions of songs by Spiritualized, Creedence Clearwater
Revival, and Woody Guthrie, all arranged in the inimitable Hiss Golden Messenger style.
October 22 street date. Conceptualized and written during the chaotic fall months of 2020, Hiss Golden Messenger's "O Come All Ye Faithful" - recorded shortly after the widely hailed "Quietly Blowing It" - is a meditation on grace, loss, hope, and community. Explains songwriter M.C. Taylor, "big, brash holiday music - the type that we hear in bigbox stores in the middle of December - has never resonated with me, and this past year it felt absolutely dissonant. I wanted to make a seasonal record that felt more in step with the way that I, and so many others, experience this time of year: quiet, contemplative, searching, and bittersweet". Contributors to "O Come All Ye Faithful" include many members of Hiss Golden Messenger's extended family, as well as special guests like GRAMMY Award winner Aoife O'Donovan, Nathaniel Rateliff, Erin Rae, and Buddy Miller. The tracklist includes new tunes written by Taylor, classic hymns, and renditions of songs by Spiritualized, Creedence Clearwater
Revival, and Woody Guthrie, all arranged in the inimitable Hiss Golden Messenger style.
October 22 street date. Introducing Jackson + Sellers and their debut album "Breaking Point". Jade Jackson and Aubrie Sellers are two rising stars who aligned during the pandemic to write one of the most compelling duo albums of the last decade. Drawn together by instant chemistry, cosmic forces and their ability to write intuitive romantic breakup songs for each other, their album is a window into the dissolution of two different relationships and the formation of another: a perfect, platonic, creative union. United in their desire to write a record that reflected their expansive musical interest from 70s rock to raucous roots to indie pop, their LA written, Nashville recorded album is a masterclass in unexpected vocal harmonic convergence. With "Breaking Point", Jackson + Sellers will establish themselves as two individual artists who together, share a deep friendship, musical kinship and the ability to craft tight singular pop rock songs that will embed themselves in your ears for the rest of time.
Please note new street date: October 22. Limited white vinyl edition, exclusively available to independent shops. KK's Priest, the band comprised of renowned former Judas Priest guitarist KK Downing and former vocalist Tim "Ripper" Owens, is pleased to announce the release of their debut album "Sermons Of The Sinner". The album is an incredible collection of future metal classics, sure to be one of the stand-out metal releases of 2021. K.K Downing's genre-defining guitar style helped establish Judas Priest's iconic sound and helped propelled them to one of the top Heavy Metal bands of all-time, earning numerous accolades. Tim "Ripper" Owens fronted Judas Priest for eight years and recorded two studio albums ("Jugulator" and "Demolition") plus two live albums. They are joined by Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums.
Please note new street date: October 22. KK's Priest, the band comprised of renowned former Judas Priest guitarist KK Downing and former vocalist Tim "Ripper" Owens, is pleased to announce the release of their debut album "Sermons Of The Sinner". The album is an incredible collection of future metal classics, sure to be one of the stand-out metal releases of 2021. K.K Downing's genre-defining guitar style helped establish Judas Priest's iconic sound and helped propelled them to one of the top Heavy Metal bands of all-time, earning numerous accolades. Tim "Ripper" Owens fronted Judas Priest for eight years and recorded two studio albums ("Jugulator" and "Demolition") plus two live albums. They are joined by Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums.
Please note new street date: October 8. KK's Priest, the band comprised of renowned former Judas Priest guitarist KK Downing and former vocalist Tim "Ripper" Owens, is pleased to announce the release of their debut album "Sermons Of The Sinner". The album is an incredible collection of future metal classics, sure to be one of the stand-out metal releases of 2021. K.K Downing's genre-defining guitar style helped establish Judas Priest's iconic sound and helped propelled them to one of the top Heavy Metal bands of all-time, earning numerous accolades. Tim "Ripper" Owens fronted Judas Priest for eight years and recorded two studio albums ("Jugulator" and "Demolition") plus two live albums. They are joined by Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums.
October 22 street date. La Luz has always been a band with a vision. Their discography is a study in balancing both heavenly and haunting sounds for a lush style of rock music that's all their own. On their self-titled fourth album, La Luz fearlessly launch themselves into a new realm of emotional intimacy with a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl. All the elements of classic La Luz are here - the beautiful harmonies, the gorgeous melodies, the impeccable musicianship - but it's a richer, earthier iteration. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one, fascinated by the way reality becomes mystical when you slow down long enough to let it reveal itself to you.
October 22 street date. La Luz has always been a band with a vision. Their discography is a study in balancing both heavenly and haunting sounds for a lush style of rock music that's all their own. On their self-titled fourth album, La Luz fearlessly launch themselves into a new realm of emotional intimacy with a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl. All the elements of classic La Luz are here - the beautiful harmonies, the gorgeous melodies, the impeccable musicianship - but it's a richer, earthier iteration. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one, fascinated by the way reality becomes mystical when you slow down long enough to let it reveal itself to you.
October 22 street date. La Luz has always been a band with a vision. Their discography is a study in balancing both heavenly and haunting sounds for a lush style of rock music that's all their own. On their self-titled fourth album, La Luz fearlessly launch themselves into a new realm of emotional intimacy with a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl. All the elements of classic La Luz are here - the beautiful harmonies, the gorgeous melodies, the impeccable musicianship - but it's a richer, earthier iteration. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one, fascinated by the way reality becomes mystical when you slow down long enough to let it reveal itself to you.
Please note new street date: October 22. Coming off of 2018's acclaimed "The Lamb", an introspective indie rock album recorded live with a three-piece band, Lillie West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she'd done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles. The result is "I Want The Door To Open", a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares "I want to look right into the camera" over a cascade of dreamy vocal loops on opening track "Lava", "I Want The Door To Open" distinguishes itself from anything she's done before in scope and intensity. Limited first vinyl pressing is on crystal clear vinyl.
Please note new street date: October 22. Coming off of 2018's acclaimed "The Lamb", an introspective indie rock album recorded live with a three-piece band, Lillie West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she'd done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles. The result is "I Want The Door To Open", a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares "I want to look right into the camera" over a cascade of dreamy vocal loops on opening track "Lava", "I Want The Door To Open" distinguishes itself from anything she's done before in scope and intensity. Limited first vinyl pressing is on crystal clear vinyl.
Please note new street date: October 22. Coming off of 2018's acclaimed "The Lamb", an introspective indie rock album recorded live with a three-piece band, Lillie West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she'd done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles. The result is "I Want The Door To Open", a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares "I want to look right into the camera" over a cascade of dreamy vocal loops on opening track "Lava", "I Want The Door To Open" distinguishes itself from anything she's done before in scope and intensity. Limited first vinyl pressing is on crystal clear vinyl.
Please note new street date: October 22. "Geist" feels like a window - or a mirror - into possibilities of the self and beyond. Shannon Lay's new album is tender intensity, placeless and ethereal. It exists in the chasms of the present -- a world populated by shadow selves, spiritual awakenings, déjà vu, and past lives. "Something sleeps inside us", Lay insists on the opening track, and that's the guiding philosophy throughout. A winding, golden, delicate thread of intuition that explores the unknown, the possibility. Its title, "Geist", the German word for spirit, is rife with an otherworldly presence, the suggestion of another. The promise that you are never alone. As a whole, "Geist" is both esoteric and accessible. Features an impressive list of collaborators, including Ty Segall and members of Woods, Cibo Matto, Sharon Van Etten's band, Wand, Heatwarmer, Mega Bog, and Bonny Prince Billy. Limited first vinyl pressing is on on clear with orange and green vinyl.
Please note new street date: October 22. "Geist" feels like a window - or a mirror - into possibilities of the self and beyond. Shannon Lay's new album is tender intensity, placeless and ethereal. It exists in the chasms of the present -- a world populated by shadow selves, spiritual awakenings, déjà vu, and past lives. "Something sleeps inside us", Lay insists on the opening track, and that's the guiding philosophy throughout. A winding, golden, delicate thread of intuition that explores the unknown, the possibility. Its title, "Geist", the German word for spirit, is rife with an otherworldly presence, the suggestion of another. The promise that you are never alone. As a whole, "Geist" is both esoteric and accessible. Features an impressive list of collaborators, including Ty Segall and members of Woods, Cibo Matto, Sharon Van Etten's band, Wand, Heatwarmer, Mega Bog, and Bonny Prince Billy. Limited first vinyl pressing is on on clear with orange and green vinyl.
October 22 street date. Parquet Courts' thought-provoking rock is dancing to a new tune. "Sympathy For Life" finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psychedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams inspired by New York clubs, Primal Scream, and Pink Floyd and produced in league with Rodaidh McDonald (The xx, Hot Chip, David Byrne), "Sympathy For Life" was always destined to be dancey. Unlike its globally adored predecessor, 2018's "Wide Awake!", the focus fell on grooves rather than rhythm. "Wide Awake! was a record you could put on at a party", says co-frontman Austin Brown. "Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture - from Talking Heads to Screamadelica. Our goal was to bring that into our own music".
October 22 street date. Parquet Courts' thought-provoking rock is dancing to a new tune. "Sympathy For Life" finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psychedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams inspired by New York clubs, Primal Scream, and Pink Floyd and produced in league with Rodaidh McDonald (The xx, Hot Chip, David Byrne), "Sympathy For Life" was always destined to be dancey. Unlike its globally adored predecessor, 2018's "Wide Awake!", the focus fell on grooves rather than rhythm. "Wide Awake! was a record you could put on at a party", says co-frontman Austin Brown. "Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture - from Talking Heads to Screamadelica. Our goal was to bring that into our own music".
October 22 street date. Parquet Courts' thought-provoking rock is dancing to a new tune. "Sympathy For Life" finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psychedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams inspired by New York clubs, Primal Scream, and Pink Floyd and produced in league with Rodaidh McDonald (The xx, Hot Chip, David Byrne), "Sympathy For Life" was always destined to be dancey. Unlike its globally adored predecessor, 2018's "Wide Awake!", the focus fell on grooves rather than rhythm. "Wide Awake! was a record you could put on at a party", says co-frontman Austin Brown. "Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture - from Talking Heads to Screamadelica. Our goal was to bring that into our own music".
October 22 street date. Parquet Courts' thought-provoking rock is dancing to a new tune. "Sympathy For Life" finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psychedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams inspired by New York clubs, Primal Scream, and Pink Floyd and produced in league with Rodaidh McDonald (The xx, Hot Chip, David Byrne), "Sympathy For Life" was always destined to be dancey. Unlike its globally adored predecessor, 2018's "Wide Awake!", the focus fell on grooves rather than rhythm. "Wide Awake! was a record you could put on at a party", says co-frontman Austin Brown. "Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture - from Talking Heads to Screamadelica. Our goal was to bring that into our own music".
Please note new street date for indie exclusive vinyl: October 22 / October 1 for CD. In Pond's universe nothing stays still for long. Although no one who heard 2019's "Tasmania" could possibly describe its pulsating psych-pop as straight, Pond wanted to try a more spontaneous way of working for their next record. Taking a leaf out of krautrock outliers Can's book, at the start of 2020, Pond embarked on a series of totally off-the-cuff jam sessions from which songs and ideas could be pulled out. Given the pace at which ideas whizz past your head, it makes for a dizzying listen. Opener "Song For Agnes" explodes out the speakers like an intergalactic rock opera, running a synapse-tingling gauntlet through bubbling synth pop, 80s hair metal and blissed out saxophone before you know what's hit you. It's an apposite curtain-raiser for an album that can encompass pounding techno, elastic hipped robo-funk, tripped out motorik, and acres more besides without even stopping for breath.
October 22 street date. Double vinyl reissue of "Stupid Dream", the fifth studio album by British progressive rock band Porcupine Tree. First released in March 1999, the album contains Porcupine Tree classics including ‘Even Less’, ‘Pure Narcotic’, ‘Tinto Brass’, and ‘Stop Swimming’ and is one of the essential albums in the band's catalogue. Presented in gatefold packaging.
October 22 street date. "HITS" is the ultimate Sixx: A.M. collection, featuring their first new song in six years and one that compliments Nikki Sixx's new book, "The First 21". The collection also features two more unreleased tracks and new mixes of "Talk to Me", " Skin" and the iconic "Life is Beautiful". Sixx: A.M. was formed in 2007 by Mötley Crüe bassist Nikki Sixx, renowned guitarist DJ Ashba, and producer/songwriter James Michael, and has had 3 US top 20 albums.
October 22 street date. 20 year anniversary reissue of Superchunk's "Here's to Shutting Up" album. Each format will include a new ten-track bonus CD of acoustic demos, and the Peak Vinyl Indie Exclusive LP is pressed to colour vinyl with an exclusive poster insert as well.
October 22 street date. 20 year anniversary reissue of Superchunk's "Here's to Shutting Up" album. Each format will include a new ten-track bonus CD of acoustic demos, and the Peak Vinyl Indie Exclusive LP is pressed to colour vinyl with an exclusive poster insert as well.
October 22 street date. 20 year anniversary reissue of Superchunk's "Here's to Shutting Up" album. Each format will include a new ten-track bonus CD of acoustic demos, and the Peak Vinyl Indie Exclusive LP is pressed to colour vinyl with an exclusive poster insert as well.
October 22 street date. The members of the Los Angeles indie band Together Pangea - William Keegan, Danny Bengston, and Eric Jimenez - made the most of the 2020 turbulence by writing and recording "DYE", an upbeat, undeniable collection of hooks, anthems, and power-pop garage-rock catchiness that is unmistakably the album of their career. "DYE" is filled to the brim with a sense of primal urgency, with feedback and distortion leading the charge. "DYE" is an amalgam of the band's last three records: the inward looking and self-pleasing experimentation of 2017's "Bulls and Roosters", the frantic and scream-y "Badillac" with its inspiration from emotionally raw grunge, and the 50s pop heavy 2011 album "Living Dummy". After more than a decade as Together Pangea, the band know how their bread is buttered and made an effort to focus on what they know they do best.
October 22 street date. "Game Over!" - that's what rock icon Udo Dirkschneider (original voice of iconic band Accept) proclaims on his new U.D.O. record. One thing becomes clear immediately: U.D.O. is not doing things by halves and so they give everything they have. During hundreds of shows worldwide, some of them in the most remote places of Russia and South-America, the band has become one unit and a conglomerate of passionate musicians and friends. Each of them knows exactly, when and how to play his instrument to match to the sound of the band perfectly. Songs like "Metal Never Dies", "Kids And Guns" and "Prophecy" are precise, powerful, catchy and bursting of energy. And most notably they are timeless. All the songs on this record feature a distinctive character that convinces today as well as it will convince tomorrow.
October 22 street date. "Game Over!" - that's what rock icon Udo Dirkschneider (original voice of iconic band Accept) proclaims on his new U.D.O. record. One thing becomes clear immediately: U.D.O. is not doing things by halves and so they give everything they have. During hundreds of shows worldwide, some of them in the most remote places of Russia and South-America, the band has become one unit and a conglomerate of passionate musicians and friends. Each of them knows exactly, when and how to play his instrument to match to the sound of the band perfectly. Songs like "Metal Never Dies", "Kids And Guns" and "Prophecy" are precise, powerful, catchy and bursting of energy. And most notably they are timeless. All the songs on this record feature a distinctive character that convinces today as well as it will convince tomorrow.
October 22 street date. "Game Over!" - that's what rock icon Udo Dirkschneider (original voice of iconic band Accept) proclaims on his new U.D.O. record. One thing becomes clear immediately: U.D.O. is not doing things by halves and so they give everything they have. During hundreds of shows worldwide, some of them in the most remote places of Russia and South-America, the band has become one unit and a conglomerate of passionate musicians and friends. Each of them knows exactly, when and how to play his instrument to match to the sound of the band perfectly. Songs like "Metal Never Dies", "Kids And Guns" and "Prophecy" are precise, powerful, catchy and bursting of energy. And most notably they are timeless. All the songs on this record feature a distinctive character that convinces today as well as it will convince tomorrow.
October 22 street date. Vinyl edition to be released at a later date. Solo debut album from Zachary Williams, frontman and songwriter of folk-rock trio The Lone Bellow. "Dirty Camaro" was written and recorded in collaboration with several of Williams' compatriots, including John Paul White, Ashley Monroe, Robert Ellis, Anderson East, Thad Cockrell, and more. Williams' voice is one to be reckoned with, and the album spins powerful stories of heartbreak and longing, tenderness and love for family, and overcoming obstacles when everything seems like it's going wrong.
October 22 street date. When Andy Stack and Jenn Wasner released "Civilian", it marked both the ascension and death of Wye Oak, or at least a version of it. Now, a decade later, "Civilian" + "Cut All the Wires: 2009-2011" delves back into that pivotal record and adds a lost album of unreleased tracks and demos to its universe. Ten years after its release, "Civilian" remains a raw, sinewy punch of a record - bleak and intense and lonely and self-assured all at once. The album unravels with the sort of self-questioning and uncertainty that come with youth, and its specific confidence in unflinchingly probing all of those emotions, feeling them to their deepest extent even when it's tearing you apart at the seams. "Cut All the Wires: 2009-2011", a 12-song collection of rare and unreleased tracks and demos culled from the Wye Oak archives, is an extension of the bruised and aching "Civilian". The collection adds another layer of separation, a lost album unexpectedly discovered and the feeling of meeting oneself all over again.
October 29 street date. Now on vinyl! Calexico's "Seasonal Shift" is less of a Christmas album and more of a cross cultural seasonal celebration. The themes are based around that familiar end of year feeling, of reflection, of ceremony and of recognition of the year gone by and changes it brought for better and for worse. It contains a few cover songs including classics by John Lennon and Tom Petty, a few more special guests, and a whole load of good will. It's heartfelt but fun, and earnest but celebratory. It features Calexico in an assortment of guises, referencing Portuguese Fado and Old Mexican Folk Songs, from the stripped back two-man skeleton to the full party of international collaborators including artists like Bombino, Gaby Moreno, Gisela João, Nick Urata (DeVotchKa), and Camilo Lara.
October 29 street date. Now on vinyl! Calexico's "Seasonal Shift" is less of a Christmas album and more of a cross cultural seasonal celebration. The themes are based around that familiar end of year feeling, of reflection, of ceremony and of recognition of the year gone by and changes it brought for better and for worse. It contains a few cover songs including classics by John Lennon and Tom Petty, a few more special guests, and a whole load of good will. It's heartfelt but fun, and earnest but celebratory. It features Calexico in an assortment of guises, referencing Portuguese Fado and Old Mexican Folk Songs, from the stripped back two-man skeleton to the full party of international collaborators including artists like Bombino, Gaby Moreno, Gisela João, Nick Urata (DeVotchKa), and Camilo Lara.
October 29 street date. Country singer/songwriter Hayes Carll returns with his eighth album "You Get It All", produced by Allison Moorer and Kenny Greenberg. Carll's talent for storytelling and creating compelling lyrical narratives shines through as brightly as ever, and "You Get It All" exemplifies his ability to span a wide range of musical styles while staying true to himself. Featuring songs co-written by Brothers Osborne, Brandy Clark, and Sean McConnell, "You Get It All" is both heartbreaking and lighthearted, a combination that Carll has honed on his records throughout his entire career. "I like to tug at heartstrings, find commonality with others, reflect on my own life, and sometimes I do it in a lighthearted way," says Carll. "A lot of musical styles found their way onto this record, but my first and most formative influences came from country music. This is a country singer-songwriter record. It's just unapologetically me".
October 29 street date. Country singer/songwriter Hayes Carll returns with his eighth album "You Get It All", produced by Allison Moorer and Kenny Greenberg. Carll's talent for storytelling and creating compelling lyrical narratives shines through as brightly as ever, and "You Get It All" exemplifies his ability to span a wide range of musical styles while staying true to himself. Featuring songs co-written by Brothers Osborne, Brandy Clark, and Sean McConnell, "You Get It All" is both heartbreaking and lighthearted, a combination that Carll has honed on his records throughout his entire career. "I like to tug at heartstrings, find commonality with others, reflect on my own life, and sometimes I do it in a lighthearted way," says Carll. "A lot of musical styles found their way onto this record, but my first and most formative influences came from country music. This is a country singer-songwriter record. It's just unapologetically me".
October 29 street date. Gregory Keltgen (aka DJ Abilities) garnered much attention by performing all the scratches on indie classic, "Fantastic Damage", the debut album by El-P of Run The Jewels' fame, as well as contributing his turntable talents and production skills to other Hip-Hop cult favourites. However, Keltgen become most celebrated throughout the 2000s as one-half of the dynamic Hip-Hop duo Eyedea & Abilities. Tragically, his partner Eyedea passed away in 2010, leaving Abilities to soldier on by himself, but the influence of their partnership continues to shape DJ Abilities' music to this day. His latest project, "Phonograph Phoenix", finds the DJ/Producer returning to the forefront and embracing an entirely new approach to making music. A departure from previous work that was primarily sample-based, "Phonograph Phoenix" finds Abilities opting to build the album’s compositions from the ground up, creating his own sound through Ableton Live and various soft synths, with razor sharp cuts and select vocal chops providing a voice where his fallen partner may have once stood.
October 29 street date. Gregory Keltgen (aka DJ Abilities) garnered much attention by performing all the scratches on indie classic, "Fantastic Damage", the debut album by El-P of Run The Jewels' fame, as well as contributing his turntable talents and production skills to other Hip-Hop cult favourites. However, Keltgen become most celebrated throughout the 2000s as one-half of the dynamic Hip-Hop duo Eyedea & Abilities. Tragically, his partner Eyedea passed away in 2010, leaving Abilities to soldier on by himself, but the influence of their partnership continues to shape DJ Abilities' music to this day. His latest project, "Phonograph Phoenix", finds the DJ/Producer returning to the forefront and embracing an entirely new approach to making music. A departure from previous work that was primarily sample-based, "Phonograph Phoenix" finds Abilities opting to build the album’s compositions from the ground up, creating his own sound through Ableton Live and various soft synths, with razor sharp cuts and select vocal chops providing a voice where his fallen partner may have once stood.
October 29 street date. Khruangbin are no slouches when it comes to the remix. This time, they're taking it a step further with an album dedicated to the art. The choice of remixers for this album is neither arbitrary nor accidental. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled ‘White Gloves’ on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, and Quantic is a mutual friend of Bonobo. Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. But all were made with love and respect for Khruangbin.
Please note new street date: October 29. Innovative hybrid orchestra Nu Deco Ensemble brought their genre-bending orchestral music to fans around the world through their 2020-2021 virtual performance season including a collaborative concert with Larkin Poe on December 12, 2020, streamed live from the Miami Beach Bandshell. It was at the Nu Deco Ensemble collaborative concert that Larkin Poe got to play their "Self Made Man" album songs for the first time in front of a social distanced audience. "Self Made Man" is undeniably the Lovell's most wide reaching, artistically adventurous, and self-determined work to date, finding the multi-instrumentalist sister duo pushing their music and message towards hitherto unexplored terrain. Inspired by their epic world travels yet still powerfully rooted in the creative heritage of their beloved American South, the album was ambitious in both its eclectic, energetic sound and it's resolutely welcoming mission, its universal lyrical approach fueled by tradition, invention, and Larkin Poe's remarkable ability to touch the hearts and souls of their fellow humans worldwide.
October 29 street date. Light Conductor returns with "Sequence Two", the second album of prismatic slow-burn analog synth instrumentals by the duo of Jace Lasek (The Besnard Lakes) and Stephen Ramsay (Young Galaxy). Expanding on the hypnaogogic ambience of their warm and uncluttered 2019 debut, Lasek and Ramsay add subtle but scintillating structure and electricity to these four new longform tracks. The songs remain predominantly beatless, but burble and vibrate with more ornate, intentional pulses, arpeggiators and control voltages. Light Conductor's analog palette of gently fuzzed-out chordal drone, mesmeric ostinato, sweeping filters and drifting levitational melody continues to colour the glowing atmosphere of this enveloping space/trance music: like sunrise on another planet, with a profoundly satisfying dimension of heightened ceremony and design.
October 29 street date. Light Conductor returns with "Sequence Two", the second album of prismatic slow-burn analog synth instrumentals by the duo of Jace Lasek (The Besnard Lakes) and Stephen Ramsay (Young Galaxy). Expanding on the hypnaogogic ambience of their warm and uncluttered 2019 debut, Lasek and Ramsay add subtle but scintillating structure and electricity to these four new longform tracks. The songs remain predominantly beatless, but burble and vibrate with more ornate, intentional pulses, arpeggiators and control voltages. Light Conductor's analog palette of gently fuzzed-out chordal drone, mesmeric ostinato, sweeping filters and drifting levitational melody continues to colour the glowing atmosphere of this enveloping space/trance music: like sunrise on another planet, with a profoundly satisfying dimension of heightened ceremony and design.
October 29 street date. "Farewell" covers a lot of ground across the span of its 26 songs and two-hour run time. Yet every moment is a reminder of why Minus the Bear were such an experiential live band. They were always pushing forward, evolving their sound, and fnding new ways to balance brainy musicianship, pop worship, meditative sentimentality, and adrenalized fervor into their own signature concoction. Further bolstered by the mix of Matt Bayles and master job by Ed Brooks at Resonant Mastering, the album sounds like a fully immersive live experience.
August 27 street date (LP delayed until October). For years fans have been eagerly waiting for the release of "The Awesome Album" by Pawnee, Indiana rock band Mouse Rat. The band is fronted by Parks and Recreation Shoeshine Department employee Andy Dwyer, who has led many local acts through the years such as Angelsnack, Everything Rhymes With Orange, Department of Homeland Obscurity, Just The Tip and Scarecrow Boat, among others. The hits are all here: "5,000 Candles In The Wind," "The Pit," "Two Birds Holding Hands," "Catch Your Dream (feat. Duke Silver)" and two additional tracks by the Scott Tanner-fronted band Land Ho!. "The Awesome Album" is sure to satisfy the millions of Mouse Rat fans across the globe. The Awesome Album features music from the Universal Television original series "Parks and Recreation".
October 29 street date. Limited orange vinyl edition, exclusively available to independent shops. For years fans have been eagerly waiting for the release of "The Awesome Album" by Pawnee, Indiana rock band Mouse Rat. The band is fronted by Parks and Recreation Shoeshine Department employee Andy Dwyer, who has led many local acts through the years such as Angelsnack, Everything Rhymes With Orange, Department of Homeland Obscurity, Just The Tip and Scarecrow Boat, among others. The hits are all here: "5,000 Candles In The Wind," "The Pit," "Two Birds Holding Hands," "Catch Your Dream (feat. Duke Silver)" and two additional tracks by the Scott Tanner-fronted band Land Ho!. "The Awesome Album" is sure to satisfy the millions of Mouse Rat fans across the globe. The Awesome Album features music from the Universal Television original series "Parks and Recreation".
October 29 street date. "The Path of the Clouds", Marissa Nadler's ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional. Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album and added dimension to the songs' atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadler's delivery now stings and pierces with newfound immediacy and confidence. Coming a long way from the spare dream folk of her earlier work, Nadler has remained inspired and continues to evolve, open to new ideas and directions. Includes guest appearances from Emma Ruth Rundle, Mary Lattimore, Milky Burgess, Amber Webber (Black Mountain/Lightning Dust), and more.
October 29 street date. "The Path of the Clouds", Marissa Nadler's ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional. Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album and added dimension to the songs' atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadler's delivery now stings and pierces with newfound immediacy and confidence. Coming a long way from the spare dream folk of her earlier work, Nadler has remained inspired and continues to evolve, open to new ideas and directions. Includes guest appearances from Emma Ruth Rundle, Mary Lattimore, Milky Burgess, Amber Webber (Black Mountain/Lightning Dust), and more.
