June 7 street date. Goat Girl - Lottie Pendlebury (she/her), Rosy Jones (they/them) and Holly Mullineaux (she/her) - present their third album, "Below The Waste", arriving on Rough Trade Records. Progressing from their angst-fuelled self-titled debut (2018) to the escapist world of sophomore LP "On All Fours" (2021), the South London trio enter their most self-assured era yet with this 16-track record. Pieced together like a collage over an extended period of time, the instrumentation was tracked mostly over a ten-day stint in Ireland at Hellfire Studios, in the shadow of the infamous Hellfire Club itself. They also used Damon Albarn's Studio 13. Additional strings, woodwind instruments, and vocals (including a choir made up of family and friends) were added to this framework at a number of locations, from a barn in Essex to Goat Girl's own studio. Co-produced by the band and John Spud Murphy (Lankum/Black Midi), "Below The Waste" takes the band's distinctive sound to new extremes, as they delve fearlessly into expansive noise-rock, delicate folk and synth-driven pop.
June 7 street date. Goat Girl - Lottie Pendlebury (she/her), Rosy Jones (they/them) and Holly Mullineaux (she/her) - present their third album, "Below The Waste", arriving on Rough Trade Records. Progressing from their angst-fuelled self-titled debut (2018) to the escapist world of sophomore LP "On All Fours" (2021), the South London trio enter their most self-assured era yet with this 16-track record. Pieced together like a collage over an extended period of time, the instrumentation was tracked mostly over a ten-day stint in Ireland at Hellfire Studios, in the shadow of the infamous Hellfire Club itself. They also used Damon Albarn's Studio 13. Additional strings, woodwind instruments, and vocals (including a choir made up of family and friends) were added to this framework at a number of locations, from a barn in Essex to Goat Girl's own studio. Co-produced by the band and John Spud Murphy (Lankum/Black Midi), "Below The Waste" takes the band's distinctive sound to new extremes, as they delve fearlessly into expansive noise-rock, delicate folk and synth-driven pop.
June 7 street date. Goat Girl - Lottie Pendlebury (she/her), Rosy Jones (they/them) and Holly Mullineaux (she/her) - present their third album, "Below The Waste", arriving on Rough Trade Records. Progressing from their angst-fuelled self-titled debut (2018) to the escapist world of sophomore LP "On All Fours" (2021), the South London trio enter their most self-assured era yet with this 16-track record. Pieced together like a collage over an extended period of time, the instrumentation was tracked mostly over a ten-day stint in Ireland at Hellfire Studios, in the shadow of the infamous Hellfire Club itself. They also used Damon Albarn's Studio 13. Additional strings, woodwind instruments, and vocals (including a choir made up of family and friends) were added to this framework at a number of locations, from a barn in Essex to Goat Girl's own studio. Co-produced by the band and John Spud Murphy (Lankum/Black Midi), "Below The Waste" takes the band's distinctive sound to new extremes, as they delve fearlessly into expansive noise-rock, delicate folk and synth-driven pop.
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