February 16 street date. Consider this your invitation to Café Molly, a lounge bar like they don't make anymore. The lights are low, the martinis are ice cold, the banquettes are velvet, and the stage is set for the electrifying talent of whistler Molly Lewis. After the exotica stylings of "The Forgotten Edge" EP and the tropicalia-indebted "Mirage" EP, Molly wanted to encapsulate the sound of Café Molly for her debut album "On The Lips". A dreamy tribute to classic mood music, it conjures up misty visions of classic Hollywood jazz clubs, Italian cinema soundtracks, and lingering embraces between lovers. Recorded with producer Thomas Brenneck of the Menahan Street Band at his newly-built Diamond West Studios in Pasadena, and with something of an open door policy during the sessions, a stream of acclaimed musicians ended up across the album's 10 tracks, including Nick Hakim, Latin Grammy-nominated Brazilian guitarist Rogê, Leland Whitty and Chester Hansen of Badbadnotgood, Leon Michels, and many+ more. With her intoxicating compositions, and wry brand of stagecraft (she might not be singing up there, but she can sure tell a joke) Molly Lewis looks set to join her heroes in the storied lore of the Los Angeles lounge scene and beyond.
February 16 street date. Consider this your invitation to Café Molly, a lounge bar like they don't make anymore. The lights are low, the martinis are ice cold, the banquettes are velvet, and the stage is set for the electrifying talent of whistler Molly Lewis. After the exotica stylings of "The Forgotten Edge" EP and the tropicalia-indebted "Mirage" EP, Molly wanted to encapsulate the sound of Café Molly for her debut album "On The Lips". A dreamy tribute to classic mood music, it conjures up misty visions of classic Hollywood jazz clubs, Italian cinema soundtracks, and lingering embraces between lovers. Recorded with producer Thomas Brenneck of the Menahan Street Band at his newly-built Diamond West Studios in Pasadena, and with something of an open door policy during the sessions, a stream of acclaimed musicians ended up across the album's 10 tracks, including Nick Hakim, Latin Grammy-nominated Brazilian guitarist Rogê, Leland Whitty and Chester Hansen of Badbadnotgood, Leon Michels, and many+ more. With her intoxicating compositions, and wry brand of stagecraft (she might not be singing up there, but she can sure tell a joke) Molly Lewis looks set to join her heroes in the storied lore of the Los Angeles lounge scene and beyond.
February 16 street date. Consider this your invitation to Café Molly, a lounge bar like they don't make anymore. The lights are low, the martinis are ice cold, the banquettes are velvet, and the stage is set for the electrifying talent of whistler Molly Lewis. After the exotica stylings of "The Forgotten Edge" EP and the tropicalia-indebted "Mirage" EP, Molly wanted to encapsulate the sound of Café Molly for her debut album "On The Lips". A dreamy tribute to classic mood music, it conjures up misty visions of classic Hollywood jazz clubs, Italian cinema soundtracks, and lingering embraces between lovers. Recorded with producer Thomas Brenneck of the Menahan Street Band at his newly-built Diamond West Studios in Pasadena, and with something of an open door policy during the sessions, a stream of acclaimed musicians ended up across the album's 10 tracks, including Nick Hakim, Latin Grammy-nominated Brazilian guitarist Rogê, Leland Whitty and Chester Hansen of Badbadnotgood, Leon Michels, and many+ more. With her intoxicating compositions, and wry brand of stagecraft (she might not be singing up there, but she can sure tell a joke) Molly Lewis looks set to join her heroes in the storied lore of the Los Angeles lounge scene and beyond.
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