October 29 street date. "The Path of the Clouds", Marissa Nadler's ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional. Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album and added dimension to the songs' atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadler's delivery now stings and pierces with newfound immediacy and confidence. Coming a long way from the spare dream folk of her earlier work, Nadler has remained inspired and continues to evolve, open to new ideas and directions. Includes guest appearances from Emma Ruth Rundle, Mary Lattimore, Milky Burgess, Amber Webber (Black Mountain/Lightning Dust), and more.
October 29 street date. Limited silver vinyl edition. "The Path of the Clouds", Marissa Nadler's ninth solo album, is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional. Seth Manchester, known for his work with Lingua Ignota, Battles, and Lightning Bolt, mixed the album and added dimension to the songs' atmospheric beauty with screeching feedback and distorted guitars. Stripped of the ethereal reverb that often swaddles her resonant vocals, Nadler's delivery now stings and pierces with newfound immediacy and confidence. Coming a long way from the spare dream folk of her earlier work, Nadler has remained inspired and continues to evolve, open to new ideas and directions. Includes guest appearances from Emma Ruth Rundle, Mary Lattimore, Milky Burgess, Amber Webber (Black Mountain/Lightning Dust), and more.
Please note new street date for black vinyl : October 29 / October 1 for CD. In Pond's universe nothing stays still for long. Although no one who heard 2019's "Tasmania" could possibly describe its pulsating psych-pop as straight, Pond wanted to try a more spontaneous way of working for their next record. Taking a leaf out of krautrock outliers Can's book, at the start of 2020, Pond embarked on a series of totally off-the-cuff jam sessions from which songs and ideas could be pulled out. Given the pace at which ideas whizz past your head, it makes for a dizzying listen. Opener "Song For Agnes" explodes out the speakers like an intergalactic rock opera, running a synapse-tingling gauntlet through bubbling synth pop, 80s hair metal and blissed out saxophone before you know what's hit you. It's an apposite curtain-raiser for an album that can encompass pounding techno, elastic hipped robo-funk, tripped out motorik, and acres more besides without even stopping for breath.
Please note new street date for LP is October 29 / September 24 for CD. "Distant Populations", just the fourth full-length album of Quicksand's career, comes as a comparatively swift follow-up to "Interiors" - which itself came a full 22 years after its predecessor, 1995's "Manic Compression". Critically lauded and deemed very much worth the wait, "Interiors" succeeded in reestablishing the band as the powerful and contemporary entity they had always been. "Distant Populations" has a punchier, more up-tempo sound than its predecessor; its 11 songs are concise, carved sonic jewels boasting not a single wasted note; and its raw power, its gripping lyricism, leaps out from the very first listening. It is a striking step up for the band. Following the release of "Interiors", the band successfully toured around the world and in the process fully re-established their chemistry together. Looking forward to making the next album, the three of them had methodically recorded various soundchecks, improvisations, and show rehearsals, and compiled the results. "Eventually, when it came time to make a record", guitarist Walter Schreifels says, "we would just edit down to the ones that were most exciting to us all, and then refocus on them and see if we could recapture the magic from it".
October 29 street date / Nov 5 for LP (date change). With "Harmonizer", his first album in two years, Ty Segall glides smoothly into unexpected territory, right where he likes to find himself! Responding to the challenge his new songs gave him: a synthtastic production redesign, Ty kicks back with bottom-heavy creativity, dialing up a wealth of guitar and keyboard settings to do the deed. "Harmonizer" is a glossy, barely-precedented sound for him, and truth, it enraptures the ear - but in Ty's hands, the sound is also a tool that allows him to cut through dense undergrowth, making for some of his cleanest songs and starkest ideas to date. The album's production model couches tightly-controlled beats in thick keyboard textures, with direct-input guitar signal whining and buzzing purposefully from left to right. The Freedom Band appear all over the record, but often one at a time, their contributions leaving a distinctive footprint on the proceedings wherever they appear.
October 29 street date / Nov 5 for LP (date change). With "Harmonizer", his first album in two years, Ty Segall glides smoothly into unexpected territory, right where he likes to find himself! Responding to the challenge his new songs gave him: a synthtastic production redesign, Ty kicks back with bottom-heavy creativity, dialing up a wealth of guitar and keyboard settings to do the deed. "Harmonizer" is a glossy, barely-precedented sound for him, and truth, it enraptures the ear - but in Ty's hands, the sound is also a tool that allows him to cut through dense undergrowth, making for some of his cleanest songs and starkest ideas to date. The album's production model couches tightly-controlled beats in thick keyboard textures, with direct-input guitar signal whining and buzzing purposefully from left to right. The Freedom Band appear all over the record, but often one at a time, their contributions leaving a distinctive footprint on the proceedings wherever they appear.
Please note new street date: November 5. Yellow vinyl edition exclusively available to independent shops. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Limited to 1000 copies.
November 5 street date. 10 year anniversary edition of "Adventures In Counter Culture", which has been out of print on vinyl since 2013. First trained in his church choir, Print played in R&B bands in high school and later developed a reputation as a standout rapper. On "Adventures in Counter Culture", he experiments with the synths, keyboards, and drum machines that connected the musical dots of those early days. When he sat down to work on this sophomore effort, Print began with the dark, soulful and sample heavy hip hop of the early 90s, but soon found himself hitting a creative wall. What shook him loose was a new mission: to create an album that encompassed every facet of music he knew, blurring genre lines and bringing it back home as one cohesive listening experience. The more he worked to pair new found interest in rock and electronic music with his love of hip hop, the more he was able to break down that creative barrier. This edition comes packaged in a 12" gatefold jacket with matte UV and spot-gloss finish, housing custom blue and purple coloured vinyl, and includes a 24-page zine and a digital download card.
November 5 street date. Simply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength - a full gamut of emotions. Today Harding's voice takes on an optimistic lilt with his his new album, "If Words Were Flowers", his first new music since 2018, and a follow up to his critically acclaimed "Face Your Fears" album. It features songs like "Hopeful", where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies.
November 5 street date. Simply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength - a full gamut of emotions. Today Harding's voice takes on an optimistic lilt with his his new album, "If Words Were Flowers", his first new music since 2018, and a follow up to his critically acclaimed "Face Your Fears" album. It features songs like "Hopeful", where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies.
November 5 street date. Simply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength - a full gamut of emotions. Today Harding's voice takes on an optimistic lilt with his his new album, "If Words Were Flowers", his first new music since 2018, and a follow up to his critically acclaimed "Face Your Fears" album. It features songs like "Hopeful", where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies.
November 5 street date. Recorded with Brad Cook (Waxahatchee, Hiss Golden Messenger) and mixed by Jon Ashley (The War On Drugs, B.J. Barham), the fourth full-length album from the Indiana-bred, platinum-selling band marks a return to what Houndmouth does best: "shaggy, swinging, big-screen storytelling" (NPR Music) set to a rustic, home-recorded sound. The album features novel-esque storytelling and a bright sound, highlighted on lead single "Las Vegas", and weaves tales of fading love, growing up, and reflection.
November 5 street date. Recorded with Brad Cook (Waxahatchee, Hiss Golden Messenger) and mixed by Jon Ashley (The War On Drugs, B.J. Barham), the fourth full-length album from the Indiana-bred, platinum-selling band marks a return to what Houndmouth does best: "shaggy, swinging, big-screen storytelling" (NPR Music) set to a rustic, home-recorded sound. The album features novel-esque storytelling and a bright sound, highlighted on lead single "Las Vegas", and weaves tales of fading love, growing up, and reflection.
November 5 street date. "The Solution Is Restless" is a brand new collaborative album by Joan As Police Woman, Tony Allen, and Dave Okumu. Joan was invited to Africa Express: The Circus in 2019, where Damon Albarn introduced her to Tony Allen for the first time and they played a version of Nina Simone's "I Wish I Knew How It Would Feel To Be Free". That same year she was invited to the Africa Express in Waltham Forest, where Damon Albarn came to see her collaborate. They got on so well, that besides it being the seed where this record started to grow, it also led to Joan lending guest vocals to the Gorillaz' track "Simplicity", off their 2020 album "Song Machine". Dave Okumu and Joan have known each other for a few years and worked together on "Pieces Of A Man: The Gil Scott-Heron Project" in March 2016. When Joan and Tony decided to record together, she invited her longtime friend to join from London and they ended up improvising all night in a Parisian studio. Then when the world shut down, she used those recordings to write this new record "The Solution Is Restless".
November 5 street date. "The Solution Is Restless" is a brand new collaborative album by Joan As Police Woman, Tony Allen, and Dave Okumu. Joan was invited to Africa Express: The Circus in 2019, where Damon Albarn introduced her to Tony Allen for the first time and they played a version of Nina Simone's "I Wish I Knew How It Would Feel To Be Free". That same year she was invited to the Africa Express in Waltham Forest, where Damon Albarn came to see her collaborate. They got on so well, that besides it being the seed where this record started to grow, it also led to Joan lending guest vocals to the Gorillaz' track "Simplicity", off their 2020 album "Song Machine". Dave Okumu and Joan have known each other for a few years and worked together on "Pieces Of A Man: The Gil Scott-Heron Project" in March 2016. When Joan and Tony decided to record together, she invited her longtime friend to join from London and they ended up improvising all night in a Parisian studio. Then when the world shut down, she used those recordings to write this new record "The Solution Is Restless".
November 5 street date. Weaving a rich tapestry of sound, the song selection on Juno Award winner Ranee Lee's ‘A Christmas Day’ features well loved classics including ‘The Christmas Waltz’, ‘Deck The Halls’, and ‘There’s No Place Like Home For The Holidays’. Among the highlights are ‘Have Yourself A Merry Little Christmas’ with solid support from the late bassist Ray Brown and an all-star band, Ranee's intimate reworking of ‘Santa Baby’, and her own composition, the title track ‘A Christmas Day’, a charming duet with Oliver Jones. While the majority of the tracks have appeared on various Justin Time Christmas compilations released over the last 25 years, the exception is Ranee's recently recorded, previously unreleased rendition of ‘The Little Drummer Boy’.
November 5 street date. Radiohead announces "KID A MNESIA", a multiple format triple-album release marking the 21st anniversary of "Kid A" and "Amnesiac". "KID A MNESIA" collects Radiohead's fourth and fifth albums alongside the debut of a newly compiled third disc titled "Kid Amnesiae". Exclusive to this release, "Kid Amnesiae" is comprised of unearthed material culled from the "Kid A"/"Amnesiac" sessions. Along with alternate versions and elements of "Kid A" and "Amnesiac" album tracks and B-Sides, "Kid Amnesiae" features the never-before-heard "If You Say the Word" and a previously unreleased studio recording of "Follow Me Around".
November 5 street date. Radiohead announces "KID A MNESIA", a multiple format triple-album release marking the 21st anniversary of "Kid A" and "Amnesiac". "KID A MNESIA" collects Radiohead's fourth and fifth albums alongside the debut of a newly compiled third disc titled "Kid Amnesiae". Exclusive to this release, "Kid Amnesiae" is comprised of unearthed material culled from the "Kid A"/"Amnesiac" sessions. Along with alternate versions and elements of "Kid A" and "Amnesiac" album tracks and B-Sides, "Kid Amnesiae" features the never-before-heard "If You Say the Word" and a previously unreleased studio recording of "Follow Me Around".
November 5 street date. Radiohead announces "KID A MNESIA", a multiple format triple-album release marking the 21st anniversary of "Kid A" and "Amnesiac". "KID A MNESIA" collects Radiohead's fourth and fifth albums alongside the debut of a newly compiled third disc titled "Kid Amnesiae". Exclusive to this release, "Kid Amnesiae" is comprised of unearthed material culled from the "Kid A"/"Amnesiac" sessions. Along with alternate versions and elements of "Kid A" and "Amnesiac" album tracks and B-Sides, "Kid Amnesiae" features the never-before-heard "If You Say the Word" and a previously unreleased studio recording of "Follow Me Around".
October 29 street date / Nov 5 for LP (date change). With "Harmonizer", his first album in two years, Ty Segall glides smoothly into unexpected territory, right where he likes to find himself! Responding to the challenge his new songs gave him: a synthtastic production redesign, Ty kicks back with bottom-heavy creativity, dialing up a wealth of guitar and keyboard settings to do the deed. "Harmonizer" is a glossy, barely-precedented sound for him, and truth, it enraptures the ear - but in Ty's hands, the sound is also a tool that allows him to cut through dense undergrowth, making for some of his cleanest songs and starkest ideas to date. The album's production model couches tightly-controlled beats in thick keyboard textures, with direct-input guitar signal whining and buzzing purposefully from left to right. The Freedom Band appear all over the record, but often one at a time, their contributions leaving a distinctive footprint on the proceedings wherever they appear.
November 5 street date. "Valentine" is the hugely anticipated follow up to Snail Mail's first full length, "Lush". "Valentine" was written and produced by 22-year-old Lindsey Jordan and co-produced by Brad Cook (Bon Iver, Waxahatchee) in 2019-2020. The album is filled with romance, heartbreak, blood, sweat and tears. But "Valentine" is poised and self-possessed, channelling anger and dejection into empowering revenge fantasies and rewriting the narrative of its own fate. Stitched throughout it is the melodrama and the camp Jordan so deftly utilizes to offset her pain. The sonic leap forward can be heard from the first moments of the title track - the whispered voice and eerie sci-fi synths erupting into a full-on stadium-sized adrenaline-rush of a chorus. From there it's all go - with digitized electronic inflected anthems, swooning baroque FM rockers, smouldering slow-jam R&B, and some of the most gorgeous and heart-rending finger-picked guitar ballads this side of Elliott Smith. The star of the show however is Lindsey's voice - no longer the prodigal wunderkind, her vocals and words are rawer, deeper, snarlier and more feeling than ever before. North American tour is planned for 2022 which will include April shows in Toronto, Vancouver, and Montreal.
November 5 street date. "Valentine" is the hugely anticipated follow up to Snail Mail's first full length, "Lush". "Valentine" was written and produced by 22-year-old Lindsey Jordan and co-produced by Brad Cook (Bon Iver, Waxahatchee) in 2019-2020. The album is filled with romance, heartbreak, blood, sweat and tears. But "Valentine" is poised and self-possessed, channelling anger and dejection into empowering revenge fantasies and rewriting the narrative of its own fate. Stitched throughout it is the melodrama and the camp Jordan so deftly utilizes to offset her pain. The sonic leap forward can be heard from the first moments of the title track - the whispered voice and eerie sci-fi synths erupting into a full-on stadium-sized adrenaline-rush of a chorus. From there it's all go - with digitized electronic inflected anthems, swooning baroque FM rockers, smouldering slow-jam R&B, and some of the most gorgeous and heart-rending finger-picked guitar ballads this side of Elliott Smith. The star of the show however is Lindsey's voice - no longer the prodigal wunderkind, her vocals and words are rawer, deeper, snarlier and more feeling than ever before. North American tour is planned for 2022 which will include April shows in Toronto, Vancouver, and Montreal.
November 5 street date. "Valentine" is the hugely anticipated follow up to Snail Mail's first full length, "Lush". "Valentine" was written and produced by 22-year-old Lindsey Jordan and co-produced by Brad Cook (Bon Iver, Waxahatchee) in 2019-2020. The album is filled with romance, heartbreak, blood, sweat and tears. But "Valentine" is poised and self-possessed, channelling anger and dejection into empowering revenge fantasies and rewriting the narrative of its own fate. Stitched throughout it is the melodrama and the camp Jordan so deftly utilizes to offset her pain. The sonic leap forward can be heard from the first moments of the title track - the whispered voice and eerie sci-fi synths erupting into a full-on stadium-sized adrenaline-rush of a chorus. From there it's all go - with digitized electronic inflected anthems, swooning baroque FM rockers, smouldering slow-jam R&B, and some of the most gorgeous and heart-rending finger-picked guitar ballads this side of Elliott Smith. The star of the show however is Lindsey's voice - no longer the prodigal wunderkind, her vocals and words are rawer, deeper, snarlier and more feeling than ever before. North American tour is planned for 2022 which will include April shows in Toronto, Vancouver, and Montreal.
November 5 street date. Recorded in a little studio in Durham, North Carolina, Amelia Meath and Nick Sanborn's debut LP as Sylvan Esso arrived in 2014 at the juncture of pop and experimental. Years later, the LP remains an urgent and fitting introduction to a push-and-pull that would go on to inform the duo's sound - a thoughtful headiness that also wants to get you out on the dance floor. A blend of analog and digital, Meath and Sanborn were two unexpected puzzle pieces fitting together with singular ease, producing a ten-track LP that was both minimalist and shimmering, with dark undulations rippling beneath the synthy surface and crystalline quality of Meath's voice.
November 5 street date. Recorded in a little studio in Durham, North Carolina, Amelia Meath and Nick Sanborn's debut LP as Sylvan Esso arrived in 2014 at the juncture of pop and experimental. Years later, the LP remains an urgent and fitting introduction to a push-and-pull that would go on to inform the duo's sound - a thoughtful headiness that also wants to get you out on the dance floor. A blend of analog and digital, Meath and Sanborn were two unexpected puzzle pieces fitting together with singular ease, producing a ten-track LP that was both minimalist and shimmering, with dark undulations rippling beneath the synthy surface and crystalline quality of Meath's voice.
November 5 street date. Recorded in a little studio in Durham, North Carolina, Amelia Meath and Nick Sanborn's debut LP as Sylvan Esso arrived in 2014 at the juncture of pop and experimental. Years later, the LP remains an urgent and fitting introduction to a push-and-pull that would go on to inform the duo's sound - a thoughtful headiness that also wants to get you out on the dance floor. A blend of analog and digital, Meath and Sanborn were two unexpected puzzle pieces fitting together with singular ease, producing a ten-track LP that was both minimalist and shimmering, with dark undulations rippling beneath the synthy surface and crystalline quality of Meath's voice.
November 12 street date. When Aesop Rock debuted in the late 1990s with "Music For Earthworms" and "Appleseed", Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to many of Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block have never done a full album together, until now! "Garbology" came together over the course of the pandemic, as well as in the midst of Aesop processing the loss of a close friend in January of 2020, resulting in a period of time of feeling uncreative. "Garbology" encapsulates the soundtrack of current times, capturing a snapshot of Aes and Block expressing a means of entertaining themselves in the midst of less social interactions than usual.
November 12 street date. When Aesop Rock debuted in the late 1990s with "Music For Earthworms" and "Appleseed", Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to many of Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block have never done a full album together, until now! "Garbology" came together over the course of the pandemic, as well as in the midst of Aesop processing the loss of a close friend in January of 2020, resulting in a period of time of feeling uncreative. "Garbology" encapsulates the soundtrack of current times, capturing a snapshot of Aes and Block expressing a means of entertaining themselves in the midst of less social interactions than usual.
November 12 street date. "The Nearer The Fountain, More Pure The Stream Flows" was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Damon Albarn return to music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem "Love and Memory". Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist". In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, "The Nearer The Fountain, More Pure The Stream Flows" vividly documents the emotional ebb and flow of the human condition, in all its extremes, serving as a soul enriching document for our times.
November 12 street date. "The Nearer The Fountain, More Pure The Stream Flows" was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Damon Albarn return to music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem "Love and Memory". Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist". In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, "The Nearer The Fountain, More Pure The Stream Flows" vividly documents the emotional ebb and flow of the human condition, in all its extremes, serving as a soul enriching document for our times.
November 12 street date. "The Nearer The Fountain, More Pure The Stream Flows" was originally intended as an orchestral piece inspired by the landscapes of Iceland. This last year has seen Damon Albarn return to music in lockdown and develop the work to 11 tracks which further explore themes of fragility, loss, emergence and rebirth. The result is a panoramic collection of songs with Albarn as storyteller. The album title is taken from a John Clare poem "Love and Memory". Albarn says "I have been on my own dark journey while making this record and it led me to believe that a pure source might still exist". In a career of perpetual musical shifts and exploration, the record uncovers yet more ground, finding expansive orchestral arrangements nestling with intimate melodies, discordance brushing up against infectious majesty, all set to some of Albarn's most arresting vocal performances to date. Much like the beauty and chaos of the natural world it soundtracks, "The Nearer The Fountain, More Pure The Stream Flows" vividly documents the emotional ebb and flow of the human condition, in all its extremes, serving as a soul enriching document for our times.
November 12 street date. The third album from Claptone, "Closer" features a string of collaborators and pop icons including Barry Manilow, Seal, James Vincent McMorrow, Dizzy, and many others. "Closer" has been in the making for over three years and showcases a natural development in sound for Claptone. The album has been co-produced by Stuart Price, the three-time Grammy-winning electronic musician, DJ, songwriter, and record producer known for his work with artists such as Madonna, The Killers, Dua Lipa and Pet Shop Boys.
November 12 street date. The third album from Claptone, "Closer" features a string of collaborators and pop icons including Barry Manilow, Seal, James Vincent McMorrow, Dizzy, and many others. "Closer" has been in the making for over three years and showcases a natural development in sound for Claptone. The album has been co-produced by Stuart Price, the three-time Grammy-winning electronic musician, DJ, songwriter, and record producer known for his work with artists such as Madonna, The Killers, Dua Lipa and Pet Shop Boys.
November 12 street date. Merge is thrilled to make The Clean's "Boodle Boodle Boodle" globally available for the first time since its original release in 1981. Featuring classics like "Anything Could Happen" and "Point That Thing Somewhere Else", "Boodle Boodle Boodle" arrived two months after the "Tally Ho!" single, peaking at #5 and staying in the NZ Top 20 for nearly six months. Recorded on four-track by The Clean's childhood friends Chris Knox and Doug Hood, its five hugely influential songs provided a roadmap for the "Dunedin sound" that would soon follow. "Boodle Boodle Boodle" was awarded the Classic Record distinction by New Zealand's Taite Music Prize in 2017.
November 12 street date. "In Absentia" was Porcupine Tree's seventh studio album, first released in 2002, and was the first in a run of three albums that for many represent the pinnacle of the band's artistic achievements. Not many albums can claim to have created a new genre, but with its fusion of metal, progressive rock, ambient textures, and acoustic singer-songwriter styled material, it became something of a blueprint for a generation of bands to come. It was also something of a breakthrough for the band, eventually going on to sell three times more than the band's previous releases. While not a formal concept album, many of the songs have common themes related to serial killers, youthful innocence gone wrong, and observations of the modern world, setting a template for many of songwriter Steven Wilson's future songs. This new Transmission 2021 reissue of "In Absentia" remains faithful to the original artwork and is presented in a digipack with 8 page colour booklet.
November 12 street date. "In Absentia" was Porcupine Tree's seventh studio album, first released in 2002, and was the first in a run of three albums that for many represent the pinnacle of the band's artistic achievements. Not many albums can claim to have created a new genre, but with its fusion of metal, progressive rock, ambient textures, and acoustic singer-songwriter styled material, it became something of a blueprint for a generation of bands to come. It was also something of a breakthrough for the band, eventually going on to sell three times more than the band's previous releases. While not a formal concept album, many of the songs have common themes related to serial killers, youthful innocence gone wrong, and observations of the modern world, setting a template for many of songwriter Steven Wilson's future songs. This new 2LP Transmission 2021 reissue of "In Absentia" is presented in a gatefold sleeve and remains faithful to the original artwork.
November 12 street date. This holiday season, Merge will celebrate ten years of "A Very She & Him Christmas", the wonderful collection of tunes from two of music's most beloved artists - Zooey Deschanel (She) and M. Ward (Him). Recorded and originally released in 2011, Deschanel and Ward let the songs speak for themselves, oftentimes recording them with only acoustic guitar and vocals. The result is an intimate holiday recording that deserves a place in your collection next to seminal Christmas albums by the likes of The Carpenters, Vince Guaraldi, The Beach Boys, and Elvis Presley. To mark this joyous occasion, the limited-edition deluxe 10th anniversary reissue is pressed on tinsel silver vinyl and includes a brand-new 7-inch, also on silver vinyl, that features renditions of Madonna's "Holiday" and Wham!'s "Last Christmas", as well as a bonus download of "It's Beginning to Look a Lot Like Christmas".
November 12 street date. Brand-new 7-inch from Zooey Deschanel and M. Ward that features renditions of Madonna's "Holiday" and Wham!'s "Last Christmas" - on evergreen vinyl.
August 27 street date (CD)/November 12 street date (LP). Please welcome back to the spotlight Wyoming's own Teenage Bottlerocket, with their ninth album, the 12-track "Sick Sesh!". "Sick Sesh!" is deliberately rougher around the edges than the last few TBR albums. The COVID pandemic allowed for the band to take a little extra time for fine-tuning, and the resulting tracks are some of the most stylistically diverse on the record. With "Sick Sesh!" ready to drop, Teenage Bottlerocket will return to the road once more throughout 2021 and beyond, and you can expect to hear plenty of new tracks peppered into their already high-energy sets.
Please note new street date: November 12 / (August 20 for CD and Cassette). Even for a band that's made a career out of crafting songs attuned to political and social crisis, there was a new bleak in the air for Tropical Fuck Storm, what the band calls "give-a-fuck fatigue". The third album from the avant-punk quad - aptly titled "Deep States" - mines familiar ground as well as new cultural terrains, while digging deeper into the subjective state of contemporary panic. While not quite a protest album, "Deep States" comes complete with Q drops, nods to the January 6th Capitol Riot, a riff on pizzagate, MAGAs squaring off with Antifas, waterboarded Martians, dangerous cults from Heaven's Gate to The Shining Path and, not to be outdone, Romeo agents who bed us at night only to betray us by morning. These are songs as experiment, advancing and retreating at their own idiosyncratic, deeply unsettling pace. They hang on the slant beat and slide into jazzy, distortion-packed jams so tumultuous they'd make Charlie Mingus proud. Musically, "Deep States" goes wherever it wants, riffing on pop, R&B, Talking Heads-style new wave, Delta blues, Tom Waits, and some of the band's hip-hop favorites such as Wu-Tang Clan and Missy Elliot. Barriers aren't just broken, they seem to have completely fallen away.
November 12 street date. Music is a powerful trigger of myriad emotions, from the romantic, powerful, disastrous and even heartbreaking. Never is this more plainly evident than with the movie soundtrack. Listen to Lalo Schifrin's string and brass arrangements on ‘Bullitt’ and we are back in the car with Steve McQueen in an epic chase over the elliptical contours of San Francisco. Flip to Wendy Carlos' ‘Ode To Joy’ as Alex exclaims: "it was gorgeousness and gorgeosity made flesh", the violence simmering somewhere close to the surface in Kubrick's ‘A Clockwork Orange'. Collected together here are some of the classic themes and motifs spanning the past 60 years, from Bernard Hermann's daring fusion of orthodox orchestration and theremin, Gary Jules' haunting version of Tears For Fears' ‘Mad World’, as featured in the hypnotic ‘Donnie Darko‘, or John Barry's harmonica-led theme to ‘Midnight Cowboy‘. In the process, Late Night Tales have selected a vast range of styles from the jazz and soul-influenced compositions of Roy Budd, Isaac Hayes and Brazil's Deodato, to electronic pioneers like Giorgio Moroder or leftfield composers like Philip Glass.
November 19 street date. Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.
November 19 street date. Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.
November 19 street date. Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.
