September 7 street date. You can always go home again, and so after one lap around the Capital Records track, Interpol have
returned to Matador Records for the release of their long-awaited fourth album, a self-titled offering. In contrast to 2007’s ‘Our Love To Admire’, this self-titled opus hangs together as an album, a set of very different songs that thematically connect. Available on US import, Interpol is presented in 4 unique configurations: deluxe CD with O-card (5,000 pieces earmarked for Canada), a deluxe gatefold double vinyl, plus standard CD and LP. Both LP versions feature a complimentary MP3 download coupon. The deluxe limited edition CDs feature an O-Card and poster, while deluxe limited edition 2 LP sets are pressed on 120 gram vinyl with two 45 RPM 12?‘ discs with large centre holes. There will be limited quantities of a specially designed Interpol 45rpm adapter available.
September 7 street date. You can always go home again, and so after one lap around the Capital Records track, Interpol have
returned to Matador Records for the release of their long-awaited fourth album, a self-titled offering. In contrast to 2007’s ‘Our Love To Admire’, this self-titled opus hangs together as an album, a set of very different songs that thematically connect. Available on US import, Interpol is presented in 4 unique configurations: deluxe CD with O-card (5,000 pieces earmarked for Canada), a deluxe gatefold double vinyl, plus standard CD and LP. Both LP versions feature a complimentary MP3 download coupon. The deluxe limited edition CDs feature an O-Card and poster, while deluxe limited edition 2 LP sets are pressed on 120 gram vinyl with two 45 RPM 12?‘ discs with large centre holes. There will be limited quantities of a specially designed Interpol 45rpm adapter available.
September 7 street date. You can always go home again, and so after one lap around the Capital Records track, Interpol have
returned to Matador Records for the release of their long-awaited fourth album, a self-titled offering. In contrast to 2007’s ‘Our Love To Admire’, this self-titled opus hangs together as an album, a set of very different songs that thematically connect. Available on US import, Interpol is presented in 4 unique configurations: deluxe CD with O-card (5,000 pieces earmarked for Canada), a deluxe gatefold double vinyl, plus standard CD and LP. Both LP versions feature a complimentary MP3 download coupon. The deluxe limited edition CDs feature an O-Card and poster, while deluxe limited edition 2 LP sets are pressed on 120 gram vinyl with two 45 RPM 12?‘ discs with large centre holes. There will be limited quantities of a specially designed Interpol 45rpm adapter available.
Sept. 7 street date. Available in conjunction with the release of Interpol’s brand new self-titled Matador long player, the band’s first two landmark albums are being reissued as 120 Gram Low Price vinyl offerings accompanied with complimentary MP3 download coupons. Interpol’s first album is no work of callow youth but a filler-free, fully realized statement of intent. From the driving ‘PDA’ to the monumental ‘Untitled’ and the haunting ‘Say Hello To The Angels’, this elegant and rich collection is a triumph of melancholy and youthful force. Released in 2002, "Turn On The Bright Lights" shot the band from New York hipsters to one of North America’s most acclaimed and exciting bands, selling over 40,000 copies and counting in Canada. 120 Gram Low Price vinyl includes complimentary MP3 download coupon. - "There's no getting around that "Turn On the Bright Lights" is an incredibly powerful and affecting album. 9.4 / 10 - Pitchfork.
November 19 street date. Interpol's classic debut album "Turn on the Bright Lights" is released as a deluxe, limited, 10th Anniversary Edition, complete with previously unreleased songs, photos, videos and extra bonus material. Available on Double LP + DVD (with additional downloads) or 2CD + DVD, the physical editions document the band around the release of this age-defining album. In addition to the remastered original version of the album, the 10th Anniversary Edition also includes the following extras: 9 bonus tracks on the vinyl edition with songs from the First (2001), Second (2002) and Third (2002) Demos, plus B-sides. 8 additional bonus tracks on the vinyl download coupon from all 3 Demo recordings plus the 2002 Peel Session. DVD Video: Footage from the Mercury Lounge show of May 2000 featuring Sam Fogarino's first performance with the band, Interpol’s first show in LA at the Troubadour from September 2002, (high-quality multi-camera shoot) and music videos for "PDA", "NYC" and "Obstacle 1". 28-page book featuring unpublished photos circa 2000-2003 with glossy photos, gig posters, set lists and liner notes by the band. A free download of all the songs on the album in both MP3 + FLAC on the vinyl edition.
