May 3 street date. It's been a decade since John Carpenter recorded the material that would become "Lost Themes", his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With "Lost Themes IV: Noir", they've struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first "Lost Themes", John has referred to these compositions as "soundtracks for the movies in your mind". On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.
May 3 street date. It's been a decade since John Carpenter recorded the material that would become "Lost Themes", his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With "Lost Themes IV: Noir", they've struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first "Lost Themes", John has referred to these compositions as "soundtracks for the movies in your mind". On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.
May 3 street date. It's been a decade since John Carpenter recorded the material that would become "Lost Themes", his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With "Lost Themes IV: Noir", they've struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first "Lost Themes", John has referred to these compositions as "soundtracks for the movies in your mind". On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.
May 3 street date. It's been a decade since John Carpenter recorded the material that would become "Lost Themes", his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With "Lost Themes IV: Noir", they've struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first "Lost Themes", John has referred to these compositions as "soundtracks for the movies in your mind". On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.
May 3 street date. It's been a decade since John Carpenter recorded the material that would become "Lost Themes", his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With "Lost Themes IV: Noir", they've struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first "Lost Themes", John has referred to these compositions as "soundtracks for the movies in your mind". On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.
October 14 street date. The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's "Firestarter". This marks the first official soundtrack that the team has composed together outside of the "Halloween" franchise and their inspiration and evolution as a creative team is on full display. The "Firestarter" soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic.
October 14 street date. The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's "Firestarter". This marks the first official soundtrack that the team has composed together outside of the "Halloween" franchise and their inspiration and evolution as a creative team is on full display. The "Firestarter" soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic.
October 14 street date. The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's "Firestarter". This marks the first official soundtrack that the team has composed together outside of the "Halloween" franchise and their inspiration and evolution as a creative team is on full display. The "Firestarter" soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic.
October 14 street date. The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's "Firestarter". This marks the first official soundtrack that the team has composed together outside of the "Halloween" franchise and their inspiration and evolution as a creative team is on full display. The "Firestarter" soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic.
January 20 street date. As "Halloween Ends" marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of "Halloween", one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread, yet the record includes some groove laden moments reminiscent of "Escape From New York" or some of Carpenter's other more danceable scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility.
January 20 street date. As "Halloween Ends" marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of "Halloween", one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread, yet the record includes some groove laden moments reminiscent of "Escape From New York" or some of Carpenter's other more danceable scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility.
January 20 street date. As "Halloween Ends" marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of "Halloween", one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread, yet the record includes some groove laden moments reminiscent of "Escape From New York" or some of Carpenter's other more danceable scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility.
October 6 street date. John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunting presence in people's record collections. "Anthology II" continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter. With each haunting note and pulsating beat, Carpenter's soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
October 6 street date. John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunting presence in people's record collections. "Anthology II" continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter. With each haunting note and pulsating beat, Carpenter's soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
October 6 street date. John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunting presence in people's record collections. "Anthology II" continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter. With each haunting note and pulsating beat, Carpenter's soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
December 16 street date. New special edition of the original soundtrack to "Halloween Kills", pressed on cloudy clear with red and white splatter colour vinyl and housed in alternative art packaging by frequent John Carpenter collaborator Chris Bilheimer. For "Halloween Kills", Carpenter returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. Director David Gordon Green pushed the musicians to be more experimental and take their modern sound to a chilling new level. Like all of Carpenter's legendary soundtracks, "Halloween Kills" features incredible standalone music that like their "Lost Themes" trilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.
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