August 13 street date (CD)/November 19 street date (LP). Originally known as the singer, songwriter, and founder of both Lagwagon and Bad Astronaut, Joey Cape has established himself as a recognized solo artist over the past 15 years. His solo ventures have allowed him to stretch the bounds of his musical stylings, highlighting more diverse instrumentation, subdued pace, and experimental elements. The one constant, of course, is his unique ability to craft unforgettable songs. As with pretty much everyone on the planet, 2020 was a challenging year for Joey. The result is "A Good Year to Forget", a record that encapsulates all the trials and tribulations of the 12 months that inspired it. Written entirely in isolation in a makeshift home recording studio at his mother's house, Cape was able to create a beautiful, warm record that captures the pure essence of its songs. Hushed and haunted, there's an almost Nick Drakeian poignancy to these 12 songs. Cape's fans will hear much more than just a voice, guitar, and bass on this record. Indeed, he ended up playing a plethora of instruments when recording the album, including electric and lap steel guitars, piano, mandolin, and drums.
November 19 street date. This collection illustrates the many musical "sides" of Ray Charles by focusing each album side on some of the broader genre categories he visited most. Soul, Jazz and Blues, Country and his Classic Pop hits are all celebrated on this two disc collection featuring some of the most important songs of his career. Ray Charles is both one of the most iconic artists of all time as well as one of the hardest to define by genre. At the beginning of his career, he was dubbed the Genius of Soul for boldly combining traditional R&B with Gospel music and giving birth to Soul music. Yet this momentous musical accomplishment was just the beginning of a five-decade career in which he uniquely succeeded in virtually every genre. Ray's unique mastery of music allowed him to continue to explore all forms of music, freely floating between jazz, blues, pop, rock, soul and country while continuing to combine them in new, unprecedented ways.
November 19 street date. "We wanted to do something grander than the typical four-piece Converge music". That's Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into "Bloodmoon: 1", the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm, and Cave In vocalist/guitarist Steve Brodsky. What began as a mutual admiration society between festival bands has grown into a collaborative project featuring the indie music scene's finest song writers. Harrowing and atmospheric, triumphant and melodious, "Bloodmoon: 1" is Converge as you've never heard them before. Produced by Kurt Ballou at his God City Studio. "It's hard to find new ways to be creative, but I think we've been good at sort of forcing ourselves to do that", Ballou says. "And this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it".
November 19 street date. The debut studio album from the Las Vegas quintet Escape The Fate, who became a genre-defining band in The Scene, the emo vein of post-hardcore from the early 2000s. Originally released in 2006, "Dying Is Your Latest Fashion" is celebrating its 15-year anniversary, for the first ever released on vinyl. This album is the only full-length album with original singer and founding member Ronnie Radke, who would eventually become the frontman of his own band, Falling In Reverse.
November 19 street date. The debut studio album from the Las Vegas quintet Escape The Fate, who became a genre-defining band in The Scene, the emo vein of post-hardcore from the early 2000s. Originally released in 2006, "Dying Is Your Latest Fashion" is celebrating its 15-year anniversary, for the first ever released on vinyl. This album is the only full-length album with original singer and founding member Ronnie Radke, who would eventually become the frontman of his own band, Falling In Reverse.
November 19 street date. Pirates Press Records could not be more proud to present this, the first solo recordings from infamous/notorious Rancid frontman Lars Frederiksen. Overflowing with the passion he’s so well known for, these six songs are belted out with the authenticity and power that only Lars could bring to the table. The song selection holds deep personal meeting for Lars, as he writes in an inspired and detailed explanation within the packaging. Bringing together and reinventing songs from his other bands, and even including a few covers, it’s quite clear to see how Important this release is for him. Many may remember that the pandemic sidetracked an endeavor to take this gig on the road. While there was one show at Eli‘s Mile High Club in Oakland just before the pandemic, the rest of the concert-going world has been waiting quite some time to see and hear Lars perform in this Billy Bragg inspired fashion. With this album in hand, it’s safe to say you can expect to see Lars take this to fans across the globe… And as fans, we can all hope that this is just the start of more to come!
November 19 street date. Pirates Press Records could not be more proud to present this, the first solo recordings from infamous/notorious Rancid frontman Lars Frederiksen. Overflowing with the passion he’s so well known for, these six songs are belted out with the authenticity and power that only Lars could bring to the table. The song selection holds deep personal meeting for Lars, as he writes in an inspired and detailed explanation within the packaging. Bringing together and reinventing songs from his other bands, and even including a few covers, it’s quite clear to see how Important this release is for him. Many may remember that the pandemic sidetracked an endeavor to take this gig on the road. While there was one show at Eli‘s Mile High Club in Oakland just before the pandemic, the rest of the concert-going world has been waiting quite some time to see and hear Lars perform in this Billy Bragg inspired fashion. With this album in hand, it’s safe to say you can expect to see Lars take this to fans across the globe… And as fans, we can all hope that this is just the start of more to come!
November 19 street date. Pirates Press Records could not be more proud to present this, the first solo recordings from infamous/notorious Rancid frontman Lars Frederiksen. Overflowing with the passion he’s so well known for, these six songs are belted out with the authenticity and power that only Lars could bring to the table. The song selection holds deep personal meeting for Lars, as he writes in an inspired and detailed explanation within the packaging. Bringing together and reinventing songs from his other bands, and even including a few covers, it’s quite clear to see how Important this release is for him. Many may remember that the pandemic sidetracked an endeavor to take this gig on the road. While there was one show at Eli‘s Mile High Club in Oakland just before the pandemic, the rest of the concert-going world has been waiting quite some time to see and hear Lars perform in this Billy Bragg inspired fashion. With this album in hand, it’s safe to say you can expect to see Lars take this to fans across the globe… And as fans, we can all hope that this is just the start of more to come!
November 19 street date. Pirates Press Records could not be more proud to present this, the first solo recordings from infamous/notorious Rancid frontman Lars Frederiksen. Overflowing with the passion he’s so well known for, these six songs are belted out with the authenticity and power that only Lars could bring to the table. The song selection holds deep personal meeting for Lars, as he writes in an inspired and detailed explanation within the packaging. Bringing together and reinventing songs from his other bands, and even including a few covers, it’s quite clear to see how Important this release is for him. Many may remember that the pandemic sidetracked an endeavor to take this gig on the road. While there was one show at Eli‘s Mile High Club in Oakland just before the pandemic, the rest of the concert-going world has been waiting quite some time to see and hear Lars perform in this Billy Bragg inspired fashion. With this album in hand, it’s safe to say you can expect to see Lars take this to fans across the globe… And as fans, we can all hope that this is just the start of more to come!
November 19 street date. Composer/violinist Jessica Moss is by now a seasoned practitioner of immersive isolation music; across three previously acclaimed solo records of minimal and maximal post-classicism, her acoustic, amplified, and electronically-shifted violin is the raw material for deeply expressive, palpably haunted, wholly committed compositions. But her new album "Phosphenes" inscribes fleeting halos of refracted ghostly light out of a prevailing darkness with especially plangent determination and intensity. This is the most overtly searching, mournful and inexorable music Moss has made to date. The pieces on "Phosphenes" exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters. These compositions channel themselves like slow-moving water in a dark cave, finding small eddies and catching glints of luminescence from within.
November 19 street date. Composer/violinist Jessica Moss is by now a seasoned practitioner of immersive isolation music; across three previously acclaimed solo records of minimal and maximal post-classicism, her acoustic, amplified, and electronically-shifted violin is the raw material for deeply expressive, palpably haunted, wholly committed compositions. But her new album "Phosphenes" inscribes fleeting halos of refracted ghostly light out of a prevailing darkness with especially plangent determination and intensity. This is the most overtly searching, mournful and inexorable music Moss has made to date. The pieces on "Phosphenes" exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters. These compositions channel themselves like slow-moving water in a dark cave, finding small eddies and catching glints of luminescence from within.
November 19 street date. "Deadwing" was Porcupine Tree's eighth studio album, first released in 2005 following their breakthrough with "In Absentia" It was the second in a run of 3 albums that for many represent the pinnacle of the band's artistic achievements. The album features guest appearances from Adrian Belew (King Crimson), who plays guitar solos on the title track and "Halo", and Mikael Åkerfeldt (Opeth), who adds vocal harmonies and a guitar solo to "Arriving Somewhere But Not Here". This new 2LP Transmission 2021 reissue of "Deadwing" is presented in a gatefold sleeve and remains faithful to the original artwork.
November 19 street date. SYML (Brian Fennell) quietly went from a basement songwriter and producer to a platinum-selling international success. Since releasing his 2019 self-titled debut album, Fennell has risen to prominence with an acclaimed body of work celebrated for its honest songwriting exploring themes of longing and loss, earning billions of streams across platforms. He is a self-taught producer, programmer, and engineer as well as guitarist, percussionist, and classically trained pianist with deep roots in the Pacific Northwest. "Sacred Spaces" was recorded at St. Mark's Cathedral in Seattle during the global pandemic. Accompanied by horns and strings, this is Fennell in his purest form with gut-wrenching performances of some of his most recognized songs. SYML will head to Canada in November and will round out the year with a return to St. Mark's Cathedral
to perform this time for a live audience.
Please note new street date for indie vinyl: November 19. To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we've come to expect from Thrice over the last twenty years. With "Horizons/East", Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they've given us a profoundly meditative work which serves as a musical summons to everyday attentiveness. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, "Horizons/East" conveys a palpable sense of danger, determination, and possibility.
November 26 street date. For her Christmas album, Lee Aaron and her band have put together a collection of tracks that showcase Aaron's unique vocal range of rockers, blues and jazz-oriented material. Thus, the album features established favorites like Darlene Love's "Baby Please Come Home," Slade's "'Merry Christmas Everybody'" and a raucous cover of Chuck Berry's "Run Run Rudolph." But also obscure tracks like The Eels' "Everything Is Gonna Be Cool This Christmas" and The Sonics' punky "Don't Believe In Christmas," Over The Rhine's blues-tinged "All I Ever Get For Christmas Is Blue," an accapella version of Joni Mitchell's "The Fiddle and the Drum," and a jazzy arrangement of Louis Armstrong's "Zat You Santa Claus." And to top it off, a rockin' cover of "It Doesn't Often Snow At Christmas" by the Pet Shop Boys. "Making a Christmas album became a passion project, not only to keep my band family together this year, but we also wanted to make something as a gift for our fans to lift their spirits during these difficult times," explains Lee Aaron.
November 26 street date. Everything about Black Label Society begins with the riff. A dedicated disciple of Zeppelin, Sabbath, and Deep Purple, Zakk Wylde looks to the massive guitar hooks in classics like "Whole Lotta Love," "Into the Void," and "Smoke On the Water" as guiding lights. "The main ingredient in any Black Label soup is the riff," says the larger-than-life frontman. Black Label Society builds their music on this simple truth, truth as self-evident on "Back In Black" as on the dozen songs comprising "Doom Crew Inc.", the eleventh album from the dependable stalwarts. "Doom Crew Inc." is both a tribute to the band's "first to bleed, last to leave" road crew and a salute to the legion whose support, stretching back to 1998, rivals that of the KISS Army. The Black Label Society biker-style battle vest "kutte" is as ubiquitous at hard rock and metal shows as a black t-shirt.
November 26 street date. Everything about Black Label Society begins with the riff. A dedicated disciple of Zeppelin, Sabbath, and Deep Purple, Zakk Wylde looks to the massive guitar hooks in classics like "Whole Lotta Love," "Into the Void," and "Smoke On the Water" as guiding lights. "The main ingredient in any Black Label soup is the riff," says the larger-than-life frontman. Black Label Society builds their music on this simple truth, truth as self-evident on "Back In Black" as on the dozen songs comprising "Doom Crew Inc.", the eleventh album from the dependable stalwarts. "Doom Crew Inc." is both a tribute to the band's "first to bleed, last to leave" road crew and a salute to the legion whose support, stretching back to 1998, rivals that of the KISS Army. The Black Label Society biker-style battle vest "kutte" is as ubiquitous at hard rock and metal shows as a black t-shirt.
November 26 street date. Everything about Black Label Society begins with the riff. A dedicated disciple of Zeppelin, Sabbath, and Deep Purple, Zakk Wylde looks to the massive guitar hooks in classics like "Whole Lotta Love," "Into the Void," and "Smoke On the Water" as guiding lights. "The main ingredient in any Black Label soup is the riff," says the larger-than-life frontman. Black Label Society builds their music on this simple truth, truth as self-evident on "Back In Black" as on the dozen songs comprising "Doom Crew Inc.", the eleventh album from the dependable stalwarts. "Doom Crew Inc." is both a tribute to the band's "first to bleed, last to leave" road crew and a salute to the legion whose support, stretching back to 1998, rivals that of the KISS Army. The Black Label Society biker-style battle vest "kutte" is as ubiquitous at hard rock and metal shows as a black t-shirt. Indie retail exclusive color vinyl variant: clear & black ice with grey and white splatter.
November 26 street date. El Michels Affair follows up the success of their full length "Yeti Season" with "The Abominable EP", a collection of unreleased tracks, alternate takes, and instrumentals from the "Yeti Season" recording sessions. EMA's blending their signature cinematic soul sound with influences from Turkish Funk and the grittiest of Bollywood soundtracks yielded an instant classic The Fader calls "a carnival of dusty funk and soul". The EP starts off with the unreleased gem "Messy Grass" whose synth intro, peppered with distant yeti cries, gives way to a tremendous backing track that Tamer Pinarbasi’s Qanun dances over. On "Cham Cham", EMA invites Piya Malik to the microphone again to share her styled storytelling vocals over the instrumental track from "Yeti Season"'s "Perfect Harmony". Where some of the tunes on the EP have vocals added, some of them have them removed letting the band take center stage, giving them a wholly different energy than the vocal versions. The EP is being released with two different covers. Covers will be at random.
November 26 street date. El Michels Affair follows up the success of their full length "Yeti Season" with "The Abominable EP", a collection of unreleased tracks, alternate takes, and instrumentals from the "Yeti Season" recording sessions. EMA's blending their signature cinematic soul sound with influences from Turkish Funk and the grittiest of Bollywood soundtracks yielded an instant classic The Fader calls "a carnival of dusty funk and soul". The EP starts off with the unreleased gem "Messy Grass" whose synth intro, peppered with distant yeti cries, gives way to a tremendous backing track that Tamer Pinarbasi’s Qanun dances over. On "Cham Cham", EMA invites Piya Malik to the microphone again to share her styled storytelling vocals over the instrumental track from "Yeti Season"'s "Perfect Harmony". Where some of the tunes on the EP have vocals added, some of them have them removed letting the band take center stage, giving them a wholly different energy than the vocal versions. The EP is being released with two different covers. Covers are at random.
November 26 street date. In May 2020, with much of the world in lockdown and reeling from the consequences of the Covid-19 pandemic, Robert Fripp began uploading the first of 52 individual soundscapes on his YouTube channel, streaming platforms, and DGMLive. Entitled "Music For Quiet Moments" and appearing once a week, these pieces created a space for reflection, offering a means of pausing from the day-to-day concerns and to provide a point of calm and perhaps, a sense of hope, in such troubled times. Each of the 52 pieces was drawn from Soundscapes' performances from 2004-2009 and venues/shows as varied as those for G3 (Satriani, Vai, Fripp), to Churchscapes (as the name suggests, concerts in churches), opening act for Porcupine Tree and even appearances at ‘The Big Chill’ festival. These pieces are contemplative for the most part and range from a few minutes in length to a performance of ‘Elegy’ in Nashville that lasts over 44 minutes.
November 26 street date. BLACK FRIDAY release. Madlib reissues his long out of print collaboration with legendary Brazilian drummer Ivan "Mamao" Conti, propellant for lauded jazz fusion archetypes Azymuth, on his own imprint. When Madlib went to Brazil in 2002 with Mochilla to participate in the production of the Brazilintime documentary, his one mission was to meet Ivan "Mamao" Conti, the drummer of the legendary trio Azymuth. Madlib had made an Azymuth tribute record he wanted to play for him. On a rainy night in Rio, Mamao and Madlib went in the studio. Several hours later, the rhythm tracks that make up "Sujinho" were laid and the process began. Featuring the music of Madlib, Mamao, Edu Lobo, Chico Buarque de Hollanda, Luiz Eca, Baden Powell, Vinicius De Moraes, Marcos Valle, Joao Donato, Dom Um Romao, Airto Moreira, and even George Duke - and with guest vocals by Thalma De Freitas - "Sujinho" is a unique and classic record. Filled with the angularity and edge of a Madlib production and underwritten by the polyrhythmics of Mamao, "Sujinho" takes Brazilian music into places it has never been, bringing oft forgotten classics like "Upa Neguinho" to 21st century ears.
November 26 street date. Named after the tour from which the performances were taken, "Music Is Our Friend" is an official bootleg featuring all of King Crimson's final performance in North America at Washington in September 2021. This 2CD set is completed with four pieces from the first concert of the tour's second leg in Albany. Taken together, these tracks represent both a beginning and an end of a tour that took place despite almost insurmountable issues. By the time King Crimson reached Washington, the band was in ferocious form with a powerful, energetic set with some arrangements reworked and differing from previous tours. Featuring a restored middle section of ‘Larks' Tongues In Aspic Part I’ that had not been played since 1973, substantial keyboard arrangements, Tony Levin on upright bass during ‘Neurotica’ giving the piece an extra swing, there's an emotional set-closer, ‘Starless‘, and an immensely powerful ‘21st Century Schizoid Man’ as an encore.
November 26 street date. BLACK FRIDAY release. Mobb Deep redefined East Coast hip hop in the early 90s with their release "Juvenile Hell" and the break-out follow up "The Infamous". As the group moved into the 2000s and parted ways with their long-time label, Loud, they released "Free Agents" as a celebration of their moving on to ... well, free agent status. With Havoc handling production on all but 3 cuts and only two guest appearances (one being from long-time Queensbridge associate Big Noyd), "Free Agents" is uncut, undiluted Mobb Deep all the way through. The reaction from fans was solid, catapulting the record to peak at number 21 on the Top 200 with a top 5 position on the R&B/Hip Hop charts. Out of print for well over a decade, this chapter in Mobb Deep's legacy is back in effect for RSD Black Friday.
November 26 street date. Rhapsody Of Fire return with the next part of their saga "Glory For Salvation". Pathetic and fast-paced, the band around Alex Staropoli presents a masterpiece of metal symphony. As in their last album "The Eighth Mountain", they show their incredible strength in epic chori and opulent orchestral arrangements. The story of the last album is continued here, perfecting another strength of the band: the ability to develop and tell a story with incredible tension. As in the last album, the cast is top-notch and on point. Giacomo Voli convinces as always as an exorbitantly great singer with technical finesse. It is mixed and mastered this time again by Sebastian "Seeb" Levermann, head of the power metal combo Orden Ogan, who in recent years has become an important institution of the new generation of power metal.
November 26 street date. BLACK FRIDAY release. In the late 90s, Wu-Tang Clan superstar RZA developed a new persona. Based on his birth name and the fact that he was branching out into more digital production, Bobby Diggs became Bobby Digital. RZA released "Bobby Digital In Stereo" in 1998 and it was certified Gold in a matter of months. Its follow-up "Digital Bullet" dropped in August of 2001 continuing the conceptual story arch from the previous album, but with Bobby Digital growing more enlightened and becoming disillusioned with the hedonism that previously served as his fuel. Audiences reacted by driving the release up to number 24 on the Top 200 and a Top 10 position on the R&B/Hip Hop Albums chart.
November 26 street date. First time on vinyl for this titles from the Justin Time Essentials Collection. Remastered for vinyl, this release collects music recorded live in 1977 at Montreal's infamous Rising Sun Celebrity Jazz Club plus unreleased material, with an incredible new cover painting by John Rummen. Willie Mae ‘Big Mama’ Thornton is an American Blues legend known as the amazing voice behind the original "Hound Dog" and "Ball & Chain" (both included here). She sadly passed away in 1984 at the young age of 57 after a hard life in the music business enduring decades of financial exploitation and battles with addiction. She added a powerful female voice to a field that was dominated by white males, and her strong personality transgressed stereotypes of what an African-American woman should be. This transgression was an integral part of her performance and stage persona.
Please note new street date: November 26. The 10th anniversary edition of "The Monitor", Titus Andronicus' epic second album. The record has been remastered for vinyl by Matthew Barnhart at Chicago Mastering Service, and now has the originally intended vinyl track transitions restored. For a limited time, this special edition will also feature the long-out-of-print embossed cover. Since its release 11 years ago, "The Monitor" has been celebrated as a classic of this and any other era of rock music, and its legacy continues to grow. The band will perform the seminal album, in full, for the first time on November 10th at Toronto's Lee's Palace.
November 26 street date. BLACK FRIDAY release. Now-Again Records follow up one of its most well-loved compilations, "Forge Your Own Chains", with another batch of rare, largely uncompiled - and sometimes barely heard - heavy psych-rock and funk. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer. "Tickets For Doomsday", as the title hints, is a rumination on what might befall the human race - made especially salient by the past year's trials and tribulations - as performed by prison funk ensembles, Indonesian hippies, Krautrock legends, Icelandic prog-rock bands, and even Bay Area rap catalyst E-40's uncle and the creator of this album's title track, St. Charles "Chucky" Thurman. A unique and compelling listen, and surely a worthy companion for these times.
December 3 street date. "A Look Back: DogTown & Z-Boys" is the first short documentary by legendary artist/photographer Glen E. Friedman. The film looks back on an essential period in the history of skateboarding, but more directly on how the original award winning documentary affected the original surviving members of that influential team and what they thought about the original film itself, 20 years after its release. Fu Manchu provided the entire soundtrack for the film with the songs personally curated by Friedman. This official soundtrack recording release features all 9 tracks featured in the film in the order that they appear. The music spans the band's entire career from their 1994 debut album, "No One Rides For Free", to "Il Mostro Atomico" (featuring Alex Lifeson) from their most recent full length album, "Clone Of The Universe". Limited to 1000 copies.
December 3 street date. "SKA DREAM" is a complete re-recording of Jeff Rosenstock's critically-acclaimed 2020 record "NO DREAM" - however this time around all the songs are ska songs! The very good idea to make this record came together when, like many other bands throughout this pandemic that refused to participate in super spreading events, Rosenstock's band were trying to find a fun way to make some music together to share with people. What started out as a fun goof with friends eventually morphed into "hey, what if we tried to make it good though?. All of us have a pretty deep history playing and touring the country in punk/ska bands. We all understand the stigma that comes along with ska, we've all dealt with the pitfalls of it, and we've all kept on truckin' regardless".
December 3 street date. "SKA DREAM" is a complete re-recording of Jeff Rosenstock's critically-acclaimed 2020 record "NO DREAM" - however this time around all the songs are ska songs! The very good idea to make this record came together when, like many other bands throughout this pandemic that refused to participate in super spreading events, Rosenstock's band were trying to find a fun way to make some music together to share with people. What started out as a fun goof with friends eventually morphed into "hey, what if we tried to make it good though?. All of us have a pretty deep history playing and touring the country in punk/ska bands. We all understand the stigma that comes along with ska, we've all dealt with the pitfalls of it, and we've all kept on truckin' regardless".
December 3 street date. "SKA DREAM" is a complete re-recording of Jeff Rosenstock's critically-acclaimed 2020 record "NO DREAM" - however this time around all the songs are ska songs! The very good idea to make this record came together when, like many other bands throughout this pandemic that refused to participate in super spreading events, Rosenstock's band were trying to find a fun way to make some music together to share with people. What started out as a fun goof with friends eventually morphed into "hey, what if we tried to make it good though?. All of us have a pretty deep history playing and touring the country in punk/ska bands. We all understand the stigma that comes along with ska, we've all dealt with the pitfalls of it, and we've all kept on truckin' regardless".
December 3 priority. Lenny Kaye's new book "Lightning Striking" is part history, part memoir and one hundred percent engaging from start to finish. It is not the generalist flip through rock's back pages, but instead surfs the flashpoints of inception and development that have lightning-struck Lenny the most. Each section devours the history and excitement of specific moments in rock 'n' roll evolution, and with chapter headers such as "Memphis 1954", "Detroit 1969", or "Seattle 1991", the thrust of "Lightning Striking" is unequivocally, unapologetically concerned with rock 'n' roll in its most basic and thrilling incarnations. In collaboration with Ace's Alec Palao, Lenny has also assembled an original soundtrack to "Lightning Striking"; the perfect playlist to spin whilst one peruses the pages. Like the book, it is a mixture of the familiar but essential and the fascinatingly unpredictable: in other words, not dissimilar to Kaye's curatorial triumph of yore "Nuggets", the compilation that established the garage rock genre. The earliest entry here is the Boswell Sisters' 1934 prophetic ‘Rock And Roll’, the most recent ‘Gimme Chocolate!!‘ by hard rock/J-Pop hybrid Babymetal. In-between we hear a nuanced selection of the finest vintage R&B, pop, psychedelia, punk rock and heavy metal, from an intriguingly diverse selection of bedfellows.
October 8 street date (CD)/December 3 street date (LP). Sometimes, the best place to begin is at the end. If you really want to dig deep into "Illusory Walls", the fourth album by The World Is A Beautiful Place & I Am No Longer Afraid To Die, it definitely helps to do that. That's because epic closer "Fewer Afraid" - all 19 minutes, 44 seconds of it - doesn't just revisit the themes and ideas on the ten songs that precede it, but also offers a self-aware summary of the Connecticut band's entire history. Due to the coronavirus pandemic, the band had nothing but time to realize the full extent of their musical and thematic aspirations. And so, four years on from lauded third album "Always Foreign", they were able to make what is undoubtedly the band's most ambitious and epic record to date. "Illusory Walls" takes on the weight of human existence while it's buckling under the pressure of today's near-dystopian society. Personal anxieties and political struggles collide with a series of portentous, apocalyptic and dramatic tunes, resulting in some of the darkest music the band has made since forming in 2009.
December 10 street date. Aeon Station's "Observatory" is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Longtime Wrens member Kevin Whelan's first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you're familiar with Whelan's past work, these ten tracks bear a certain and unmistakable familiarity - but they also mark an exciting new chapter in Whelan's musical career, as he steps out with more vulnerability than ever before. Whelan's scope of musical vision on "Observatory" is wide open and free with possibilities - at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene's huge anthemic burn, and the Wrens' own pulsing-with-life take on rock music. First vinyl pressing on cloudy blue vinyl.
December 10 street date. Aeon Station's "Observatory" is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Longtime Wrens member Kevin Whelan's first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you're familiar with Whelan's past work, these ten tracks bear a certain and unmistakable familiarity - but they also mark an exciting new chapter in Whelan's musical career, as he steps out with more vulnerability than ever before. Whelan's scope of musical vision on "Observatory" is wide open and free with possibilities - at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene's huge anthemic burn, and the Wrens' own pulsing-with-life take on rock music. First vinyl pressing on cloudy blue vinyl.
Please note new street date: December 10. 25th anniversary edition of Bardo Pond's long out-of-print second album and label debut, "Amanita" - newly remastered 2xLP reissue limited to 100 copies for Canada on purple vinyl. Formed in 1991, the Philadelphia-based quintet have spent some thirty years mapping guitar music's outer limits dialing into extremes of noise, chaos, and harmony in free-form compositions that now unfurl across 12 full-length records and a near-limitless body of EPs, cassettes, and CD-Rs. Recorded by the lineup of John Gibbons (guitar), Michael Gibbons (guitar), Isobel Sollenberger (voice, flute), Clint Takeda (bass), and Joe Culver (drums), "Amanita" is the place where the band's spontaneous collective creativity blazed into maturity. Even within the heady subcultural micro-verse of 90s underground zoner-music, the Fishtown-basement-dwelling quintet's vision of "psychedelia" was singular in its heaviness.