"An incredibly powerful and affecting album" - (9.5) Pitchfork's #1 album of 2002. "One of the decade’s great guitar epics, demanding rapt attention for 49 expertly paced minutes." - Rolling Stone, "Best Albums Of The Decade".
September 9 street date. "El Pintor" is Interpol’s fifth and most exhilarating studio album. It’s a driving, relentless record, taut and epic in equal measure. The album, recorded as a three-piece with frontman & guitarist Paul Banks picking up the bass, kicks off
with "All The Rage Back Home," signalling a return to what Interpol does best, layering pulsing bass, bursts of guitar, and driving drums beneath Banks’ instantly recognizable voice. Meanwhile, "My Desire" features a throbbing beat and insistent guitar riffs that shoot off like flares into the night, while on "Same Town, New Story" Banks crafted up an unexpected melodic context for Daniel Kessler’s laser-sharp guitar lines. In contrast with previous records, Interpol took a step back on "El Pintor" and let the songs happen. What emerged is something urgent and compelling, something revitalized and reenergized. The result is as accomplished and thrilling a collection as the band has ever released. "'El Pintor' is perhaps their best effort since 2004's Antics." - Rolling Stone. "The masters of emotional turbulence." - Q Magazine.
September 9 street date. "El Pintor" is Interpol’s fifth and most exhilarating studio album. It’s a driving, relentless record, taut and epic in equal measure. The album, recorded as a three-piece with frontman & guitarist Paul Banks picking up the bass, kicks off
with "All The Rage Back Home," signalling a return to what Interpol does best, layering pulsing bass, bursts of guitar, and driving drums beneath Banks’ instantly recognizable voice. Meanwhile, "My Desire" features a throbbing beat and insistent guitar riffs that shoot off like flares into the night, while on "Same Town, New Story" Banks crafted up an unexpected melodic context for Daniel Kessler’s laser-sharp guitar lines. In contrast with previous records, Interpol took a step back on "El Pintor" and let the songs happen. What emerged is something urgent and compelling, something revitalized and reenergized. The result is as accomplished and thrilling a collection as the band has ever released. "'El Pintor' is perhaps their best effort since 2004's Antics." - Rolling Stone. "The masters of emotional turbulence." - Q Magazine.
June 10 street date. Solomun reveals his latest remix for popular NYC rock band Interpol. Taken from Interpol's latest album El Pintor, "Everything Is Wrong" has been given a dancefloor-ready makeover from Solomun. His remix preserves the gritty guitar line, adding a subtle but deep bassline and echoed percussion. The vocals are slightly tweaked, their electronic twang reminiscent of '80s bands. As Solomon's strings slowly grow throughout the track. Solomun's remix of "Everything Is Wrong" preserves the mood and melody of the original, yet is a clearly recognizable production of his own.
August 24 street date. One of the most critically and commercially acclaimed bands of the last decade and a half, Interpol release their sixth studio album, Marauder, worldwide on Matador Records. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. Interpol have confirmed a run of worldwide tour dates that include Royal Albert Hall, Madison Square Garden and Hollywood Bowl. They will be in Canada Sept.12 at Montreal’s Olympia Theatre and Sept. 13 at Toronto’s Rebel Nightclub. The album comes as a US import LP, CD and a limited edition Cream coloured vinyl LP exclusive to indie retailers.
