April 26 street date. Bullion is Nathan Jenkins, an enduring cult figure of electronic music and a producer and songwriter quietly to be found connecting artists, genre, and UK subculture. His credits range from Carly Rae Jepsen, Ben Howard, Nilüfer Yanya, and Avalon Emerson's breakout album "& The Charm" to records for Westerman and Joviale. It's a creative red-thread Bullion ties together on his surprise new album, "Affection" - a warm, occasionally off-kilter and beautifully realised pop record that's bold enough to step from behind-the-scenes and show affection in public. Bullion's music has always been difficult to pin down, but entirely distinctive - and on "Affection", its rich pleasures are in hearing how this uncompromising approach is strengthened, in part, by softening. "Affection" steps into a more emotionally-present, often playful space, with collaborators Carly Rae Jepsen and Charlotte Adigéry gracing songs that prioritise feeling over fixed meaning. In blurring the observational with the introspective, Affection's avant-pop touch abandons categorisation.
April 26 street date. Bullion is Nathan Jenkins, an enduring cult figure of electronic music and a producer and songwriter quietly to be found connecting artists, genre, and UK subculture. His credits range from Carly Rae Jepsen, Ben Howard, Nilüfer Yanya, and Avalon Emerson's breakout album "& The Charm" to records for Westerman and Joviale. It's a creative red-thread Bullion ties together on his surprise new album, "Affection" - a warm, occasionally off-kilter and beautifully realised pop record that's bold enough to step from behind-the-scenes and show affection in public. Bullion's music has always been difficult to pin down, but entirely distinctive - and on "Affection", its rich pleasures are in hearing how this uncompromising approach is strengthened, in part, by softening. "Affection" steps into a more emotionally-present, often playful space, with collaborators Carly Rae Jepsen and Charlotte Adigéry gracing songs that prioritise feeling over fixed meaning. In blurring the observational with the introspective, Affection's avant-pop touch abandons categorisation.
April 26 street date. Bullion is Nathan Jenkins, an enduring cult figure of electronic music and a producer and songwriter quietly to be found connecting artists, genre, and UK subculture. His credits range from Carly Rae Jepsen, Ben Howard, Nilüfer Yanya, and Avalon Emerson's breakout album "& The Charm" to records for Westerman and Joviale. It's a creative red-thread Bullion ties together on his surprise new album, "Affection" - a warm, occasionally off-kilter and beautifully realised pop record that's bold enough to step from behind-the-scenes and show affection in public. Bullion's music has always been difficult to pin down, but entirely distinctive - and on "Affection", its rich pleasures are in hearing how this uncompromising approach is strengthened, in part, by softening. "Affection" steps into a more emotionally-present, often playful space, with collaborators Carly Rae Jepsen and Charlotte Adigéry gracing songs that prioritise feeling over fixed meaning. In blurring the observational with the introspective, Affection's avant-pop touch abandons categorisation.
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