December 10 street date. Bria is an intimate and incisive labour of love from multi-instrumentalists Bria Salmena and Duncan Hay Jennings, who have toured for years as members of Toronto four-piece FRIGS, whose 2018 debut "Basic Behaviour" was long-listed for the Polaris Music Prize. Making a mark in diverse genres from country to punk, both play as permanent members of Orville Peck’s band. Catapulted by a deep sense of dread and confusion in the depths of 2020, Salmena decided to forgo writing her own music. "I wanted to listen for what might reflect my life back to me", she says, "six tracks that could be my mirror". The result is a pointillistic knockout of an EP that weaves a landscape both luscious and a little rogue; showing us exactly what good songs can do. "Cuntry Covers Vol. 1" houses it all: well-worn favourites and lesser-known gems from Karen Dalton, John Cale, Waylon Jennings, The Walker Brothers, Lucinda Williams, and Mistress Mary. First vinyl pressing is on opaque light blue vinyl.
December 10 street date. Bria is an intimate and incisive labour of love from multi-instrumentalists Bria Salmena and Duncan Hay Jennings, who have toured for years as members of Toronto four-piece FRIGS, whose 2018 debut "Basic Behaviour" was long-listed for the Polaris Music Prize. Making a mark in diverse genres from country to punk, both play as permanent members of Orville Peck’s band. Catapulted by a deep sense of dread and confusion in the depths of 2020, Salmena decided to forgo writing her own music. "I wanted to listen for what might reflect my life back to me", she says, "six tracks that could be my mirror". The result is a pointillistic knockout of an EP that weaves a landscape both luscious and a little rogue; showing us exactly what good songs can do. "Cuntry Covers Vol. 1" houses it all: well-worn favourites and lesser-known gems from Karen Dalton, John Cale, Waylon Jennings, The Walker Brothers, Lucinda Williams, and Mistress Mary. First vinyl pressing is on opaque light blue vinyl.
December 10 street date. Bria is an intimate and incisive labour of love from multi-instrumentalists Bria Salmena and Duncan Hay Jennings, who have toured for years as members of Toronto four-piece FRIGS, whose 2018 debut "Basic Behaviour" was long-listed for the Polaris Music Prize. Making a mark in diverse genres from country to punk, both play as permanent members of Orville Peck’s band. Catapulted by a deep sense of dread and confusion in the depths of 2020, Salmena decided to forgo writing her own music. "I wanted to listen for what might reflect my life back to me", she says, "six tracks that could be my mirror". The result is a pointillistic knockout of an EP that weaves a landscape both luscious and a little rogue; showing us exactly what good songs can do. "Cuntry Covers Vol. 1" houses it all: well-worn favourites and lesser-known gems from Karen Dalton, John Cale, Waylon Jennings, The Walker Brothers, Lucinda Williams, and Mistress Mary. First vinyl pressing is on opaque light blue vinyl.
December 10 street date. Limited 2LP 10th anniversary edition of Fucked Up's titanic 78-minute masterpiece, "David Comes to Life", on lightbulb-yellow vinyl. In 2011, Toronto's Fucked Up delivered an album that chafed the edges of punk rock's conceptual boundaries - a set of songs that splayed freely into unexpected instrumentation, psychedelic drift, and situationist philosophy. Its ambition was limitless and its run time opulent. Which is to say, they made a concept album. "David Comes To Life" is a story of lost love, global meltdown, depression, bombs, guilt and madness. Or is it? A modern-day morality tale set amid the dour backdrop of a British industrial town in the late 70s, it's a four-part play that follows the dark moods and inner psyche of the titular hero. At the same time, the reliability of the narrator gets called into question. The tables are turned, responsibility shifts, and the story goes meta.
October 22 street date. Introducing Jackson + Sellers and their debut album "Breaking Point". Jade Jackson and Aubrie Sellers are two rising stars who aligned during the pandemic to write one of the most compelling duo albums of the last decade. Drawn together by instant chemistry, cosmic forces and their ability to write intuitive romantic breakup songs for each other, their album is a window into the dissolution of two different relationships and the formation of another: a perfect, platonic, creative union. United in their desire to write a record that reflected their expansive musical interest from 70s rock to raucous roots to indie pop, their LA written, Nashville recorded album is a masterclass in unexpected vocal harmonic convergence. With "Breaking Point", Jackson + Sellers will establish themselves as two individual artists who together, share a deep friendship, musical kinship and the ability to craft tight singular pop rock songs that will embed themselves in your ears for the rest of time.
December 10 street date. Mere weeks before the world went into lockdown, groundbreaking songwriter and vocalist King Krule performed a handful of concerts following the release of his critically acclaimed third album "Man Alive!". Recorded during those final shows, the new live album, "You Heat Me Up, You Cool Me Down" offers fans a glimpse into a tour that never came to be and features a setlist of 17 songs that span the acclaimed artist's entire discography including fan favorites "Easy, Easy", "Baby Blue", and more.
December 10 street date. Mere weeks before the world went into lockdown, groundbreaking songwriter and vocalist King Krule performed a handful of concerts following the release of his critically acclaimed third album "Man Alive!". Recorded during those final shows, the new live album, "You Heat Me Up, You Cool Me Down" offers fans a glimpse into a tour that never came to be and features a setlist of 17 songs that span the acclaimed artist's entire discography including fan favorites "Easy, Easy", "Baby Blue", and more.
December 10 street date. ARIA and BET nominated artist, Tkay Maidza has announced the highly anticipated follow up to 2020's breakout "Last Year Was Weird, Vol. 2", which earned the #1 Best EP of the Year nod from The Needle Drop. "Last Year Was Weird, Vol. 3" completes Tkay's trilogy and will feature eight new songs produced by longtime collaborator Dan Farber. Tkay recently wrapped a stratospheric 2020 that propelled the Zimbabwe-born, Australia-raised artist to new heights. From billboards in Times Square, to features in Pitchfork and Vogue and a placement on the FIFA Soundtrack, her "Last Year Was Weird, Vol. 2" EP presented a compelling new stride for the young artist whose craft spans genres.
December 10 street date. Mouth Congress - friends Paul Bellini and Scott Thompson of Kids In The Hall fame - wrote and recorded hundreds of songs in the 1980s without ever putting out a proper release. Alongside various cohorts and conspirators, the band drew on their experiences as gay men to craft hilariously crude punk songs that run the gamut of strange characters and taboo subject matter. Their rag tag approach to songwriting blended various styles from noisy punk to lo-fi new wave and DIY disco, all with a very gay bent. Without trying, they were surprisingly cutting edge. In 2011, Paul dug out an old VHS tape of one of Mouth Congress's live shows. The sight of one of the Kids in the Hall covered in sweat, writhing on stage like Iggy Pop, was something he felt comedy fans might enjoy seeing. Naturally, Scott agreed and they uploaded everything - over 600 recordings - onto Bandcamp. One day in 2019, Mike Sniper of Captured Tracks stumbled upon the Bandcamp page, got in touch with Paul and Scott, and suggested assembling a compilation of the best recordings to be officially released for the very first time. So Paul and Scott chose 30 songs to share with the world and that's how we got the first Mouth Congress compilation, "Waiting for Henry".
December 10 street date. Mouth Congress - friends Paul Bellini and Scott Thompson of Kids In The Hall fame - wrote and recorded hundreds of songs in the 1980s without ever putting out a proper release. Alongside various cohorts and conspirators, the band drew on their experiences as gay men to craft hilariously crude punk songs that run the gamut of strange characters and taboo subject matter. Their rag tag approach to songwriting blended various styles from noisy punk to lo-fi new wave and DIY disco, all with a very gay bent. Without trying, they were surprisingly cutting edge. In 2011, Paul dug out an old VHS tape of one of Mouth Congress's live shows. The sight of one of the Kids in the Hall covered in sweat, writhing on stage like Iggy Pop, was something he felt comedy fans might enjoy seeing. Naturally, Scott agreed and they uploaded everything - over 600 recordings - onto Bandcamp. One day in 2019, Mike Sniper of Captured Tracks stumbled upon the Bandcamp page, got in touch with Paul and Scott, and suggested assembling a compilation of the best recordings to be officially released for the very first time. So Paul and Scott chose 30 songs to share with the world and that's how we got the first Mouth Congress compilation, "Waiting for Henry".
December 10 street date. Matador Records celebrates the 21st anniversary of The New Pornographers' debut record and breakout, "Mass Romantic", with a limited-edition LP reissue. The album - clocking three singers and 12 effervescent and undeniable power-pop gems - will return to us on red vinyl and will include a bonus 7", "Letter From An Occupant", which includes two rare B-sides, "The End of Medicine" and "When I Was a Baby". What's more, The New Pornographers will tour the U.S. and Canada this fall playing a series of two-night stands - performing "Mass Romantic" in its entirety on the first night and running down the equally outstanding "Twin Cinema" (2005) on the next. Throughout this trip, the band's lineup will feature AC Newman, Dan Bejar, Joe Seiders, John Collins, Kathryn Calder, Neko Case, and Todd Fancey.
December 10 street date. Originally released in 2006 on Absolutely Kosher Records, "Shut Up I Am Dreaming" is the first full-band effort from Montreal's Sunset Rubdown, a project previously reserved for the solo experiments of Wolf Parade's Spencer Krug. Alongside Michael Doerksen (guitar), Jordan Robson-Cramer (drums, keys, guitar), and Camilla Wynne-Ingr (keys, percussion, vocals), Krug and his new band recorded the songs in just five days with the help of engineers Jace Lasek and Dave Smith at Breakglass Studios. Though met with praise by fans and critics alike, placing 15th on Pitchfork's Top 50 Albums of 2006, "Shut Up I Am Dreaming" was never made available on LP. Now, fifteen years later, Krug is having the album pressed to vinyl via his own tiny record label, Pronounced Kroog. Remastered for vinyl at Greymarket Mastering by Harris Newman (the same engineer who mastered the original), and with original cover art by Matt Moroz reformatted for LP jacket, this first-ever pressing of a now cult classic will be available in December.
Please note street date for LP is now TBA. Full dynamic range audio vinyl edition of the second album from Death Metal pioneers Carcass. Originally released in 1989, "Symphonies Of Sickness" contains 10 relentless tracks exploring the subject of brutal animal cruelty in the meat industry.
Please note: street date for LP is now TBA. Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Reek of Putrefaction, originally released in 1988, gave the band their 'Goregrind' identity breeding the genres of grindcore and death metal. Presented with their famously controversial artwork consisting of extremely vivid images taken from a medical dictionary. Pressed from the original master tapes, this edition of "Reek Of Puterfaction" has been specially recreated using "FDR" - full dynamic range - mastering allowing the music's nuances to shine through and give this classic a more ferocious and dynamic sound.
Please note street date for LP is now TBA. Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Swansong" is their sixth album, originally released in 1996.
Please note: Street date is now TBA. Blue vinyl edition, exclusively available to independent shops and D2C. Pioneers of the British music scene, ‘Blackest Blue’ will be the Morcheeba's 10th studio album in a discography that spans three decades. ‘Blackest Blue’ is a refined 10 track album that fuses previous incarnations and sound of the band - such as downbeat, chill, electro-pop, and soul - into one cohesive record that dives deep into the soul of the band's genre-mashing musical heritage. As usual, the band didn't approach the album with any pre-conceptions, and instead created an organic journey that represents everything great about Morcheeba. Skye Edwards' lyrics are primarily focused on positivity and overcoming personal adversity that lies within. The album includes features with Duke Garwood (known for his work with Mark Lanegan, amongst others) and Brad Barr (The Slip, The Barr Brothers). Morcheeba's global reach is impressive, taking them to every corner of the world. Their signature chilled electronic/organic sound has been border-hopping ever since the London-based band emerged as a household name.
Please note: street date is now TBA. White vinyl edition with bonus 7" single, exclusively available to independent shops and limited to 1000 copies. Pioneers of the British music scene, ‘Blackest Blue’ will be the Morcheeba's 10th studio album in a discography that spans three decades. ‘Blackest Blue’ is a refined 10 track album that fuses previous incarnations and sound of the band - such as downbeat, chill, electro-pop, and soul - into one cohesive record that dives deep into the soul of the band's genre-mashing musical heritage. As usual, the band didn't approach the album with any pre-conceptions, and instead created an organic journey that represents everything great about Morcheeba. Skye Edwards' lyrics are primarily focused on positivity and overcoming personal adversity that lies within. The album includes features with Duke Garwood (known for his work with Mark Lanegan, amongst others) and Brad Barr (The Slip, The Barr Brothers). Morcheeba's global reach is impressive, taking them to every corner of the world. Their signature chilled electronic/organic sound has been border-hopping ever since the London-based band emerged as a household name.
September 24 street date. Tommy Boy reissue Prince Paul's "A Prince Among Thieves" as part of their 40th anniversary celebration. With a career that spans decades and having played a hand in some of hip-hop's most legendary and admired groups, there is no doubt that Prince Paul' legacy will live on for years to come. While he may be best known for his work with groups like de la Soul, Stetsasonic and Handsome Boy Modeling School, it is often his solo work that fans turn to when craving that unadulterated Prince Paul sound. Released in 1999, his sophomore album, "A Prince Among Thieves" has since become an undeniable classic amongst hip-hop enthusiasts and record collectors alike. Featuring an all-star ensemble of Golden Era MC's like Sadat X, Xzibit, de la Soul, Biz Markie, Big Daddy Kane and more, this ambitious piece of humorous hip-hop storytelling is like an odyssey of 90s rap, even earning praise from music essayist Robert Christgau, who called it "the closest thing to a true rock opera you've ever heard". What lies beneath, however, is biting satire which plants listeners right in the thick of the struggle, the hustle, the rough underground from which great hip-hop is so often inspired. Limited colour vinyl edition.
Please note: release date is now TBA. Tommy Boy reissues a limited three colour splatter vinyl edition of Afrika Bambaata & Soulsonic Force's "Planet Rock" as part of their 40th anniversary celebration. Considered one of founding fathers of rap, Afrika Bambaataa has long been considered a revolutionary, both within the music business and beyond. Raised in the South Bronx, Afrika Bambaataa made his name as a DJ, rapper and songwriter, eventually becoming the foremost DJ, event organizer and promoter of the large block parties that rocked the neighborhood during the mid-to-late 70s. Leading into the 80's, Bambaataa had found acclaim for releasing countless genre-dening tracks, infusing Hip Hop and Electronic elements into a sound that would influence other artists for years to come. With the groundbreaking release of the Soulsonic Force assisted "Planet Rock" in 1982, Afrika Bambaataa forever cemented his place in the history books as one of the most revered and innovative artists of his time.
Please note: release date is now TBA. Tommy Boy reissues an exclusive limited edition pressing of Digital Underground's debut album "Sex Packets" as part of their 40th anniversary celebration. Originally released in 1990, "Sex Packets" forever changed hip-hop and helped cement the Shock G lead outfit in the history books as one of the music business's most innovative groups. Heavily influenced by various funk bands, Digital Underground developed a sound all their own, creating timeless records that have stood the test of time. "Sex Packets" was included in both The Source's "100 Best Rap Albums Ever" and the book "1001 Albums You Must Hear Before You Die". Digital Underground's genre-bending production and unmatched charisma have made the group legends amongst hip-hop heads and music lovers around the world.
September 10 street date (CD). Vinyl street date is TBA. face to face are a rarity in the music world: A band that not only helped define a sound, but who continue to fine-tune their music with each subsequent release. This is undoubtedly true of the band's tenth full-length "No Way Out But Through", a melodic-punk masterpiece teeming with blistering guitar riffs, fleet-fingered basslines and vocal harmonies that are so infectious they'll be rattling around your brain for weeks on end. Then again this should come as no surprise to anyone who has followed face to face's 30-year history. While their sound is rooted in the West Coast punk genre they helped pioneer, "No Way Out But Through" raises the sonic bar when it comes to songwriting, arranging and musicianship. While at lot of bands celebrating their 30th anniversary are releasing reissues and retreading their past, face to face have crafted one of the most vital and energized albums of their career.
Please note: new street date is TBA. Kero Kero Bonito are a London-based experimental pop trio, comprised of bilingual Anglo-Japanese singer Sarah and producers Gus and Jamie. Having previously made college radio indie and viral Casio megahits, the six track "Civilisation" mini-album compiles the "lost world junk pop" of the band's "Civilisation I" and "Civilisation II" EP's. "Civilisation" was inspired by the art pop lineage of artists like Kate Bush, David Sylvian and Peter Gabriel, with a sonic palette informed by Warp's "Artificial Intelligence" series, homemade New Age music and early digital synth experiments. It was created entirely with dusty old musical hardware and uses both ancient musical tropes (pentatonic scales, minimalist repetition) and contemporary songwriting techniques to summon an out-of-time atmosphere that spans the past, present and future simultaneously. The songs tackle widescreen themes like psychological warfare (on the mystical polyrhythmic funk of "Battle Lines"), ancient mythology (on the energetic, melancholy synth-pop of "The Princess and the Clock") and the resurrection of the dead (on "Well Rested", the record's 7-minute psychedelic house closer).
Please note: new street date is September 10. Kero Kero Bonito are a London-based experimental pop trio, comprised of bilingual Anglo-Japanese singer Sarah and producers Gus and Jamie. Having previously made college radio indie and viral Casio megahits, the six track "Civilisation" mini-album compiles the "lost world junk pop" of the band's "Civilisation I" and "Civilisation II" EP's. "Civilisation" was inspired by the art pop lineage of artists like Kate Bush, David Sylvian and Peter Gabriel, with a sonic palette informed by Warp's "Artificial Intelligence" series, homemade New Age music and early digital synth experiments. It was created entirely with dusty old musical hardware and uses both ancient musical tropes (pentatonic scales, minimalist repetition) and contemporary songwriting techniques to summon an out-of-time atmosphere that spans the past, present and future simultaneously. The songs tackle widescreen themes like psychological warfare (on the mystical polyrhythmic funk of "Battle Lines"), ancient mythology (on the energetic, melancholy synth-pop of "The Princess and the Clock") and the resurrection of the dead (on "Well Rested", the record's 7-minute psychedelic house closer).
Please note: new street date is TBA. Kero Kero Bonito are a London-based experimental pop trio, comprised of bilingual Anglo-Japanese singer Sarah and producers Gus and Jamie. Having previously made college radio indie and viral Casio megahits, the six track "Civilisation" mini-album compiles the "lost world junk pop" of the band's "Civilisation I" and "Civilisation II" EP's. "Civilisation" was inspired by the art pop lineage of artists like Kate Bush, David Sylvian and Peter Gabriel, with a sonic palette informed by Warp's "Artificial Intelligence" series, homemade New Age music and early digital synth experiments. It was created entirely with dusty old musical hardware and uses both ancient musical tropes (pentatonic scales, minimalist repetition) and contemporary songwriting techniques to summon an out-of-time atmosphere that spans the past, present and future simultaneously. The songs tackle widescreen themes like psychological warfare (on the mystical polyrhythmic funk of "Battle Lines"), ancient mythology (on the energetic, melancholy synth-pop of "The Princess and the Clock") and the resurrection of the dead (on "Well Rested", the record's 7-minute psychedelic house closer).
October 8 street date (CD)/LP street date is TBA. The Last Gang hit the ground running with their Fat Wreck Chords debut 7" "Sing For Your Supper" in December 2017. From the second that needle dropped, fans felt the infectious energy these LA punks have become known for. Now about to release their second full-length album, they show no signs of slowing down. It seems they are just getting started. One listen to "Noise Noise Noise", and you'll discover a band who has not only pushed their musical boundaries in new and unexpected ways; but as a lyricist, Brenna Red has unlocked a new side of herself, spitting barbs both personal and political at whoever might listen. "Noise Noise Noise" is nothing if not full of curveballs. The Last Gang are at their absolute best on "Noise Noise Noise", as they once again teamed up with Cameron Webb (Motorhead, NOFX, Alkaline Trio) to bring their fans every ounce of piss and vinegar they have been so eagerly awaiting.
Please note new street date: June 12. From Shrine to Stax, Isaac Hayes to Gloria Ann Taylor, The Mad Lads to The Staple Singers, Detroit to Atlanta, Kendrick to Pusha-T, Dale Warren's singular voice is the lone constant. Beneath the ethereal beauty of his productions was a genius crippled by his unbridled id. His ever-evolving 24-Carat Black project spanned the 1970s, producing a masterpiece and an unfinished follow up. Discovered in a storage space were Warren's 1980s demos cut with grown 'n' sexy divas Princess Hearn, Vicki Gray, and LaRhonda LeGette right before his untimely death at the age of 50. "III" is an unfinished symphony that peels away the final layer of Dale Warren's mysterious oeuvre.
September 24 street date. Less than two years after its predecessor's release, A Pale Horse Named Death are poised to unveil their fourth full-length album, "Infernum In Terra". Sal Abruscato's latest collection of crestfallen anthems showcases a bold and adventurous new upgrade for APHND's trademark sound, with greater subtleties and depths but also some of the heaviest, gnarliest riffs the band have ever unleashed. Combined with a production that fills the room with sparkling clarity and choking gloom, "Infernum In Terra" will satisfy every last one of the New Yorkers' fans, while expanding Abruscato's singular vision beyond all expectation. New songs like "Cast Out From The Sky" and visceral and epic first single "Reflections Of The Dead" are, of course, sodden with misery and emotional turmoil, but previous albums' myopic approach has been rejected here. Instead, "Infernum In Terra" makes intermittent concessions to a more outward-looking perspective, enabling A Pale Horse Named Death to pass through fresh thematic territory.
September 24 street date. Less than two years after its predecessor's release, A Pale Horse Named Death are poised to unveil their fourth full-length album, "Infernum In Terra". Sal Abruscato's latest collection of crestfallen anthems showcases a bold and adventurous new upgrade for APHND's trademark sound, with greater subtleties and depths but also some of the heaviest, gnarliest riffs the band have ever unleashed. Combined with a production that fills the room with sparkling clarity and choking gloom, "Infernum In Terra" will satisfy every last one of the New Yorkers' fans, while expanding Abruscato's singular vision beyond all expectation. New songs like "Cast Out From The Sky" and visceral and epic first single "Reflections Of The Dead" are, of course, sodden with misery and emotional turmoil, but previous albums' myopic approach has been rejected here. Instead, "Infernum In Terra" makes intermittent concessions to a more outward-looking perspective, enabling A Pale Horse Named Death to pass through fresh thematic territory.
July 23 street date. Lee Aaron, the metal queen herself, is back with her new album "Radio On!". On 12 brand new songs, the exceptional singer shows herself from her strongest side and fulfils all expectations that one can have of a great rock album. Just like the numerous FM stations that once ruled the airwaves, "Radio On!" is an album packed with classic, melodic rock hooks, nasty guitar riffs, big harmonies and inspired songwriting. Lee Aaron combines these qualities through catchy, soaring melodies carried by her unique, versatile voice. "Radio On!" is an album of non-stop versatile melodic rock at its best.
March 19 street date (CD) / May 14 (LP). Ryan Adams' first album in three years, "Wednesdays", is purely raw, vulnerable, and honest. The music takes you on a deep dive exploring the complex heart of Ryan Adams, through a journey of love, pain, and heartbreak. The album so effortlessly creates an immediate connection with anyone who has ever experienced love lost - the type of love that haunts you in quiet places of your mind. While the lyrics walk you through the vast emotional layers of grief, they also remind you of the rich memories of a love that will forever remain a part of you.
Please note new street date for LP: May 14. Ryan Adams' first album in three years, "Wednesdays", is purely raw, vulnerable, and honest. The music takes you on a deep dive exploring the complex heart of Ryan Adams, through a journey of love, pain, and heartbreak. The album so effortlessly creates an immediate connection with anyone who has ever experienced love lost - the type of love that haunts you in quiet places of your mind. While the lyrics walk you through the vast emotional layers of grief, they also remind you of the rich memories of a love that will forever remain a part of you.
June 11 street date. "Big Colors is the soundtrack to a movie from 1984 that exists only in my soul. It's a cliché inside a watercolor painting of neon blue smoke rising up off summer streets in the night. It's the most New York California album I could cut loose from my musical soul, and for me as both a guitar player and songwriter, this is the zenith point dream time. While I won't be able to match this album for its depth and broad color forms in the future, this is the sound of my soul and a door to a place I'll be returning to again. The treasures in our past are the shamanic visions of the future when the destination is dream zone 3000. This is that. I'm only dreaming in Big Colors now" - Ryan Adams. Vinyl edition coming later this year.
Please note new street date: May 15. "Perception is/as/of Deception" is an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. The album was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach.
Please note new street date: May 15. "Perception is/as/of Deception" is an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. The album was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach.
July 16 street date. The explosion of indie Hip Hop labels in the early 1990s resulted in an ongoing snowball effect that started to shift the narrative around an artist's need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home. "Appleseed" was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Finally, 21 years after its debut, "Appleseed" officially returns, now available on all digital platforms, as well as on vinyl for the first time!
July 16 street date. The explosion of indie Hip Hop labels in the early 1990s resulted in an ongoing snowball effect that started to shift the narrative around an artist's need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home. "Appleseed" was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Finally, 21 years after its debut, "Appleseed" officially returns, now available on all digital platforms, as well as on vinyl for the first time!
August 13 street date. Lydia Ainsworth's latest album "Sparkles & Debris" reflects her usual composer's mindset and instinct for idiosyncratic melodies and structures. It also marks a departure from the more solitary creative process that her previous releases were born from. The record blends live drums, guitars and bass with her signature vast electronic landscapes, samples, programming, and voice to create the record's sonic tapestry. "Longing seems to be a major theme running through my songs on this album", says Ainsworth. "Whether that is longing in love, longing to be free from oppression, or longing for the muse of inspiration to make an appearance. I have included some spells and charms in there as well that have proven effective, if any ofmy listeners want to use them for help with their own desires".
August 13 street date. Lydia Ainsworth's latest album "Sparkles & Debris" reflects her usual composer's mindset and instinct for idiosyncratic melodies and structures. It also marks a departure from the more solitary creative process that her previous releases were born from. The record blends live drums, guitars and bass with her signature vast electronic landscapes, samples, programming, and voice to create the record's sonic tapestry. "Longing seems to be a major theme running through my songs on this album", says Ainsworth. "Whether that is longing in love, longing to be free from oppression, or longing for the muse of inspiration to make an appearance. I have included some spells and charms in there as well that have proven effective, if any ofmy listeners want to use them for help with their own desires".
April 23 street date. Alfa Mist is one of the driving forces behind a young and vibrant scene of UK musicians who've taken on jazz as their musical narrative. On his new album "Bring Backs" the producer, self-taught pianist and rapper takes us on a sonic trip back to his beat-making past on the streets of East London, through the depth and musicality he discovered composing and playing jazz. 2017 saw the release of Alfa's breakthrough record, "Antiphon" and the 2019 album "Structuralism" were both self-released on his Sekito label. His latest endeavour, 2021's "Bring Backs", sees Alfa taking on new challenges. The record marks his first release for the label Anti and is also the most detailed exploration of his upbringing in musical form.
April 23 street date. Alfa Mist is one of the driving forces behind a young and vibrant scene of UK musicians who've taken on jazz as their musical narrative. On his new album "Bring Backs" the producer, self-taught pianist and rapper takes us on a sonic trip back to his beat-making past on the streets of East London, through the depth and musicality he discovered composing and playing jazz. 2017 saw the release of Alfa's breakthrough record, "Antiphon" and the 2019 album "Structuralism" were both self-released on his Sekito label. His latest endeavour, 2021's "Bring Backs", sees Alfa taking on new challenges. The record marks his first release for the label Anti and is also the most detailed exploration of his upbringing in musical form.