August 24 street date. One of the most critically and commercially acclaimed bands of the last decade and a half, Interpol release their sixth studio album, Marauder, worldwide on Matador Records. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. Interpol have confirmed a run of worldwide tour dates that include Royal Albert Hall, Madison Square Garden and Hollywood Bowl. They will be in Canada Sept.12 at Montreal’s Olympia Theatre and Sept. 13 at Toronto’s Rebel Nightclub. The album comes as a US import LP, CD and a limited edition Cream coloured vinyl LP exclusive to indie retailers.
August 24 street date. One of the most critically and commercially acclaimed bands of the last decade and a half, Interpol release their sixth studio album, Marauder, worldwide on Matador Records. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. Interpol have confirmed a run of worldwide tour dates that include Royal Albert Hall, Madison Square Garden and Hollywood Bowl. They will be in Canada Sept.12 at Montreal’s Olympia Theatre and Sept. 13 at Toronto’s Rebel Nightclub. The album comes as a US import LP, CD and a limited edition Cream coloured vinyl LP exclusive to indie retailers.
From the beguiling refrain of the title track, to the soulful topsy-turvy of ‘No Big Deal’, cathartic chorus of long sought-after live favourite ‘Real Life’, anthemic swell of ‘The Weekend’, and angular shades of ‘Thrones’, A Fine Mess is a bracing and distinct entry in Interpol’s oeuvre.
July 15 street date. Interpol's 7th LP "The Other Side of Make-Believe" breaks fresh ground for the group: parallel to exploring the sinister undercurrents of contemporary life, their new songs are imbued with pastoral longing and newfound grace. Daniel Kessler's serpentine guitar arrangements crest skywards, Samuel Fogarino shatters his percussive precision into strange metres, while Paul Banks' sonorous voice exudes a vulnerability that is likely to catch most long-term fans of the band off guard. After all, says Banks, "there's always a seventh time for a first impression". On "The Other Side of Make-Believe", the band's deep interpersonal understanding means each member respects the other's respective strengths more than ever, letting Interpol's elemental qualities shine through. Ever the paradox, they have weathered nearly seven albums' and several line-ups' better than anyone might have predicted, never letting their sense of purpose or dedication escape. A quarter-century into their lifespan, Interpol are all fired up again.
July 15 street date. Interpol's 7th LP "The Other Side of Make-Believe" breaks fresh ground for the group: parallel to exploring the sinister undercurrents of contemporary life, their new songs are imbued with pastoral longing and newfound grace. Daniel Kessler's serpentine guitar arrangements crest skywards, Samuel Fogarino shatters his percussive precision into strange metres, while Paul Banks' sonorous voice exudes a vulnerability that is likely to catch most long-term fans of the band off guard. After all, says Banks, "there's always a seventh time for a first impression". On "The Other Side of Make-Believe", the band's deep interpersonal understanding means each member respects the other's respective strengths more than ever, letting Interpol's elemental qualities shine through. Ever the paradox, they have weathered nearly seven albums' and several line-ups' better than anyone might have predicted, never letting their sense of purpose or dedication escape. A quarter-century into their lifespan, Interpol are all fired up again.
July 15 street date. Interpol's 7th LP "The Other Side of Make-Believe" breaks fresh ground for the group: parallel to exploring the sinister undercurrents of contemporary life, their new songs are imbued with pastoral longing and newfound grace. Daniel Kessler's serpentine guitar arrangements crest skywards, Samuel Fogarino shatters his percussive precision into strange metres, while Paul Banks' sonorous voice exudes a vulnerability that is likely to catch most long-term fans of the band off guard. After all, says Banks, "there's always a seventh time for a first impression". On "The Other Side of Make-Believe", the band's deep interpersonal understanding means each member respects the other's respective strengths more than ever, letting Interpol's elemental qualities shine through. Ever the paradox, they have weathered nearly seven albums' and several line-ups' better than anyone might have predicted, never letting their sense of purpose or dedication escape. A quarter-century into their lifespan, Interpol are all fired up again.
|
2005/11/08
Recherche de catalogue
