September 27 street date. Alan Sparhawk of Low's solo debut for Sub Pop is at once a bold new, electro-pop-infused adventure, and an extension of the innovation and experimentation that drove his work as a member of Low. It is his first album since the tragic 2022 loss of his wife and partner in Low, Mimi Parker. Sparhawk has always been a prolific, protean musician. A restless soul eager to explore unfamiliar sonic and psychic terrain. Though he's obviously (and justifiably) best-known for his thirty years as frontman of the legendary band Low, a look at Sparhawk's many side projects across that same span of time shows him experimenting with everything from punk and funk to production work and improvisation. In many ways "White Roses, My God" feels like a hard break with the past, almost a debut. And yet there's incredible continuity with Sparhawk's past work and his traditional ways of working. He's pathbreaking, yet again, invested as ever in the endless process of becoming himself.
September 27 street date. Alan Sparhawk of Low's solo debut for Sub Pop is at once a bold new, electro-pop-infused adventure, and an extension of the innovation and experimentation that drove his work as a member of Low. It is his first album since the tragic 2022 loss of his wife and partner in Low, Mimi Parker. Sparhawk has always been a prolific, protean musician. A restless soul eager to explore unfamiliar sonic and psychic terrain. Though he's obviously (and justifiably) best-known for his thirty years as frontman of the legendary band Low, a look at Sparhawk's many side projects across that same span of time shows him experimenting with everything from punk and funk to production work and improvisation. In many ways "White Roses, My God" feels like a hard break with the past, almost a debut. And yet there's incredible continuity with Sparhawk's past work and his traditional ways of working. He's pathbreaking, yet again, invested as ever in the endless process of becoming himself.
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