January 24 street date. "A true legend and a hero. I love Terry's music so much" - Kurt Vile. Iconic and iconoclastic Texan songwriter and visual artist Terry Allen's heartbreaking, hilarious new album, his first set of new songs since 2013's "Bottom Of The World", features the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin. The connections to Melville's masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to "Lubbock (on everything)", "Just Like Moby Dick" casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis, the death of the last stripper in town, bloodthirsty pirates, the wars in Iraq and Afghanistan, a vampire-infested circus, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. The deluxe tip-on gatefold 2xLP package features lyrics, color labels, high-res Bandcamp download code, three sides of music, and a fourth-side vinyl etching artwork by Allen.
January 24 street date. "A true legend and a hero. I love Terry's music so much" - Kurt Vile. Iconic and iconoclastic Texan songwriter and visual artist Terry Allen's heartbreaking, hilarious new album, his first set of new songs since 2013's "Bottom Of The World", features the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin. The connections to Melville's masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to "Lubbock (on everything)", "Just Like Moby Dick" casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis, the death of the last stripper in town, bloodthirsty pirates, the wars in Iraq and Afghanistan, a vampire-infested circus, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells. The deluxe tip-on gatefold 2xLP package features lyrics, color labels, high-res Bandcamp download code, three sides of music, and a fourth-side vinyl etching artwork by Allen.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
July 23 street date. When asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite "Anika", the artist suddenly found herself with a lot to say. Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. Despite the subject matter and the circumstances around its creation, "Change" itself is ultimately a treatise on optimism.
March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change".
March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change".
March 26 street date. "Green To Gold" is the much-anticipated new album from New York based Indie/Folk band The Antlers. Perhaps what distinguishes "Green To Gold" from the rest of The Antlers' canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, "Green To Gold" is the band's first new music in nearly seven years, and easily their most luminous to date. The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Singer and primary songwriter Peter Silberman explains. "I took these health obstacles as a sign that I should change course for a little while. I hadn't made a full stop like that since The Antlers began. I think the shift in tone is the result of getting older. It doesn't make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I'm sure our audience does too. "Green To Gold" is about this idea of gradual change".
February 26 street date. Architects are back with their ninth studio album "For Those That Wish To Exist". The band have confirmed their ascent to the very upper echelons of British heavy music. Few bands, of this modern era or any other, can match the quintet's ability to blend uncompromising heaviness with razor-sharp melodic musicianship. A versatile metal group based out of Brighton, England, Architects employ a lethal combination of breakdown-heavy guitars, melodic vocals and symphonic-ambient post-metal. That sonic delivery is conducted from a platform built on veganism and environmental activism.
February 26 street date. Architects are back with their ninth studio album "For Those That Wish To Exist". The band have confirmed their ascent to the very upper echelons of British heavy music. Few bands, of this modern era or any other, can match the quintet's ability to blend uncompromising heaviness with razor-sharp melodic musicianship. A versatile metal group based out of Brighton, England, Architects employ a lethal combination of breakdown-heavy guitars, melodic vocals and symphonic-ambient post-metal. That sonic delivery is conducted from a platform built on veganism and environmental activism.
February 26 street date. Architects are back with their ninth studio album "For Those That Wish To Exist". The band have confirmed their ascent to the very upper echelons of British heavy music. Few bands, of this modern era or any other, can match the quintet's ability to blend uncompromising heaviness with razor-sharp melodic musicianship. A versatile metal group based out of Brighton, England, Architects employ a lethal combination of breakdown-heavy guitars, melodic vocals and symphonic-ambient post-metal. That sonic delivery is conducted from a platform built on veganism and environmental activism. Also available on CD and 2LP black vinyl.
November 6 street date. The pioneering electronic composer Mort Garson ("Mother Earth's Plantasia") takes on supernatural phenomena with lush synth grooves on "The Unexplained", his only release under the name Ataraxia. Subtitled "Electronic Musical Impressions of the Occult", the album explores tarot, astral projection, seances, and more with Garson's signature Moog synthesizer serving as the listener's tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but it also takes its subject matter seriously, making it essential for anyone interested in musical conjurations of the occult. This remastered edition marks the first official reissue of the album since its initial 1975 release, and it includes all the original liner notes.
November 6 street date. The pioneering electronic composer Mort Garson ("Mother Earth's Plantasia") takes on supernatural phenomena with lush synth grooves on "The Unexplained", his only release under the name Ataraxia. Subtitled "Electronic Musical Impressions of the Occult", the album explores tarot, astral projection, seances, and more with Garson's signature Moog synthesizer serving as the listener's tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but it also takes its subject matter seriously, making it essential for anyone interested in musical conjurations of the occult. This remastered edition marks the first official reissue of the album since its initial 1975 release, and it includes all the original liner notes.
May 15 street date. For over 20 years, Atmosphere have pursued the underbelly of what it means to be human with a rabid curiosity. Ant's dusky production has provided the pulse for Slug's evolving and matter-of-fact pen. As Slug transitioned from throwing-up-in-the-backseat-raps to holding-hands-when-you-cross-the-street-raps, Ant has grown to be a master of crate digging and unearthing the humanity of a drum loop. Thriving at the intersection of guttural and self-effacing, Atmosphere will go down as some of America's best archivists. On "Whenever", the duo continue to move in lockstep. Within the minutiae lie clues they're still struggling with mortality and the need to protect emotional energy, as on previous releases, but there's a quiet romanticism now, with Slug sounding - reluctantly - in love with life. And no other producer can pull truths out of a rapper like Ant fishes the blues out of Slug. The album breathes in the way only Slug and Ant could summon a collective breath. On "Whenever", the duo inhale panic and exhale greatness.
May 15 street date. For over 20 years, Atmosphere have pursued the underbelly of what it means to be human with a rabid curiosity. Ant's dusky production has provided the pulse for Slug's evolving and matter-of-fact pen. As Slug transitioned from throwing-up-in-the-backseat-raps to holding-hands-when-you-cross-the-street-raps, Ant has grown to be a master of crate digging and unearthing the humanity of a drum loop. Thriving at the intersection of guttural and self-effacing, Atmosphere will go down as some of America's best archivists. On "Whenever", the duo continue to move in lockstep. Within the minutiae lie clues they're still struggling with mortality and the need to protect emotional energy, as on previous releases, but there's a quiet romanticism now, with Slug sounding - reluctantly - in love with life. And no other producer can pull truths out of a rapper like Ant fishes the blues out of Slug. The album breathes in the way only Slug and Ant could summon a collective breath. On "Whenever", the duo inhale panic and exhale greatness.
October 8 street date. Following their last release, "The Day Before Halloween" - an imaginative, distorted-synth-driven concept album - Atmosphere returns with a refreshing new project, simply titled "WORD?". Steering back toward their signature sound, the album further highlights producer Ant's undeniable talents as the project leans into the classic boom-bap aesthetic, bringing a unique energy out of Slug's wisdom, wit and delivery. From onset, "WORD?" proves to be every bit an exercise in refining and advancing their craft as it is a harkening to earlier work. That is, while their releases have grown more broodingly cinematic, and increasingly concerned with the human condition and mortality, "WORD?" manages to reintroduce moments of levity and lightheartedness throughout, an approach seldom heard on their albums of late. Ultimately, "WORD?" pairs the breadth of Atmosphere's talents with the beauty of their growth, all while showing they still have a lot of fun in the process and don't mind letting the listener in on the fun as well.
October 8 street date. Following their last release, "The Day Before Halloween" - an imaginative, distorted-synth-driven concept album - Atmosphere returns with a refreshing new project, simply titled "WORD?". Steering back toward their signature sound, the album further highlights producer Ant's undeniable talents as the project leans into the classic boom-bap aesthetic, bringing a unique energy out of Slug's wisdom, wit and delivery. From onset, "WORD?" proves to be every bit an exercise in refining and advancing their craft as it is a harkening to earlier work. That is, while their releases have grown more broodingly cinematic, and increasingly concerned with the human condition and mortality, "WORD?" manages to reintroduce moments of levity and lightheartedness throughout, an approach seldom heard on their albums of late. Ultimately, "WORD?" pairs the breadth of Atmosphere's talents with the beauty of their growth, all while showing they still have a lot of fun in the process and don't mind letting the listener in on the fun as well.
July 16 street date. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, have amassed a cult following around the globe. With a slew of classic 7" singles and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled "Expansions", BRSB are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella.
July 16 street date. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, have amassed a cult following around the globe. With a slew of classic 7" singles and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled "Expansions", BRSB are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella.
July 16 street date. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, have amassed a cult following around the globe. With a slew of classic 7" singles and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled "Expansions", BRSB are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella.
July 30 street date. "I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. The four tracks come from the "Rock for Light" sessions, and were produced by Ric Ocasek. The release was previously out of print for nearly four decades. This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: October 8. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: October 8. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: October 8. "Rock For Light" is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. Org Music are proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: June 11. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: June 11. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: June 11. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
Please note new street date: July 9. Canadian exclusive edition of this all-time classic! Red splatter on white vinyl, limited to 500 copies. "Bad Brains" is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song "Black Dots" album in 1979 and the 5-song "Omega Sessions" EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.
June 19 street date. Bad Cop/Bad Cop has done angry. The band's 2017 full-length, "Warriors", was recorded in the aftermath of the 2016 presidential election. The message the band is sending this time around on their third full-length album "The Ride" is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. That positivity fuels many of the album's tracks. This self-love is tasking the listener with putting a fix on the problems at hand and finding it in themselves to create the life that they want. Singer Stacey Dee speaks from experience. In 2018 she was hospitalized twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on "Breastless", whose bright melodies belie the struggle described in the lyrics. The perspective behind "The Ride" lends it an undeniable maturity, without losing its power. The album boasts all of the elements of Bad Cop/Bad Cop's sound: big guitars, lock-step bass and drums, intricate vocal harmonies, and plenty of attitude. The only difference this time is the attitude is encouraging, not raging.
June 19 street date. Bad Cop/Bad Cop has done angry. The band's 2017 full-length, "Warriors", was recorded in the aftermath of the 2016 presidential election. The message the band is sending this time around on their third full-length album "The Ride" is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. That positivity fuels many of the album's tracks. This self-love is tasking the listener with putting a fix on the problems at hand and finding it in themselves to create the life that they want. Singer Stacey Dee speaks from experience. In 2018 she was hospitalized twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on "Breastless", whose bright melodies belie the struggle described in the lyrics. The perspective behind "The Ride" lends it an undeniable maturity, without losing its power. The album boasts all of the elements of Bad Cop/Bad Cop's sound: big guitars, lock-step bass and drums, intricate vocal harmonies, and plenty of attitude. The only difference this time is the attitude is encouraging, not raging.
October 8 street date. Canadian ensemble BADBADNOTGOOD made their name by crossing genres. Instead of working within traditional jazz standards, the classically-trained group sidestepped them and drew from hip hop and other contemporary genres to create a unique sound rooted in Black American music. Yet, their latest album and first for XL Recordings, "Talk Memory", sees the band take a different tact: paying homage to the musicians, composers, innovators and influences that first informed their work. With "Talk Memory", the trio of Alexander Sowinski (drums), Chester Hansen (bass) and Leland Whitty (guitar/ woodwinds), return to their beginnings. Following years of touring, the band paused to refresh and look at their history and experiences. Rather than improvising and developing tracks on the road, this time around that gestation process happened in the studio with a bevy of musicians walking through the doors on equal footing. As a result, the album is an aural odyssey about collective balance and harmony, with all the sense of psychedelic narrative that entails.
February 12 street date. Bailter Space's "Wammo" is back in print for the first time since the album's release 25 years ago. The LP is pressed onto limited transparent orange vinyl and features newly remastered audio from the original session reels. Formed in Christchurch, New Zealand in 1987 as Nelsh Bailter Space, the band's musical family tree touches on some of the nation's most revered weirdo luminaries - including Flying Nun mainstays like the Skeptics, the Clean, and the Gordons. Bailter Space embraced chaos, but celebrated precision, finding melody amid networks of brooding noise and feedback. After relocating to New York City, the band - who by then included Alister Parker, John Halvorsen, and Brent McLachlan - arrived on Matador in time for the US release of "Robot World" (1993). "Wammo" was the trio's third and final full-length with the label (their fifth album overall) and was among its most tuneful efforts (relatively speaking!). At the time, music scribes were a bit puzzled by the record's "accessibility". In the rear view, though, we can recognize "Wammo" for the perfectly melancholy and drone-laced brain-zap that it is.
February 26 street date. Julien Baker will release her third studio album, "Little Oblivions", on February 26 via Matador Records. Her first full length since 2017's "Turn Out The Lights", "Little Oblivions" was recorded in Memphis, TN between December 2019 and January 2020. The record weaves together unflinching autobiography with assimilated experience and hard won observations from the past few years, taking Baker's capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.
February 26 street date. Julien Baker will release her third studio album, "Little Oblivions", on February 26 via Matador Records. Her first full length since 2017's "Turn Out The Lights", "Little Oblivions" was recorded in Memphis, TN between December 2019 and January 2020. The record weaves together unflinching autobiography with assimilated experience and hard won observations from the past few years, taking Baker's capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker. Please note: limited edition yellow vinyl is now sold out.
August 13 street date. "Refuge" is a meditation collaboration from Devendra Banhart and Noah Georgeson. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album "Cripple Crow" and they have been working together ever since. As Devendra and Noah got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. "Refuge" is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal.
August 13 street date. "Refuge" is a meditation collaboration from Devendra Banhart and Noah Georgeson. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album "Cripple Crow" and they have been working together ever since. As Devendra and Noah got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. "Refuge" is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal.
August 13 street date. "Refuge" is a meditation collaboration from Devendra Banhart and Noah Georgeson. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album "Cripple Crow" and they have been working together ever since. As Devendra and Noah got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. "Refuge" is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal.
May 28 street date. After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. On his new solo album, "Reason To Live", he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. "Reason To Live" is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. By folding the many facets of his life into one package, "Reason To Live" radiates with a renewed balance and calm.
May 28 street date. After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. On his new solo album, "Reason To Live", he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. "Reason To Live" is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. By folding the many facets of his life into one package, "Reason To Live" radiates with a renewed balance and calm.
May 28 street date. After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. On his new solo album, "Reason To Live", he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. "Reason To Live" is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. By folding the many facets of his life into one package, "Reason To Live" radiates with a renewed balance and calm.
LP and CD in stock now. Jennah Barry's long-awaited sophomore release!! (new single hiit #5 on CBC Top 20. Confirmed coverage from Mojo, Popmatters, Exclaim! & many more!!) - Hailing from the coastal haven of Mahone Bay, Nova Scotia, Jennah Barry is one of Atlantic Canada’s surest sirens. Her undeniable, rosewater voice sets a mood wherein even the hardest truths seem palatable. Moving effortlessly between folk, country and soft rock motifs, Barry’s music, last heard on her instantly classic debut Young Men, sets her at the forefront of a tradition of women making music as strong as it is sentimental. "Hazy and calm and entirely entrancing" - The Line of Best Fit // "Barry has an unsettling ability to capture the warmth of an evening (possibly seaside) while slowly cracking into that cozy façade with the tap-tap of insistent heartbreak." - CBC Music
November 13 street date. William Basinski's reputation as the foremost producer of profound meditations on death and decay has long been established, but on his new album, "Lamentations", he transforms operatic tragedy into abyssal beauty. More than any other work since "The Disintegration Loops", there is an ominous grief throughout the album, and that sense of loss lingers like an emotional vapor. Captured and constructed from tape loops and studies from Basinski's archives - dating back to 1979 - "Lamentations" is over forty years of mournful sighs meticulously crafted into songs. They are shaped by the inevitable passage of time and the indisputable collapsing of space - and their collective resonance is infinite and eternal.
August 29 RECORD STORE DAY DROP. BAYSIDE has always focused on creating songs that are relevant to people who want substance, rather than being relegated to one genre. With Interrobang, the band has put together an eclectic, inspiring, and bold collection of songs. Raneri shares, “Love it or hate it, we wanted the record to invoke something in people. We said with this record we either wanted to create something great or fall on our faces. Negative or positive, we just didn’t want the record to be ‘fine.’” While many bands would coast on their past success, BAYSIDE rejects the premise and proves with Interrobang, that the best is yet to come. This 7” is a record store day exclusive with Bayside’s song “Heaven,” off of their latest album “Interrobang,” b/w an unreleased acoustic version. For Fans Of: Alkaline Trio, The Menzingers, Taking Back Sunday
July 10 street date. The debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer/songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch release, one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This release, produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal "Mirror Reaper" opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass/vocals) and Jesse Shreibman (drums/synthesizers/vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes its own singular, unparalleled doom metal entity.
July 10 street date. The debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer/songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch release, one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This release, produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal "Mirror Reaper" opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass/vocals) and Jesse Shreibman (drums/synthesizers/vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes its own singular, unparalleled doom metal entity.
December 11 street date. "What To Look For In Summer" is a live double album gathering choice selections from Belle And Sebastian's 2019 world tour. Neither a retrospective nor a back-door greatest-hits, "What To Look For In Summer" is the sound of a band that's always moving forward, a picture of Belle and Sebastian in 2019 that gives equal weight to early days ("My Wandering Days Are Over", "Seeing Other People") and recent years.
December 11 street date. "What To Look For In Summer" is a live double album gathering choice selections from Belle And Sebastian's 2019 world tour. Neither a retrospective nor a back-door greatest-hits, "What To Look For In Summer" is the sound of a band that's always moving forward, a picture of Belle and Sebastian in 2019 that gives equal weight to early days ("My Wandering Days Are Over", "Seeing Other People") and recent years.
January 29 street date. "The Besnard Lakes Are The Last of the Great Thunderstorm Warnings" is the group's sixth album and the first on Flemish Eye. After 2016's "A Coliseum Complex Museum" - which saw Jace Lasek and Olga Goreas attempting shorter, less sprawling songs - the Besnards and their label decided it was time to go their separate ways; with that decision came a question of whether to even continue the project at all. What use is a band with an instinct for long, tectonic tunes - rock songs with chthonic heft and ethereal grace, 5 or 10 or 18 minutes long? How do you sell that in an age of bite-sized streaming? How do you make it relevant? Despite all its grandeur, "...The Last of the Great Thunderstorm Warnings" honours the very essence of punk rock: the notion that a band need only be relevant to itself. At last the Besnard Lakes have crafted a continuous long-form suite: nine tracks that could be listened together as one, overflowing with melody and harmony, drone and dazzle, the group's own unique weather. In late 2020, as the world burns, there might be nothing less trendy than an hour-long psych-rock epic by a band of Canadian grandmasters. Then again, there might be nothing we need more.
January 29 street date. "The Besnard Lakes Are The Last of the Great Thunderstorm Warnings" is the group's sixth album and the first on Flemish Eye. After 2016's "A Coliseum Complex Museum" - which saw Jace Lasek and Olga Goreas attempting shorter, less sprawling songs - the Besnards and their label decided it was time to go their separate ways; with that decision came a question of whether to even continue the project at all. What use is a band with an instinct for long, tectonic tunes - rock songs with chthonic heft and ethereal grace, 5 or 10 or 18 minutes long? How do you sell that in an age of bite-sized streaming? How do you make it relevant? Despite all its grandeur, "...The Last of the Great Thunderstorm Warnings" honours the very essence of punk rock: the notion that a band need only be relevant to itself. At last the Besnard Lakes have crafted a continuous long-form suite: nine tracks that could be listened together as one, overflowing with melody and harmony, drone and dazzle, the group's own unique weather. In late 2020, as the world burns, there might be nothing less trendy than an hour-long psych-rock epic by a band of Canadian grandmasters. Then again, there might be nothing we need more.
Please note new street date: April 16 (LP) / April 30 (CD). Hot on the heels of five viral video singles, "Tea Party Revenge Porn", the first full album since 2014 by Jello Biafra And The Guantanamo School Of Medicine, is finally here! This is very strong stuff. Hear the inimitable Mr. B skewer the place the country has put itself in like no one else would - or could - as he and The Guantanamo School Of Medicine capture the full power of their live shows on disc as never before. Only so many artists have a track record of lyrics this good, and back it up with music as good or better. So as germs and police riots rage, there's no better primal scream therapy than a long-awaited new Jello Biafra album.
Please note new street date: April 16 (LP) / April 30 (CD). Hot on the heels of five viral video singles, "Tea Party Revenge Porn", the first full album since 2014 by Jello Biafra And The Guantanamo School Of Medicine, is finally here! This is very strong stuff. Hear the inimitable Mr. B skewer the place the country has put itself in like no one else would - or could - as he and The Guantanamo School Of Medicine capture the full power of their live shows on disc as never before. Only so many artists have a track record of lyrics this good, and back it up with music as good or better. So as germs and police riots rage, there's no better primal scream therapy than a long-awaited new Jello Biafra album.
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
August 27 street date. Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music - be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation, among many other projects. On Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's ever-morphing project with Bon Iver's Justin Vernon, many of Dessner's previous collaborators and friends show up, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold, Ben Howard and This Is The Kit, Naeem, Sharon Van Etten, Lisa Hannigan, and My Brightest Diamond's Shara Nova "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together".
July 17 street date. Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, has announced the release of "Species", which will be released on 17 July. "Species" is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass. "I suppose what interested me the most in putting this together was the concept of trance and what can happen to the listener by submitting to the wave of the thing," Moore explains. "Species", and the transcendental state it embodies, was inspired by two recent loves of Moore's: the desert and long-distance running. Bing & Ruth have had to postpone their previously scheduled Spring/Summer tour. Canadian dates will now take place on September 1st (Toronto - Brothers Dressler) and September 2nd (Montreal - La Sala Rossa).
July 17 street date. Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, has announced the release of "Species", which will be released on 17 July. "Species" is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass. "I suppose what interested me the most in putting this together was the concept of trance and what can happen to the listener by submitting to the wave of the thing," Moore explains. "Species", and the transcendental state it embodies, was inspired by two recent loves of Moore's: the desert and long-distance running. Bing & Ruth have had to postpone their previously scheduled Spring/Summer tour. Canadian dates will now take place on September 1st (Toronto - Brothers Dressler) and September 2nd (Montreal - La Sala Rossa).
January 24 street date. It's country music but not as we know it which begs the question: have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio album? ‘Sing In A World That’s Falling Apart’ continues to flick the middle finger to one and all. This ain't another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clichés about drinking, honky tonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre. They also dug contemporary hip-hop and punk and actualized themselves. Like so many dramatic moments in the Black Lips career, ‘Sing In A World That’s Falling Apart’ was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. They roll on with an unapologetic southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips!
January 24 street date. It's country music but not as we know it which begs the question: have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio album? ‘Sing In A World That’s Falling Apart’ continues to flick the middle finger to one and all. This ain't another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clichés about drinking, honky tonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre. They also dug contemporary hip-hop and punk and actualized themselves. Like so many dramatic moments in the Black Lips career, ‘Sing In A World That’s Falling Apart’ was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. They roll on with an unapologetic southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips!
January 24 street date. Limited deluxe red vinyl edition, with a die cut spot gloss sleeve and poster - available exclusively to indie shops. It's country music but not as we know it which begs the question: have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio album? ‘Sing In A World That’s Falling Apart’ continues to flick the middle finger to one and all. This ain't another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clichés about drinking, honky tonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre. They also dug contemporary hip-hop and punk and actualized themselves. Like so many dramatic moments in the Black Lips career, ‘Sing In A World That’s Falling Apart’ was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. They roll on with an unapologetic southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips!
February 28 street date. Black Market Brass' sophomore record, "Undying Thirst", is a noxious brew of diesel and bleach; a special long-player full of wasteoid rippers for skullduggerous hover-bike gangs peddling fugazi relics and snake oil tinctures. Hellacious guitars, nitrous-charged percussion, a brass section harsher than paint-thinner, and a special batch of short-circuited electronics and synthesizers will leave your head buzzing into the 31st century. Blasting "Undying Thirst" from your home speaker system is like going over a waterfall in a rusted out oil barrel, long after the sun has boiled the falls dry. RIYL Antibalas or The Budos Band.
February 28 street date. Black Market Brass' sophomore record, "Undying Thirst", is a noxious brew of diesel and bleach; a special long-player full of wasteoid rippers for skullduggerous hover-bike gangs peddling fugazi relics and snake oil tinctures. Hellacious guitars, nitrous-charged percussion, a brass section harsher than paint-thinner, and a special batch of short-circuited electronics and synthesizers will leave your head buzzing into the 31st century. Blasting "Undying Thirst" from your home speaker system is like going over a waterfall in a rusted out oil barrel, long after the sun has boiled the falls dry. RIYL Antibalas or The Budos Band.
May 28 street date. "Cavalcade" is a dynamic, hellacious, and inventive follow-up to 2019's widely-praised "Schlagenheim". It scales beautiful new heights, pulling widely from a plethora of genres and influences, reaching ever upwards from an already lofty base of early achievements. black midi - Geordie Greep (guitar, primary vocals), Cameron Picton (bass, vocals), and Morgan Simpson (drums) - picture "Cavalcade" as a line of larger than life figures, from a cult leader fallen on hard times and an ancient corpse found in a diamond mine to legendary cabaret singer Marlene Dietrich, strolling seductively past them. "When you're listening, you can imagine all the characters form a sort of cavalcade. Each tells their story one by one and as each track ends they overtake you, replaced by the next in line," comments Picton. With original band member guitarist/vocalist Matt Kwasniewski-Kelvin taking time away from the group to focus on his mental health, black midi chose to augment their sound on "Cavalcade", rather than replicate it, with saxophonist Kaidi Akinnibi and keyboard player Seth Evans.
May 28 street date. "Cavalcade" is a dynamic, hellacious, and inventive follow-up to 2019's widely-praised "Schlagenheim". It scales beautiful new heights, pulling widely from a plethora of genres and influences, reaching ever upwards from an already lofty base of early achievements. black midi - Geordie Greep (guitar, primary vocals), Cameron Picton (bass, vocals), and Morgan Simpson (drums) - picture "Cavalcade" as a line of larger than life figures, from a cult leader fallen on hard times and an ancient corpse found in a diamond mine to legendary cabaret singer Marlene Dietrich, strolling seductively past them. "When you're listening, you can imagine all the characters form a sort of cavalcade. Each tells their story one by one and as each track ends they overtake you, replaced by the next in line," comments Picton. With original band member guitarist/vocalist Matt Kwasniewski-Kelvin taking time away from the group to focus on his mental health, black midi chose to augment their sound on "Cavalcade", rather than replicate it, with saxophonist Kaidi Akinnibi and keyboard player Seth Evans.
July 16 street date. Karen Black was boundless. An actor, singer, screenwriter, poet, and unyielding creative spirit, she was a prominent figure in the American New Wave, portraying a host of tender and labyrinthine women on screen. Her ability to submerge herself in each role marked her as a skilled character actor, one that translated into a real and imperfect person, not a polished emblem of Hollywood. And in her best-suited and most vulnerable performances, she sang. Amid her meteoric rise, Black also wrote and recorded a host of original songs, many with two of the era's most prestigious producers, Bones Howe and Elliot Mazer. Co-produced by Cass McCombs and meticulously restored from the original tapes (including six of Howe's recordings), Karen Black's "Dreaming of You (1971-1976)" gathers for the first time the best of her recordings: 15 tracks that are a holistic depiction of her dreamy, introspective and earnest musical identity. Recalling the everywoman quality of Judy Collins and the quiet mystery of Billie Holiday, Black largely sings over simple acoustic guitar strumming, her voice a beacon amid tales of fantasy and heartache. Her range swings from fluttering highs to earthen lows, with a distinctiveness that evokes the enduring quality of early Asylum Records.
