November 22 street date. "Nobody Loves You More" is Kim Deal's debut album, although it's technically not her first release under her own name - she self-released a 5-part, 10-song 7" vinyl series in 2013, and beyond that, she's earned her stripes as early as the late 80s with bands Pixies and The Breeders. "Nobody Loves You More" took shape in pieces, coming to light with a variety of collaborators, including Breeders past and present (Mando Lopez, Kelley Deal, Jim Macpherson, and Britt Walford), as well as new friends like Jack Lawrence (The Greenhornes) and Savages' Fay Milton and Ayse Hassan. Tracked over the last several years, the record's last recording was helmed by iconic engineer and Deal's close friend Steve Albini, tracking "A Good Time Pushed" with Jim and Kelley in November 2022. Sonically versatile and propulsively infectious, the resulting record is a celebration of Deal's unmatched artistry, nodding not only to her career highlights with celebrated bands across the alternative landscape, but also to her immovable cultural weight.
November 22 street date. "Nobody Loves You More" is Kim Deal's debut album, although it's technically not her first release under her own name - she self-released a 5-part, 10-song 7" vinyl series in 2013, and beyond that, she's earned her stripes as early as the late 80s with bands Pixies and The Breeders. "Nobody Loves You More" took shape in pieces, coming to light with a variety of collaborators, including Breeders past and present (Mando Lopez, Kelley Deal, Jim Macpherson, and Britt Walford), as well as new friends like Jack Lawrence (The Greenhornes) and Savages' Fay Milton and Ayse Hassan. Tracked over the last several years, the record's last recording was helmed by iconic engineer and Deal's close friend Steve Albini, tracking "A Good Time Pushed" with Jim and Kelley in November 2022. Sonically versatile and propulsively infectious, the resulting record is a celebration of Deal's unmatched artistry, nodding not only to her career highlights with celebrated bands across the alternative landscape, but also to her immovable cultural weight.
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