September 27 street date. "Stars Are The Light", the luminous seventh album by the American psych explorers Moon Duo, marks a progression into significantly new territory. From a preoccupation with the transcendental and occult that informed Ripley Johnson and Sanae Yamada's guitar-driven psych rock, and reached its apotheosis in the acclaimed "Occult Architecture" diptych, "Stars Are The Light" sees the band synthesize the abstract and metaphysical with the embodied and terrestrial. Branching out from "Occult Architecture Vol. 2", the album has a sonic physicality that is at once propulsive and undulating; it puts dance at the heart of an expansive nexus that connects the body to the stars. Taking disco as its groove-oriented departure point, "Stars Are The Light" shimmers with elements of '70s funk and '90s rave.
September 27 street date. "Stars Are The Light", the luminous seventh album by the American psych explorers Moon Duo, marks a progression into significantly new territory. From a preoccupation with the transcendental and occult that informed Ripley Johnson and Sanae Yamada's guitar-driven psych rock, and reached its apotheosis in the acclaimed "Occult Architecture" diptych, "Stars Are The Light" sees the band synthesize the abstract and metaphysical with the embodied and terrestrial. Branching out from "Occult Architecture Vol. 2", the album has a sonic physicality that is at once propulsive and undulating; it puts dance at the heart of an expansive nexus that connects the body to the stars. Taking disco as its groove-oriented departure point, "Stars Are The Light" shimmers with elements of '70s funk and '90s rave.
August 28 street date. To celebrate the tenth anniversary of Moon Duo’s long-out-of-print debut LP Escape, Sacred Bones is proud to present a new deluxe version of the album. The new reissue will include the original album in its entirety, plus three additional rare tracks taken from Moon Duo’s wild early days. Reflecting on the album in March 2020, the band shared the following statement:“We made this record in a rehearsal space in San Francisco in late 2009. It was kind of a classic band space, shared by a rangy assortment of musicians over months and years, behind one of several similar doors in a dark red hall. A windowless room lit by string lights and an odd assortment of lamps, the walls a palimpsest of posters and gig fliers. There was a grimy, burn-pocked rug, cluttered gear in various stages of use and abandonment, and the air seemed to hang in a permanent film of smoke residue and stale beer. We recorded to a 4-track tape machine over the course of a few nights - we’d just start the beats, hit ‘record’ and let fly. We had a vague sense of coalescence, or fomentation, like a glimpse of a thing in outline which you can’t yet see, but neither of us knew at the time that this was the record that would mark the beginning of our life as a touring band and would initiate our connections to so many (now long-time) friends, familiars and collaborators. Ten years feels like both a lifetime and the blink of an eye - measurable but impossible to quantify. These four tracks, and the others that join them here, are a snapshot of our earliest incarnation: flying blind, but high on the freedom of experimentation and filled with hope for things to come.” “Escape” was originally released on Woodsist in 2010.“A Little Way Different” taken from the Welcome Home: Diggin’ the Universe comp on Woodsist.“Catch As Catch Can” and “Set It On Fire” taken from a 2010 7-inch on Agitated Records.
March 11 street date. New (coloured) vinyl pressing. "Shadow Of The Sun" is the result of a few months of Moon Duo wrangling with a new and unsettling way of being. Working both in a dark basement in Portland, and above ground in sunny San Francisco, these new sounds and songs veered dramatically from groove to groove, revealing sonic textures the duo had not previously explored. The song "Night Beat", with its woozy dance rhythm, is an attempt at finding joy and acceptance on this new, shifting ground, while "Wilding" plays off the familiar Moon Duo sound, taking refuge in a repetitive, grounding riff-scape. Elsewhere the band gives itself entirely up to the trip, cruising along on the fuzzed rhythms of "Slow Down Low" and "Free the Skull", crashing into the clenched-teeth herky-jerk of Zero, and floating down, down, down, on the narcotic mist of "In a Cloud".
March 18 street date. Neon pink coloured vinyl edition of "Mazes", the 2011 album from Moon Duo. Certainly the most pop-oriented batch of songs the band had ever delivered at that time, "Mazes" reveals a more accessible vocal delivery and song structure that is sure to appeal to a wide audience not necessarily well-versed in the psych underground. The concepts of minimalism, expansion through repetition and sensory distortion are all still here and the dynamic interplay between Ripley Johnson's guitar and Sanae Yamada's keyboard continued to push this band and genre into uncharted territory.