February 26 street date. "In Ferneaux" explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment. With "In Ferneaux", Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.
February 26 street date. "In Ferneaux" explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment. With "In Ferneaux", Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.
February 19 street date. The cover art for "iii", the upcoming EP from Canadian art-rock band Blessed, depicts a wall of wooden blocks, all different shapes, jumbled messily and precariously high against a softly-coloured background. It's an image that captures Blessed at their most essential: experimental, asymmetrical, and interdependent, all the more remarkable for their marriage of those three qualities. The EP's four tracks expand on Blessed's already-idiosyncratic vision: cavernous post-punk electronics and measured drum work pave under guitarwork that trips and sways from chiming and sunny, to serrated and snarling, to frigid and stiff. Vocalist Drew Riekman's lithe tenor flickers in and out across tracks, an extra texture rather than a spotlit focus. Rather than aim for one uniform mix, the band pursued four separate ones: Corin Roddick (Purity Ring), John McEntire (Tortoise), Graham Walsh (Holy Fuck), and Riekman. The result is four tracks with distinctly different palettes and trajectories.
February 19 street date. The cover art for "iii", the upcoming EP from Canadian art-rock band Blessed, depicts a wall of wooden blocks, all different shapes, jumbled messily and precariously high against a softly-coloured background. It's an image that captures Blessed at their most essential: experimental, asymmetrical, and interdependent, all the more remarkable for their marriage of those three qualities. The EP's four tracks expand on Blessed's already-idiosyncratic vision: cavernous post-punk electronics and measured drum work pave under guitarwork that trips and sways from chiming and sunny, to serrated and snarling, to frigid and stiff. Vocalist Drew Riekman's lithe tenor flickers in and out across tracks, an extra texture rather than a spotlit focus. Rather than aim for one uniform mix, the band pursued four separate ones: Corin Roddick (Purity Ring), John McEntire (Tortoise), Graham Walsh (Holy Fuck), and Riekman. The result is four tracks with distinctly different palettes and trajectories.
July 9 street date. Feral art rock from the gritty depths of 1990s Manhattan. Japanese-Italian guitar symphonies for 120 Minutes refugees and Keith Haring enthusiasts alike. Blonde Redhead's self-titled 1995 debut, in print as a definitive single LP for the first time since - ever. "These songs combine a raw need, a ready access to neediness, with seemingly incongruous cinematic changes reminiscent of 1960s Italian pop music and movie scores. They switch between emotional grandeur and eye scratching immediacy" - Arto Lindsay.
July 9 street date. Art-house kosmische from the battered basements of pre-9/11 New York. Polyrhythmic screamo for underemployed Gen-Xers and trust fund weed dealers alike. "La Mia Vita Violenta", Blonde Redhead's 1995 sophomore effort, in print as a definitive single LP for the first time since - ever. "These songs combine a raw need, a ready access to neediness, with seemingly incongruous cinematic changes reminiscent of 1960s Italian pop music and movie scores. They switch between emotional grandeur and eye scratching immediacy" - Arto Lindsay.
Please note street date is July 31. (Legendary Montreal-based wildman of rock and roll and R & B has worked with Jon Spencer, King Khan, the 5678’s and Deke Dickerson!!) For nearly twenty years, Bloodshot Bill has shouted, snorted, cooed and crooned his way through the wild shadowland of primitive rock and roll, touring the world and collaborated with heavyweights like Jon Spencer, King Khan, the 5678’s and Deke Dickerson. Seventeen albums and over two dozen singles later, this unstoppable Montrealeño has not slowed his manic touring and recording schedule one whit. He’s a seminal punk, a true wildman who blazes his own path to honky tonk hell with a bottomless repertoire of desperate rock and roll and insatiable R&B. That means he knows a lotta songs—not that he doesn’t wear pants. But on the right night, who knows! This spring, Bloodshot Bill will release his eighteenth album, Get Loose Or Get Lost, his second for Memphis’ Goner Records. He will be touring everywhere, continuing his twenty-year rampage with a new record and a new slew of shows—do not miss it!
Please note street date is July 31. (Legendary Montreal-based wildman of rock and roll and R & B has worked with Jon Spencer, King Khan, the 5678’s and Deke Dickerson!!) For nearly twenty years, Bloodshot Bill has shouted, snorted, cooed and crooned his way through the wild shadowland of primitive rock and roll, touring the world and collaborated with heavyweights like Jon Spencer, King Khan, the 5678’s and Deke Dickerson. Seventeen albums and over two dozen singles later, this unstoppable Montrealeño has not slowed his manic touring and recording schedule one whit. He’s a seminal punk, a true wildman who blazes his own path to honky tonk hell with a bottomless repertoire of desperate rock and roll and insatiable R&B. That means he knows a lotta songs—not that he doesn’t wear pants. But on the right night, who knows! This spring, Bloodshot Bill will release his eighteenth album, Get Loose Or Get Lost, his second for Memphis’ Goner Records. He will be touring everywhere, continuing his twenty-year rampage with a new record and a new slew of shows—do not miss it!
September 24 street date. Long out of print on vinyl since its 1997 release - first time on coloured vinyl. The Blue Stingrays' story starts in '59...the band formed that summer and created a new sound. that sound was surf music. Like those who roamed the globe for the perfect wave, The Blue Stingrays nailed the perfect sound when their twang rang 'round the world. A singular devotion to surf guitar music became a way of life for them and they considered it to be the only artform profound enough to truly express the passion in man's soul. THE FACTS in 2021: Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).
September 24 street date. Long out of print on vinyl since its 1997 release. The Blue Stingrays' story starts in '59...the band formed that summer and created a new sound. that sound was surf music. Like those who roamed the globe for the perfect wave, The Blue Stingrays nailed the perfect sound when their twang rang 'round the world. A singular devotion to surf guitar music became a way of life for them and they considered it to be the only artform profound enough to truly express the passion in man's soul. THE FACTS in 2021: Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).
March 19 street date. Sophomore album from the Windsor duo who were nominated for a 2020 Juno for Breakthrough Group Of The Year. When Tarek Jafar and Justin Tessier formed The Blue Stones, they were facing uncertainty about who they were and where they were going. But they did know they wanted to make music together, and so they did, writing songs over time and eventually releasing their debut album "Black Holes" in 2018. As confident and self-assured as they are, that record was very much about the pair finding themselves, both musically and existentially, and deciding to pursue the rock 'n' roll dream by jumping into a black hole of the unknown instead of choosing a more ordinary life-path. The band drew the attention of producer, Paul Meany - the creative force behind alternative rock band Mutemath, and who recently worked with Twenty One Pilots, producing their fifth album, "Trench". Working with Meany didn't just lead to The Blue Stones exploring - and creating - music in a different way than they had before, but it also led Jafar to approach and tackle lyrics in an entirely new light. Combined with the band's nuanced and layered approach to their sound, it makes these songs resonate with a powerful emotional intensity.
March 19 street date. Sophomore album from the Windsor duo who were nominated for a 2020 Juno for Breakthrough Group Of The Year. When Tarek Jafar and Justin Tessier formed The Blue Stones, they were facing uncertainty about who they were and where they were going. But they did know they wanted to make music together, and so they did, writing songs over time and eventually releasing their debut album "Black Holes" in 2018. As confident and self-assured as they are, that record was very much about the pair finding themselves, both musically and existentially, and deciding to pursue the rock 'n' roll dream by jumping into a black hole of the unknown instead of choosing a more ordinary life-path. The band drew the attention of producer, Paul Meany - the creative force behind alternative rock band Mutemath, and who recently worked with Twenty One Pilots, producing their fifth album, "Trench". Working with Meany didn't just lead to The Blue Stones exploring - and creating - music in a different way than they had before, but it also led Jafar to approach and tackle lyrics in an entirely new light. Combined with the band's nuanced and layered approach to their sound, it makes these songs resonate with a powerful emotional intensity.
Please note new street date: September 24. "The Bob's Burgers Music Album Vol. 2" includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone", or do whatever you're gonna do to "Sexy Little Tiger", but don't miss "The Bob's Burgers Music Album Vol. 2".
Please note new street date for CD: August 27. "The Bob's Burgers Music Album Vol. 2" includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone", or do whatever you're gonna do to "Sexy Little Tiger", but don't miss "The Bob's Burgers Music Album Vol. 2".
Please note new street date: September 24. "The Bob's Burgers Music Album Vol. 2" includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone", or do whatever you're gonna do to "Sexy Little Tiger", but don't miss "The Bob's Burgers Music Album Vol. 2".
Please note new street date: September 24. "The Bob's Burgers Music Album Vol. 2" includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone", or do whatever you're gonna do to "Sexy Little Tiger", but don't miss "The Bob's Burgers Music Album Vol. 2". The 3 LP box set edition includes a box containing a rigid book-style LP jacket with lyric book, 62-page softcover song book, two posters, die-cut colourform clings, and custom dust sleeves.
March 13 street date. Where The Bombpops had a "Fear Of Missing Out" on their 2017 debut full-length, their highly anticipated follow up shows what happens when you're too involved - with booze, bad situations, and behavior that's unsustainable at best and destructive at worst. It's right there in the title - "Death In Venice Beach" - an allusion to Thomas Mann's celebrated novella about the price of an artistic life. What draws The Bombpops hasn't changed on their newest effort: highly melodic punk with big guitars, vocal harmonies, and the SoCal sound that inspired the quartet to pick up instruments. But the more light-hearted skate punk of "Fear Of Missing Out" has a serrated edge on "Death In Venice Beach", as they explore darker themes drawing from real life experiences leading up to and during the making of the album.
March 13 street date. Where The Bombpops had a "Fear Of Missing Out" on their 2017 debut full-length, their highly anticipated follow up shows what happens when you're too involved - with booze, bad situations, and behavior that's unsustainable at best and destructive at worst. It's right there in the title - "Death In Venice Beach" - an allusion to Thomas Mann's celebrated novella about the price of an artistic life. What draws The Bombpops hasn't changed on their newest effort: highly melodic punk with big guitars, vocal harmonies, and the SoCal sound that inspired the quartet to pick up instruments. But the more light-hearted skate punk of "Fear Of Missing Out" has a serrated edge on "Death In Venice Beach", as they explore darker themes drawing from real life experiences leading up to and during the making of the album.
March 27 street date. Bon Iver's "Blood Bank" EP was originally released in early 2009, hot on the heels of the beloved album "For Emma, Forever Ago". The EP was a harbinger of a new sound for Bon Iver: a movement away from the acoustic guitar-led instrumentation of the debut and the beginning of an exploration into the experimental sounds that have evolved but defined Bon Iver ever since. The reissue of this seminal EP is coupled with brand new live renditions of all the EP tracks, all recorded at various venues in 2018.
January 24 street date. The timeless qualities of traditional tunes can carry us across oceans and eons, linking us not only to the past but to each other as well. It was under the banner of those eternal connections that the trio of Bonny Light Horseman came together. From festival fields and a German art hub to a snowy upstate studio and everywhere in between, the astral folk outfit - comprised of Anaïs Mitchell, Eric D. Johnson (Fruit Bats, The Shins), and Josh Kaufman (The National, Bob Weir) - is mixing the ancient, mystical medium of transatlantic traditional folk music with a contemporary, collective brush. The resulting album, "Bonny Light Horseman", is an elusive kind of sonic event: a bottled blend of lightning and synergy that will excite fans of multiple genres, eras, and ages.
January 24 street date. The timeless qualities of traditional tunes can carry us across oceans and eons, linking us not only to the past but to each other as well. It was under the banner of those eternal connections that the trio of Bonny Light Horseman came together. From festival fields and a German art hub to a snowy upstate studio and everywhere in between, the astral folk outfit - comprised of Anaïs Mitchell, Eric D. Johnson (Fruit Bats, The Shins), and Josh Kaufman (The National, Bob Weir) - is mixing the ancient, mystical medium of transatlantic traditional folk music with a contemporary, collective brush. The resulting album, "Bonny Light Horseman", is an elusive kind of sonic event: a bottled blend of lightning and synergy that will excite fans of multiple genres, eras, and ages.
Please note new street date: August 14. Orange vinyl pressing of this late 2019 release. In an emotional musical journey, Booker T explores new takes on the songs that make up the fabric of his musical identity. Largely mirroring the chapter titles from his forthcoming memoir "Time Is Tight", "Note By Note" serves as a musical companion. Stax staples like "Cause I Love You" and "These Arms Of Mine" are woven into defining musical moments from Booker's journey after Stax, when he produced and recorded with artists as diverse as Willie Nelson and Carlos Santana. Booker T & The MG's fans will enjoy a new ending to the song "Time Is Tight", a Romanesque coda that has been played live yet never recorded. The album culminates with new original music, highlighting the soaring guitar and vocals of Booker's son and collaborator Teddy Jones. Booker T is a 4 time Grammy Award winner (including the Lifetime Achievement Award), Rock and Roll Hall of Fame Inductee, and arguably the most famous Hammond B3 player in history.
Please note new street date: August 14. In an emotional musical journey, Booker T explores new takes on the songs that make up the fabric of his musical identity. Largely mirroring the chapter titles from his forthcoming memoir "Time Is Tight", "Note By Note" serves as a musical companion. Stax staples like "Cause I Love You" and "These Arms Of Mine" are woven into defining musical moments from Booker's journey after Stax, when he produced and recorded with artists as diverse as Willie Nelson and Carlos Santana. Booker T & The MG's fans will enjoy a new ending to the song "Time Is Tight", a Romanesque coda that has been played live yet never recorded. The album culminates with new original music, highlighting the soaring guitar and vocals of Booker's son and collaborator Teddy Jones. Booker T is a 4 time Grammy Award winner (including the Lifetime Achievement Award), Rock and Roll Hall of Fame Inductee, and arguably the most famous Hammond B3 player in history.
April 30 street date. "becalmyounglovers" is as much a return as it is a farewell. Phil Moore's first Bowerbirds album since 2012 is an artifact of transition, a domino effect of doors closing and Moore stumbling headfirst into the uncertainty of what comes after a life fundamentally changes. Like a polaroid slowly swimming into focus, "becalmyounglovers" reconciles the memories of yourself in relation to another person, and then what's unearthed when you're left to face your identity alone - and which one of those selves is true? Written and recorded mainly in an isolated cabin hand built by Moore and his ex-partner, out in Siler City, North Carolina, "becalmyounglovers" chronicles a long-term relationship's death rattle, inevitable breakup, and its immediate aftermath - and Moore's getting to understand himself better in the process. These songs don't trudge through upheaval - instead, they float, still sanguine and light in the face of plans gone awry.
April 30 street date. "becalmyounglovers" is as much a return as it is a farewell. Phil Moore's first Bowerbirds album since 2012 is an artifact of transition, a domino effect of doors closing and Moore stumbling headfirst into the uncertainty of what comes after a life fundamentally changes. Like a polaroid slowly swimming into focus, "becalmyounglovers" reconciles the memories of yourself in relation to another person, and then what's unearthed when you're left to face your identity alone - and which one of those selves is true? Written and recorded mainly in an isolated cabin hand built by Moore and his ex-partner, out in Siler City, North Carolina, "becalmyounglovers" chronicles a long-term relationship's death rattle, inevitable breakup, and its immediate aftermath - and Moore's getting to understand himself better in the process. These songs don't trudge through upheaval - instead, they float, still sanguine and light in the face of plans gone awry.
Please note new street date for vinyl: October 22 / October 1 for CD. On "Wayfinder", the follow-up to the acclaimed 2019 album "Free Company", Oakland-based songwriter Taylor Vick, under her songwriting moniker Boy Scouts, chases down life's queries to the very edge of the horizon. This is an album that's not afraid to track down what it all means - how life unspools around the monoliths of love and death, the heavy knots of even quotidian conflict, the task of carrying your own suffering with you day after day, the challenge of meeting other people out here in the tangled expanse of living. In a warm, expansive style that recalls the raw punctures of Lucinda Williams and Alex G, Vick once again shows herself to be a fearless seeker shedding light on the unanswerable. Vick's true superpower is her voice. Strands of slide guitar, organ, and strings ring under her affable, expressive voice, bolstering layers and layers of harmony. There is something so honest about her songs, they feel like a late-night therapy session with your best friend.
August 20 street date. "Artvertisement" is Darrin Bradbury's third album and second release for ANTI-, following his critically acclaimed 2019 LP "Talking Dogs & Atom Bombs". Bradbury wrote "Artvertisement" while touring in support of "Talking Dogs", and recorded the album at in March of 2020 over the strange, anxious handful of days between Nashville's devastating March 3rd tornado and the start of the COVID-19 shutdown. The title "Artvertisement" was inspired by Bradbury's difficult experiences navigating the polished, often soulless Nashville music industry, where record label executives would laud his songwriting - some going so far as to call him a genius - but ultimately turn him away because his music wasn't commercial. While music is still his primary focus, Bradbury has leaned into working on visual art, which, like his music, draws out both the darkness and the humor of the everyday.
August 20 street date. "Artvertisement" is Darrin Bradbury's third album and second release for ANTI-, following his critically acclaimed 2019 LP "Talking Dogs & Atom Bombs". Bradbury wrote "Artvertisement" while touring in support of "Talking Dogs", and recorded the album at in March of 2020 over the strange, anxious handful of days between Nashville's devastating March 3rd tornado and the start of the COVID-19 shutdown. The title "Artvertisement" was inspired by Bradbury's difficult experiences navigating the polished, often soulless Nashville music industry, where record label executives would laud his songwriting - some going so far as to call him a genius - but ultimately turn him away because his music wasn't commercial. While music is still his primary focus, Bradbury has leaned into working on visual art, which, like his music, draws out both the darkness and the humor of the everyday.
June 18 street date. Limited 10th anniversary edition of the album that put them on the map, Braids'’ debut LP "Native Speaker". Original designer Marc Rimmer re-worked the LP packaging with a high gloss record cover and a brand new lyric sleeve complemented by eye-popping coloured vinyl. An astonishingly accomplished debut from a young band, "Native Speaker" laid out some of Braids' core interests, including a meticulous attention to sonic detail and a rhythmic curiosity. As their later discography would reveal, this debut also set the course for a great deal of growth, change, and an ever-evolving sonic identity. Meticulously produced by the band, Native Speaker emerges as an extremely potent concoction of playful, lavishly orchestrated, and deeply cinematic pieces - all without a sample in sight. The album oscillates between textural density and heavenly spaciousness to construct an unforgettable pop tune.
June 19 street date. The arrival of "Punisher" cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era. Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. She doesn't write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. "Punisher", her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others. On "Punisher", Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys).
June 19 street date. The arrival of "Punisher" cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era. Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. She doesn't write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. "Punisher", her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others. On "Punisher", Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys).
August 21 street date. Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all its forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. 2020 is full of significant anniversaries for Bright Eyes. "Fevers And Mirrors" was released 20 years ago this May, while "Digital Ash in a Digital Urn" and "I'm Wide Awake It's Morning" both turned 15 in January. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Bright Eyes reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
August 21 street date. Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all its forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. 2020 is full of significant anniversaries for Bright Eyes. "Fevers And Mirrors" was released 20 years ago this May, while "Digital Ash in a Digital Urn" and "I'm Wide Awake It's Morning" both turned 15 in January. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Bright Eyes reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
August 21 street date. Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all its forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. 2020 is full of significant anniversaries for Bright Eyes. "Fevers And Mirrors" was released 20 years ago this May, while "Digital Ash in a Digital Urn" and "I'm Wide Awake It's Morning" both turned 15 in January. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Bright Eyes reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
August 21 street date. Limited transparent red/transparent orange vinyl edition. Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all its forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. 2020 is full of significant anniversaries for Bright Eyes. "Fevers And Mirrors" was released 20 years ago this May, while "Digital Ash in a Digital Urn" and "I'm Wide Awake It's Morning" both turned 15 in January. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Bright Eyes reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
March 20 street date. Brownout's legendary status as a "Funk Powerhouse" (Stereogum) is a reputation well deserved. The band of musicians have an impressive resumé performing with Prince, GZA of the Wu-Tang Clan, Bernie Worrell, and accolades from Ozzy Osbourne for their "Brownout Presents: Brown Sabbath" project. The Austin 9-piece is back with their first full length album of original music in over 8 years. The album, aptly titled "Berlin Sessions" was produced by Steve Berlin of Los Lobos and is the first with lead singer Alex Marrero, whom they originally collaborated with on their wildly successful "Brown Sabbath" records. "Berlin Sessions" finds the group merging a multitude of styles, from rock to psych and of course the Latin Funk and Breakbeat on which they have built their sixteen-year career and reputation as Austin's premier party-starters.
March 20 street date. Brownout's legendary status as a "Funk Powerhouse" (Stereogum) is a reputation well deserved. The band of musicians have an impressive resumé performing with Prince, GZA of the Wu-Tang Clan, Bernie Worrell, and accolades from Ozzy Osbourne for their "Brownout Presents: Brown Sabbath" project. The Austin 9-piece is back with their first full length album of original music in over 8 years. The album, aptly titled "Berlin Sessions" was produced by Steve Berlin of Los Lobos and is the first with lead singer Alex Marrero, whom they originally collaborated with on their wildly successful "Brown Sabbath" records. "Berlin Sessions" finds the group merging a multitude of styles, from rock to psych and of course the Latin Funk and Breakbeat on which they have built their sixteen-year career and reputation as Austin's premier party-starters.
Please note new street date for LP: October 22 / CD available now. Originally released in 1992, Brutal Truth's "Extreme Conditions Demand Extreme Responses" was produced by the legendary Colin Richardson and is widely regarded as one of the most important and influential grindcore records of all time. Reissued for the first time ever with "Full Dynamic Audio", this release is a must have for any fan of Grindcore.
Please note new street date: May 15. When Anna Burch introduced herself on her 2018 debut "Quit The Curse", it was with a concentrated wash of energetic, serotonin-boosting pop. Two years later, Burch's follow up "If You're Dreaming" takes us down a different path than its predecessor, shedding some nervous energy in favor of a deeper exploration of an internal world. "If You're Dreaming" was tracked with producer Sam Evian in his home studio in the Catskill mountains of upstate New York. The end goal was to present not just an assortment of new songs, but craft an album that moved dynamically through an interconnected emotional arc. With recurring themes of isolation, weariness and longing, these songs deliver that emotional arc with a delicate but uncompromising execution. Even at its most introverted, "If You're Dreaming" is always warm and present. Daring and clear-headed, these songs cut deeper in their subtleties. "If You're Dreaming" moves with intention, taking its time revealing new layers of sophistication and growth in Burch's always charming songcraft.
Please note new street date: May 15. When Anna Burch introduced herself on her 2018 debut "Quit The Curse", it was with a concentrated wash of energetic, serotonin-boosting pop. Two years later, Burch's follow up "If You're Dreaming" takes us down a different path than its predecessor, shedding some nervous energy in favor of a deeper exploration of an internal world. "If You're Dreaming" was tracked with producer Sam Evian in his home studio in the Catskill mountains of upstate New York. The end goal was to present not just an assortment of new songs, but craft an album that moved dynamically through an interconnected emotional arc. With recurring themes of isolation, weariness and longing, these songs deliver that emotional arc with a delicate but uncompromising execution. Even at its most introverted, "If You're Dreaming" is always warm and present. Daring and clear-headed, these songs cut deeper in their subtleties. "If You're Dreaming" moves with intention, taking its time revealing new layers of sophistication and growth in Burch's always charming songcraft.
Please note new street date: May 15. When Anna Burch introduced herself on her 2018 debut "Quit The Curse", it was with a concentrated wash of energetic, serotonin-boosting pop. Two years later, Burch's follow up "If You're Dreaming" takes us down a different path than its predecessor, shedding some nervous energy in favor of a deeper exploration of an internal world. "If You're Dreaming" was tracked with producer Sam Evian in his home studio in the Catskill mountains of upstate New York. The end goal was to present not just an assortment of new songs, but craft an album that moved dynamically through an interconnected emotional arc. With recurring themes of isolation, weariness and longing, these songs deliver that emotional arc with a delicate but uncompromising execution. Even at its most introverted, "If You're Dreaming" is always warm and present. Daring and clear-headed, these songs cut deeper in their subtleties. "If You're Dreaming" moves with intention, taking its time revealing new layers of sophistication and growth in Burch's always charming songcraft.
July 23 street date. "Romantic Images", Molly Burch's third album, marks a distinct evolution for Burch, both emotionally and sonically. Recorded in Denver with Tennis's Alaina Moore and Pat Riley producing, the collection celebrates the timeless delights of a well-crafted pop song, flirting with Blondie, Madonna, and even Mariah Carey as it forges a joyful soundtrack to liberation and self-discovery. Burch deliberately worked with more women collaborators than ever before on the album, and the results are transcendent, reveling in the passion and the power of the divine feminine. The collection prioritizes ecstasy and escape, and Burch's commitment to collective catharsis in her lifted, airy delivery manages to exude both thoughtful introspection and carefree abandon all at once. The shadow still lurks on the album, to be sure, but the light ultimately wins, and the result is an intoxicating collection all about coming into our truest selves.
July 23 street date. "Romantic Images", Molly Burch's third album, marks a distinct evolution for Burch, both emotionally and sonically. Recorded in Denver with Tennis's Alaina Moore and Pat Riley producing, the collection celebrates the timeless delights of a well-crafted pop song, flirting with Blondie, Madonna, and even Mariah Carey as it forges a joyful soundtrack to liberation and self-discovery. Burch deliberately worked with more women collaborators than ever before on the album, and the results are transcendent, reveling in the passion and the power of the divine feminine. The collection prioritizes ecstasy and escape, and Burch's commitment to collective catharsis in her lifted, airy delivery manages to exude both thoughtful introspection and carefree abandon all at once. The shadow still lurks on the album, to be sure, but the light ultimately wins, and the result is an intoxicating collection all about coming into our truest selves.
Please note new street date: May 21. ‘Chemz’ is hooky, rushy and loved-up - both an unhinged premonition of unleashed post-pandemic joy, and a demonic flashback to past ecstasies in a hardcore style perfected in the UK. ‘Chemz’ is a 12 minute rave monster that has ingested several tracks and incorporated them into its distended body. At the other end of the Burial bi-polar spectrum, ‘Dolphinz’ is a desolate oceanic love letter to our underwater friends.
August 28 street date. This 3 CD SoulMusic Records' set celebrates the recordings that Solomon Burke made for the legendary Atlantic Records label between 1960 and 1968. Solomon is generally acknowledged as one of the greatest soul singers to emerge during the genre's golden days. He signed to Atlantic before "soul music" became a bona fide sub-genre of African-American music and it was Solomon who helped define this new movement and he was, in fact, one of the first artists to use "soul" to describe his music. He would eventually be known the world over as ‘The King of Rock and Soul’. His Atlantic recordings are presented in chronological order of recording across the three discs and each session is identified by date, location and all the musicians present are identified (where known). This celebratory definitive collection includes the content of all six of the LPs released during Solomon's tenure with Atlantic plus all non-album tracks for a total of 79 soulful cuts.
