January 24 street date. The arrival of a new Mogwai album (their eleventh) is cause for great celebration. The album's title, "The Bad Fire", is a working-class Glaswegian term for hell, reflecting the difficult time that members of the band were going through. New to the studio was American producer John Congleton, known for his work with Explosions In The Sky, Sigur Rós, and John Grant. Congleton's work can be heard on the album's three singles. The album opener "God Gets You Back" sounds like Daft Punk being hunted by My Bloody Valentine, while "Fanzine Made Of Flesh" sounds like a victory parade for a baby yeti; and "Lion Rumpus" does actually sound like a lion rumpus. The music of Mogwai is a difficult thing to describe, but an easy thing to experience. At punishing volume, it can annihilate your body, leaving you as little more than a head which should by rights fall helplessly to the ground. Yet the music contains an updraft, a sense of beauty encased in the onslaught. "The Bad Fire" may have been created in dark conditions, but all that is transcended by the act of four musicians working together here, now, in the moment - the only place where Mogwai exist.
January 24 street date. The arrival of a new Mogwai album (their eleventh) is cause for great celebration. The album's title, "The Bad Fire", is a working-class Glaswegian term for hell, reflecting the difficult time that members of the band were going through. New to the studio was American producer John Congleton, known for his work with Explosions In The Sky, Sigur Rós, and John Grant. Congleton's work can be heard on the album's three singles. The album opener "God Gets You Back" sounds like Daft Punk being hunted by My Bloody Valentine, while "Fanzine Made Of Flesh" sounds like a victory parade for a baby yeti; and "Lion Rumpus" does actually sound like a lion rumpus. The music of Mogwai is a difficult thing to describe, but an easy thing to experience. At punishing volume, it can annihilate your body, leaving you as little more than a head which should by rights fall helplessly to the ground. Yet the music contains an updraft, a sense of beauty encased in the onslaught. "The Bad Fire" may have been created in dark conditions, but all that is transcended by the act of four musicians working together here, now, in the moment - the only place where Mogwai exist.
January 24 street date. The arrival of a new Mogwai album (their eleventh) is cause for great celebration. The album's title, "The Bad Fire", is a working-class Glaswegian term for hell, reflecting the difficult time that members of the band were going through. New to the studio was American producer John Congleton, known for his work with Explosions In The Sky, Sigur Rós, and John Grant. Congleton's work can be heard on the album's three singles. The album opener "God Gets You Back" sounds like Daft Punk being hunted by My Bloody Valentine, while "Fanzine Made Of Flesh" sounds like a victory parade for a baby yeti; and "Lion Rumpus" does actually sound like a lion rumpus. The music of Mogwai is a difficult thing to describe, but an easy thing to experience. At punishing volume, it can annihilate your body, leaving you as little more than a head which should by rights fall helplessly to the ground. Yet the music contains an updraft, a sense of beauty encased in the onslaught. "The Bad Fire" may have been created in dark conditions, but all that is transcended by the act of four musicians working together here, now, in the moment - the only place where Mogwai exist.
January 24 street date. The arrival of a new Mogwai album (their eleventh) is cause for great celebration. The album's title, "The Bad Fire", is a working-class Glaswegian term for hell, reflecting the difficult time that members of the band were going through. New to the studio was American producer John Congleton, known for his work with Explosions In The Sky, Sigur Rós, and John Grant. Congleton's work can be heard on the album's three singles. The album opener "God Gets You Back" sounds like Daft Punk being hunted by My Bloody Valentine, while "Fanzine Made Of Flesh" sounds like a victory parade for a baby yeti; and "Lion Rumpus" does actually sound like a lion rumpus. The music of Mogwai is a difficult thing to describe, but an easy thing to experience. At punishing volume, it can annihilate your body, leaving you as little more than a head which should by rights fall helplessly to the ground. Yet the music contains an updraft, a sense of beauty encased in the onslaught. "The Bad Fire" may have been created in dark conditions, but all that is transcended by the act of four musicians working together here, now, in the moment - the only place where Mogwai exist. Indie shop exclusive edition on clear vinyl, limited to 2000 copies.
January 24 street date. The arrival of a new Mogwai album (their eleventh) is cause for great celebration. The album's title, "The Bad Fire", is a working-class Glaswegian term for hell, reflecting the difficult time that members of the band were going through. New to the studio was American producer John Congleton, known for his work with Explosions In The Sky, Sigur Rós, and John Grant. Congleton's work can be heard on the album's three singles. The album opener "God Gets You Back" sounds like Daft Punk being hunted by My Bloody Valentine, while "Fanzine Made Of Flesh" sounds like a victory parade for a baby yeti; and "Lion Rumpus" does actually sound like a lion rumpus. The music of Mogwai is a difficult thing to describe, but an easy thing to experience. At punishing volume, it can annihilate your body, leaving you as little more than a head which should by rights fall helplessly to the ground. Yet the music contains an updraft, a sense of beauty encased in the onslaught. "The Bad Fire" may have been created in dark conditions, but all that is transcended by the act of four musicians working together here, now, in the moment - the only place where Mogwai exist. 3LP deluxe edition includes a bonus LP of album demos.
|
2025/01/24
Recherche de catalogue