Please note new street date for LP: July 23 / June 25 for CD. "I Be Trying" might be the title of the new record from two-time GRAMMY nominee Cedric Burnside, but it's also a mission statement in an era when plenty of us have discovered what "the blues" really means. Recorded over three days at Royal Studios in Memphis (the home studio of Al Green and Hi Records in the 60s and 70s), this album is the ultimate statement of purpose for a critically acclaimed artist who has proudly carried the mantle of Mississippi Hill Country blues around the world. Over thirteen tracks, Burnside delivers his bruised but unfettered truth over blistering guitar and deep pocket drums - a sound birthed in his soul but developed and perfected on the road. But no matter how far he travels, the righteous sound he makes could only come from one place. Produced by second-generation Memphis soul trailblazer Boo Mitchell and featuring guest appearances from Luther Dickinson (North Mississippi Allstars) and Zac Cockrell (Brittany Howard), "I Be Trying" takes the sound that Burnside learned from his grandfather, blues legend R.L. Burnside, and reinterprets it into a modern, bold Black American sound that expands the sonic landscape while respecting and honouring its roots.
June 25 street date. "I Be Trying" might be the title of the new record from two-time GRAMMY nominee Cedric Burnside, but it's also a mission statement in an era when plenty of us have discovered what "the blues" really means. Recorded over three days at Royal Studios in Memphis (the home studio of Al Green and Hi Records in the 60s and 70s), this album is the ultimate statement of purpose for a critically acclaimed artist who has proudly carried the mantle of Mississippi Hill Country blues around the world. Over thirteen tracks, Burnside delivers his bruised but unfettered truth over blistering guitar and deep pocket drums - a sound birthed in his soul but developed and perfected on the road. But no matter how far he travels, the righteous sound he makes could only come from one place. Produced by second-generation Memphis soul trailblazer Boo Mitchell and featuring guest appearances from Luther Dickinson (North Mississippi Allstars) and Zac Cockrell (Brittany Howard), "I Be Trying" takes the sound that Burnside learned from his grandfather, blues legend R.L. Burnside, and reinterprets it into a modern, bold Black American sound that expands the sonic landscape while respecting and honouring its roots.
September 25 street date. In the five years since Will Butler released his debut album, "Policy", he's toured the world both solo and as a member of Arcade Fire, released the "Friday Night" live album, recorded and released Arcade Fire's international #1 album "Everything Now", earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children. He also found the time and inspiration to write and record a new album, "Generations". While the songs on "Generations" contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler's music. The band's electricity is palpable throughout "Generations", with the bulk of the new songs having been worked out live. "Generations" opens a dialogue with the world. It posits answers - and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth... or at least a way forward.
September 25 street date. In the five years since Will Butler released his debut album, "Policy", he's toured the world both solo and as a member of Arcade Fire, released the "Friday Night" live album, recorded and released Arcade Fire's international #1 album "Everything Now", earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children. He also found the time and inspiration to write and record a new album, "Generations". While the songs on "Generations" contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler's music. The band's electricity is palpable throughout "Generations", with the bulk of the new songs having been worked out live. "Generations" opens a dialogue with the world. It posits answers - and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth... or at least a way forward.
September 25 street date. In the five years since Will Butler released his debut album, "Policy", he's toured the world both solo and as a member of Arcade Fire, released the "Friday Night" live album, recorded and released Arcade Fire's international #1 album "Everything Now", earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children. He also found the time and inspiration to write and record a new album, "Generations". While the songs on "Generations" contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler's music. The band's electricity is palpable throughout "Generations", with the bulk of the new songs having been worked out live. "Generations" opens a dialogue with the world. It posits answers - and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth... or at least a way forward.
Please note new street date: February 26. Join Buzzcocks as they celebrate the 30th anniversary of the band's formation in front of a ravenous London audience. Recorded in December 2006, and never before released on vinyl, ‘30’ captures the band on excellent form, performing twentyeight songs from across their back catalogue, including their seminal late 70s hits and highlights from the rest of their career. Still wired, still buzzing with punk energy and still playing loud, fast and unapologetically, this is the sound of a band on unstoppable form, led, as ever, by the inimitable combination of Pete Shelley and Steve Diggle. Limited to 1000 copies, this red vinyl edition promises to be a must-have for die-hards and collectors, and a brilliant primer for those not yet in the know.
Please note new street date: June 12. Having disbanded in 1981, Buzzcocks regrouped in 1989 and began to work on a new album, resulting in a demo cassette circulated in 1991. Featuring early versions of tracks which would appear on later albums, and material which would not make it that far, this collection has remained unreleased until now. Released in association with the band, ‘The 1991 Demo Album’ is alive with the combination of punk energy and melodic and memorable songwriting the band's reputation is founded on, and is both a long-awaited treat for fans and an important document of the group's rebirth.
Please note new street date: June 12. Buzzcocks require no introduction (but you're getting one anyway!). Pivotal to the punk and post-punk DIY movements, the group, led by frontman Pete Shelley and co-conspirator Steve Diggle, brought an essential pop sensibility and sartorial style to the late 1970s and early 1980s. Having disbanded in 1981, the band re-grouped in 1989 and continue to write, record and perform to this day, despite the saddening and untimely loss of Pete Shelley in 2018. This handsome box set captures the eight albums and numerous singles the band produced with Shelley during a 23 year period, alongside previously unheard rarities, demos and outtakes. Packed with remarkable music, including excellent re-visits of much of their best loved material on ‘A Different Compilation’, ‘Sell You Everything’ showcases a longevity and a hunger rarely seen in a band now into their forty-second year.
August 14 street date. As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to "Minecraft", the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (VICE). Now, following several restocks of "Alpha" to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have "Minecraft Volume Beta" in tangible formats. The double LP arrives in May 2020 on standard black and fire splatter colored vinyl, available in regular sleeves as well an exclusive limited-edition jacket with a lenticular cover which gives depth and movement to its 3D-rendered image.
August 14 street date. As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to "Minecraft", the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (VICE). Now, following several restocks of "Alpha" to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have "Minecraft Volume Beta" in tangible formats. The double LP arrives in May 2020 on standard black and fire splatter colored vinyl, available in regular sleeves as well an exclusive limited-edition jacket with a lenticular cover which gives depth and movement to its 3D-rendered image.
March 27 street date. Cable Ties are a fierce, tense rock’n’roll trio. They take the three-minute punk burner and stretch it past breaking point to deliver smouldering feminist anthems. Post-punk and garage rock hammered together by a relentless rhythmic pulse. Jenny McKechnie channels her struggles into songs that resonate deeply, giving voice to feelings often buried in modern life. Shauna Boyle and Nick Brown are a rhythm section anchored in Stooges primitivism, relentlessly hammering out a bedrock for McKechnie’s guitar pyrotechnics and vocal wallop. Three friends summoning a rhythmic tide to deliver anthems that turn latent anxieties into a rallying cry. The band has been committed to an inclusive feminist and political outlook since its inception in 2015, exploring issues of gendered violence, colonialism, and sexual assault. The band members have been involved in benefit shows, organized DIY festivals, and volunteer with Girls Rock!, a not-for-profit organization that aims to empower female, trans, and gender non-binary youth in music. Their debut self-titled album, released in 2017 on Poison City Records, was a Triple J feature album and album of the week on 3RRR, with strong support nationally from community radio. The album was distributed internationally by independent distributors Cargo UK and Cargo Germany. They have also self released three 7-inch singles which have all sold out. The debut album is on its third vinyl pressing. Cable Ties have supported artists such as Joan Jett, The Kills, Camp Cope, and Cash Savage. They won Best Hard Rock Act at the 2017 National Live Music Awards and were nominated in five categories. They won the Corner Music Award in 2017, have been nominated for eight Age Music Victoria awards, and were longlisted for The Australian Music Prize 2017.
March 27 street date. Cable Ties are a fierce, tense rock’n’roll trio. They take the three-minute punk burner and stretch it past breaking point to deliver smouldering feminist anthems. Post-punk and garage rock hammered together by a relentless rhythmic pulse. Jenny McKechnie channels her struggles into songs that resonate deeply, giving voice to feelings often buried in modern life. Shauna Boyle and Nick Brown are a rhythm section anchored in Stooges primitivism, relentlessly hammering out a bedrock for McKechnie’s guitar pyrotechnics and vocal wallop. Three friends summoning a rhythmic tide to deliver anthems that turn latent anxieties into a rallying cry. The band has been committed to an inclusive feminist and political outlook since its inception in 2015, exploring issues of gendered violence, colonialism, and sexual assault. The band members have been involved in benefit shows, organized DIY festivals, and volunteer with Girls Rock!, a not-for-profit organization that aims to empower female, trans, and gender non-binary youth in music. Their debut self-titled album, released in 2017 on Poison City Records, was a Triple J feature album and album of the week on 3RRR, with strong support nationally from community radio. The album was distributed internationally by independent distributors Cargo UK and Cargo Germany. They have also self released three 7-inch singles which have all sold out. The debut album is on its third vinyl pressing. Cable Ties have supported artists such as Joan Jett, The Kills, Camp Cope, and Cash Savage. They won Best Hard Rock Act at the 2017 National Live Music Awards and were nominated in five categories. They won the Corner Music Award in 2017, have been nominated for eight Age Music Victoria awards, and were longlisted for The Australian Music Prize 2017.
October 29 street date. Now on vinyl! Calexico's "Seasonal Shift" is less of a Christmas album and more of a cross cultural seasonal celebration. The themes are based around that familiar end of year feeling, of reflection, of ceremony and of recognition of the year gone by and changes it brought for better and for worse. It contains a few cover songs including classics by John Lennon and Tom Petty, a few more special guests, and a whole load of good will. It's heartfelt but fun, and earnest but celebratory. It features Calexico in an assortment of guises, referencing Portuguese Fado and Old Mexican Folk Songs, from the stripped back two-man skeleton to the full party of international collaborators including artists like Bombino, Gaby Moreno, Gisela João, Nick Urata (DeVotchKa), and Camilo Lara.
August 13 street date (CD)/November 19 street date (LP). Originally known as the singer, songwriter, and founder of both Lagwagon and Bad Astronaut, Joey Cape has established himself as a recognized solo artist over the past 15 years. His solo ventures have allowed him to stretch the bounds of his musical stylings, highlighting more diverse instrumentation, subdued pace, and experimental elements. The one constant, of course, is his unique ability to craft unforgettable songs. As with pretty much everyone on the planet, 2020 was a challenging year for Joey. The result is "A Good Year to Forget", a record that encapsulates all the trials and tribulations of the 12 months that inspired it. Written entirely in isolation in a makeshift home recording studio at his mother's house, Cape was able to create a beautiful, warm record that captures the pure essence of its songs. Hushed and haunted, there's an almost Nick Drakeian poignancy to these 12 songs. Cape's fans will hear much more than just a voice, guitar, and bass on this record. Indeed, he ended up playing a plethora of instruments when recording the album, including electric and lap steel guitars, piano, mandolin, and drums.
May 1 street date. Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016’s Teens Of Denial, is set for release May 1 on Matador Records. Created over the course of four years, Making a Door Less Open is the result of a fruitful “collaboration” between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo’s alternative persona, “Trait.” To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs. In this way, Making A Door Less Open sees Toledo embarking on new and imaginative roads to songwriting and recording, placing emphasis on the individual songs, each with its own “special energy,” rather than attempting to draw a coherent storyteller narrative through the album as he has in the past, resulting in his most dynamic and open-ended work to date. Car Seat Headrest will embark on a North American tour this summer, including two nights at Toronto's Danforth Music Hall (June 3rd and 4th) and two night's at The Commodore Ballroom (July 9th and 10th) Comprised of Will Toledo, Andrew Katz (drums), Ethan Ives (guitar) and Seth Dalby (bass), Car Seat Headrest has either released 11 or three albums to date, depending on the way you look at it. A prolific songwriter, Toledo took his moniker from making early recordings in the private environment of his family’s car, releasing a dozen self-recorded and produced albums on Bandcamp and building a tight-knit following. Toledo has since gone from an empty five-seater to selling out tours and filling festival main stages.
May 1 street date. Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016’s Teens Of Denial, is set for release May 1 on Matador Records. Created over the course of four years, Making a Door Less Open is the result of a fruitful “collaboration” between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo’s alternative persona, “Trait.” To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs. In this way, Making A Door Less Open sees Toledo embarking on new and imaginative roads to songwriting and recording, placing emphasis on the individual songs, each with its own “special energy,” rather than attempting to draw a coherent storyteller narrative through the album as he has in the past, resulting in his most dynamic and open-ended work to date. Car Seat Headrest will embark on a North American tour this summer, including two nights at Toronto's Danforth Music Hall (June 3rd and 4th) and two night's at The Commodore Ballroom (July 9th and 10th). Comprised of Will Toledo, Andrew Katz (drums), Ethan Ives (guitar) and Seth Dalby (bass), Car Seat Headrest has either released 11 or three albums to date, depending on the way you look at it. A prolific songwriter, Toledo took his moniker from making early recordings in the private environment of his family’s car, releasing a dozen self-recorded and produced albums on Bandcamp and building a tight-knit following. Toledo has since gone from an empty five-seater to selling out tours and filling festival main stages.
May 1 street date. Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016’s Teens Of Denial, is set for release May 1 on Matador Records. Created over the course of four years, Making a Door Less Open is the result of a fruitful “collaboration” between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo’s alternative persona, “Trait.” To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs. In this way, Making A Door Less Open sees Toledo embarking on new and imaginative roads to songwriting and recording, placing emphasis on the individual songs, each with its own “special energy,” rather than attempting to draw a coherent storyteller narrative through the album as he has in the past, resulting in his most dynamic and open-ended work to date. Car Seat Headrest will embark on a North American tour this summer, including two nights at Toronto's Danforth Music Hall (June 3rd and 4th) and two night's at The Commodore Ballroom (July 9th and 10th) Comprised of Will Toledo, Andrew Katz (drums), Ethan Ives (guitar) and Seth Dalby (bass), Car Seat Headrest has either released 11 or three albums to date, depending on the way you look at it. A prolific songwriter, Toledo took his moniker from making early recordings in the private environment of his family’s car, releasing a dozen self-recorded and produced albums on Bandcamp and building a tight-knit following. Toledo has since gone from an empty five-seater to selling out tours and filling festival main stages.
August 7 street date. Available again! Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Necroticism - Descanting The Insalubrious" is Carcass' third studio album and the first featuring guitarist Michael Amott. The album was well received by press and fans upon its original release in 1991 and was ranked in Rock Hard magazine's Top Rock/Metal Albums of all time.
August 7 street date. Available again! Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Necroticism - Descanting The Insalubrious" is Carcass' third studio album and the first featuring guitarist Michael Amott. The album was well received by press and fans upon its original release in 1991 and was ranked in Rock Hard magazine's Top Rock/Metal Albums of all time.
Please note: street date for LP is now TBA. Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Reek of Putrefaction, originally released in 1988, gave the band their 'Goregrind' identity breeding the genres of grindcore and death metal. Presented with their famously controversial artwork consisting of extremely vivid images taken from a medical dictionary. Pressed from the original master tapes, this edition of "Reek Of Puterfaction" has been specially recreated using "FDR" - full dynamic range - mastering allowing the music's nuances to shine through and give this classic a more ferocious and dynamic sound.
May 7 street date. Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Heartwork" is widely renowned as the best Carcass album with its melodic intricacies. These albums have been specially recreated using 'FDR' - full dynamic range mastering - pressed from the original master tapes, allowing the music's nuances to shine through and giving these classic albums a more ferocious and dynamic sound, enabling the listener to immerse themselves in the full audio heaviness.
May 7 street date. Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Heartwork" is widely renowned as the best Carcass album with its melodic intricacies. These albums have been specially recreated using 'FDR' - full dynamic range mastering - pressed from the original master tapes, allowing the music's nuances to shine through and giving these classic albums a more ferocious and dynamic sound, enabling the listener to immerse themselves in the full audio heaviness.
January 29 street date (CD) / February 26 (LP) (date change). Liverpool's legendary Death Metal pioneers Carcass (who still tour extensively to this day) are often credited with shaping the entire death metal genre, pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. "Swansong" is their sixth album, originally released in 1996.
March 5 street date. Songs from Caribou's "Suddenly" remixed by four exciting new artists. Dan Snaith says: "the best thing about remixes is getting to hear producers whose music I love rework my music. Shanti Celeste, India Jordan, Kareem Ali, and Logic1000" - I've been super excited by all of their music recently, and I feel really lucky that they were up for creating these beautiful remixes". Limited to 300 copies in North America.
August 7 street date. Hot on the heels of Caribou's celebrated album "Suddenly", this limited-edition 12-inch features remixes of album track "Never Come Back" by Four Tet and Morgan Geist. This is what it sounds like when the universe spontaneously synchronizes: the Four Tet remix of Caribou's single "Never Come Back". Kieran Hebden took the track and warped and bent it into a playfully hypnotic late-night earworm that lures you in with its repetitive claps, snares, and synths. Morgan Geist is one of the architects of modern electronic dance music and electronic pop as we know it today. His rework of "Never Come Back" pays tribute to the early 90s transatlantic house phenomenon that stretched from New York to London. Black vinyl in a white dustsleeve housed in a heavyweight cardstock jacket. Does not include a download coupon.
August 7 street date. This limited-edition 12-inch features Floating Points' remixes of "Never Come Back" and "Sister", two songs off Caribou's celebrated album "Suddenly". Three is the magic number! Following remixes by Four Tet and Morgan Geist of "Never Come Back", Floating Points' Sam Shepherd completes the holy trinity, outdoing himself by adding a dash of Motor City oil to the track. The B-side is his remix of "Suddenly" album opener "Sister". Black vinyl in a white dustsleeve housed in a heavyweight cardstock jacket. Does not include a download coupon.
February 28 street date. In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family—universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. “There’s a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes,” he observes. “We are so caught up in the immediate—the details that require our attention every day—that we can be blind to the bigger forces shaping us. That’s why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts.” Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. “I wanted to balance the familiar—the sound that people associate with my music— against these moments of surprise,” Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet. LP is half-speed mastered by Matt Colton of Metropolis Studios in London UK. First album with Dan Snaith vocals on all tracks. Saxophone & guitar performance by Colin Fisher. LP is pressed at RTI on lead-free black vinyl
February 28 street date. In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family—universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. “There’s a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes,” he observes. “We are so caught up in the immediate—the details that require our attention every day—that we can be blind to the bigger forces shaping us. That’s why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts.” Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. “I wanted to balance the familiar—the sound that people associate with my music— against these moments of surprise,” Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet. LP is half-speed mastered by Matt Colton of Metropolis Studios in London UK. First album with Dan Snaith vocals on all tracks. Saxophone & guitar performance by Colin Fisher. LP is pressed at RTI on lead-free black vinyl
April 23 street date. For nearly two decades, Hayes Carll has been making consistently great singer-songwriter records, influenced by the back-porch songcraft of Townes Van Zandt and Guy Clark. While off the road in Nashville for his longest stretch in years, Carll had the chance to revisit some of his best material - which he reimagines on a new acoustic album, "Alone Together Sessions". The collection includes duets with his wife Alison Moorer and Ray Wylie Hubbard. "Alone Together Sessions" is a loose, soulful, and ruff hewn collection of some of Carll's finest performances to date.
June 25 street date. New 12" single from Rough Trade Records' newest signing, London-based band caroline. caroline began in early 2017, evolving out of weekly improvisation sessions. Band members brought together their shared influences, including Midwestern emo, Appalachian folk, minimalist classical and various forms of electronic music, slowly expanding their on-stage membership as the songs developed. Rough Trade released their debut single "Dark Blue" in March 2020, and the eight-piece were nominated as Ones To Watch at the 2020 AIM Awards, and narrowly beaten by Arlo Parks.
May 29 street date. caroline’s debut 12" single features lead track ‘Dark blue’ (A side) and ‘BRJ’ (B side). London based caroline began as a three-piece (Jasper Llewellyn, Mike O'Malley, Casper Hughes) in early 2017, initially evolving out of weekly improvisation sessions. Bringing together shared influences in, and experiences of playing, midwestern ‘emo’ guitar music, Appalachian folk, minimalist classical and various forms of dance music. The group spent a year and a half playing privately, without a project name. Reiterating, deconstructing and re-building the same small handful of songs over and over again, the group slowly expanded their on-stage members before playing their debut show as caroline in 2018. A hand drawn 12” insert is included with all orders.
February 5 street date. Much has changed in the musical life of renowned composer and director John Carpenter since 2016's "Lost Themes II". Following the release of that album, he went on his first-ever concert tour, performing material from the "Lost Themes" albums, as well as music from his classic film scores. He re-recorded many of those classic movie themes for 2017's "Anthology" album, working alongside son Cody Carpenter and godson Daniel Davies. The following year, he was asked to executive produce and compose the music for the new "Halloween" movie directed by David Gordon Green. Now, he returns with his first album of non-soundtrack music in nearly five years, "Lost Themes III: Alive After Death". Underpinning Carpenter's renaissance as a musician has been his collaboration with Cody Carpenter and Daniel Davies. They've composed and performed as a trio throughout this entire run, on studio albums, on soundtracks, and onstage. Here, the trio reaches a new level of creative mind meld. Richly rendered worlds are built in the interplay between Davies' guitar and the dueling synthesizers played by the Carpenters.
February 5 street date. Much has changed in the musical life of renowned composer and director John Carpenter since 2016's "Lost Themes II". Following the release of that album, he went on his first-ever concert tour, performing material from the "Lost Themes" albums, as well as music from his classic film scores. He re-recorded many of those classic movie themes for 2017's "Anthology" album, working alongside son Cody Carpenter and godson Daniel Davies. The following year, he was asked to executive produce and compose the music for the new "Halloween" movie directed by David Gordon Green. Now, he returns with his first album of non-soundtrack music in nearly five years, "Lost Themes III: Alive After Death". Underpinning Carpenter's renaissance as a musician has been his collaboration with Cody Carpenter and Daniel Davies. They've composed and performed as a trio throughout this entire run, on studio albums, on soundtracks, and onstage. Here, the trio reaches a new level of creative mind meld. Richly rendered worlds are built in the interplay between Davies' guitar and the dueling synthesizers played by the Carpenters.
February 5 street date. Much has changed in the musical life of renowned composer and director John Carpenter since 2016's "Lost Themes II". Following the release of that album, he went on his first-ever concert tour, performing material from the "Lost Themes" albums, as well as music from his classic film scores. He re-recorded many of those classic movie themes for 2017's "Anthology" album, working alongside son Cody Carpenter and godson Daniel Davies. The following year, he was asked to executive produce and compose the music for the new "Halloween" movie directed by David Gordon Green. Now, he returns with his first album of non-soundtrack music in nearly five years, "Lost Themes III: Alive After Death". Underpinning Carpenter's renaissance as a musician has been his collaboration with Cody Carpenter and Daniel Davies. They've composed and performed as a trio throughout this entire run, on studio albums, on soundtracks, and onstage. Here, the trio reaches a new level of creative mind meld. Richly rendered worlds are built in the interplay between Davies' guitar and the dueling synthesizers played by the Carpenters. Includes a massive 24" x 36" foldout poster.
May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI.
May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI.
May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI.
July 3 street date. Beggars Arkive is excited to reissue "Between 10th and 11th", the second album by The Charlatans, out on July 3rd. Available on double clear vinyl and double CD, the reissue contains the original album plus remastered tracks from the often-bootlegged live show from Chicago in 1991, known as "Isolation 21.2.91", a holy grail amongst fans. "Between 10th and 11th" was originally released in 1992 and contained the hit "Weirdo", as well as singles "Tremolo Song" and "I Don't Want To See The Sights". Produced by Flood, you can hear the pure crispness in the audio. Entertainment Weekly said that "Between 10th and 11th" "consolidates the band's riveting, hypnotic attack, all musical tips o' the hat to the 60s and 70s, smeared over a smorgasbord of unrelenting dance beats and topped with hook ("I Don’t Want to See the Sights") after hook ("Weirdo")."
July 3 street date. Beggars Arkive is excited to reissue "Between 10th and 11th", the second album by The Charlatans, out on July 3rd. Available on double clear vinyl and double CD, the reissue contains the original album plus remastered tracks from the often-bootlegged live show from Chicago in 1991, known as "Isolation 21.2.91", a holy grail amongst fans. "Between 10th and 11th" was originally released in 1992 and contained the hit "Weirdo", as well as singles "Tremolo Song" and "I Don't Want To See The Sights". Produced by Flood, you can hear the pure crispness in the audio. Entertainment Weekly said that "Between 10th and 11th" "consolidates the band's riveting, hypnotic attack, all musical tips o' the hat to the 60s and 70s, smeared over a smorgasbord of unrelenting dance beats and topped with hook ("I Don’t Want to See the Sights") after hook ("Weirdo")."
October 8 street date. Beggars Arkive is happy to announce the reissue of The Charlatans self-titled fourth album. This pressing, which hasn't been reissued on vinyl in over twenty years is on marbled double yellow vinyl with a gatefold sleeve. The audio is via transfer to 96khz/24 bit, with vinyl mastering by Frank Arkwright at Abbey Road. This release originally came out in 1995 and was their most ambitious and focused album to date. The album spawned three UK top 40 singles, "Crashin' In", "Just Lookin’", and "Just When You're Thinkin' Things Over"and returned them right back to the number one slot in the charts. As Tim Burgess told Digital Spy in 2015, "the thing about the Britpop thing that was happening, 'Jesus Hairdo' came out in June and we started straight away on our next album, which became The Charlatans... 'Just When You're Thinking Things Over' got put on daytime rotation on Radio 1 and went in at 15, which was brilliant. That set the album up and the album went to number one. It was amazing. We got single of the week in the NME the week that 'Country House' by Blur and Oasis’ 'Roll With It' came out but we didn't think about that at all - it was everybody else. We just had our biggest hit since 'The Only One I Know'."
September 10 street date. In celebration of what would have been Ray Charles' 90th birthday, Tangerine Records, the label he founded in 1962, is proud to announce the September 10, 2021 release of "True Genius" - the ultimate Ray Charles collection. Featuring 90 of his greatest songs and most important recordings of his legendary career, this newly remastered six CD box set includes all of his biggest hits, along with a special bonus disc of eight previously unreleased tracks, recorded live in Stockholm in 1972. This incredible bonus disc is only available with the purchase of the physical box set. This limited edition 6 CD box set also contains a beautifully designed "coffee table" 44 page book that includes rare, unseen photos and other Charles memorabilia, with liner notes written by Ray Charles Foundation President Valerie Ervin, legendary writer A. Scott Galloway and a special message from the one and only Quincy Jones.
Please note new street date: May 29. Salt Lake City's indie pop favorites Choir Boy return after four years with the release of their new cosmic album, "Gathering Swans". An emotionally powerful record, full of poignant heartbreak and gently steeped in pop nostalgia, Choir Boy push their distinctive sound further, while tenderly romancing the unsuspected. "Gathering Swans" builds upon Choir Boy's infectiousness with unique pop sensibilities and impeccable polish. The first single, "Complainer", demonstrates Adam Klopp's angelic voice effortlessly floating within the heart-wrenchingly somber melodies, that in a tender state, will surely render tears. Creative, sincere, passionate and glaring with intention, "Gathering Swans" paints a bright, hopeful, and deeply heartfelt image that will most assuredly attract anyone who accompanies Choir Boy upon their journey.
Please note new street date: May 29. Salt Lake City's indie pop favorites Choir Boy return after four years with the release of their new cosmic album, "Gathering Swans". An emotionally powerful record, full of poignant heartbreak and gently steeped in pop nostalgia, Choir Boy push their distinctive sound further, while tenderly romancing the unsuspected. "Gathering Swans" builds upon Choir Boy's infectiousness with unique pop sensibilities and impeccable polish. The first single, "Complainer", demonstrates Adam Klopp's angelic voice effortlessly floating within the heart-wrenchingly somber melodies, that in a tender state, will surely render tears. Creative, sincere, passionate and glaring with intention, "Gathering Swans" paints a bright, hopeful, and deeply heartfelt image that will most assuredly attract anyone who accompanies Choir Boy upon their journey.
August 13 street date. Newly signed to 4AD, Lucinda Chua is a singer, songwriter, composer, producer and multi-instrumentalist based in South London with British, Malaysian and ancient Chinese heritage. Primarily using her voice, a cello, and an array of effects units, Chua writes ambient pop songs that are intimate, atmospheric, and totally enchanting. Chua self-released her debut EP "Antidotes 1" in 2019 and it was critically acclaimed by the likes of Pitchfork, Dazed and The Guardian. A sister release "Antidotes 2" expands Chua's unique sonic vocabulary, with subliminal textures that bleed into each other before fading away. If "Antidotes 1" was Chua building the landscape and scenery for her music, then "Antidotes 2" is her living within it. This special vinyl edition of "Antidotes" will include both EP's.
March 26 street date. Citizen have always eluded definition. The Toledo, Ohio-based four-piece have been making dynamic, wide-ranging guitar music for over ten years, challenging expectations with each new album and refusing to fit neatly in a box. On their fourth full-length, "Life In Your Glass World", Citizen have crafted their most singular work to date completely on their own terms - proving that only the band themselves can define their identity. Recorded in vocalist Mat Kerekes' home studio in his garage, Citizen's need to continue moving forward creatively went hand in hand with their desire to be fully in control of their creative destiny. The new process afforded the band time to focus on each song's individual mood, making their sig-nature blend of aggression and melody all the more pronounced, and even capturing appealing imperfections. The result is an album that represents the members' vision in its purest form, something that feels distinctly Citizen while also marking the start of a fresh chapter.
April 3 street date. Clams Casino stands amongst the most respected hip-hop producers in the game today. After several years of underground notoriety, Clams became widely known after producing several of the standout tracks on A$AP Rocky’s monolithic debut mixtape "Live. Love. ASAP" and has received widespread critical acclaim for his collaborations with Lil Peep, Vince Staples, Lil B, Mac Miller, The Weeknd, Joji amongst others. His hugely anticipated instrumental album "Moon Trip Radio" is a stunning collection of tracks that showcase his immense talent as both a composer and producer.
Please note new street date: February 12. What are we to make of the world? In many ways, the title "New Fragility" perfectly sums up our collective state of unease and anxiety, but it's particularly apt for singer songwriter Alec Ounsworth aka Clap Your Hands Say Yeah and the trauma he's spent the best part of three years processing. Yet it also showcases what Ounsworth has become so masterful at - couching a certain level of seriousness in something fun. Something danceable. It's what's powered some of Clap Your Hands Say Yeah's most memorable moments, and what makes "New Fragility" such an accomplished, affecting record. Powerful too, taking aim at what Ounsworth calls "the failed democratic experiment that is the United States of America" and the supine hypocrisy of those currently in government. Trace the arc of Clap Your Hands Say Yeah's evolution and it shows an accomplished musician and composer sounding ever more confident, constantly refining and broadening his sound and indulging an ever wider set of influences. Few have been as consistently brilliant, eclectic, and intimate; fewer still have done so while being defiantly, 100% independent, refusing to sign deals that compromise artistic vision.
February 12 street date. Black vinyl edition. What are we to make of the world? In many ways, the title "New Fragility" perfectly sums up our collective state of unease and anxiety, but it's particularly apt for singer songwriter Alec Ounsworth aka Clap Your Hands Say Yeah and the trauma he's spent the best part of three years processing. Yet it also showcases what Ounsworth has become so masterful at - couching a certain level of seriousness in something fun. Something danceable. It's what's powered some of Clap Your Hands Say Yeah's most memorable moments, and what makes "New Fragility" such an accomplished, affecting record. Powerful too, taking aim at what Ounsworth calls "the failed democratic experiment that is the United States of America" and the supine hypocrisy of those currently in government. Trace the arc of Clap Your Hands Say Yeah's evolution and it shows an accomplished musician and composer sounding ever more confident, constantly refining and broadening his sound and indulging an ever wider set of influences. Few have been as consistently brilliant, eclectic, and intimate; fewer still have done so while being defiantly, 100% independent, refusing to sign deals that compromise artistic vision.
Please note new street date: February 12. Milky clear translucent vinyl edition, limited to 1000 copies. What are we to make of the world? In many ways, the title "New Fragility" perfectly sums up our collective state of unease and anxiety, but it's particularly apt for singer songwriter Alec Ounsworth aka Clap Your Hands Say Yeah and the trauma he's spent the best part of three years processing. Yet it also showcases what Ounsworth has become so masterful at - couching a certain level of seriousness in something fun. Something danceable. It's what's powered some of Clap Your Hands Say Yeah's most memorable moments, and what makes "New Fragility" such an accomplished, affecting record. Powerful too, taking aim at what Ounsworth calls "the failed democratic experiment that is the United States of America" and the supine hypocrisy of those currently in government. Trace the arc of Clap Your Hands Say Yeah's evolution and it shows an accomplished musician and composer sounding ever more confident, constantly refining and broadening his sound and indulging an ever wider set of influences. Few have been as consistently brilliant, eclectic, and intimate; fewer still have done so while being defiantly, 100% independent, refusing to sign deals that compromise artistic vision.
Please note new street date: March 26. David Kilgour on "Mister Pop": ""Mister Pop" began in Brooklyn, NY, at Gary Olson's Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing "he's a factory man", so I dried off and went down and wrote "Factory Man" while thinking heavily of The Kinks". Robert Scott on "Mister Pop": "I remember thinking at the start of the NY sessions with Gary Olson, "is this the start of a new album?". We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on "Tensile", one of my faves along with the pure pop of "Dreamlife".
Please note new street date: March 26. David Kilgour on "Unknown Country": "The Clean always wanna try something different, but on this LP, we were obsessed with the idea. I remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed. Might also explain all the instrumentals! Made during the Balkan War, hence the reference. And for the freaks, I think "Balkans" is the only Clean track ever to not actually feature The Clean playing. It's all Alan Starrett, as we removed the backing track". Robert Scott on "Unknown Country": "This album is very different from our other albums. We didn't go into the studio with many "song" ideas - a lot of it was written on the spot. I really enjoyed recording this as it was free of expectation. We weren't playing much live at the time. Certainly our most experimental album".
July 9 street date. This LP finally brings a Clipping fan-favorite, 2016's "Wriggle", onto vinyl in an improved, expanded version that features new art, previously unreleased remixes, and a track that's exclusive to the vinyl format. The original, digital-only "Wriggle" EP was six tracks that weren't finished in time to make it onto the group's 2014 Sub Pop debut, "CLPPNG". With this vinyl edition, Clipping fans old and new - and there are many new fans thanks to their breakout 2020 album, "Visions of Bodies Being Burned", and Daveed Diggs' thriving acting career - get the vinyl version of "Wriggle" they've been clamoring for.
July 9 street date. This LP finally brings a Clipping fan-favorite, 2016's "Wriggle", onto vinyl in an improved, expanded version that features new art, previously unreleased remixes, and a track that's exclusive to the vinyl format. The original, digital-only "Wriggle" EP was six tracks that weren't finished in time to make it onto the group's 2014 Sub Pop debut, "CLPPNG". With this vinyl edition, Clipping fans old and new - and there are many new fans thanks to their breakout 2020 album, "Visions of Bodies Being Burned", and Daveed Diggs' thriving acting career - get the vinyl version of "Wriggle" they've been clamoring for.
Please note new street date: February 26. Black vinyl edition. 2009's "Further Complications" is joined by a 12-inch featuring "You're In My Eyes (Discosong)".
Please note new street date: February 26. Black vinyl edition. 2006's "Jarvis" comes with a seven-inch single featuring his rabble-rousing classic single "Running The World", which was the subject of a UK, fan-campaign to get it into the Christmas charts last year in the aftermath of the general election.
Please note new street date: December 4 (CD). Few groups in recent history forged as confounding and alchemical a body of work as Coil, the partnership of Peter 'Sleazy' Christopherson and John Balance. From album to album and phase to phase their recordings spelunk perplexing depths of esoteric industrial, occult electronics, and drugged poetry, both embodying and alienating parallel currents of their peers. The late 1990s in particular were a fertile era for the duo, embracing chance, chaos, and collaboration, enhanced by recent advancements in synthesis and sampling. Fittingly, at the summit of the decade's long, intoxicated arc, their divergent strains of interstitial ritual congealed into one of Coil's most celebrated and hallucinatory creations: "Music To Play In The Dark". Although the album's creative process was admittedly "iterative" and "a bit of a drug blur", the results are astoundingly inventive and well realized, winding through shades of divination dirge, wormhole kosmische, noir lounge, ominous humor, and black mass downtempo, guided by Balance's cryptic lunar muse. What's most remarkable about the album 20 years after its release is how brazen, insular, and unpredictable it still feels.
November 27 street date. Few groups in recent history forged as confounding and alchemical a body of work as Coil, the partnership of Peter 'Sleazy' Christopherson and John Balance. From album to album and phase to phase their recordings spelunk perplexing depths of esoteric industrial, occult electronics, and drugged poetry, both embodying and alienating parallel currents of their peers. The late 1990s in particular were a fertile era for the duo, embracing chance, chaos, and collaboration, enhanced by recent advancements in synthesis and sampling. Fittingly, at the summit of the decade's long, intoxicated arc, their divergent strains of interstitial ritual congealed into one of Coil's most celebrated and hallucinatory creations: "Music To Play In The Dark". Although the album's creative process was admittedly "iterative" and "a bit of a drug blur", the results are astoundingly inventive and well realized, winding through shades of divination dirge, wormhole kosmische, noir lounge, ominous humor, and black mass downtempo, guided by Balance's cryptic lunar muse. What's most remarkable about the album 20 years after its release is how brazen, insular, and unpredictable it still feels.
August 27 street date. "Every Day is a Day" is Cold Hart's first LP for Epitaph. As a co-founder of the seminal rap collective GothBoiClique, (along with Lil Peep, Lil Tracy, YAWNS) Cold Hart has consistently been on the cutting edge of alternative hip-hop and rock since 2013 as a vocalist, songwriter, and producer. By pairing components of rap with seemingly unrelated genres like emo and gothic rock, Cold Hart has become an innovator of genre-defying music. Coming hot on the heels of the stratospheric success of Cold Hart's Lil Peep collaboration, "Me & You," with over 60 million global streams to date, his path is well established in the digital space, with current catalog streams at over 1million/week. With his new album "Every Day Is A Day", Cold Hart has progressed beyond emo rap as he developed a newer, fuller sound, that he describes as "hands on guitar stuff with a soulful twist".
August 27 street date. "Every Day is a Day" is Cold Hart's first LP for Epitaph. As a co-founder of the seminal rap collective GothBoiClique, (along with Lil Peep, Lil Tracy, YAWNS) Cold Hart has consistently been on the cutting edge of alternative hip-hop and rock since 2013 as a vocalist, songwriter, and producer. By pairing components of rap with seemingly unrelated genres like emo and gothic rock, Cold Hart has become an innovator of genre-defying music. Coming hot on the heels of the stratospheric success of Cold Hart's Lil Peep collaboration, "Me & You," with over 60 million global streams to date, his path is well established in the digital space, with current catalog streams at over 1million/week. With his new album "Every Day Is A Day", Cold Hart has progressed beyond emo rap as he developed a newer, fuller sound, that he describes as "hands on guitar stuff with a soulful twist".
Please note new street date: June 26. Coriky is a band from Washington, D.C. with Ian MacKaye (Fugazi, Minor Threat), Joe Lally (Fugazi), and Amy Farina (The Evens). Formed in 2015, Coriky did not play their first show until 2018. They have recorded one album. They hope to tour.
Please note new street date: June 26. Coriky is a band from Washington, D.C. with Ian MacKaye (Fugazi, Minor Threat), Joe Lally (Fugazi), and Amy Farina (The Evens). Formed in 2015, Coriky did not play their first show until 2018. They have recorded one album. They hope to tour.
March 27 street date. Forged in trauma and an intense, bewildering slew of mixed emotions - wildfires raged near the secluded cabin near Kelowna in which he was recording, his grandfather passed away from said wildfires during the recording process, and he discovered his new feelings of love were mutual only a day before she moved to Paris - Vancouver's Ian William Craig has created an album of incredible beauty, sadness and depth. "Red Sun Through Smoke" is a profoundly moving album, a standout record in a prolific body of work that shows no sign of faltering.
March 27 street date. Forged in trauma and an intense, bewildering slew of mixed emotions - wildfires raged near the secluded cabin near Kelowna in which he was recording, his grandfather passed away from said wildfires during the recording process, and he discovered his new feelings of love were mutual only a day before she moved to Paris - Vancouver's Ian William Craig has created an album of incredible beauty, sadness and depth. "Red Sun Through Smoke" is a profoundly moving album, a standout record in a prolific body of work that shows no sign of faltering.
August 29 RSD street date. Mikal Cronin experienced a creativity boom in late 2018/early 2019, inspired in part by the massive wildfires in Southern California. Forced to evacuate from the Idyllwild cabin where he’d been writing songs, Cronin returned to Los Angeles ready to make something. In fact, he recorded two albums: Seeker, released in October 2019, and its electronic counterpart Switched-On Seeker, out April 18, 2020, aka Record Store Day. The idea for Switched-On Seeker, whose title was inspired by a series of early electronic music records by Wendy Carlos playing classical music on an early Moog system, arose from Cronin’s interest in synths and electronic music, and he set out to rerecord the songs of Seeker track by track using only his voice and a collection of synthesizers and drum machines. Alone in his garage, Cronin made the album with a variety of synths including Arturia DrumBrute, Moog Sub 37, Moog Mother-32, Hohner String Performer, Mellotron, Omnichord, various little Casios, Roland SH-01A, Korg R3, and classic drum machine samples. While the overarching theme of destruction and rebirth unites Seeker and Switched-On Seeker, everything else about these two albums is different. Experience your favorite songs from Seeker in a whole new way on this Record Store Day exclusive LP!
January 15 street date. Rat-a-Tat-Tat! Is that the sound of the reaper knocking on your door to collect your soul - or Dale Crover hammering out another distinctive drum fill? There are pretty good odds it's the latter; between 36 years (and about as many full-lengths and EPs) as drummer/bassist for the Melvins and his contributions to acts as varied as Altamont, Peeping Tom, Redd Kross, Shrinebuilder, and a little band called Nirvana, he's built quite the body of work. In 2017, he added a proper solo album to his extensive catalog, "Fickle Finger of Fate". Now he's followed that with "Rat-a-Tat-Tat!". Crover takes the solo thing seriously: he wrote the album while on the road and provided vocals, drums, guitars, vibraphone, and miscellaneous percussion. So what's different this time around? Crover assembled an actual band to help him out. Redd Kross bassist Steve McDonald asked Crover to open for Redd Kross, Crover asked McDonald to play bass for him, and the rest is history.In addition to McDonald, Toshi Kasai (ex-Big Business, Plan D) helps with keyboards, synths, jawharp, and backing vocals. Mindee Jorgensen (Dangerously Sleazy) sits behind the kit live and contributes additional drumming and some sweet saxophone skills here. His former Altamont bandmate Dan Southwick plays bass on "Tougher", a track Crover cowrote with Kasai.
January 15 street date. Rat-a-Tat-Tat! Is that the sound of the reaper knocking on your door to collect your soul - or Dale Crover hammering out another distinctive drum fill? There are pretty good odds it's the latter; between 36 years (and about as many full-lengths and EPs) as drummer/bassist for the Melvins and his contributions to acts as varied as Altamont, Peeping Tom, Redd Kross, Shrinebuilder, and a little band called Nirvana, he's built quite the body of work. In 2017, he added a proper solo album to his extensive catalog, "Fickle Finger of Fate". Now he's followed that with "Rat-a-Tat-Tat!". Crover takes the solo thing seriously: he wrote the album while on the road and provided vocals, drums, guitars, vibraphone, and miscellaneous percussion. So what's different this time around? Crover assembled an actual band to help him out. Redd Kross bassist Steve McDonald asked Crover to open for Redd Kross, Crover asked McDonald to play bass for him, and the rest is history.In addition to McDonald, Toshi Kasai (ex-Big Business, Plan D) helps with keyboards, synths, jawharp, and backing vocals. Mindee Jorgensen (Dangerously Sleazy) sits behind the kit live and contributes additional drumming and some sweet saxophone skills here. His former Altamont bandmate Dan Southwick plays bass on "Tougher", a track Crover cowrote with Kasai.
April 30 street date. Beginning with the dynamic chaos of "Up & Down" and ending with Crumb's closest thing to a lullaby, "Ice Melt"'s ten tracks combine, like ice sculptures melting into a glistening puddle. From the start, the group knew that cohesion was best achieved through plumbing their individual strengths - frontwoman Lila Ramani's earliest songwriting, which catalyzed the group's first two EPs; Bri Aronow's knack for building (dis)affecting soundscapes; the hypnotic grounding of Jonathan Gilad's drums, a Crumb mainstay; and Jesse Brotter's distinctive bass playing, which subtly traces Ramani's vocal melodies while providing an unrelenting pulse. These collective skills make Crumb a project of independent self-discovery, four creative minds converging around an idea that is always shifting and reforming. "Ice Melt" is the cultivation of road-worn musicians exploring brand-new sounds and thematic concepts, pushing themselves into territory they could never have anticipated five years ago.
April 30 street date. Beginning with the dynamic chaos of "Up & Down" and ending with Crumb's closest thing to a lullaby, "Ice Melt"'s ten tracks combine, like ice sculptures melting into a glistening puddle. From the start, the group knew that cohesion was best achieved through plumbing their individual strengths - frontwoman Lila Ramani's earliest songwriting, which catalyzed the group's first two EPs; Bri Aronow's knack for building (dis)affecting soundscapes; the hypnotic grounding of Jonathan Gilad's drums, a Crumb mainstay; and Jesse Brotter's distinctive bass playing, which subtly traces Ramani's vocal melodies while providing an unrelenting pulse. These collective skills make Crumb a project of independent self-discovery, four creative minds converging around an idea that is always shifting and reforming. "Ice Melt" is the cultivation of road-worn musicians exploring brand-new sounds and thematic concepts, pushing themselves into territory they could never have anticipated five years ago.
April 30 street date. Beginning with the dynamic chaos of "Up & Down" and ending with Crumb's closest thing to a lullaby, "Ice Melt"'s ten tracks combine, like ice sculptures melting into a glistening puddle. From the start, the group knew that cohesion was best achieved through plumbing their individual strengths - frontwoman Lila Ramani's earliest songwriting, which catalyzed the group's first two EPs; Bri Aronow's knack for building (dis)affecting soundscapes; the hypnotic grounding of Jonathan Gilad's drums, a Crumb mainstay; and Jesse Brotter's distinctive bass playing, which subtly traces Ramani's vocal melodies while providing an unrelenting pulse. These collective skills make Crumb a project of independent self-discovery, four creative minds converging around an idea that is always shifting and reforming. "Ice Melt" is the cultivation of road-worn musicians exploring brand-new sounds and thematic concepts, pushing themselves into territory they could never have anticipated five years ago.
April 30 street date. Beginning with the dynamic chaos of "Up & Down" and ending with Crumb's closest thing to a lullaby, "Ice Melt"'s ten tracks combine, like ice sculptures melting into a glistening puddle. From the start, the group knew that cohesion was best achieved through plumbing their individual strengths - frontwoman Lila Ramani's earliest songwriting, which catalyzed the group's first two EPs; Bri Aronow's knack for building (dis)affecting soundscapes; the hypnotic grounding of Jonathan Gilad's drums, a Crumb mainstay; and Jesse Brotter's distinctive bass playing, which subtly traces Ramani's vocal melodies while providing an unrelenting pulse. These collective skills make Crumb a project of independent self-discovery, four creative minds converging around an idea that is always shifting and reforming. "Ice Melt" is the cultivation of road-worn musicians exploring brand-new sounds and thematic concepts, pushing themselves into territory they could never have anticipated five years ago.
Please note new street date: August 13. Cub Scout Bowling Pins hop in the "Magic Taxi", turn on the AM radio and time travel forty to forty-five years back in time. The project is mysteriously presented, but it's a thinly-veiled alias of the ridiculously prolific and talented Guided By Voices. Minus the usual punk and prog influences, there are strong whiffs of bubble gum, psych and soft rock with sugary doses of ornate baroque pop. Long renowned scholars of rock, the Ohio players have occasionally worn their influences on their sleeves, but this time they seemingly have their jackets on inside out. Perhaps conceptually similar to how GBV went tongue-in-cheek "country" backing Cash Rivers & The Sinners in 2018, but Cub Scout Bowling Pins is a thousand times subtler, like an eccentric cousin of GBV with the craziness knob turned up by 10%. On their debut long player, America’s newest hit-makers dip into retro-futuristic weirdness, side-by-side with whimsical sophistication and candy-coated technicolor complexity.
Please note new street date: August 13. Cub Scout Bowling Pins hop in the "Magic Taxi", turn on the AM radio and time travel forty to forty-five years back in time. The project is mysteriously presented, but it's a thinly-veiled alias of the ridiculously prolific and talented Guided By Voices. Minus the usual punk and prog influences, there are strong whiffs of bubble gum, psych and soft rock with sugary doses of ornate baroque pop. Long renowned scholars of rock, the Ohio players have occasionally worn their influences on their sleeves, but this time they seemingly have their jackets on inside out. Perhaps conceptually similar to how GBV went tongue-in-cheek "country" backing Cash Rivers & The Sinners in 2018, but Cub Scout Bowling Pins is a thousand times subtler, like an eccentric cousin of GBV with the craziness knob turned up by 10%. On their debut long player, America’s newest hit-makers dip into retro-futuristic weirdness, side-by-side with whimsical sophistication and candy-coated technicolor complexity.
September 18 street date. Cults were deep into the process of recording their fourth full-length LP when singer Madeline Follin let a secret slip. At the time, it seemed inconsequential, just a passing comment amongst friends, but in the end, it would prove to be a monumental revelation, one that would change the acclaimed New York duo forever. What followed was a radical reimagining, both of the band's sound and its dynamic, and the result is Cults' utterly mesmerizing new album, ‘Host’. Written more collaboratively than ever before and recorded primarily with live instruments for the first time, the collection marks the start of a bold new chapter for the band, one fueled by an ever-deepening trust and a boundless appetite for growth and experimentation. The songs here are deceptively charming, with lush, airy arrangements that belie their dark, weighty lyrics, and the production is rich and multifaceted to match, blending retro and futuristic palettes into a spellbinding swirl of high-def indie rock and lo-fi bedroom pop. Four albums in and the duo is still discovering fresh layers and possibility within their creative relationship, a bond which grows richer and more rewarding by the day.
September 18 street date. Cults were deep into the process of recording their fourth full-length LP when singer Madeline Follin let a secret slip. At the time, it seemed inconsequential, just a passing comment amongst friends, but in the end, it would prove to be a monumental revelation, one that would change the acclaimed New York duo forever. What followed was a radical reimagining, both of the band's sound and its dynamic, and the result is Cults' utterly mesmerizing new album, ‘Host’. Written more collaboratively than ever before and recorded primarily with live instruments for the first time, the collection marks the start of a bold new chapter for the band, one fueled by an ever-deepening trust and a boundless appetite for growth and experimentation. The songs here are deceptively charming, with lush, airy arrangements that belie their dark, weighty lyrics, and the production is rich and multifaceted to match, blending retro and futuristic palettes into a spellbinding swirl of high-def indie rock and lo-fi bedroom pop. Four albums in and the duo is still discovering fresh layers and possibility within their creative relationship, a bond which grows richer and more rewarding by the day.
September 18 street date. Cults were deep into the process of recording their fourth full-length LP when singer Madeline Follin let a secret slip. At the time, it seemed inconsequential, just a passing comment amongst friends, but in the end, it would prove to be a monumental revelation, one that would change the acclaimed New York duo forever. What followed was a radical reimagining, both of the band's sound and its dynamic, and the result is Cults' utterly mesmerizing new album, ‘Host’. Written more collaboratively than ever before and recorded primarily with live instruments for the first time, the collection marks the start of a bold new chapter for the band, one fueled by an ever-deepening trust and a boundless appetite for growth and experimentation. The songs here are deceptively charming, with lush, airy arrangements that belie their dark, weighty lyrics, and the production is rich and multifaceted to match, blending retro and futuristic palettes into a spellbinding swirl of high-def indie rock and lo-fi bedroom pop. Four albums in and the duo is still discovering fresh layers and possibility within their creative relationship, a bond which grows richer and more rewarding by the day.
May 14 street date. "Voyager", the seventh LP from Current Joys, rattles with the live-wire feeling that's thrummed through all of Nick Rattigan's previous releases: quavering, scream-itself-hoarse vocals and self-interrogation via song. But here, that bristling, sentimental rock 'n' roll cacophony is overlaid with a soundtrack orchestra guiding it along. It's an odyssey, a grand-sounding journey of self-discovery spread across sixteen tracks. Part ekphrasis, part personal, it's Rattigan learning new ways to understand his own feelings and identity while inspired by the highly-stylized, striking storytelling of filmmakers like Alfred Hitchcock, Terrence Malick, Agnès Varda, and Andrei Tarkovsky. "Voyager" is unlike anything Current Joys has released before. Rattigan's creative process imbues "Voyager" with an intensity and intimacy - with the sense that you're getting to hear, all at once, the disparate parts that make a project - or person - into a sprawling, cinematic whole.
May 14 street date. "Voyager", the seventh LP from Current Joys, rattles with the live-wire feeling that's thrummed through all of Nick Rattigan's previous releases: quavering, scream-itself-hoarse vocals and self-interrogation via song. But here, that bristling, sentimental rock 'n' roll cacophony is overlaid with a soundtrack orchestra guiding it along. It's an odyssey, a grand-sounding journey of self-discovery spread across sixteen tracks. Part ekphrasis, part personal, it's Rattigan learning new ways to understand his own feelings and identity while inspired by the highly-stylized, striking storytelling of filmmakers like Alfred Hitchcock, Terrence Malick, Agnès Varda, and Andrei Tarkovsky. "Voyager" is unlike anything Current Joys has released before. Rattigan's creative process imbues "Voyager" with an intensity and intimacy - with the sense that you're getting to hear, all at once, the disparate parts that make a project - or person - into a sprawling, cinematic whole.
May 14 street date. "Voyager", the seventh LP from Current Joys, rattles with the live-wire feeling that's thrummed through all of Nick Rattigan's previous releases: quavering, scream-itself-hoarse vocals and self-interrogation via song. But here, that bristling, sentimental rock 'n' roll cacophony is overlaid with a soundtrack orchestra guiding it along. It's an odyssey, a grand-sounding journey of self-discovery spread across sixteen tracks. Part ekphrasis, part personal, it's Rattigan learning new ways to understand his own feelings and identity while inspired by the highly-stylized, striking storytelling of filmmakers like Alfred Hitchcock, Terrence Malick, Agnès Varda, and Andrei Tarkovsky. "Voyager" is unlike anything Current Joys has released before. Rattigan's creative process imbues "Voyager" with an intensity and intimacy - with the sense that you're getting to hear, all at once, the disparate parts that make a project - or person - into a sprawling, cinematic whole.
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Digest 
Parquet Courts
Black Market Brass
